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  1. Behold the Land
    The Black Arts Movement in the South
    Erschienen: 2021; ©2021
    Verlag:  University of North Carolina Press, Chapel Hill

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    Hochschulbibliothek Friedensau
    Online-Ressource
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781469663067
    RVK Klassifikation: LO 94000 ; LO 94030
    Schriftenreihe: The John Hope Franklin Series in African American History and Culture Ser.
    Schlagworte: Black Arts movement--Southern States; American literature--African American authors--History and criticism; African Americans in literature; Electronic books
    Umfang: 1 online resource (245 pages)
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  2. The African American Roots of Modernism
    From Reconstruction to the Harlem Renaissance
    Erschienen: 2011; ©2011.
    Verlag:  University of North Carolina Press, Chapel Hill

    The period between 1880 and 1918, at the end of which Jim Crow was firmly established and the Great Migration of African Americans was well under way, was not the nadir for black culture, James Smethurst reveals, but instead a time of profound... mehr

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    The period between 1880 and 1918, at the end of which Jim Crow was firmly established and the Great Migration of African Americans was well under way, was not the nadir for black culture, James Smethurst reveals, but instead a time of profound response from African American intellectuals. The African American Roots of Modernism explores how the Jim Crow system triggered significant artistic and intellectual responses from African American writers, deeply marking the beginnings of literary modernism and, ultimately, notions of American modernity. In identifying the Jim Crow period with the coming of modernity, Smethurst upsets the customary assessment of the Harlem Renaissance as the first nationally significant black arts movement, showing how artists reacted to Jim Crow with migration narratives, poetry about the black experience, black performance of popular culture forms, and more. Smethurst introduces a whole cast of characters, including understudied figures such as William Stanley Braithwaite and Fenton Johnson, and more familiar authors such as Charles Chesnutt, Pauline Hopkins, and James Weldon Johnson. By considering the legacy of writers and artists active between the end of Reconstruction and the rise of the Harlem Renaissance, Smethurst illuminates their influence on the black and white U.S. modernists who followed. Cover -- Contents -- Acknowledgments -- Introduction: New Forms and Captive Knights in the Age of Jim Crow and Mechanical Reproduction -- One: Dueling Banjos: African American Dualism and Strategies for Black Representation at the Turn of the Century -- Two: Remembering "Those Noble Sons of Ham": Poetry, Soldiers, and Citizens at the End of Reconstruction -- Three: The Black City: The Early Jim Crow Migration Narrative and the New Territory of Race -- Four: Somebody Else's Civilization: African American Writers, Bohemia, and the New Poetry -- Five: A Familiar and Warm Relationship: Race, Sexual Freedom, and U.S. Literary Modernism -- Conclusion: "Our Beautiful White. . . -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780807878088
    Schriftenreihe: The John Hope Franklin Series in African American History and Culture Ser
    Schlagworte: Modernism (Literature); Segregation in literature; African Americans; African Americans; American literature; African Americans; African Americans ; Intellectual life ; 19th century; African Americans ; Intellectual life ; 20th century; African Americans ; Segregation; American literature ; African American authors ; History and criticism; Modernism (Literature) ; United States; Segregation in literature; Electronic books
    Umfang: 1 online resource (265 pages)
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  3. Behold the Land
    The Black Arts Movement in the South
    Erschienen: 2021
    Verlag:  The University of North Carolina Press, Chapel Hill

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    Otto-von-Guericke-Universität, Universitätsbibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781469663067
    Schlagworte: Black Arts movement; American literature; African Americans in literature; Black nationalism in literature; Black nationalism; African Americans
    Umfang: 1 Online-Ressource (1 online resource), 7 halftones
  4. The African American Roots of Modernism
    From Reconstruction to the Harlem Renaissance
    Erschienen: 2011; ©2011.
    Verlag:  University of North Carolina Press, Chapel Hill

    The period between 1880 and 1918, at the end of which Jim Crow was firmly established and the Great Migration of African Americans was well under way, was not the nadir for black culture, James Smethurst reveals, but instead a time of profound... mehr

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Duale Hochschule Baden-Württemberg Heidenheim, Bibliothek
    e-Book Academic Complete
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    Bibliothek LIV HN Sontheim
    ProQuest Academic Complete
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    Bibliothek LIV HN Sontheim
    ProQuest Academic Complete
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    Duale Hochschule Baden-Württemberg Stuttgart, Campus Horb, Bibliothek
    eBook ProQuest
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    Duale Hochschule Baden-Württemberg Mosbach, Bibliothek
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    Hochschulbibliothek Friedensau
    Online-Ressource
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    Duale Hochschule Baden-Württemberg Ravensburg, Bibliothek
    E-Book Proquest
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    Duale Hochschule Baden-Württemberg Stuttgart, Bibliothek
    eBook ProQuest
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    The period between 1880 and 1918, at the end of which Jim Crow was firmly established and the Great Migration of African Americans was well under way, was not the nadir for black culture, James Smethurst reveals, but instead a time of profound response from African American intellectuals. The African American Roots of Modernism explores how the Jim Crow system triggered significant artistic and intellectual responses from African American writers, deeply marking the beginnings of literary modernism and, ultimately, notions of American modernity. In identifying the Jim Crow period with the coming of modernity, Smethurst upsets the customary assessment of the Harlem Renaissance as the first nationally significant black arts movement, showing how artists reacted to Jim Crow with migration narratives, poetry about the black experience, black performance of popular culture forms, and more. Smethurst introduces a whole cast of characters, including understudied figures such as William Stanley Braithwaite and Fenton Johnson, and more familiar authors such as Charles Chesnutt, Pauline Hopkins, and James Weldon Johnson. By considering the legacy of writers and artists active between the end of Reconstruction and the rise of the Harlem Renaissance, Smethurst illuminates their influence on the black and white U.S. modernists who followed. Cover -- Contents -- Acknowledgments -- Introduction: New Forms and Captive Knights in the Age of Jim Crow and Mechanical Reproduction -- One: Dueling Banjos: African American Dualism and Strategies for Black Representation at the Turn of the Century -- Two: Remembering "Those Noble Sons of Ham": Poetry, Soldiers, and Citizens at the End of Reconstruction -- Three: The Black City: The Early Jim Crow Migration Narrative and the New Territory of Race -- Four: Somebody Else's Civilization: African American Writers, Bohemia, and the New Poetry -- Five: A Familiar and Warm Relationship: Race, Sexual Freedom, and U.S. Literary Modernism -- Conclusion: "Our Beautiful White. . . -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780807878088
    Schriftenreihe: The John Hope Franklin Series in African American History and Culture Ser
    Schlagworte: Modernism (Literature); Segregation in literature; African Americans; African Americans; American literature; African Americans; African Americans ; Intellectual life ; 19th century; African Americans ; Intellectual life ; 20th century; African Americans ; Segregation; American literature ; African American authors ; History and criticism; Modernism (Literature) ; United States; Segregation in literature; Electronic books
    Umfang: 1 online resource (265 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

  5. BOOK REVIEWS - Beyond the Color Line and the Iron Curtain: Reading Encounters Between Black and Red, 1922-1963.
    Erschienen: 2004

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    Quelle: Online Contents Komparatistik
    Beteiligt: Baldwin, Kate
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Druck
    Übergeordneter Titel: Comparative literature; Durham, NC : Duke Univ. Press, 1949-; Band 56, Heft 1 (2004), Seite 102-104