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  1. Visions of the human
    art, World War I and the modernist subject
    Autor*in: Slevin, Tom
    Erschienen: 2015
    Verlag:  Tauris, London [u.a.]

    In what ways do the artistic avant-garde's representations of the human body reflect the catastrophe of World War I? The European modernists were inspired by developments in the nineteenth-century, yielding new forms of knowledge about the nature of... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In what ways do the artistic avant-garde's representations of the human body reflect the catastrophe of World War I? The European modernists were inspired by developments in the nineteenth-century, yielding new forms of knowledge about the nature of reality and repositioning the human body as the new 'object' of knowledge. New 'visions' of the human subject were created within this transformation. However, modernity's reactionary political climate - for which World War I provided a catalyst - transformed a once liberal ideal between humanity, environment, and technology, into a tool of disciplinary rationalisation. Visions of the Human considers the consequences of this historical moment for the twentieth and twenty-first centuries. It explores the ways in which the 'technologies of the self' that inspired the avant-garde were increasingly instrumentalised by conservative politics, urbanism, consumer capitalism and the society of 'the spectacle'. This is an engaging and powerful study which challenges prior ideas and explores new ways of thinking about modern visual culture

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1780766319; 9781780766317
    Schriftenreihe: International Library of Modern and Contemporary Art ; 22
    Schlagworte: Human figure in art; Art, European; Modernism (Art); World War, 1914-1918; Human figure in art; Art, European; Modernism (Art); World War, 1914-1918
    Umfang: XII, 331 S, Ill
  2. Visions of the human
    Art, World War I and the modernist subject
    Autor*in: Slevin, Tom
    Erschienen: 2015
    Verlag:  Tauris & Co., London [u.a.]

    In what ways do the artistic avant-garde's representations of the human body reflect the catastrophe of World War I? The European modernists were inspired by developments in the nineteenth-century, yielding new forms of knowledge about the nature of... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    In what ways do the artistic avant-garde's representations of the human body reflect the catastrophe of World War I? The European modernists were inspired by developments in the nineteenth-century, yielding new forms of knowledge about the nature of reality and repositioning the human body as the new 'object' of knowledge. New 'visions' of the human subject were created within this transformation. However, modernity's reactionary political climate - for which World War I provided a catalyst - transformed a once liberal ideal between humanity, environment, and technology, into a tool of disciplinary rationalisation. Visions of the Human considers the consequences of this historical moment for the twentieth and twenty-first centuries. It explores the ways in which the 'technologies of the self' that inspired the avant-garde were increasingly instrumentalised by conservative politics, urbanism, consumer capitalism and the society of 'the spectacle'. This is an engaging and powerful study which challenges prior ideas and explores new ways of thinking about modern visual culture

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781780766317
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: International library of modern and contemporary art ; 22
    Schlagworte: Human figure in art; Art, European / 20th century; Modernism (Art) / Europe; World War, 1914-1918 / In art; Weltkrieg (1914-1918); Kunst; Ästhetik; Bildwissenschaft; Erster Weltkrieg
    Umfang: XII, 331 S., Ill.
  3. Visions of the human
    art, World War I and the modernist subject
    Autor*in: Slevin, Tom
    Erschienen: 2015
    Verlag:  Tauris & Co., London [u.a.]

    In what ways do the artistic avant-garde's representations of the human body reflect the catastrophe of World War I? The European modernists were inspired by developments in the nineteenth-century, yielding new forms of knowledge about the nature of... mehr

     

    In what ways do the artistic avant-garde's representations of the human body reflect the catastrophe of World War I? The European modernists were inspired by developments in the nineteenth-century, yielding new forms of knowledge about the nature of reality and repositioning the human body as the new 'object' of knowledge. New 'visions' of the human subject were created within this transformation. However, modernity's reactionary political climate - for which World War I provided a catalyst - transformed a once liberal ideal between humanity, environment, and technology, into a tool of disciplinary rationalisation. Visions of the Human considers the consequences of this historical moment for the twentieth and twenty-first centuries. It explores the ways in which the 'technologies of the self' that inspired the avant-garde were increasingly instrumentalised by conservative politics, urbanism, consumer capitalism and the society of 'the spectacle'. This is an engaging and powerful study which challenges prior ideas and explores new ways of thinking about modern visual culture

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781780766317
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: International library of modern and contemporary art ; 22
    Schlagworte: Human figure in art; Art, European / 20th century; Modernism (Art) / Europe; World War, 1914-1918 / In art
    Umfang: XII, 331 S., Ill.
    Bemerkung(en):

    Literaturverz. S. 305 - 319
  4. Visions of the human
    art, World War I and the modernist subject
    Autor*in: Slevin, Tom
    Erschienen: 2015
    Verlag:  Tauris, London [u.a.]

    In what ways do the artistic avant-garde's representations of the human body reflect the catastrophe of World War I? The European modernists were inspired by developments in the nineteenth-century, yielding new forms of knowledge about the nature of... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2015:4957:
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 938349
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Signatur:
    a kun 059.1/470
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2015 C 4637
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In what ways do the artistic avant-garde's representations of the human body reflect the catastrophe of World War I? The European modernists were inspired by developments in the nineteenth-century, yielding new forms of knowledge about the nature of reality and repositioning the human body as the new 'object' of knowledge. New 'visions' of the human subject were created within this transformation. However, modernity's reactionary political climate - for which World War I provided a catalyst - transformed a once liberal ideal between humanity, environment, and technology, into a tool of disciplinary rationalisation. Visions of the Human considers the consequences of this historical moment for the twentieth and twenty-first centuries. It explores the ways in which the 'technologies of the self' that inspired the avant-garde were increasingly instrumentalised by conservative politics, urbanism, consumer capitalism and the society of 'the spectacle'. This is an engaging and powerful study which challenges prior ideas and explores new ways of thinking about modern visual culture

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1780766319; 9781780766317
    Schriftenreihe: International Library of Modern and Contemporary Art ; 22
    Schlagworte: Human figure in art; Art, European; Modernism (Art); World War, 1914-1918; Human figure in art; Art, European; Modernism (Art); World War, 1914-1918
    Umfang: XII, 331 S, Ill
  5. Visions of the human
    art, World War I and the modernist subject
    Autor*in: Slevin, Tom
    Erschienen: 2015
    Verlag:  I.B.Tauris, London, [England] ; New York

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781786739964
    Schlagworte: Human figure in art; Art, European; Modernism (Art); Erster Weltkrieg; Bildwissenschaft; Kunst; Ästhetik
    Umfang: 1 online resource (273 pages), illustrations
    Bemerkung(en):

    Description based on online resource; title from PDF title page (EBC, viewed January 31, 2018)
  6. The Edinburgh Companion to Modernism and Technology
    Beteiligt: Beeston, Alix (Mitwirkender); Bloom, Emily C. (Mitwirkender); Deer, Patrick (Mitwirkender); Duffy, Enda (Mitwirkender); Epstein, Josh (Mitwirkender); Funke, Jana (Mitwirkender); Gee, Felicity (Mitwirkender); Goody, Alex (Mitwirkender); Ho, Janice (Mitwirkender); Keane, Damien (Mitwirkender); Krzakowski, Caroline Z. (Mitwirkender); Lam, Joshua (Mitwirkender); Lieberman, Jennifer L. (Mitwirkender); Long, Maebh (Mitwirkender); Ludtke, Laura (Mitwirkender); Mellor, Leo (Mitwirkender); Morin, Emilie (Mitwirkender); Pilsch, Andrew (Mitwirkender); Purdon, James (Mitwirkender); Rabinovitch-Fox, Einav (Mitwirkender); Ross, Shawna (Mitwirkender); Shingler, Katherine (Mitwirkender); Slevin, Tom (Mitwirkender); Snaith, Anna (Mitwirkender); Sorensen, Jennifer (Mitwirkender); Stalter-Pace, Sunny (Mitwirkender); Trotter, David (Mitwirkender); Tung, Charles (Mitwirkender); Wallace, Jeff (Mitwirkender); Whittington, Ian (Mitwirkender)
    Erschienen: 2022; ©2022
    Verlag:  Edinburgh University Press, Edinburgh ; Walter de Gruyter GmbH, Berlin

    The first comprehensive reference book to define and delineate the intersections of modernism and technologyProposes significant new ways for understanding the intersections of modernism and technologyIncludes original research contributions from a... mehr

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    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

     

    The first comprehensive reference book to define and delineate the intersections of modernism and technologyProposes significant new ways for understanding the intersections of modernism and technologyIncludes original research contributions from a diverse and interdisciplinary range of modernist scholarsOffers a key research resource for scholars in modernist studies and cognate areasProvides a classroom-ready collection of essays relevant to undergraduate and graduate courses on modernist literature, art and cultureThough modernism's emergence in an environment of techno-cultural acceleration has long been recognized, recent scholarship has deepened and challenged our understanding of the connections between twentieth-century cultural production and its technological interlocutors. In twenty-eight chapters by leading academics, The Edinburgh Companion to Modernism and Technology re-examines the machines and media that functioned as modernism's contexts and competitors. Grounded in an interdisciplinary approach informed by the theoretical and socio-historical frames of current teaching and research on modernism and technology, this research volume makes a crucial and timely intervention in the field of modernist studies. The scholarly contributions on machines that govern transport, production, and public utilities, on media and communication technologies, on the intersections of technology with the human body, and on the technological systems of the early twentieth century capture the contemporary state of modernist technology studies and chart the future directions of this vibrant area.

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Beeston, Alix (Mitwirkender); Bloom, Emily C. (Mitwirkender); Deer, Patrick (Mitwirkender); Duffy, Enda (Mitwirkender); Epstein, Josh (Mitwirkender); Funke, Jana (Mitwirkender); Gee, Felicity (Mitwirkender); Goody, Alex (Mitwirkender); Ho, Janice (Mitwirkender); Keane, Damien (Mitwirkender); Krzakowski, Caroline Z. (Mitwirkender); Lam, Joshua (Mitwirkender); Lieberman, Jennifer L. (Mitwirkender); Long, Maebh (Mitwirkender); Ludtke, Laura (Mitwirkender); Mellor, Leo (Mitwirkender); Morin, Emilie (Mitwirkender); Pilsch, Andrew (Mitwirkender); Purdon, James (Mitwirkender); Rabinovitch-Fox, Einav (Mitwirkender); Ross, Shawna (Mitwirkender); Shingler, Katherine (Mitwirkender); Slevin, Tom (Mitwirkender); Snaith, Anna (Mitwirkender); Sorensen, Jennifer (Mitwirkender); Stalter-Pace, Sunny (Mitwirkender); Trotter, David (Mitwirkender); Tung, Charles (Mitwirkender); Wallace, Jeff (Mitwirkender); Whittington, Ian (Mitwirkender)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474460552
    Weitere Identifier:
    RVK Klassifikation: EC 5186
    Schriftenreihe: Edinburgh Companions to Literature and the Humanities
    Schlagworte: Moderne; Literatur; Englisch; Technologie
    Umfang: 1 Online-Ressource (472 p.), 40 B/W illustrations 11 colour illustrations 40 black and white & 11 colour illustrations