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  1. Outward
    Adrienne Rich's expanding solitudes
    Autor*in: Pavlić, Ed
    Erschienen: [2021]
    Verlag:  University of Minnesota Press, Minneapolis

    Introduction: "How we are with each other" -- Charting a Radical Geography -- Poems toward an Aesthetics of Experience, 1951-1970 -- Feminism and a Relational Solitude, 1970-1981 -- The Fugitive Condition of Social Solitude, 1981-1991 -- Fugitive and... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction: "How we are with each other" -- Charting a Radical Geography -- Poems toward an Aesthetics of Experience, 1951-1970 -- Feminism and a Relational Solitude, 1970-1981 -- The Fugitive Condition of Social Solitude, 1981-1991 -- Fugitive and Dissident Solitude Mobilized, 1991-2006 -- Mutually Embodied in Radical Solitude, 2006-2012. "The first scholarly study of Adrienne Rich's full career examines the poet through her developing approach to the transformative potential of relationships"--

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781517910785; 9781517910778
    RVK Klassifikation: HU 7295
    Schlagworte: Rich, Adrienne; Feminist poetry, American; Interpersonal relations in literature
    Umfang: 256 Seiten
    Bemerkung(en):

    Includes bibliographical references and index

  2. Outward
    Adrienne Rich's expanding solitudes
    Autor*in: Pavlić, Ed
    Erschienen: [2021]
    Verlag:  University of Minnesota Press, Minneapolis

    Introduction: "How we are with each other" -- Charting a Radical Geography -- Poems toward an Aesthetics of Experience, 1951-1970 -- Feminism and a Relational Solitude, 1970-1981 -- The Fugitive Condition of Social Solitude, 1981-1991 -- Fugitive and... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 138109
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    A 2021/3962
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Mannheim
    500 HU 7295 P338
    keine Fernleihe

     

    Introduction: "How we are with each other" -- Charting a Radical Geography -- Poems toward an Aesthetics of Experience, 1951-1970 -- Feminism and a Relational Solitude, 1970-1981 -- The Fugitive Condition of Social Solitude, 1981-1991 -- Fugitive and Dissident Solitude Mobilized, 1991-2006 -- Mutually Embodied in Radical Solitude, 2006-2012. "The first scholarly study of Adrienne Rich's full career examines the poet through her developing approach to the transformative potential of relationships"--

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781517910785; 9781517910778
    RVK Klassifikation: HU 7295
    Schlagworte: Rich, Adrienne; Feminist poetry, American; Interpersonal relations in literature
    Umfang: 256 Seiten
    Bemerkung(en):

    Includes bibliographical references and index

  3. Call it in the air
    poems
    Autor*in: Pavlić, Ed
    Erschienen: 2022
    Verlag:  Milkweed Editions, Minneapolis, Minnesota

    "Somewhere between elegy and memoir, poetry and prose, Ed Pavlić's Call It in the Air follows the death of a sister into song"-- mehr

    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Somewhere between elegy and memoir, poetry and prose, Ed Pavlić's Call It in the Air follows the death of a sister into song"--

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781571315489
    Auflage/Ausgabe: First edition
    Schlagworte: Poetry
    Umfang: 113 Seiten
  4. Who can afford to improvise?
    James Baldwin and Black music, the lyric and the listeners
    Autor*in: Pavlić, Ed
    Erschienen: 2016
    Verlag:  Fordham University Press, New York

    Universitäts- und Landesbibliothek Düsseldorf
    angr03004.p338
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Landesbibliothekszentrum Rheinland-Pfalz / Pfälzische Landesbibliothek
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    Ausleihe von Bänden möglich, keine Kopien
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780823268481; 9780823276837
    Auflage/Ausgabe: First edition
    Schlagworte: African Americans; Music and literature; Afroamerikanische Musik; Literatur
    Weitere Schlagworte: Baldwin, James (1924-1987); Baldwin, James (1924-1987)
    Umfang: viii, 341 Seiten, Illustrationen, 24 cm
  5. Who can afford to improvise?
    James Baldwin and black music, the lyric and the listeners
    Autor*in: Pavlić, Ed
    Erschienen: [2015]; © 2015
    Verlag:  Fordham University Press, New York ; ProQuest, Ann Arbor, Michigan

    Universität Mainz, Zentralbibliothek
    keine Fernleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823268511
    Umfang: 1 Online-Ressource (viii, 341 Seiten)
    Bemerkung(en):

    Literaturverzeichnis Seite 323-328

    Description based on publisher supplied metadata and other sources

  6. Who can afford to improvise?
    James Baldwin and black music, the lyric and the listeners
    Autor*in: Pavlić, Ed
    Erschienen: 2016
    Verlag:  Fordham University Press, New York

    Universitätsbibliothek Bayreuth
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780823276837
    RVK Klassifikation: HU 3093
    Auflage/Ausgabe: First edition
    Schlagworte: African Americans / Music / History and criticism; Music and literature / United States; Musik; Schwarze. USA; Literatur; Afroamerikanische Musik
    Weitere Schlagworte: Baldwin, James / 1924-1987 / Criticism and interpretation; Baldwin, James (1924-1987)
    Umfang: viii, 341 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references (pages 297-328) and index

    Book I. The uses of the blues : James Baldwin's lyrical quest -- Book II. The uses of the lyric : Billie's quest, Dinah's blues, Jimmy's Amen, and Brother Ray's Hallelujah -- Book III. "For you I was a flame" : Baldwin's lyrical lens on contemporary culture

  7. Who can afford to improvise?
    James Baldwin and black music, the lyric and the listeners
    Autor*in: Pavlić, Ed
    Erschienen: 2016
    Verlag:  Fordham Univ. Press, New York, NY

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2015 A 11387
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Leipzig
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Württembergische Landesbibliothek
    65/14760
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    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780823276837; 9780823268481; 0823268489
    Weitere Identifier:
    9780823268481
    RVK Klassifikation: HU 3093
    Auflage/Ausgabe: 1. ed.
    Schlagworte: African Americans; Music and literature
    Weitere Schlagworte: Baldwin, James (1924-1987)
    Umfang: 341 S., Ill.
  8. Outward
    Adrienne Rich's expanding solitudes
    Autor*in: Pavlić, Ed
    Erschienen: 2021
    Verlag:  University of Minnesota Press, Minneapolis ; London

    "The first scholarly study of Adrienne Rich's full career examines the poet through her developing approach to the transformative potential of relationships"-- mehr

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "The first scholarly study of Adrienne Rich's full career examines the poet through her developing approach to the transformative potential of relationships"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781517910785; 9781517910778
    RVK Klassifikation: HU 7295
    Schlagworte: Rich, Adrienne;
    Weitere Schlagworte: Rich, Adrienne (1929-2012); Rich, Adrienne / 1929-2012 / Criticism and interpretation; Feminist poetry, American / History and criticism; Interpersonal relations in literature; Feminist poetry, American; Interpersonal relations in literature; Criticism, interpretation, etc
    Umfang: 256 Seiten, Portrait (Adrienne Rich), 23 cm
    Bemerkung(en):

    Introduction: "How we are with each other" -- Charting a Radical Geography -- Poems toward an Aesthetics of Experience, 1951-1970 -- Feminism and a Relational Solitude, 1970-1981 -- The Fugitive Condition of Social Solitude, 1981-1991 -- Fugitive and Dissident Solitude Mobilized, 1991-2006 -- Mutually Embodied in Radical Solitude, 2006-2012

  9. Who can afford to improvise?
    James Baldwin and black music, the lyric and the listeners
    Autor*in: Pavlić, Ed
    Erschienen: 2016
    Verlag:  Fordham University Press, New York

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780823276837
    RVK Klassifikation: HU 3093
    Auflage/Ausgabe: First edition
    Schlagworte: African Americans / Music / History and criticism; Music and literature / United States; Musik; Schwarze. USA; Literatur; Afroamerikanische Musik
    Weitere Schlagworte: Baldwin, James / 1924-1987 / Criticism and interpretation; Baldwin, James (1924-1987)
    Umfang: viii, 341 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references (pages 297-328) and index

    Book I. The uses of the blues : James Baldwin's lyrical quest -- Book II. The uses of the lyric : Billie's quest, Dinah's blues, Jimmy's Amen, and Brother Ray's Hallelujah -- Book III. "For you I was a flame" : Baldwin's lyrical lens on contemporary culture

  10. Who can afford to improvise?
    James Baldwin and black music, the lyric and the listeners. Ed Pavlić
    Autor*in: Pavlić, Ed
    Erschienen: 2016
    Verlag:  Fordham Univ. Press, New York, NY

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2015 A 11387
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0823268489; 9780823268481
    RVK Klassifikation: HU 3093
    Schlagworte: African Americans; Music and literature
    Weitere Schlagworte: Baldwin, James (1924-1987)
    Umfang: VIII, 341 S, Ill., cm
  11. Who can afford to improvise?
    James Baldwin and Black music, the lyric and the listeners
    Autor*in: Pavlić, Ed
    Erschienen: 2016
    Verlag:  Fordham University Press, New York

    Universitäts- und Landesbibliothek Düsseldorf
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Landesbibliothekszentrum Rheinland-Pfalz / Pfälzische Landesbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780823268481; 9780823276837
    Auflage/Ausgabe: First edition
    Schlagworte: African Americans; Music and literature
    Weitere Schlagworte: Baldwin, James (1924-1987)
    Umfang: viii, 341 Seiten, Illustrationen, 24 cm
  12. Who Can Afford to Improvise?
    James Baldwin and Black Music, the Lyric and the Listeners
    Autor*in: Pavlić, Ed
    Erschienen: [2015]; © 2015
    Verlag:  Fordham University Press, New York, NY

    More than a quarter-century after his death, James Baldwin remains an unparalleled figure in American literature and African American cultural politics. In Who Can Afford to Improvise? Ed Pavlić offers an unconventional, lyrical, and accessible... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    More than a quarter-century after his death, James Baldwin remains an unparalleled figure in American literature and African American cultural politics. In Who Can Afford to Improvise? Ed Pavlić offers an unconventional, lyrical, and accessible meditation on the life, writings, and legacy of James Baldwin and their relationship to the lyric tradition in black music, from gospel and blues to jazz and R&B. Based on unprecedented access to private correspondence, unpublished manuscripts and attuned to a musically inclined poet’s skill in close listening, Who Can Afford to Improvise? frames a new narrative of James Baldwin’s work and life. The route retraces the full arc of Baldwin’s passage across the pages and stages of his career according to his constant interactions with black musical styles, recordings, and musicians.Presented in three books — or movements — the first listens to Baldwin, in the initial months of his most intense visibility in May 1963 and the publication of The Fire Next Time. It introduces the key terms of his lyrical aesthetic and identifies the shifting contours of Baldwin’s career from his early work as a reviewer for left-leaning journals in the 1940s to his last published and unpublished works from the mid-1980s. Book II listens with Baldwin and ruminates on the recorded performances of Billie Holiday and Dinah Washington, singers whose message and methods were closely related to his developing world view. It concludes with the first detailed account of "The Hallelujah Chorus," a performance from July 1, 1973, in which Baldwin shared the stage at Carnegie Hall with Ray Charles. Finally, in Book III, Pavlić reverses our musically inflected reconsideration of Baldwin’s voice, projecting it into the contemporary moment and reading its impact on everything from the music of Amy Winehouse, to the street performances of Turf Feinz, and the fire of racial oppression and militarization against black Americans in the 21st century.Always with an ear close to the music, and avoiding the safe box of celebration, Who Can Afford to Improvise? enables a new kind of "lyrical travel" with the instructive clarity and the open-ended mystery Baldwin’s work invokes into the world

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823268504
    Weitere Identifier:
    Schlagworte: African American; Billie Holiday; Black Music; James Baldwin; Lyric; Music; Ray Charles; listeners; MUSIC / History & Criticism; African Americans; Music and literature
    Umfang: 1 online resource (352 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  13. Who Can Afford to Improvise?
    James Baldwin and Black Music, the Lyric and the Listeners
    Autor*in: Pavlić, Ed
    Erschienen: [2015]
    Verlag:  Fordham University Press, New York, NY

    Frontmatter -- Contents -- Introduction. “To the listeners, for those that have an ear for this” -- 1. “Not the country we’re sitting in now” -- 2. Blues Constants, Jazz Changes -- 3. “Making words do something” -- 4. Billie Holiday: Radical Lyricist... mehr

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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
    keine Fernleihe

     

    Frontmatter -- Contents -- Introduction. “To the listeners, for those that have an ear for this” -- 1. “Not the country we’re sitting in now” -- 2. Blues Constants, Jazz Changes -- 3. “Making words do something” -- 4. Billie Holiday: Radical Lyricist -- 5. Dinah Washington’s Blues and the Trans- Digressive Ocean -- 6. “But Amen is the price” -- 7. On Camden Row -- 8. Speechless in San Francisco -- 9. “In a way they must . . .” -- 10. “Shades cannot be fixed” -- Conclusion. -- Acknowledgments -- Notes -- Bibliography -- Index More than a quarter-century after his death, James Baldwin remains an unparalleled figure in American literature and African American cultural politics. In Who Can Afford to Improvise? Ed Pavlić offers an unconventional, lyrical, and accessible meditation on the life, writings, and legacy of James Baldwin and their relationship to the lyric tradition in black music, from gospel and blues to jazz and R&B. Based on unprecedented access to private correspondence, unpublished manuscripts and attuned to a musically inclined poet’s skill in close listening, Who Can Afford to Improvise? frames a new narrative of James Baldwin’s work and life. The route retraces the full arc of Baldwin’s passage across the pages and stages of his career according to his constant interactions with black musical styles, recordings, and musicians.Presented in three books — or movements — the first listens to Baldwin, in the initial months of his most intense visibility in May 1963 and the publication of The Fire Next Time. It introduces the key terms of his lyrical aesthetic and identifies the shifting contours of Baldwin’s career from his early work as a reviewer for left-leaning journals in the 1940s to his last published and unpublished works from the mid-1980s. Book II listens with Baldwin and ruminates on the recorded performances of Billie Holiday and Dinah Washington, singers whose message and methods were closely related to his developing world view. It concludes with the first detailed account of “The Hallelujah Chorus,” a performance from July 1, 1973, in which Baldwin shared the stage at Carnegie Hall with Ray Charles. Finally, in Book III, Pavlić reverses our musically inflected reconsideration of Baldwin’s voice, projecting it into the contemporary moment and reading its impact on everything from the music of Amy Winehouse, to the street performances of Turf Feinz, and the fire of racial oppression and militarization against black Americans in the 21st century.Always with an ear close to the music, and avoiding the safe box of celebration, Who Can Afford to Improvise? enables a new kind of “lyrical travel” with the instructive clarity and the open-ended mystery Baldwin’s work invokes into the world

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823268504
    Weitere Identifier:
    Schlagworte: African Americans; Music and literature; MUSIC / History & Criticism
    Umfang: 1 Online-Ressource (352 p)
  14. Who Can Afford to Improvise?
    James Baldwin and Black Music, the Lyric and the Listeners
    Autor*in: Pavlić, Ed
    Erschienen: [2015]; © 2015
    Verlag:  Fordham University Press, New York, NY

    More than a quarter-century after his death, James Baldwin remains an unparalleled figure in American literature and African American cultural politics. In Who Can Afford to Improvise? Ed Pavlić offers an unconventional, lyrical, and accessible... mehr

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    More than a quarter-century after his death, James Baldwin remains an unparalleled figure in American literature and African American cultural politics. In Who Can Afford to Improvise? Ed Pavlić offers an unconventional, lyrical, and accessible meditation on the life, writings, and legacy of James Baldwin and their relationship to the lyric tradition in black music, from gospel and blues to jazz and R&B. Based on unprecedented access to private correspondence, unpublished manuscripts and attuned to a musically inclined poet’s skill in close listening, Who Can Afford to Improvise? frames a new narrative of James Baldwin’s work and life. The route retraces the full arc of Baldwin’s passage across the pages and stages of his career according to his constant interactions with black musical styles, recordings, and musicians.Presented in three books — or movements — the first listens to Baldwin, in the initial months of his most intense visibility in May 1963 and the publication of The Fire Next Time. It introduces the key terms of his lyrical aesthetic and identifies the shifting contours of Baldwin’s career from his early work as a reviewer for left-leaning journals in the 1940s to his last published and unpublished works from the mid-1980s. Book II listens with Baldwin and ruminates on the recorded performances of Billie Holiday and Dinah Washington, singers whose message and methods were closely related to his developing world view. It concludes with the first detailed account of "The Hallelujah Chorus," a performance from July 1, 1973, in which Baldwin shared the stage at Carnegie Hall with Ray Charles. Finally, in Book III, Pavlić reverses our musically inflected reconsideration of Baldwin’s voice, projecting it into the contemporary moment and reading its impact on everything from the music of Amy Winehouse, to the street performances of Turf Feinz, and the fire of racial oppression and militarization against black Americans in the 21st century.Always with an ear close to the music, and avoiding the safe box of celebration, Who Can Afford to Improvise? enables a new kind of "lyrical travel" with the instructive clarity and the open-ended mystery Baldwin’s work invokes into the world

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823268504
    Weitere Identifier:
    Schlagworte: African American; Billie Holiday; Black Music; James Baldwin; Lyric; Music; Ray Charles; listeners; MUSIC / History & Criticism; African Americans; Music and literature
    Umfang: 1 online resource (352 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  15. Who Can Afford to Improvise?
    James Baldwin and Black Music, the Lyric and the Listeners
    Autor*in: Pavlić, Ed
    Erschienen: [2015]
    Verlag:  Fordham University Press, New York, NY ; Walter de Gruyter GmbH, Berlin

    More than a quarter-century after his death, James Baldwin remains an unparalleled figure in American literature and African American cultural politics. In Who Can Afford to Improvise? Ed Pavlić offers an unconventional, lyrical, and accessible... mehr

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    Universität Marburg, Universitätsbibliothek
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    More than a quarter-century after his death, James Baldwin remains an unparalleled figure in American literature and African American cultural politics. In Who Can Afford to Improvise? Ed Pavlić offers an unconventional, lyrical, and accessible meditation on the life, writings, and legacy of James Baldwin and their relationship to the lyric tradition in black music, from gospel and blues to jazz and R&B. Based on unprecedented access to private correspondence, unpublished manuscripts and attuned to a musically inclined poet’s skill in close listening, Who Can Afford to Improvise? frames a new narrative of James Baldwin’s work and life. The route retraces the full arc of Baldwin’s passage across the pages and stages of his career according to his constant interactions with black musical styles, recordings, and musicians.Presented in three books — or movements — the first listens to Baldwin, in the initial months of his most intense visibility in May 1963 and the publication of The Fire Next Time. It introduces the key terms of his lyrical aesthetic and identifies the shifting contours of Baldwin’s career from his early work as a reviewer for left-leaning journals in the 1940s to his last published and unpublished works from the mid-1980s. Book II listens with Baldwin and ruminates on the recorded performances of Billie Holiday and Dinah Washington, singers whose message and methods were closely related to his developing world view. It concludes with the first detailed account of “The Hallelujah Chorus,” a performance from July 1, 1973, in which Baldwin shared the stage at Carnegie Hall with Ray Charles. Finally, in Book III, Pavlić reverses our musically inflected reconsideration of Baldwin’s voice, projecting it into the contemporary moment and reading its impact on everything from the music of Amy Winehouse, to the street performances of Turf Feinz, and the fire of racial oppression and militarization against black Americans in the 21st century.Always with an ear close to the music, and avoiding the safe box of celebration, Who Can Afford to Improvise? enables a new kind of “lyrical travel” with the instructive clarity and the open-ended mystery Baldwin’s work invokes into the world.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823268504
    Weitere Identifier:
    Umfang: 1 Online-Ressource (352 p.)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)