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  1. Playwriting Playgoers in Shakespeare's Theater
    Autor*in: Pangallo, Matteo A.
    Erschienen: [2017]; © 2017
    Verlag:  University of Pennsylvania Press, Philadelphia

    Among the dramatists who wrote for the professional playhouses of early modern London was a small group of writers who were neither members of the commercial theater industry writing to make a living nor aristocratic amateurs dipping their toes in... mehr

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Among the dramatists who wrote for the professional playhouses of early modern London was a small group of writers who were neither members of the commercial theater industry writing to make a living nor aristocratic amateurs dipping their toes in theatrical waters for social or political prestige. Instead, they were largely working- and middle-class amateurs who had learned most of what they knew about drama from being members of the audience.Using a range of familiar and lesser-known print and manuscript plays, as well as literary accounts and documentary evidence, Playwriting Playgoers in Shakespeare's Theater shows how these playgoers wrote and revised to address what they assumed to be the needs of actors, readers, and the Master of the Revels; how they understood playhouse materials and practices; and how they crafted poetry for theatrical effects. The book also situates them in the context of the period's concepts of, and attitudes toward, playgoers' participation in the activity of playmaking.Plays by playgoers such as the rogue East India Company clerk Walter Mountfort or the highwayman John Clavell invite us into the creative imaginations of spectators, revealing what certain audience members wanted to see and how they thought actors might stage it. By reading Shakespeare's theater through these playgoers' works, Matteo Pangallo contributes a new category of evidence to our understanding of the relationships between the early modern stage, its plays, and its audiences. More broadly, he shows how the rise of England's first commercialized culture industry also gave rise to the first generation of participatory consumers and their attempts to engage with mainstream culture by writing early modern "fan fiction."

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780812294255
    Weitere Identifier:
    Schlagworte: Cultural Studies; Literature; Dramatists, English; English drama; Theater audiences; Theater audiences; Dramatiker; Publikum; Englisch; Drama; Theater
    Weitere Schlagworte: Clavell, John (ca. 1601/03-1642); Shakespeare, William (1564-1616)
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 13. Sep 2017)
  2. Shakespeare's audiences
    Beteiligt: Pangallo, Matteo A. (HerausgeberIn); Kirwan, Peter (HerausgeberIn)
    Erschienen: 2021
    Verlag:  Routledge,, New York, NY

    Respiratory sympathy and pneumatic community in Shakespeare / Stephanie Shirilan -- Recovering the humoral body through original practice performance / Joe Falocco -- Haptic experience and fluid boundaries : Macbeth and Czech nationalism at Český... mehr

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    Verlag (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

    Standort:
    Technische Universität Chemnitz, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule für Bildende Künste Dresden, Bibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule für Musik 'Carl Maria von Weber', Hochschulbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule für Technik und Wirtschaft Dresden, Bibliothek
    Signatur:
    Taylor & Francis Kauf über Sachsenkonsortium
    Fernleihe:
    keine Fernleihe

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    keine Fernleihe

    Standort:
    Technische Universität Bergakademie Freiberg, Bibliothek 'Georgius Agricola'
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule für Technik, Wirtschaft und Kultur Leipzig, Hochschulbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Mittweida (FH), Hochschulbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Zittau / Görlitz, Hochschulbibliothek
    Fernleihe:
    keine Fernleihe

     

    Respiratory sympathy and pneumatic community in Shakespeare / Stephanie Shirilan -- Recovering the humoral body through original practice performance / Joe Falocco -- Haptic experience and fluid boundaries : Macbeth and Czech nationalism at Český Krumlov's Revolving Theater / Jennifer A. Low -- The most lamentable Romaine Tragedie of Titus Andronicus and audiences from the Inns of Court / Romola Nuttall -- 'Cleave the general ear' : Shakespeare and the cultural bias of early American radio / Miles Drawdy -- Indian Shakespeare cinema and the active audience / Koel Chatterjee -- Gender, aura, and the close-up : broadcasting Shakespeare for female audiences / Pascale Aebischer -- Shakespeare's riotous audiences : Macbeth at Astor Place, 1849 / Edel Lamb -- 'How novelty may move' : play and the boundaries of the play in the New York Shakespeare Festival's Mobile Theatre / Adam Sheaffer -- Imagined theater : why fan audiences matter / Louise Geddes -- 'A vulgar comment will be made of it' : YouTube and Robert Weimann's Platea / Valerie M. Fazel -- Shakespeare's digital school audience : agency and control in the reception of an RSC Schools' Broadcast / Rachael Nicholas -- For everybody : casting, race, and audience engagement in the Public Theater's Mobile Unit.

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Pangallo, Matteo A. (HerausgeberIn); Kirwan, Peter (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781000352535; 1000352536; 9781003152538; 1003152538; 9781000352559; 1000352552; 9781000352573; 1000352579
    Schriftenreihe: Routledge studies in Shakespeare
    Schlagworte: Theater audiences; LITERARY COLLECTIONS / General ; bisacsh; LITERARY CRITICISM / General ; bisacsh; LITERARY COLLECTIONS / General; LITERARY CRITICISM / General
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 online resource (xiii, 234 pages), illustrations.
  3. Shakespeare's audiences
    Beteiligt: Pangallo, Matteo A. (HerausgeberIn); Kirwan, Peter (HerausgeberIn)
    Erschienen: 2021
    Verlag:  Routledge,, New York, NY

    Respiratory sympathy and pneumatic community in Shakespeare / Stephanie Shirilan -- Recovering the humoral body through original practice performance / Joe Falocco -- Haptic experience and fluid boundaries : Macbeth and Czech nationalism at Český... mehr

    Zugang:
    Verlag (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Respiratory sympathy and pneumatic community in Shakespeare / Stephanie Shirilan -- Recovering the humoral body through original practice performance / Joe Falocco -- Haptic experience and fluid boundaries : Macbeth and Czech nationalism at Český Krumlov's Revolving Theater / Jennifer A. Low -- The most lamentable Romaine Tragedie of Titus Andronicus and audiences from the Inns of Court / Romola Nuttall -- 'Cleave the general ear' : Shakespeare and the cultural bias of early American radio / Miles Drawdy -- Indian Shakespeare cinema and the active audience / Koel Chatterjee -- Gender, aura, and the close-up : broadcasting Shakespeare for female audiences / Pascale Aebischer -- Shakespeare's riotous audiences : Macbeth at Astor Place, 1849 / Edel Lamb -- 'How novelty may move' : play and the boundaries of the play in the New York Shakespeare Festival's Mobile Theatre / Adam Sheaffer -- Imagined theater : why fan audiences matter / Louise Geddes -- 'A vulgar comment will be made of it' : YouTube and Robert Weimann's Platea / Valerie M. Fazel -- Shakespeare's digital school audience : agency and control in the reception of an RSC Schools' Broadcast / Rachael Nicholas -- For everybody : casting, race, and audience engagement in the Public Theater's Mobile Unit.

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Pangallo, Matteo A. (HerausgeberIn); Kirwan, Peter (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781000352535; 1000352536; 9781003152538; 1003152538; 9781000352559; 1000352552; 9781000352573; 1000352579
    Schriftenreihe: Routledge studies in Shakespeare
    Schlagworte: Theater audiences; LITERARY COLLECTIONS / General ; bisacsh; LITERARY CRITICISM / General ; bisacsh; LITERARY COLLECTIONS / General; LITERARY CRITICISM / General
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 online resource (xiii, 234 pages), illustrations.
  4. A New Source for a Speech in The Launching of the Mary
    Autor*in: Pangallo, Matteo A.
    Erschienen: 2006

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    Quelle: Online Contents Komparatistik
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Druck
    Übergeordneter Titel: Notes and queries for readers and writers, collectors and librarians; London : Oxford Univ. Press, 1849-; Band 53, Heft 4 (2006), Seite 528-530