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  1. Ernest Fenollosa Ars poetica or The Roots of Poetic Creation?
    The Chinese Written Character as a Medium for Poetry
    Autor*in: Olsen, Flemming
    Erschienen: 2011
    Verlag:  Sussex Academic Press, Chicago

    The first decade of the 20th century witnessed a calling into question of some of the central positions held by the late 19th century Positivists. There was a shift of paradigm in science as well as art, as elicited by Einstein, William James, Freud,... mehr

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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    The first decade of the 20th century witnessed a calling into question of some of the central positions held by the late 19th century Positivists. There was a shift of paradigm in science as well as art, as elicited by Einstein, William James, Freud, Picasso, Bergson and Pound. The insufficiency of the Positivist world picture became increasingly evident. Importantly, the concept of what was conventionally called reality, and legitimate ways of describing it, were being transformed. ? Fenollosa's long essay, The Chinese Written Character as a Medium for Poetry, was a ground-breaking, if idios

     
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    ISBN: 9781845194826
    Schlagworte: Fenollosa, Ernest ; 1853-1908 ; Chinese written character as a medium for poetry; Poetics; Poetry ; Criticism, Textual; Electronic books
    Bemerkung(en):

    Description based upon print version of record

    Front Cover; Title Page; Copyright; Contents; Introduction; 1 - The Man and his Essay; 2 - A New Departure; Positivist Science; The Insufficiency of the Scientific Paradigm; Reaction; The Arts; Form; The Sisterhood of the Arts; French Influence on Poetry; 3 - The Chinese Written Character as a Medium for Poetry; 4 - A Critique of Fenollosa's Essay; Introductory Remarks; Nature; Things; Motion; Metaphor; Language; Concluding Remarks; Conclusion; An Expression of the Zeitgeist; A New Discourse; Poetry; The Poet and the Image; Verbalization; Language; Form; The Reader; Truth; Intensity

    Concluding RemarksNotes; Bibliography; Index
  2. The ut pictura poesis tradition and English Neo-Classical landscape poetry
    Autor*in: Olsen, Flemming
    Erschienen: 2013
    Verlag:  Univ. Press of Southern Denmark, Odense [u.a.]

    "The parallel between poetry and painting harks back to Antiquity. It seemed obvious because both arts appeal to the intellect as well as the eye. In his Ars poetica (approx. 20 b.C.), Horace gave a terse formulation to the parallel: ut pictura... mehr

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    "The parallel between poetry and painting harks back to Antiquity. It seemed obvious because both arts appeal to the intellect as well as the eye. In his Ars poetica (approx. 20 b.C.), Horace gave a terse formulation to the parallel: ut pictura poesis. Later critics dislodged what was in Horace just an obiter dictum, from its context, which in Horace referred to the appropriate distance of a beholder/reader from a picture/text. In English literature, the Neo-Classical cult of the Ancients straddling the year 1700 produced a spate of translations of Horace's Ars poetica, and the translators' accompanying comments suggest a wide range of idiosyncratic applications of the Latin poet's maxim. One form of poetical expression of the parallel particularly favoured by English Neo-Classical poets was landscape description. However, 'landscapes' had to fight opposition on two fronts, viz. the rigid Neo-Classical canon, and the prevalent mould of the description of outdoor scenery as seen in eg pastorals. This book traces the development of the maxim ut pictura poesis from a topos to a genre, viz. the Neo-Classical landscape poem. The typical poem belonging to that genre, which is given a detailed analysis in the pages of this book, contains a number of stock ingredients that meet the eyes of a beholder, who is also the narrator. Underneath the scene is a low-key social analogy, an intimation of a virtually unspoilt utopian society. At the same time, an undertone of anxiety for the preservation of this summum bonum is perceptible, and in James Thomson's landscapes, dating from the 1720s, the reader feels the approach of the attitude to the items of natura naturata that we find in Wordsworth and Keats."--Publisher's website

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
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    ISBN: 8776746631; 9788776746636
    RVK Klassifikation: HG 430
    Schriftenreihe: University of Southern Denmark studies in literature ; 57
    Schlagworte: English poetry; Landscapes in literature; Englisch; Poetik; Landschaft <Motiv>; Ut pictura poesis
    Umfang: 274 S.
    Bemerkung(en):

    Literaturverz. S. [235] - 259 und Index
  3. Leigh Hunt and What is poetry?
    romanticism and the purpose of poetry
    Autor*in: Olsen, Flemming
    Erschienen: 2011
    Verlag:  Sussex Academic Press, Brighton [England]

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
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    Format: Druck
    ISBN: 9781845194437
    Schlagworte: English poetry; Romanticism; English poetry; Romanticism
    Weitere Schlagworte: Hunt, Leigh (1784-1859); Hunt, Leigh 1784-1859
    Umfang: VIII, 71 S., 22 cm
    Bemerkung(en):

    Includes bibliographical references (p. [64]-67) and index
  4. Literary Criticism of Matthew Arnold
    Letters to Clough, the 1853 Preface, and Some Essays
    Autor*in: Olsen, Flemming
    Erschienen: 2014
    Verlag:  Sussex Academic Press, Eastbourne ; ProQuest, Ann Arbor, Michigan

    Many of the ideas that appear in poet Matthew Arnold's Preface to the Poems of 1853 to his collection of poems and in his later essays are suggested in the letters that Arnold wrote to his friend Arthur Hugh Clough. Literature was, in Arnold's... mehr

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    Many of the ideas that appear in poet Matthew Arnold's Preface to the Poems of 1853 to his collection of poems and in his later essays are suggested in the letters that Arnold wrote to his friend Arthur Hugh Clough. Literature was, in Arnold's perception, meant to communicate a message rather than impress by its structure or by formal sophistication. Modern theories of coalescence between content and form were outside the contemporary paradigm. T. S. Eliot's ambivalent attitude to Arnold-at once reluctantly admiring and decidedly patronizing-is puzzling. Eliot never seemed able to liberate himself from the influence of Arnold. What in Arnold's critical oeuvre attracted and at the same time repelled Eliot? That question has led an in-depth analysis of Arnold as a literary critic. This book begins with an examination of Arnold's letters to friend Arthur Hugh Clough and where "it all started" and proceeds with a close reading of the Preface to the Poems. A look at some of the later literary essays rounds off the picture of Arnold as a literary critic..

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781782841685
    Umfang: 1 Online-Ressource (98 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  5. The literary criticism of Matthew Arnold
    letters to Clough, the 1853 preface, and some essays
    Autor*in: Olsen, Flemming
    Erschienen: 2015
    Verlag:  Sussex Academic Press, Eastbourne

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Schlagworte: Arnold, Matthew;
    Weitere Schlagworte: Arnold, Matthew (1822-1888)
    Umfang: Online-Ressource (VIII, 86 S.)
    Bemerkung(en):

    Includes bibliographical references and index
  6. The literary criticism of Matthew Arnold
    letters to Clough, the 1853 preface, and some essays
    Autor*in: Olsen, Flemming
    Erschienen: 2015
    Verlag:  Sussex Academic Press, Brighton [u.a.]

    "Many of the ideas that appear in Arnold's Preface of 1853 to his collection of poems and in his later essays are suggested in the letters that Arnold wrote to his friend Arthur Hugh Clough. Analysis of the Preface reveals a poet who found a... mehr

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    Bayerische Staatsbibliothek
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    "Many of the ideas that appear in Arnold's Preface of 1853 to his collection of poems and in his later essays are suggested in the letters that Arnold wrote to his friend Arthur Hugh Clough. Analysis of the Preface reveals a poet who found a theoretical basis for poetry (by which he means literature in general) in the dramas of the Greek tragedians, particularly Sophocles: action is stressed as an indispensable ingredient, wholes are preferred to parts, the didactic function of literature is promoted - in short, the Preface reads like the recipe for a classical tragedy. It is a young poet's attempt to establish criteria for what poetry ought to be. He found the Romantic idiom outworn. Literature was, in Arnold's perception, meant to communicate a message rather than impress by its structure or by formal sophistication. Modern theories of coalescence between content and form were outside the contemporary paradigm. T. S. Eliot's ambivalent attitude to Arnold - now reluctantly admiring, now decidedly patronizing - is puzzling. Eliot never seemed able to liberate himself from the influence of Arnold. What in Arnold's critical oeuvre attracted and at the same time repelled Eliot? That question has led an in-depth analysis of Arnold as a literary critic"..

     
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    ISBN: 9781845197100
    RVK Klassifikation: HL 1645
    Schlagworte: LITERARY COLLECTIONS / Essays; LITERARY COLLECTIONS / Essays; Literaturkritik
    Weitere Schlagworte: Arnold, Matthew, (1822-1888); Arnold, Matthew (1822-1888)
    Umfang: VIII, 86 S.
    Bemerkung(en):

    Includes bibliographical references and index
  7. On the teaching of literature
    from charismatic secrecy to joyful revelation
    Autor*in: Olsen, Flemming
    Erschienen: [2016]
    Verlag:  Sussex Academic Press, Brighton ; Chicago ; Toronto

    Standort:
    Universitätsbibliothek Augsburg
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781845198251
    RVK Klassifikation: EC 1430
    Schlagworte: Literaturunterricht
    Umfang: xi, 162 Seiten
  8. The ut pictura poesis tradition and English neo-classical landscape poetry
    Autor*in: Olsen, Flemming
    Erschienen: 2013
    Verlag:  Univ. Press of Southern Denmark, Odense

    Standort:
    Bayerische Staatsbibliothek
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    Quelle: Verbundkataloge
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    ISBN: 8776746631; 9788776746636
    RVK Klassifikation: HG 430
    Schriftenreihe: University of Southern Denmark studies in literature ; 57
    Schlagworte: Landschaft <Motiv>; Ut pictura poesis; Poetik; Englisch
    Umfang: 274 S.
    Bemerkung(en):

    Enth. Literaturverz. S. [235] - 259 und Index
  9. Ernest Fenollosa, The Chinese written character as a medium for poetry
    ars poetica or the roots of poetic creation?
    Autor*in: Olsen, Flemming
    Erschienen: 2011
    Verlag:  Sussex Academic Press, Brighton [u.a.]

    Standort:
    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Sprache: Englisch
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    ISBN: 9781845194826
    Schlagworte: Poetics; Poetry; Lyrik; Textkritik; Poetik
    Weitere Schlagworte: Fenollosa, Ernest (1853-1908): Chinese written character as a medium for poetry
    Umfang: VI, 75 S.
    Bemerkung(en):

    Includes bibliographical references and index
  10. The literary criticism of Matthew Arnold
    letters to Clough, the 1853 preface, and some essays
    Autor*in: Olsen, Flemming
    Erschienen: 2015
    Verlag:  Sussex Academic Press, Brighton [u.a.]

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    Universitätsbibliothek Freiburg
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    KA 2015/445
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    Saarländische Universitäts- und Landesbibliothek
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    ISBN: 9781845197100
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    9781845197100
    RVK Klassifikation: HL 1641
    Schlagworte: Arnold, Matthew; Literaturkritik;
    Umfang: VIII, 86 S.
    Bemerkung(en):

    Includes bibliographical references and index
  11. Between positivism and T. S. Eliot
    imagism and T. E. Hulme
    Autor*in: Olsen, Flemming
    Erschienen: 2008
    Verlag:  Univ. Press of Southern Denmark, Odense

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9788776742836
    RVK Klassifikation: HM 2455
    Schriftenreihe: University of Southern Denmark studies in literature ; 52
    Schlagworte: American poetry; Imagist poetry, American; Positivism
    Weitere Schlagworte: Hulme, T. E (1883-1917)
    Umfang: 193 S., 23 cm
    Bemerkung(en):

    Literaturverz. S. 149 - 161
  12. The literary criticism of Matthew Arnold
    letters to Clough, the 1853 preface, and some essays
    Autor*in: Olsen, Flemming
    Erschienen: 2015
    Verlag:  Sussex Academic Press, Brighton [u.a.]

    "Many of the ideas that appear in Arnold's Preface of 1853 to his collection of poems and in his later essays are suggested in the letters that Arnold wrote to his friend Arthur Hugh Clough. Analysis of the Preface reveals a poet who found a... mehr

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    Freie Universität Berlin, Universitätsbibliothek
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    "Many of the ideas that appear in Arnold's Preface of 1853 to his collection of poems and in his later essays are suggested in the letters that Arnold wrote to his friend Arthur Hugh Clough. Analysis of the Preface reveals a poet who found a theoretical basis for poetry (by which he means literature in general) in the dramas of the Greek tragedians, particularly Sophocles: action is stressed as an indispensable ingredient, wholes are preferred to parts, the didactic function of literature is promoted - in short, the Preface reads like the recipe for a classical tragedy. It is a young poet's attempt to establish criteria for what poetry ought to be. He found the Romantic idiom outworn. Literature was, in Arnold's perception, meant to communicate a message rather than impress by its structure or by formal sophistication. Modern theories of coalescence between content and form were outside the contemporary paradigm. T. S. Eliot's ambivalent attitude to Arnold - now reluctantly admiring, now decidedly patronizing - is puzzling. Eliot never seemed able to liberate himself from the influence of Arnold. What in Arnold's critical oeuvre attracted and at the same time repelled Eliot? That question has led an in-depth analysis of Arnold as a literary critic"..

     
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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781845197100
    RVK Klassifikation: HL 1645
    Schlagworte: LITERARY COLLECTIONS / Essays; LITERARY COLLECTIONS / Essays; Literaturkritik
    Weitere Schlagworte: Arnold, Matthew, (1822-1888); Arnold, Matthew (1822-1888)
    Umfang: VIII, 86 S.
    Bemerkung(en):

    Includes bibliographical references and index
  13. Ernest Fenollosa, the Chinese written character as a medium for poetry
    ars poetica or the roots of poetic creation?
    Autor*in: Olsen, Flemming
    Erschienen: 2011
    Verlag:  Sussex Academic Press, Brighton [u.a.] ; [ProQuest], [Ann Arbor, Michigan]

    Standort:
    Universität Frankfurt, Elektronische Ressourcen
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    Quelle: Verbundkataloge
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    Medientyp: Ebook
    Format: Online
    ISBN: 9781782840213
    Umfang: 75 p.
    Bemerkung(en):

    Includes bibliographical references (p. [68]-71) and index
  14. Between positivism and T.S. Eliot
    imagism and T.E. Hulme
    Autor*in: Olsen, Flemming
    Erschienen: 2008
    Verlag:  University Press of Southern Denmark, Odense

    Several critics have been intrigued by the gap between late Victorian poetry and the more “modern” poetry of the 1920s. It is my contention that a close analysis of the poetry and criticism written in the first decade of the 20th century and until... mehr

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Bibliothek der Frankfurt University of Applied Sciences
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
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    Universität Mainz, Zentralbibliothek
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    Several critics have been intrigued by the gap between late Victorian poetry and the more “modern” poetry of the 1920s. It is my contention that a close analysis of the poetry and criticism written in the first decade of the 20th century and until the end of the First World War – excluding war poetry – will be rewarding if we want to acquire a greater understanding of the transition. The book is not meant as a total overview of the intellectual climate in England from Tennyson to Eliot. Rather, it describes the development that took place within art and literature – especially poetry – as a reaction against the positivist attitude. Early in the 19th century, science came to be taken as the opposite of poetry because the Romanticists conceived of the lyrical poem as the outlet of the poet’s feelings. That attitude was dominant during the rest of the 19th century. To many readers and critics, T.E.Hulme represents little more thasn a footnote. He is vaguely known as one of the precursors of the far more interesting T.S.Eliot, for which reason some lip-service may be paid to him, but his own achievement is hardly ever referred to. Hulme and the Imagists represent an intermediary stage between Tennyson and Eliot, but they are more than mere stepping-stones. Besides being experimenting poets, most of them are acute critics of art and literature, prescriptively as well as descriptively. Hulme’s theories are sketchy, his presentation not infrequently confusing, and his poetry mostly fragments. The following pages attempt to analyse his oeuvre, a material hardly anybody has taken the trouble to consider in its entirety, He understood that some form of theory is a useful accompaniment of poetic practice, and, like his Imagist friends, he made the poetic image the focus of his att ...

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9788776742836; 8776742830
    RVK Klassifikation: HM 3015
    Schriftenreihe: University of Southern Denmark studies in literature ; 52
    Schlagworte: Imagismus; Poetik; Literaturkritik
    Weitere Schlagworte: Hulme, Thomas E. (1883-1917)
    Umfang: 193 S.
    Bemerkung(en):

    Online-Ausg.:
  15. Leigh Hunt and What is poetry?
    romanticism and the purpose of poetry
    Autor*in: Olsen, Flemming
    Erschienen: 2011
    Verlag:  Sussex Acad. Press, Brighton [u.a.]

    Standort:
    Bayerische Staatsbibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781845194437
    Schlagworte: English poetry; Romanticism; Lyriktheorie
    Weitere Schlagworte: Hunt, Leigh (1784-1859); Hunt, Leigh (1784-1859)
    Umfang: VIII, 71 S.
    Bemerkung(en):

    Includes bibliographical references and index
  16. Between positivism and T. S. Eliot
    imagism and T. E. Hulme
    Autor*in: Olsen, Flemming
    Erschienen: 2008
    Verlag:  Univ. Press of Southern Denmark, Odense

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    Universitätsbibliothek Leipzig
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9788776742836
    RVK Klassifikation: HM 2455
    Schriftenreihe: University of Southern Denmark studies in literature ; 52
    Schlagworte: American poetry; Imagist poetry, American; Positivism
    Weitere Schlagworte: Hulme, T. E (1883-1917)
    Umfang: 193 S., 23 cm
    Bemerkung(en):

    Literaturverz. S. 149 - 161
  17. Om litteraturpædagogik
    Autor*in: Olsen, Flemming
    Erschienen: 1986
    Verlag:  Schønberg, [København] ; Nørhaven bogtrykkeri, Viborg

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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Quelle: Verbundkataloge
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    ISBN: 8757013144
    RVK Klassifikation: EC 1430
    Schlagworte: Literaturunterricht; Literaturvermittlung;
    Umfang: 219 Seiten, 21 cm
  18. The ut pictura poesis tradition and English Neo-Classical landscape poetry
    Autor*in: Olsen, Flemming
    Erschienen: 2013
    Verlag:  Univ. Press of Southern Denmark, Odense [u.a.]

    "The parallel between poetry and painting harks back to Antiquity. It seemed obvious because both arts appeal to the intellect as well as the eye. In his Ars poetica (approx. 20 b.C.), Horace gave a terse formulation to the parallel: ut pictura... mehr

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    Universitätsbibliothek Freiburg
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Universitätsbibliothek Leipzig
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    Universitätsbibliothek Rostock
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    ZA 2965 (57)
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    Universitätsbibliothek der Eberhard Karls Universität
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    Standort:
    Brechtbau-Bibliothek
    Signatur:
    NJ 361.104
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    Standort:
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
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    "The parallel between poetry and painting harks back to Antiquity. It seemed obvious because both arts appeal to the intellect as well as the eye. In his Ars poetica (approx. 20 b.C.), Horace gave a terse formulation to the parallel: ut pictura poesis. Later critics dislodged what was in Horace just an obiter dictum, from its context, which in Horace referred to the appropriate distance of a beholder/reader from a picture/text. In English literature, the Neo-Classical cult of the Ancients straddling the year 1700 produced a spate of translations of Horace's Ars poetica, and the translators' accompanying comments suggest a wide range of idiosyncratic applications of the Latin poet's maxim. One form of poetical expression of the parallel particularly favoured by English Neo-Classical poets was landscape description. However, 'landscapes' had to fight opposition on two fronts, viz. the rigid Neo-Classical canon, and the prevalent mould of the description of outdoor scenery as seen in eg pastorals. This book traces the development of the maxim ut pictura poesis from a topos to a genre, viz. the Neo-Classical landscape poem. The typical poem belonging to that genre, which is given a detailed analysis in the pages of this book, contains a number of stock ingredients that meet the eyes of a beholder, who is also the narrator. Underneath the scene is a low-key social analogy, an intimation of a virtually unspoilt utopian society. At the same time, an undertone of anxiety for the preservation of this summum bonum is perceptible, and in James Thomson's landscapes, dating from the 1720s, the reader feels the approach of the attitude to the items of natura naturata that we find in Wordsworth and Keats."--Publisher's website

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 8776746631; 9788776746636
    RVK Klassifikation: HG 430
    Schriftenreihe: University of Southern Denmark studies in literature ; 57
    Schlagworte: English poetry; Landscapes in literature; Englisch; Poetik; Landschaft <Motiv>; Ut pictura poesis
    Umfang: 274 S.
    Bemerkung(en):

    Literaturverz. S. [235] - 259 und Index
  19. Leigh Hunt and What is poetry?
    romanticism and the purpose of poetry
    Autor*in: Olsen, Flemming
    Erschienen: 2011
    Verlag:  Sussex Academic Press, Brighton [England]

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 813540
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Brechtbau-Bibliothek
    Signatur:
    NR 429.830
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781845194437
    Schlagworte: English poetry; Romanticism; English poetry; Romanticism
    Weitere Schlagworte: Hunt, Leigh (1784-1859); Hunt, Leigh 1784-1859
    Umfang: VIII, 71 S., 22 cm
    Bemerkung(en):

    Includes bibliographical references (p. [64]-67) and index
  20. Om litteraturpaedagogik
    Autor*in: Olsen, Flemming
    Erschienen: 1986
    Verlag:  Schønberg, [København]

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signatur:
    83.520.96
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    Titel im lokalen Katalog:
    https://hds.hebis.de/ubffm/Record/HEB006163033
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    Quelle: Fachkatalog AVL
    Sprache: Dänisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 8757013144
    Umfang: 219 S.
    Bemerkung(en):

    Literaturverz. S. 208 - 213
  21. Between positivism and T.S. Eliot
    imagism and T.E. Hulme
    Autor*in: Olsen, Flemming
    Erschienen: 2008
    Verlag:  University Press of Southern Denmark, Odense

    Several critics have been intrigued by the gap between late Victorian poetry and the more “modern” poetry of the 1920s. It is my contention that a close analysis of the poetry and criticism written in the first decade of the 20th century and until... mehr

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    https://hds.hebis.de/ubffm/Record/HEB333010221

     

    Several critics have been intrigued by the gap between late Victorian poetry and the more “modern” poetry of the 1920s. It is my contention that a close analysis of the poetry and criticism written in the first decade of the 20th century and until the end of the First World War – excluding war poetry – will be rewarding if we want to acquire a greater understanding of the transition. The book is not meant as a total overview of the intellectual climate in England from Tennyson to Eliot. Rather, it describes the development that took place within art and literature – especially poetry – as a reaction against the positivist attitude. Early in the 19th century, science came to be taken as the opposite of poetry because the Romanticists conceived of the lyrical poem as the outlet of the poet’s feelings. That attitude was dominant during the rest of the 19th century. To many readers and critics, T.E.Hulme represents little more thasn a footnote. He is vaguely known as one of the precursors of the far more interesting T.S.Eliot, for which reason some lip-service may be paid to him, but his own achievement is hardly ever referred to. Hulme and the Imagists represent an intermediary stage between Tennyson and Eliot, but they are more than mere stepping-stones. Besides being experimenting poets, most of them are acute critics of art and literature, prescriptively as well as descriptively. Hulme’s theories are sketchy, his presentation not infrequently confusing, and his poetry mostly fragments. The following pages attempt to analyse his oeuvre, a material hardly anybody has taken the trouble to consider in its entirety, He understood that some form of theory is a useful accompaniment of poetic practice, and, like his Imagist friends, he made the poetic image the focus of his att ...

     
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    Quelle: Fachkatalog AVL
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9788776742836; 8776742830
    RVK Klassifikation: HM 3015
    Schriftenreihe: University of Southern Denmark studies in literature ; 52
    Schlagworte: Imagismus; Poetik; Literaturkritik
    Weitere Schlagworte: Hulme, Thomas E. (1883-1917)
    Umfang: 193 S.
    Bemerkung(en):

    Online-Ausg.:
  22. Between positivism and T. S. Eliot
    imagism and T. E. Hulme
    Autor*in: Olsen, Flemming
    Erschienen: 2008
    Verlag:  Univ. Press of Southern Denmark, Odense

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9788776742836
    RVK Klassifikation: HM 2455
    Schriftenreihe: University of Southern Denmark studies in literature ; 52
    Schlagworte: American poetry; Imagist poetry, American; Positivism
    Weitere Schlagworte: Hulme, T. E (1883-1917)
    Umfang: 193 S., 23 cm
    Bemerkung(en):

    Literaturverz. S. 149 - 161
  23. Eliot's objective correlative
    tradition or individual talent? : contributions to the history of a topos
    Autor*in: Olsen, Flemming
    Erschienen: 2012
    Verlag:  Sussex Academic Press, Brighton [u.a.]

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781845195540
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Objective correlative; Begriff; Literaturtheorie
    Weitere Schlagworte: Eliot, T. S (1888-1965); Eliot, T. S. (1888-1965)
    Umfang: VI, 72 S.
    Bemerkung(en):

    Includes bibliographical references and index
  24. Ernest Fenollosa, the Chinese written character as a medium for poetry
    ars poetica or the roots of poetic creation?
    Autor*in: Olsen, Flemming
    Erschienen: c2011
    Verlag:  Sussex Academic Press, Brighton

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781782840213
    Schlagworte: Poetics; Poetry; Lyrik; Textkritik; Poetik
    Weitere Schlagworte: Fenollosa, Ernest (1853-1908): Chinese written character as a medium for poetry
    Umfang: 75 p
    Bemerkung(en):

    Includes bibliographical references (p. [68]-71) and index

    The man and his essay -- A new departure -- The Chinese written character as a medium for poetry -- A critique of Fenollosa's essay -- Pictograms
  25. The literary criticism of Matthew Arnold
    letters to Clough, the 1853 preface, and some essays
    Autor*in: Olsen, Flemming
    Erschienen: 2015; © 2015
    Verlag:  Sussex Academic Press, Eastbourne, England

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781845197100; 9781782841685; 9781782841661; 9781782841678
    Schlagworte: Literaturkritik
    Weitere Schlagworte: Arnold, Matthew (1822-1888); Arnold, Matthew (1822-1888)
    Umfang: 1 online resource (98 pages)
    Bemerkung(en):

    Description based on print version record