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  1. Uncle Tom's cabin as visual culture
    Autor*in: Morgan, Jo-Ann
    Erschienen: 2007
    Verlag:  Univ. of Missouri Press, Columbia, Mo. [u.a.]

    "Examines the artwork of Hammatt Billings, George Cruikshank, Winslow Homer, Eastman Johnson, Henry Ossawa Tanner, and Thomas Satterwhite Noble to show how, as Uncle Tom's Cabin gained popularity, visual strategies were used to coax the subversive... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Examines the artwork of Hammatt Billings, George Cruikshank, Winslow Homer, Eastman Johnson, Henry Ossawa Tanner, and Thomas Satterwhite Noble to show how, as Uncle Tom's Cabin gained popularity, visual strategies were used to coax the subversive potential of Stowe's work back within accepted boundaries that reinforced social hierarchies"--Provided by publisher Picturing Uncle Tom with Little Eva: reproduction as legacy -- The passion of Uncle Tom: pictures join words to challenge patriarchy -- From Barefoot Madonna to Maggie the Ripper: Thomas Satterwhite Noble reconstructs Eliza and Cassy -- Winslow Homer visits Aunt Chloe's old Kentucky home -- Henry Ossawa Tanner's The banjo lesson and the iconic persistence of Uncle Tom

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Verlag (Inhaltsverzeichnis)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 082621715X; 9780826217158
    RVK Klassifikation: HT 6675 ; HT 3635
    Schlagworte: Art and society; Art and literature; African Americans in art; National characteristics in art
    Weitere Schlagworte: Stowe, Harriet Beecher (1811-1896): Uncle Tom's cabin; Uncle Tom (Fictitious character)
    Umfang: XIII, 224 S., zahlr. Ill., 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. 205-219) and index

    Picturing Uncle Tom with Little Eva: reproduction as legacy -- The passion of Uncle Tom: pictures join words to challenge patriarchy -- From Barefoot Madonna to Maggie the Ripper: Thomas Satterwhite Noble reconstructs Eliza and Cassy -- Winslow Homer visits Aunt Chloe's old Kentucky home -- Henry Ossawa Tanner's The banjo lesson and the iconic persistence of Uncle Tom
  2. Uncle Tom's cabin as visual culture
    Autor*in: Morgan, Jo-Ann
    Erschienen: 2007
    Verlag:  Univ. of Missouri Press, Columbia, Mo. [u.a.]

    "Examines the artwork of Hammatt Billings, George Cruikshank, Winslow Homer, Eastman Johnson, Henry Ossawa Tanner, and Thomas Satterwhite Noble to show how, as Uncle Tom's Cabin gained popularity, visual strategies were used to coax the subversive... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 656414
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Signatur:
    HT 6675 M848
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2007 A 12067
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Signatur:
    EU/900/sto 7/672
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signatur:
    Bg 3900
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Signatur:
    ang 868.9 unc CU 6643
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Osnabrück
    Signatur:
    ELA S 8929 5063-810 5
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Examines the artwork of Hammatt Billings, George Cruikshank, Winslow Homer, Eastman Johnson, Henry Ossawa Tanner, and Thomas Satterwhite Noble to show how, as Uncle Tom's Cabin gained popularity, visual strategies were used to coax the subversive potential of Stowe's work back within accepted boundaries that reinforced social hierarchies"--Provided by publisher Picturing Uncle Tom with Little Eva: reproduction as legacy -- The passion of Uncle Tom: pictures join words to challenge patriarchy -- From Barefoot Madonna to Maggie the Ripper: Thomas Satterwhite Noble reconstructs Eliza and Cassy -- Winslow Homer visits Aunt Chloe's old Kentucky home -- Henry Ossawa Tanner's The banjo lesson and the iconic persistence of Uncle Tom

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Verlag (Inhaltsverzeichnis)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 082621715X; 9780826217158
    RVK Klassifikation: HT 6675 ; HT 3635
    Schlagworte: Art and society; Art and literature; African Americans in art; National characteristics in art
    Weitere Schlagworte: Stowe, Harriet Beecher (1811-1896): Uncle Tom's cabin; Uncle Tom (Fictitious character)
    Umfang: XIII, 224 S., zahlr. Ill., 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. 205-219) and index

    Picturing Uncle Tom with Little Eva: reproduction as legacy -- The passion of Uncle Tom: pictures join words to challenge patriarchy -- From Barefoot Madonna to Maggie the Ripper: Thomas Satterwhite Noble reconstructs Eliza and Cassy -- Winslow Homer visits Aunt Chloe's old Kentucky home -- Henry Ossawa Tanner's The banjo lesson and the iconic persistence of Uncle Tom
  3. Uncle Tom's cabin as visual culture
    Autor*in: Morgan, Jo-Ann
    Erschienen: 2007
    Verlag:  Univ. of Missouri Press, Columbia [u.a.]

    "Examines the artwork of Hammatt Billings, George Cruikshank, Winslow Homer, Eastman Johnson, Henry Ossawa Tanner, and Thomas Satterwhite Noble to show how, as Uncle Tom's Cabin gained popularity, visual strategies were used to coax the subversive... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Examines the artwork of Hammatt Billings, George Cruikshank, Winslow Homer, Eastman Johnson, Henry Ossawa Tanner, and Thomas Satterwhite Noble to show how, as Uncle Tom's Cabin gained popularity, visual strategies were used to coax the subversive potential of Stowe's work back within accepted boundaries that reinforced social hierarchies"--Provided by publisher.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Verlag (Inhaltsverzeichnis)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780826217158
    RVK Klassifikation: HT 6675
    Schlagworte: Geschichte; Uncle Tom (Fictitious character); Art and society; Art and literature; African Americans in art; National characteristics in art; Illustration
    Weitere Schlagworte: Stowe, Harriet Beecher (1811-1896): Uncle Tom's cabin; Stowe, Harriet Beecher <1811-1896>: Uncle Tom's cabin; Stowe, Harriet Beecher (1811-1896): Uncle Tom's cabin
    Umfang: XIII, 224 S., Ill.
    Bemerkung(en):

    "Examines the artwork of Hammatt Billings, George Cruikshank, Winslow Homer, Eastman Johnson, Henry Ossawa Tanner, and Thomas Satterwhite Noble to show how, as Uncle Tom's Cabin gained popularity, visual strategies were used to coax the subversive potential of Stowe's work back within accepted boundaries that reinforced social hierarchies"--Provided by publisher.

    Includes bibliographical references and index
  4. Uncle Tom's cabin as visual culture
    Autor*in: Morgan, Jo-Ann
    Erschienen: 2007
    Verlag:  Univ. of Missouri Press, Columbia [u.a.]

    "Examines the artwork of Hammatt Billings, George Cruikshank, Winslow Homer, Eastman Johnson, Henry Ossawa Tanner, and Thomas Satterwhite Noble to show how, as Uncle Tom's Cabin gained popularity, visual strategies were used to coax the subversive... mehr

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Examines the artwork of Hammatt Billings, George Cruikshank, Winslow Homer, Eastman Johnson, Henry Ossawa Tanner, and Thomas Satterwhite Noble to show how, as Uncle Tom's Cabin gained popularity, visual strategies were used to coax the subversive potential of Stowe's work back within accepted boundaries that reinforced social hierarchies"--Provided by publisher.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780826217158
    RVK Klassifikation: HT 6675
    Schlagworte: Geschichte; Uncle Tom (Fictitious character); Art and society; Art and literature; African Americans in art; National characteristics in art; Illustration
    Weitere Schlagworte: Stowe, Harriet Beecher (1811-1896): Uncle Tom's cabin; Stowe, Harriet Beecher <1811-1896>: Uncle Tom's cabin; Stowe, Harriet Beecher (1811-1896): Uncle Tom's cabin
    Umfang: XIII, 224 S., Ill.
    Bemerkung(en):

    "Examines the artwork of Hammatt Billings, George Cruikshank, Winslow Homer, Eastman Johnson, Henry Ossawa Tanner, and Thomas Satterwhite Noble to show how, as Uncle Tom's Cabin gained popularity, visual strategies were used to coax the subversive potential of Stowe's work back within accepted boundaries that reinforced social hierarchies"--Provided by publisher.

    Includes bibliographical references and index