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O brave new people
the European invention of the American Indian -
O brave new people
the european invention of the american indian -
<<A>> book of emblems
the "Emblematum liber" in Latin and English -
O brave new people
the european invention of the american indian -
A book of emblems
the Emblematum liber in Latin and English -
The uninvited dinner-guest
why a barking dog at Tintoretto's Last Supper? -
"Diego Velázquez, Andrea Alciati and the Surrender of Breda"
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An exemplary humanist hybrid
Vasari's "Fraude" with reference to Bronzino's "Sphinx" -
Caravaggio and the Gypsies
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"Poisoned love" posited in an emblematic lizard by Caravaggio
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Velazquez y el significado del retrato ecuestre barroco
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The theoretical basis of Velázquez's court portraiture
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Painters 'born under Saturn'
the physiological explanation -
Velázquez, Olivares, and the baroque equestrian portrait
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Francisco Pacheco and Jerome Nadal
new light on the Flemish sources of the Spanish 'picture-within-the-picture' -
The fifteen emblematic "Genre-Scenes" in the Nova Poemata (1624)
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Rembrandt, Revelation and Calvin's curtains
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La femme à la puce
the textual background of seventeenth-century painted 'Flea-Hunts' -
Goya's emblematic portrait of Don Manuel María Osorio de Moscoso y Álvarez de Toledo
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The Count-Duke of Olivares an horseback
an emblematic equestrian by Velázquez -
Paul Klee's 'Twittering Machine' and the emblematic 'Birds-in-Bondage-Vile' theme
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"Le Roi à la ciasse"?
kings, Christian knights, and Van Dyck's singular "dismounted equestrian-portrait" of Charles I -
Goya y los demonios
el autorretrato con el doctor Arrieta y la tradición del 'Ars moriendi' -
Velázquez, Fools, Calabacillas and Ripa
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Observations on the 'Poet' by Ribera