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  1. Frenglish?
    Sur la productivité de la morphologie française dans le moyen anglais
    Autor*in: Dalton-Puffer, Christiane
    Erschienen: 1993

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    Quelle: Online Contents Komparatistik
    Beteiligt: Mettinger-Schartmann, Elke
    Sprache: Französisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Druck
    Übergeordneter Titel: In: Travaux de linguistique et de philologie; Paris : Klincksieck, 1988-2000; Band 31 (1993), Seite 183-193

    Bemerkung(en):

    32 Literaturangaben
  2. Dramatic minds
    performance, cognition, and the representation of interiority : essays in honour of Margarete Rubik
    Beteiligt: Huber, Werner (Hrsg.); Mettinger-Schartmann, Elke (Hrsg.); Müller-Zettelmann, Eva (Hrsg.); Rubik, Margarete
    Erschienen: [2015]; © 2015
    Verlag:  Peter Lang, Frankfurt am Main

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    Quelle: Verbundkataloge
    Beteiligt: Huber, Werner (Hrsg.); Mettinger-Schartmann, Elke (Hrsg.); Müller-Zettelmann, Eva (Hrsg.); Rubik, Margarete
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783631670194; 9783653061802
    Schriftenreihe: Austrian studies in English ; v. 105
    Schlagworte: Psychologie; Drama; Theater; Cognition in literature; Psychology and literature; Philosophy of mind in literature; Englisch; Drama
    Umfang: 1 online resource (309 pages), color illustrations
    Bemerkung(en):

    Description based on print version record
  3. A breath of fresh Eyre
    intertextual and intermedial reworkings of Jane Eyre
    Beteiligt: Rubik, Margarete; Mettinger-Schartmann, Elke
    Erschienen: 2007
    Verlag:  Rodopi, Amsterdam ; Brill, New York

    Ever since its publication in 1847 Jane Eyre - one of the most popular English novels of all time - has fascinated scholars and a wide reading public alike and has proved a source of inspiration to successive generations of creative writers and... mehr

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    Standort:
    Universität Mainz, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

     

    Ever since its publication in 1847 Jane Eyre - one of the most popular English novels of all time - has fascinated scholars and a wide reading public alike and has proved a source of inspiration to successive generations of creative writers and artists. There is hardly any other hypotext that has been re-worked in so many adaptations for stage and screen, has inspired so many painters and musicians, and has been so often imitated, re-written, parodied or extended by prequels and sequels. New versions in turn refer to and revise older rewritings or take up suggestions from Brontë scholarship, creating a dense intertextual web. The essays collected in this volume do justice to the variety of media involved in the Jane Eyre reworkings, by covering narrative, visual and stage adaptations, including an adaptor's perspective. Contributions review a diverse range of works, from postcolonial revision to postmodern fantasy, from imaginary after-lives to science fiction, from plays and Hollywood movies to opera, from lithographs and illustrated editions to comics and graphic novels. The volume thus offers a comprehensive collection of reworkings that also takes into account recent novels, plays and works of art that were published after Patsy Stoneman's seminal 1996 study on Brontë Transformations .

     
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    Quelle: Verbundkataloge
    Beteiligt: Rubik, Margarete; Mettinger-Schartmann, Elke
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789401204477
    Weitere Identifier:
    RVK Klassifikation: HL 2045
    Schriftenreihe: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft, ; 111
    Schlagworte: Bearbeitung
    Weitere Schlagworte: Brontë, Charlotte (1816-1855): Jane Eyre
    Umfang: 1 Online-Ressource (418 pages), illustrations
    Bemerkung(en):

    Includes bibliographical references.
  4. Rive Gauche
    Paris as a site of avante-garde art and cultural exchange in the 1920s
    Beteiligt: Mettinger-Schartmann, Elke; Rubik, Margarete; Türschmann, Jörg
    Erschienen: 2010
    Verlag:  Rodopi, Amsterdam ; Brill, New York, NY

    From the late 19th century onwards Paris had been a congenial locus for bohemian life. By 1920 Montparnasse had superseded Montmartre as the intellectual and artistic heart of the city, inaugurating a decade of unequalled creative achievement and... mehr

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    Standort:
    Universität Mainz, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

     

    From the late 19th century onwards Paris had been a congenial locus for bohemian life. By 1920 Montparnasse had superseded Montmartre as the intellectual and artistic heart of the city, inaugurating a decade of unequalled creative achievement and innovative self-performance. These were the years of the 'Roaring Twenties' or années folles . "Paris" - as Gertrude Stein famously remarked - "was where the twentieth century was". The Rive Gauche offered a carnivalesque atmosphere of liberality, where the manifold experiments of the avant-garde could breathe freely. This volume attempts to do justice to the polyphony of voices and points up the synergies that existed between the creative activities of writers, painters, publishers, photographers and film-makers. The contributors adopt interdisciplinary approaches, casting new light on the rich and diverse artistic world of Paris in the twenties as presented in lesser known works by French artists, English and American expatriates, but also Belgian, Dutch, German, Polish or South American avant-gardists. The collection thus gives the reader a fascinating insight into artistic productions which have hitherto received comparatively little critical attention.

     
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    Quelle: Verbundkataloge
    Beteiligt: Mettinger-Schartmann, Elke; Rubik, Margarete; Türschmann, Jörg
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789042031791
    Weitere Identifier:
    RVK Klassifikation: EC 2140
    Schriftenreihe: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 144
    Schlagworte: Literarisches Leben
    Umfang: 1 Online-Ressource (330 pages), illustrations
    Bemerkung(en):

    Includes bibliographical references.
  5. Dramatic minds
    performance, cognition, and the representation of interiority, essays in honour of Margarete Rubik
    Beteiligt: Huber, Werner (Hrsg.); Mettinger-Schartmann, Elke (Hrsg.); Müller-Zettelmann, Eva (Hrsg.); Rubik, Margarete
    Erschienen: [2015]
    Verlag:  Peter Lang, Frankfurt am Main

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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Huber, Werner (Hrsg.); Mettinger-Schartmann, Elke (Hrsg.); Müller-Zettelmann, Eva (Hrsg.); Rubik, Margarete
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783653061802; 3653061806
    Schriftenreihe: Austrian studies in English ; Volume 105
    Schlagworte: Drama / Psychological aspects; Theater / Psychological aspects; Cognition in literature; Psychology and literature; Philosophy of mind in literature; Cognition in literature / (OCoLC)fst00866515; Drama / Psychological aspects / (OCoLC)fst00897494; Philosophy of mind in literature / (OCoLC)fst01060844; Psychology and literature / (OCoLC)fst01081551; Theater / Psychological aspects / (OCoLC)fst01149284; BIOGRAPHY & AUTOBIOGRAPHY / Literary
    Umfang: 1 online resource (306 pages), illustrations
    Bemerkung(en):

    Print version record

    Includes bibliographical references

    Cover; Table of Contents; Acknowledgements; Introduction (Eva Zettelmann and Elke Mettinger); Theoretical Approaches; Consciousness in Drama: A Cognitive Approach (Monika Fludernik); Drama and the Representation of Fictional Minds (Eva Zettelmann); From Medieval Iconography to Restoration Drama; Strategic Communication of Pathos and Suffering in Verbal and Visual Medieval Culture (Gabriella Mazzon); "Now is this golden crown like a deep well" -- Richard II from a Cognitive Point of View (Elke Mettinger)

    ""Othello"": Personality and Personality Building in Shakespeare's Tragedy and Verdi's Opera (Sabine Coelsch-Foisner)The ""Macbeth"" Trap: Productions of Shakespeare's Play in England, Germany, Austria and Switzerland (Michael Raab); ""Une Tempête"", Aimé Césaire's Subversion of the Imperial Scripts of Shakespeare's Tempest (Christa Knellwolf King); The Script of the Body and the Soul in ""The Country-Wife"" and ""Tristram Shandy"": the 'Cognitive Turn' from Restoration Drama to Sentimental Fiction (Dieter Fuchs); Modern Drama

    The (Im)Possible Worlds of Joe Orton: A Cognitive Approach to ""What the Butler Saw"" (Caterina Grasl)"I understand you not, my lord." -- Problems of Cognition and Perception in Tom Stoppard's Plays (Bernhard Reitz); John Arden and Margaretta D'Arcy -- A Cognitive Approach (Wolfgang J. Lippke); Pinter's One-Act Plays ""One for the Road, Mountain Language"", and ""Party Time"" in the Light of Conceptual Blending Theory (Ewald Mengel); Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama (Merle Tönnies)

    "Dennis is a Liar" -- Mendacity in the Plays of Dennis Kelly (Eckart Voigts)Breaking the Boundaries of Narrative: Post-Dramatic Story-Telling (Christopher Innes); Parapsychic Phenomena in Early Twentieth-Century American Drama (Peter Zenzinger); Tabula gratulatoria