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In North London, an all-male beehive of inactivity is ruled with a foul mouth and an iron hand by the abusive Max (Paul Rogers) and his brother, the priggish palace eunuch Sam (Cyril Cusack). Rounding out the precision vulgarity of The Homecoming's "situation tragedy" are the sons, punch-drunk demolition man Joey (Terence Rigby) and the magnificient Ian Holm (Lord of the Rings, The Sweet Hereafter) as pimp-smart Lenny. When, under cover of darkness, the prodigal son Teddy (Michael Jayston) brings his wife Ruth (Vivien Merchant) home to meet his family for the first time, he gets far more and less than he bargained for. To Teddy's rueful discomfort, Ruth's Mona Lisa smile forms the gateway to a labyrinth of Freudian dread, venal family values, and naked neediness that could only come from the mind of Harold Pinter. Director Sir Peter hall re-renders his original Royal Shakespeare Company London stage triumph as a bleached, claustrophobic delirium that exploits the jagged tempos and seductive tensions of Pinter's best play as no theater staging could. The New York Times declared the American Film Theatre's production of The Homecoming, "a movie of astonishing dynamism." Indeed, director Atom Agoyan (The Sweet Hereafter) went so far as to say, "I often find myself seeking solace from this film. Its poetry and twisted sense of compassion and humor have assuaged many moments of despair and confusion. Other people have religion, I have my copy of The Homecoming." (from the container) Extras: An interview with cinematographer David Watkin (about the challenges of lighting and photographing The Homecoming,25 min.). Interview with Sir Peter Hall (about the differences between theatre and cinema and how The Homecoming as a piece fits in between and how a director and actor should work with Pinter's dialogues and pauses, 27 min.)Theatrical trailer. The AFT Cinebill for The Homecoming Stills Gallery. Interview with Otto Plaschkes (The Executive Producer of the AFT series talks about the approach to putting these famous plays onto the screen, 22 min.). Interview with Richard Peña (overview of the whole American Film Theatre project,21 min.).
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