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  1. White musical mythologies
    sonic presence in modernism
    Autor*in: Mendelssohn, Edmund
    Erschienen: [2023]; © 2023
    Verlag:  Stanford University Press, Stanford, California

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781503636637
    Schriftenreihe: Sensing Media: Aesthetics, Philosophy, and Cultures of Media
    Schlagworte: bicssc / History of ideas; bicssc / Media studies; bisacsh / MUSIC / Philosophy & Social Aspects; bisacsh / SOCIAL SCIENCE / Media Studies; Modernism Music - History - 20th century; Avant-garde Music - History - 20th century - France; Modernism Aesthetics - History - 20th century - France; Music - Foreign influences - Western countries; Music - Philosophy and aesthetics; Philosophy, French - 20th century; Postcolonialism and music; Postkolonialismus; Musikästhetik; Experimentelle Musik; Neue Musik
    Umfang: xiii, 287 Seiten, Illustrationen, Notenbeispiele
    Bemerkung(en):

    Prelude: A Silence Filled with Speech; 1. The Ontology of the Ineffable: Satie and Bergson; 2. Ontological Machines: Varese and Bataille; 3. Ontological Appropriation: Boulez and Artaud; 4. The Written Being of Sound: Cage and Derrida; Postlude: A Simulacrum of a Presence
  2. White musical mythologies
    sonic presence in modernism
    Autor*in: Mendelssohn, Edmund
    Erschienen: 2023
    Verlag:  Stanford University Press, Standford, California

    Standort:
    Universität Mainz, Zentralbibliothek, RVK-Aufstellung
    Signatur:
    200 LQ 82707 M537
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781503636637; 9781503636347
    RVK Klassifikation: LQ 82207 ; LQ 82707
    Schriftenreihe: Sensing media
    Schlagworte: Neue Musik; Experimentelle Musik; Postkolonialismus; Musikästhetik
    Umfang: 306 Seiten
  3. White musical mythologies
    sonic presence in modernism
    Autor*in: Mendelssohn, Edmund
    Erschienen: 2023
    Verlag:  Stanford University Press, Stanford, California

    "Examining a series of modernist thinkers and composers who engaged with non-European cultures as they pursued pure sound as a privileged presence, White Musical Mythologies pairs Erik Satie with Bergson, Edgard Varèse with Bataille, Pierre Boulez... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    8 A 8143
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Examining a series of modernist thinkers and composers who engaged with non-European cultures as they pursued pure sound as a privileged presence, White Musical Mythologies pairs Erik Satie with Bergson, Edgard Varèse with Bataille, Pierre Boulez with Artaud, and John Cage with Derrida to offer an ambitious intellectual history of the colonial roots of modernist musical thought. Each of the musicians studied in this book re-created or appropriated non-European forms of expression as they conceived music ontologically, often thinking music as something immediate and immersive: from Satie's dabblings with mysticism and exoticism in bohemian Montmartre of the 1890s to Varèse's experience of ethnographic exhibitions and surrealist poetry in 1930s Paris, and from Boulez's endeavor to theorize a kind of musical writing that would "absorb" the sounds of non-European musical traditions to Cage, who took inspiration from Eastern thought as he wrote about sound, silence, and chance. Edmund Mendelssohn suggests that the Euro-American idea of "pure sound," and the twentieth-century quest to produce it, was premised on an assumed authority of "the West" over Europe's others. Intended for readers in philosophy, musicology, art theory, the history of modernism, sound studies, and postcolonial studies, this book demonstrates that we cannot fully understand French theory in its novelty and complexity without music and sound"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781503636637; 9781503636347
    Schriftenreihe: Sensing media: aesthetics, philosophy, and cultures of media
    Schlagworte: Modernism (Music); Avant-garde (Music); Modernism (Aesthetics); Music; Music; Philosophy, French; Postcolonialism and music
    Umfang: xiii, 287 Seiten, Illustrationen, Notenbeispiele
    Bemerkung(en):

    Includes bibliographical references and index

    Prelude : a silence filled with speech -- The ontology of the ineffable : Satie and Bergson -- Ontological machines : Varèse and Bataille -- Ontological appropriation : Boulez and Artaud -- The written being of sound : Cage and Derrida -- Postlude : a simulacrum of presence.
  4. White musical mythologies
    sonic presence in modernism
    Autor*in: Mendelssohn, Edmund
    Erschienen: 2023
    Verlag:  Stanford University Press, Stanford, California

    "Examining a series of modernist thinkers and composers who engaged with non-European cultures as they pursued pure sound as a privileged presence, White Musical Mythologies pairs Erik Satie with Bergson, Edgard Varèse with Bataille, Pierre Boulez... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Examining a series of modernist thinkers and composers who engaged with non-European cultures as they pursued pure sound as a privileged presence, White Musical Mythologies pairs Erik Satie with Bergson, Edgard Varèse with Bataille, Pierre Boulez with Artaud, and John Cage with Derrida to offer an ambitious intellectual history of the colonial roots of modernist musical thought. Each of the musicians studied in this book re-created or appropriated non-European forms of expression as they conceived music ontologically, often thinking music as something immediate and immersive: from Satie's dabblings with mysticism and exoticism in bohemian Montmartre of the 1890s to Varèse's experience of ethnographic exhibitions and surrealist poetry in 1930s Paris, and from Boulez's endeavor to theorize a kind of musical writing that would "absorb" the sounds of non-European musical traditions to Cage, who took inspiration from Eastern thought as he wrote about sound, silence, and chance. Edmund Mendelssohn suggests that the Euro-American idea of "pure sound," and the twentieth-century quest to produce it, was premised on an assumed authority of "the West" over Europe's others. Intended for readers in philosophy, musicology, art theory, the history of modernism, sound studies, and postcolonial studies, this book demonstrates that we cannot fully understand French theory in its novelty and complexity without music and sound"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781503636637; 9781503636347
    Schriftenreihe: Sensing media: aesthetics, philosophy, and cultures of media
    Schlagworte: Modernism (Music); Avant-garde (Music); Modernism (Aesthetics); Music; Music; Philosophy, French; Postcolonialism and music
    Umfang: xiii, 287 Seiten, Illustrationen, Notenbeispiele
    Bemerkung(en):

    Includes bibliographical references and index

    Prelude : a silence filled with speech -- The ontology of the ineffable : Satie and Bergson -- Ontological machines : Varèse and Bataille -- Ontological appropriation : Boulez and Artaud -- The written being of sound : Cage and Derrida -- Postlude : a simulacrum of presence.