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  1. Authoring war
    the literary representation of war from the Iliad to Iraq
    Autor*in: McLoughlin, Catherine Mary
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge, UK

    "N War and Peace (1865-9), Nikolai Rostov responds enthusiastically to a request from Boris Drubetskoy to describe how and where he got his wound: He described the Scho·n Graben affair exactly as men who have taken part in battles always do describe... mehr

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    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    "N War and Peace (1865-9), Nikolai Rostov responds enthusiastically to a request from Boris Drubetskoy to describe how and where he got his wound: He described the Scho·n Graben affair exactly as men who have taken part in battles always do describe them - that is, as they would like them to have been, as they have heard them described by others, and as sounds well, but not in the least as they really had been. Rostov was a truthful young man and would never have told a deliberate lie. He began his story with the intention of telling everything exactly as it happened, but imperceptibly, unconsciously and inevitably he passed into falsehood. If he had told the truth to his listeners who, like himself, had heard numerous descriptions of cavalry charges and had formed a definite idea of what a charge was like and were expecting a precisely similar account from him, either they would not have believed him or, worse still, would have thought Rostov himself to blame if what generally happens to those who describe cavalry charges had not happened to him"-- "Kate McLoughlin's Authoring War is an ambitious and pioneering study of war writing across all literary genres from earliest times to the present day. Examining a range of cultures, she brings wide reading and close rhetorical analysis to illuminate how writers have met the challenge of representing violence, chaos and loss. War gives rise to problems of epistemology, scale, space, time, language and logic. She emphasises the importance of form to an understanding of war literature and establishes connections across periods and cultures from Homer to the 'War on Terror'. Exciting new critical groupings arise in consequence, as Byron's Don Juan is read alongside Heller's Catch-22 and English Civil War poetry alongside Second World War letters. Innovative in its approach and inventive in its encyclopedic range, Authoring War will be indispensable to any discussion of war representation"-- Introduction: authoring war -- 1. Credentials -- 2. Details -- 3. Zones -- 4. Duration -- 5. Diversions -- 6. Laughter -- Conclusion: to perpetual peace.

     
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  2. The modernist party
    Beteiligt: McLoughlin, Catherine Mary (Hrsg.)
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh

    "In 12 chapters internationally distinguished scholars explore the party both as a literary device and as a forum for developing modernist creative values, opening up new perspectives on materiality, the everyday and concepts of space, place and... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In 12 chapters internationally distinguished scholars explore the party both as a literary device and as a forum for developing modernist creative values, opening up new perspectives on materiality, the everyday and concepts of space, place and time. There are chapters on Conrad and domestic parties, T S Eliot́€™s ́€˜Prufrocḱ€™, the party vector in Joyc這s ́€˜The Dead́€™ and Finnegans Wake, Katherine Mansfield́€™s party stories, Virginia Woolf́€™s idea of a party, the textual parties of Proust, Ford Madox Ford and Aldous Huxley and the real-life parties of Sylvia Beach, Adrienne Monnier, Natalie Barney and Gertrude Stein, the black ́€˜after-partý€™ of the Harlem Renaissance and the parties in extremis in D H Lawrenc這s Women in Love. Like guests at a party, the chapters talk to and argue with each other. They contribute different approaches: formal, historical, thematic, biographical and theoretical. They address gender and sexuality, race, genre, class, sociality and privacy. And they establish critical viewpoints. The party is shown to be the site both of introspection and self-display. It provokes competition, collaboration and violence. It is an occasion of nihilism as well as a model for creative production."

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: McLoughlin, Catherine Mary (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748647323
    RVK Klassifikation: HM 1101
    Schlagworte: Parties; Parties in literature; Modernism (Literature) / Themes, motives; English literature / 20th century / History and criticism; Moderne; Englisch; Literatur; Party <Motiv>
    Umfang: 1 online resource (viii, 232 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Array: Array
  3. Authoring war
    the literary representation of war from the Iliad to Iraq
    Autor*in: McLoughlin, Catherine Mary
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge ; New York

    "Kate McLoughlin's Authoring War is an ambitious and pioneering study of war writing across all literary genres from earliest times to the present day. Examining a range of cultures, she brings wide reading and close rhetorical analysis to illuminate... mehr

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

     

    "Kate McLoughlin's Authoring War is an ambitious and pioneering study of war writing across all literary genres from earliest times to the present day. Examining a range of cultures, she brings wide reading and close rhetorical analysis to illuminate how writers have met the challenge of representing violence, chaos and loss. War gives rise to problems of epistemology, scale, space, time, language and logic. She emphasises the importance of form to an understanding of war literature and establishes connections across periods and cultures from Homer to the 'War on Terror'. Exciting new critical groupings arise in consequence, as Byron's Don Juan is read alongside Heller's Catch-22 and English Civil War poetry alongside Second World War letters. Innovative in its approach and inventive in its encyclopedic range, Authoring War will be indispensable to any discussion of war representation"-- "n War and Peace (1865-9), Nikolai Rostov responds enthusiastically to a request from Boris Drubetskoy to describe how and where he got his wound: He described the Scho·n Graben affair exactly as men who have taken part in battles always do describe them - that is, as they would like them to have been, as they have heard them described by others, and as sounds well, but not in the least as they really had been. Rostov was a truthful young man and would never have told a deliberate lie. He began his story with the intention of telling everything exactly as it happened, but imperceptibly, unconsciously and inevitably he passed into falsehood. If he had told the truth to his listeners who, like himself, had heard numerous descriptions of cavalry charges and had formed a definite idea of what a charge was like and were expecting a precisely similar account from him, either they would not have believed him or, worse still, would have thought Rostov himself to blame if what generally happens to those who describe cavalry charges had not happened to him"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Schlagworte: War in literature; War and literature; Kriegsliteratur; Krieg <Motiv>; Literatur
    Umfang: ix, 221 p
  4. The modernist party
    Beteiligt: McLoughlin, Catherine Mary (Hrsg.)
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh

    "In 12 chapters internationally distinguished scholars explore the party both as a literary device and as a forum for developing modernist creative values, opening up new perspectives on materiality, the everyday and concepts of space, place and... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In 12 chapters internationally distinguished scholars explore the party both as a literary device and as a forum for developing modernist creative values, opening up new perspectives on materiality, the everyday and concepts of space, place and time. There are chapters on Conrad and domestic parties, T S Eliot́€™s ́€˜Prufrocḱ€™, the party vector in Joyc這s ́€˜The Dead́€™ and Finnegans Wake, Katherine Mansfield́€™s party stories, Virginia Woolf́€™s idea of a party, the textual parties of Proust, Ford Madox Ford and Aldous Huxley and the real-life parties of Sylvia Beach, Adrienne Monnier, Natalie Barney and Gertrude Stein, the black ́€˜after-partý€™ of the Harlem Renaissance and the parties in extremis in D H Lawrenc這s Women in Love. Like guests at a party, the chapters talk to and argue with each other. They contribute different approaches: formal, historical, thematic, biographical and theoretical. They address gender and sexuality, race, genre, class, sociality and privacy. And they establish critical viewpoints. The party is shown to be the site both of introspection and self-display. It provokes competition, collaboration and violence. It is an occasion of nihilism as well as a model for creative production."

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: McLoughlin, Catherine Mary (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748647323
    RVK Klassifikation: HM 1101
    Schlagworte: Parties; Parties in literature; Modernism (Literature) / Themes, motives; English literature / 20th century / History and criticism; Englisch; Literatur; Moderne; Party <Motiv>
    Umfang: 1 online resource (viii, 232 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Array: Array
  5. Veteran poetics
    British literature in the age of mass warfare, 1790-2015
    Autor*in: McLoughlin, Catherine Mary
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge

    In this first full-length study of the war veteran in literature, Kate McLoughlin draws new critical attention to a figure central to national life. Offering fresh readings of canonical and non-canonical works, she shows how authors from William... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In this first full-length study of the war veteran in literature, Kate McLoughlin draws new critical attention to a figure central to national life. Offering fresh readings of canonical and non-canonical works, she shows how authors from William Wordsworth to J. K. Rowling have deployed veterans to explore questions that are simultaneously personal, political, and philosophical: What does a community owe to those who serve it? What can be recovered from the past? Do people stay the same over time? Are there right times of life at which to do certain things? Is there value in experience? How can wisdom be shared? Veteran Poetics features veterans who travel in time, cause havoc with their reappearances, solve murders, refuse to stop talking about the wars they have been in, and refuse to say a word about them. Through this last trait, they also prompt consideration of possible critical responses to silence

     
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781108350754
    Weitere Identifier:
    RVK Klassifikation: HG 431
    Schlagworte: English literature; War in literature; Veterans in literature; Veterans in literature; War in literature; English literature ; History and criticism
    Umfang: 1 Online-Ressource (xi, 320 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 28 Jun 2018)
  6. The modernist party
    Beteiligt: McLoughlin, Catherine Mary (HerausgeberIn)
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh

    "In 12 chapters internationally distinguished scholars explore the party both as a literary device and as a forum for developing modernist creative values, opening up new perspectives on materiality, the everyday and concepts of space, place and... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In 12 chapters internationally distinguished scholars explore the party both as a literary device and as a forum for developing modernist creative values, opening up new perspectives on materiality, the everyday and concepts of space, place and time. There are chapters on Conrad and domestic parties, T S Eliot́€™s ́€˜Prufrocḱ€™, the party vector in Joyc這s ́€˜The Dead́€™ and Finnegans Wake, Katherine Mansfield́€™s party stories, Virginia Woolf́€™s idea of a party, the textual parties of Proust, Ford Madox Ford and Aldous Huxley and the real-life parties of Sylvia Beach, Adrienne Monnier, Natalie Barney and Gertrude Stein, the black ́€˜after-partý€™ of the Harlem Renaissance and the parties in extremis in D H Lawrenc這s Women in Love. Like guests at a party, the chapters talk to and argue with each other. They contribute different approaches: formal, historical, thematic, biographical and theoretical. They address gender and sexuality, race, genre, class, sociality and privacy. And they establish critical viewpoints. The party is shown to be the site both of introspection and self-display. It provokes competition, collaboration and violence. It is an occasion of nihilism as well as a model for creative production

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: McLoughlin, Catherine Mary (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748647323
    RVK Klassifikation: HM 1101
    Schlagworte: Modernism (Literature); English literature; Parties; Parties in literature; Parties; Parties in literature; Modernism (Literature) ; Themes, motives; English literature ; 20th century ; History and criticism
    Umfang: 1 Online-Ressource (viii, 232 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Kate McLoughlin: Introduction : a welcome from the host

    Susan Jones: 'The dinner was indeed quiet' : domestic parties in the work of Joseph Conrad

    Kate McLoughlin: Prufrock, party-goer : tongue-tied at tea

    Jean-Michel Rabaté: Party Joyce : from the 'Dead' to when we 'Wake'

    Angela Smith: 'Looking at the party with you' : pivotal moments in Katherine Mansfield's party stories

    Bryony Randall: Virginia Woolf's idea of a party

    David R. Ellison: Proustian peristalsis : parties before, during and after

    Joanne Winning: 'Ezra through the open door' : the parties of Natalie Barney, Adrienne Monnier and Sylvia Beach as lesbian modernist cultural production

    Alex Goody: 'Indeed everybody did come' : parties, publicity and intimacy in Gertrude Stein's plays

    Margo Natalie Crawford: The interracial party of modernist primitivism and the black 'after-party'

    Margot Norris: The party in extremis in D.H. Lawrence's Women in love

    Nathan Waddell: Bohemian retrospects : Ford Madox Ford, post-war memory and the Cabaret Theatre Club

    Morag Shiach.: 'Pleasure too often repeated' : Aldous Huxley's modernity
  7. Authoring war
    the literary representation of war from the Iliad to Iraq
    Autor*in: McLoughlin, Catherine Mary
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge

    Kate McLoughlin's Authoring War is an ambitious and pioneering study of war writing across all literary genres from earliest times to the present day. Examining a range of cultures, she brings wide reading and close rhetorical analysis to illuminate... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Kate McLoughlin's Authoring War is an ambitious and pioneering study of war writing across all literary genres from earliest times to the present day. Examining a range of cultures, she brings wide reading and close rhetorical analysis to illuminate how writers have met the challenge of representing violence, chaos and loss. War gives rise to problems of epistemology, scale, space, time, language and logic. She emphasises the importance of form to an understanding of war literature and establishes connections across periods and cultures from Homer to the 'War on Terror'. Exciting new critical groupings arise in consequence, as Byron's Don Juan is read alongside Heller's Catch-22 and English Civil War poetry alongside Second World War letters. Innovative in its approach and inventive in its encyclopedic range, Authoring War will be indispensable to any discussion of war representation Introduction: authoring war -- 1. Credentials -- 2. Details -- 3. Zones -- 4. Duration -- 5. Diversions -- 6. Laughter -- Conclusion: to perpetual peace

     
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    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511782275
    Weitere Identifier:
    RVK Klassifikation: EC 5410
    Schlagworte: War and literature; War in literature; War in literature; War and literature
    Umfang: 1 Online-Ressource (ix, 221 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  8. The First World War
    literature, culture, modernity
    Beteiligt: Das, Santanu (Herausgeber); McLoughlin, Catherine Mary (Herausgeber)
    Erschienen: 2018
    Verlag:  Published for the British Academy by Oxford University Press, Oxford ; Oxford University Press

    Literary and cultural-historical debate about the First World War has focused on whether the conflict inaugurated a new modernity or whether it revealed deep continuities, particularly in the area of memorialization. The debate can productively be... mehr

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    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

     

    Literary and cultural-historical debate about the First World War has focused on whether the conflict inaugurated a new modernity or whether it revealed deep continuities, particularly in the area of memorialization. The debate can productively be widened by expanding the scope of critical attention to include, not only English trench poetry, but also the creative production of women, non-combatants, civilians, and writers and artists from Europe and the then British Empire. This enlarged canon, which in this text ranges from the British combatant poets Wilfred Owen and David Jones to the writers and nurses Mary Borden and Enid Bagnold, the civilian novelists H.G. Wells and Virginia Woolf, and the international authors Robert Service, Berta Lask, Claire Studer Goll, Ricarda Huch, Gertrud Kolmar, and Anna Akhmatova, enables us to rethink the very meanings of terms such as 'modernity' and 'modernism'.

     
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    Quelle: Verbundkataloge
    Beteiligt: Das, Santanu (Herausgeber); McLoughlin, Catherine Mary (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780191869198
    Weitere Identifier:
    RVK Klassifikation: EC 2450
    Auflage/Ausgabe: First edition.
    Schriftenreihe: Proceedings of the British Academy ; 213
    Schlagworte: World War, 1914-1918; World War, 1914-1918; World War, 1914-1918; World War, 1914-1918; Modernism (Literature); Modernism (Art)
    Umfang: 1 Online-Ressource (xi, 268 pages), Illustrations (black and white).
    Bemerkung(en):

    This edition previously issued in print: 2018

    Includes bibliographical references and index
  9. The modernist party
    Beteiligt: McLoughlin, Catherine Mary
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh ; Oxford University Press, Oxford

    Have you ever been struck by the number of parties in modernist literature? In this book, scholars explore the party both as a literary device and as a social setting in which the movement's creative values were developed. mehr

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    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

     

    Have you ever been struck by the number of parties in modernist literature? In this book, scholars explore the party both as a literary device and as a social setting in which the movement's creative values were developed.

     
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    Quelle: Verbundkataloge
    Beteiligt: McLoughlin, Catherine Mary
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748684380
    Weitere Identifier:
    RVK Klassifikation: HM 1071
    Schlagworte: Parties; Modernism (Literature); English literature
    Umfang: 1 Online-Ressource (viii, 232 p.)
    Bemerkung(en):

    Includes bibliographical references and index
  10. Veteran poetics
    British literature in the age of mass warfare, 1790-2015
    Autor*in: McLoughlin, Catherine Mary
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge

    In this first full-length study of the war veteran in literature, Kate McLoughlin draws new critical attention to a figure central to national life. Offering fresh readings of canonical and non-canonical works, she shows how authors from William... mehr

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    E-Book CUP HSFK
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    Universitätsbibliothek der Eberhard Karls Universität
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    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    In this first full-length study of the war veteran in literature, Kate McLoughlin draws new critical attention to a figure central to national life. Offering fresh readings of canonical and non-canonical works, she shows how authors from William Wordsworth to J. K. Rowling have deployed veterans to explore questions that are simultaneously personal, political, and philosophical: What does a community owe to those who serve it? What can be recovered from the past? Do people stay the same over time? Are there right times of life at which to do certain things? Is there value in experience? How can wisdom be shared? Veteran Poetics features veterans who travel in time, cause havoc with their reappearances, solve murders, refuse to stop talking about the wars they have been in, and refuse to say a word about them. Through this last trait, they also prompt consideration of possible critical responses to silence

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781108350754
    Weitere Identifier:
    RVK Klassifikation: HG 431
    Schlagworte: English literature; War in literature; Veterans in literature; Veterans in literature; War in literature; English literature ; History and criticism
    Umfang: 1 Online-Ressource (xi, 320 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 28 Jun 2018)
  11. Authoring war
    the literary representation of war from the Iliad to Iraq
    Autor*in: McLoughlin, Catherine Mary
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge

    "Kate McLoughlin's Authoring War is an ambitious and pioneering study of war writing across all literary genres from earliest times to the present day. Examining a range of cultures, she brings wide reading and close rhetorical analysis to illuminate... mehr

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    keine Fernleihe

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    "Kate McLoughlin's Authoring War is an ambitious and pioneering study of war writing across all literary genres from earliest times to the present day. Examining a range of cultures, she brings wide reading and close rhetorical analysis to illuminate how writers have met the challenge of representing violence, chaos and loss. War gives rise to problems of epistemology, scale, space, time, language and logic. She emphasises the importance of form to an understanding of war literature and establishes connections across periods and cultures from Homer to the 'War on Terror'. Exciting new critical groupings arise in consequence, as Byron's Don Juan is read alongside Heller's Catch-22 and English Civil War poetry alongside Second World War letters. Innovative in its approach and inventive in its encyclopedic range, Authoring War will be indispensable to any discussion of war representation"-- "n War and Peace (1865-9), Nikolai Rostov responds enthusiastically to a request from Boris Drubetskoy to describe how and where he got his wound: He described the Scho·n Graben affair exactly as men who have taken part in battles always do describe them - that is, as they would like them to have been, as they have heard them described by others, and as sounds well, but not in the least as they really had been. Rostov was a truthful young man and would never have told a deliberate lie. He began his story with the intention of telling everything exactly as it happened, but imperceptibly, unconsciously and inevitably he passed into falsehood. If he had told the truth to his listeners who, like himself, had heard numerous descriptions of cavalry charges and had formed a definite idea of what a charge was like and were expecting a precisely similar account from him, either they would not have believed him or, worse still, would have thought Rostov himself to blame if what generally happens to those who describe cavalry charges had not happened to him"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
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    Format: Online
    ISBN: 9781107003903; 1283052075; 9781283052078; 9781139041485
    Schlagworte: War and literature; War in literature; War and literature; War in literature; Electronic books
    Umfang: Online-Ressource (ix, 221 p)
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    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    Machine generated contents note: Introduction: authoring war; 1. Credentials; 2. Details; 3. Zones; 4. Duration; 5. Diversions; 6. Laughter; Conclusion: to perpetual peace; Bibliography; Index.
  12. The modernist party
    Beteiligt: McLoughlin, Catherine Mary (HerausgeberIn)
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh

    "In 12 chapters internationally distinguished scholars explore the party both as a literary device and as a forum for developing modernist creative values, opening up new perspectives on materiality, the everyday and concepts of space, place and... mehr

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    "In 12 chapters internationally distinguished scholars explore the party both as a literary device and as a forum for developing modernist creative values, opening up new perspectives on materiality, the everyday and concepts of space, place and time. There are chapters on Conrad and domestic parties, T S Eliot́€™s ́€˜Prufrocḱ€™, the party vector in Joyc這s ́€˜The Dead́€™ and Finnegans Wake, Katherine Mansfield́€™s party stories, Virginia Woolf́€™s idea of a party, the textual parties of Proust, Ford Madox Ford and Aldous Huxley and the real-life parties of Sylvia Beach, Adrienne Monnier, Natalie Barney and Gertrude Stein, the black ́€˜after-partý€™ of the Harlem Renaissance and the parties in extremis in D H Lawrenc這s Women in Love. Like guests at a party, the chapters talk to and argue with each other. They contribute different approaches: formal, historical, thematic, biographical and theoretical. They address gender and sexuality, race, genre, class, sociality and privacy. And they establish critical viewpoints. The party is shown to be the site both of introspection and self-display. It provokes competition, collaboration and violence. It is an occasion of nihilism as well as a model for creative production

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: McLoughlin, Catherine Mary (HerausgeberIn)
    Sprache: Englisch
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    ISBN: 9780748647323
    RVK Klassifikation: HM 1101
    Schlagworte: Modernism (Literature); English literature; Parties; Parties in literature; Parties; Parties in literature; Modernism (Literature) ; Themes, motives; English literature ; 20th century ; History and criticism
    Umfang: 1 Online-Ressource (viii, 232 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Kate McLoughlin: Introduction : a welcome from the host

    Susan Jones: 'The dinner was indeed quiet' : domestic parties in the work of Joseph Conrad

    Kate McLoughlin: Prufrock, party-goer : tongue-tied at tea

    Jean-Michel Rabaté: Party Joyce : from the 'Dead' to when we 'Wake'

    Angela Smith: 'Looking at the party with you' : pivotal moments in Katherine Mansfield's party stories

    Bryony Randall: Virginia Woolf's idea of a party

    David R. Ellison: Proustian peristalsis : parties before, during and after

    Joanne Winning: 'Ezra through the open door' : the parties of Natalie Barney, Adrienne Monnier and Sylvia Beach as lesbian modernist cultural production

    Alex Goody: 'Indeed everybody did come' : parties, publicity and intimacy in Gertrude Stein's plays

    Margo Natalie Crawford: The interracial party of modernist primitivism and the black 'after-party'

    Margot Norris: The party in extremis in D.H. Lawrence's Women in love

    Nathan Waddell: Bohemian retrospects : Ford Madox Ford, post-war memory and the Cabaret Theatre Club

    Morag Shiach.: 'Pleasure too often repeated' : Aldous Huxley's modernity
  13. Authoring war
    the literary representation of war from the Iliad to Iraq
    Autor*in: McLoughlin, Catherine Mary
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge

    Kate McLoughlin's Authoring War is an ambitious and pioneering study of war writing across all literary genres from earliest times to the present day. Examining a range of cultures, she brings wide reading and close rhetorical analysis to illuminate... mehr

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    Kate McLoughlin's Authoring War is an ambitious and pioneering study of war writing across all literary genres from earliest times to the present day. Examining a range of cultures, she brings wide reading and close rhetorical analysis to illuminate how writers have met the challenge of representing violence, chaos and loss. War gives rise to problems of epistemology, scale, space, time, language and logic. She emphasises the importance of form to an understanding of war literature and establishes connections across periods and cultures from Homer to the 'War on Terror'. Exciting new critical groupings arise in consequence, as Byron's Don Juan is read alongside Heller's Catch-22 and English Civil War poetry alongside Second World War letters. Innovative in its approach and inventive in its encyclopedic range, Authoring War will be indispensable to any discussion of war representation Introduction: authoring war -- 1. Credentials -- 2. Details -- 3. Zones -- 4. Duration -- 5. Diversions -- 6. Laughter -- Conclusion: to perpetual peace

     
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    ISBN: 9780511782275
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    RVK Klassifikation: EC 5410
    Schlagworte: War and literature; War in literature; War in literature; War and literature
    Umfang: 1 Online-Ressource (ix, 221 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  14. Interruption Overload: Telephones in Ford Madox Ford’s “‘4692 Padd’,” A Call and A Man Could Stand Up —
    Autor*in: McLoughlin, Catherine Mary
    Erschienen: 2013

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    Übergeordneter Titel: Journal of modern literature; Bloomington, Ind. : Indiana University, 1970-; Band 36, Heft 3 (2013), Seite 50-68