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Women in Polish cinema
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Masculinities in Polish, Czech and Slovak cinema
Black Peters and men of marble -
From self-fulfilment to survival of the fittest
work in European cinema from the 1960s to the present -
The cinematic bodies of Eastern Europe and Russia
between pain and pleasure -
Contemporary cinema and neoliberal ideology
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From self-fulfilment to survival of the fittest
work in European cinema from the 1960s to the present -
The cinematic bodies of Eastern Europe and Russia
between pain and pleasure -
The cinematic bodies of Eastern Europe and Russia
between pain and pleasure -
In Search of Freedom, Bread and Self-fulfilment
A Short History of Polish Emigrants in Fictional Film -
From self-fulfillment to survival of the fittest
work in European cinema from the 1960s to the present -
Heading North
The North of England in Film and Television -
Contemporary cinema and neoliberal ideology
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Poland daily
economy, work, consumption and social class in Polish cinema -
Masculinities in Polish, Czech and Slovak cinema
Black Peters and men of marble -
Masculinities in Polish, Czech and Slovak cinema
Black Peters and men of marble -
From self-fulfillment to survival of the fittest
work in European cinema from the 1960s to the present -
Heading North
the North of England in film and television -
Work in cinema
labor and the human condition -
Postcolonial approaches to Eastern European cinema
portraying neighbours on-screen -
Poland daily
economy, work, consumption and social class in Polish cinema -
Heading North
The North of England in Film and Television -
From self-fulfillment to survival of the fittest
work in European cinema from the 1960s to the present -
Postcolonial approaches to Eastern European cinema
portraying neighbours on-screen -
From self-fulfillment to survival of the fittest
work in European cinema from the 1960s to the present -
The cinematic bodies of Eastern Europe and Russia
between pain and pleasure