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  1. Dynamic form
    how intermediality made modernism
    Autor*in: Lewis, Cara L.
    Erschienen: [2020]; © 2020
    Verlag:  Cornell University Press, Ithaca

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Universitätsbibliothek Heidelberg
    2020 C 2457
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781501749179
    RVK Klassifikation: EC 1859
    Schlagworte: Modernism (Literature); Modernism (Literature); Modernism (Art); Modernism (Art); Art and literature; Art and literature; Formalism (Literary analysis); Formalism (Art); Literary form; English literature; Amerian literature
    Umfang: xi, 314 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 287-304

  2. Dynamic form
    how intermediality made modernism
    Autor*in: Lewis, Cara L.
    Erschienen: [2020]; © 2020
    Verlag:  Cornell University Press, Ithaca ; London

    Dynamic Form traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot... mehr

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    Dynamic Form traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot events, and configure poetry and memoir. As forms and formal theories cross from one artistic realm to another and back again, modernism shows its obsession with form—and even at times becomes a formalism itself—but as Lewis writes, that form is far more dynamic than we have given it credit for. Form fulfills such various functions that we cannot characterize it as a mere container for content or matter, nor can we consign it to ignominy opposite historicism or political commitment.As a structure or scheme that enables action, form in modernism can be plastic, protean, or even fragile, and works by Henry James, Virginia Woolf, Mina Loy, Evelyn Waugh, and Gertrude Stein demonstrate the range of form's operations. Revising three major formal paradigms—spatial form, pure form, and formlessness—and recasting the history of modernist form, this book proposes an understanding of form as a verbal category, as a kind of doing. Dynamic Form thus opens new possibilities for conversation between modernist studies and formalist studies and simultaneously promotes a capacious rethinking of the convergence between literary modernism and creative work in other media

     

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  3. Dynamic form
    how intermediality made modernism
    Autor*in: Lewis, Cara L.
    Erschienen: [2020]; © 2020
    Verlag:  Cornell University Press, Ithaca ; London

    Dynamic Form traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot... mehr

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Dynamic Form traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot events, and configure poetry and memoir. As forms and formal theories cross from one artistic realm to another and back again, modernism shows its obsession with form—and even at times becomes a formalism itself—but as Lewis writes, that form is far more dynamic than we have given it credit for. Form fulfills such various functions that we cannot characterize it as a mere container for content or matter, nor can we consign it to ignominy opposite historicism or political commitment.As a structure or scheme that enables action, form in modernism can be plastic, protean, or even fragile, and works by Henry James, Virginia Woolf, Mina Loy, Evelyn Waugh, and Gertrude Stein demonstrate the range of form's operations. Revising three major formal paradigms—spatial form, pure form, and formlessness—and recasting the history of modernist form, this book proposes an understanding of form as a verbal category, as a kind of doing. Dynamic Form thus opens new possibilities for conversation between modernist studies and formalist studies and simultaneously promotes a capacious rethinking of the convergence between literary modernism and creative work in other media

     

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  4. Dynamic form
    how intermediality made modernism
    Autor*in: Lewis, Cara L.
    Erschienen: [2020]; © 2020
    Verlag:  Cornell University Press, Ithaca ; London

    Dynamic Form traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot... mehr

    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Dynamic Form traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot events, and configure poetry and memoir. As forms and formal theories cross from one artistic realm to another and back again, modernism shows its obsession with form—and even at times becomes a formalism itself—but as Lewis writes, that form is far more dynamic than we have given it credit for. Form fulfills such various functions that we cannot characterize it as a mere container for content or matter, nor can we consign it to ignominy opposite historicism or political commitment.As a structure or scheme that enables action, form in modernism can be plastic, protean, or even fragile, and works by Henry James, Virginia Woolf, Mina Loy, Evelyn Waugh, and Gertrude Stein demonstrate the range of form's operations. Revising three major formal paradigms—spatial form, pure form, and formlessness—and recasting the history of modernist form, this book proposes an understanding of form as a verbal category, as a kind of doing. Dynamic Form thus opens new possibilities for conversation between modernist studies and formalist studies and simultaneously promotes a capacious rethinking of the convergence between literary modernism and creative work in other media

     

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  5. Dynamic form
    how intermediality made modernism
    Autor*in: Lewis, Cara L.
    Erschienen: [2020]; © 2020
    Verlag:  Cornell University Press, Ithaca ; London

    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    UBKUN/0000327
    Ausleihe von Bänden möglich, keine Kopien
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781501749179
    Schlagworte: Formalismus <Kunst>; Literatur; Intermedialität; Formalismus <Literatur>; Kunst
    Weitere Schlagworte: Woolf, Virginia (1882-1941); Loy, Mina (1882-1966); James, Henry (1843-1916); Waugh, Evelyn (1903-1966); Stein, Gertrude (1874-1946)
    Umfang: xi, 314 Seiten, Illustrationen
  6. Dynamic form
    how intermediality made modernism
    Autor*in: Lewis, Cara L.
    Erschienen: [2020]
    Verlag:  Cornell University Press, Ithaca

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781501749179
    RVK Klassifikation: HT 5855 ; HM 4815 ; HU 4387 ; HM 4735 ; HU 8585 ; EC 1859 ; LH 61020
    Schlagworte: Modernism (Literature); Modernism (Literature); Modernism (Art); Modernism (Art); Art and literature; Art and literature; Formalism (Literary analysis); Formalism (Art); Literary form; English literature; Amerian literature
    Umfang: xi, 314 Seiten, Illustrationen
    Bemerkung(en):

    Enthält Literaturverzeichnis Seite 287-304

  7. Dynamic form
    how intermediality made modernism
    Autor*in: Lewis, Cara L.
    Erschienen: 2020
    Verlag:  Cornell University Press, Ithaca

    Dynamic Form traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot... mehr

     

    Dynamic Form traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot events, and configure poetry and memoir. As forms and formal theories cross from one artistic realm to another and back again, modernism shows its obsession with form—and even at times becomes a formalism itself—but as Lewis writes, that form is far more dynamic than we have given it credit for. Form fulfills such various functions that we cannot characterize it as a mere container for content or matter, nor can we consign it to ignominy opposite historicism or political commitment.As a structure or scheme that enables action, form in modernism can be plastic, protean, or even fragile, and works by Henry James, Virginia Woolf, Mina Loy, Evelyn Waugh, and Gertrude Stein demonstrate the range of form's operations. Revising three major formal paradigms—spatial form, pure form, and formlessness—and recasting the history of modernist form, this book proposes an understanding of form as a verbal category, as a kind of doing. Dynamic Form thus opens new possibilities for conversation between modernist studies and formalist studies and simultaneously promotes a capacious rethinking of the convergence between literary modernism and creative work in other media.

     

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  8. Dynamic form
    how intermediality made modernism
    Autor*in: Lewis, Cara L
    Erschienen: [2020]; © 2020
    Verlag:  Cornell University Press, Ithaca

    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781501749179
    Schlagworte: Kunst; Literatur; Intermedialität; Formalismus <Kunst>; Formalismus <Literatur>; Geschichte 1900-1950; James, Henry; Woolf, Virginia; Loy, Mina; Waugh, Evelyn; Stein, Gertrude
    Umfang: xi, 314 Seiten, Illustrationen
  9. Dynamic form
    how intermediality made modernism
    Autor*in: Lewis, Cara L.
    Erschienen: [2020]; © 2020
    Verlag:  Cornell University Press, Ithaca

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781501749179
    RVK Klassifikation: EC 1859
    Schlagworte: Modernism (Literature); Modernism (Literature); Modernism (Art); Modernism (Art); Art and literature; Art and literature; Formalism (Literary analysis); Formalism (Art); Literary form; English literature; Amerian literature
    Umfang: xi, 314 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 287-304

  10. Dynamic Form
    How Intermediality Made Modernism
    Autor*in: Lewis, Cara L.
    Erschienen: [2020]; ©2020
    Verlag:  Cornell University Press, Ithaca, NY ; Walter de Gruyter GmbH, Berlin

    Dynamic Form traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot... mehr

    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Dynamic Form traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot events, and configure poetry and memoir. As forms and formal theories cross from one artistic realm to another and back again, modernism shows its obsession with form—and even at times becomes a formalism itself—but as Lewis writes, that form is far more dynamic than we have given it credit for. Form fulfills such various functions that we cannot characterize it as a mere container for content or matter, nor can we consign it to ignominy opposite historicism or political commitment.As a structure or scheme that enables action, form in modernism can be plastic, protean, or even fragile, and works by Henry James, Virginia Woolf, Mina Loy, Evelyn Waugh, and Gertrude Stein demonstrate the range of form's operations. Revising three major formal paradigms—spatial form, pure form, and formlessness—and recasting the history of modernist form, this book proposes an understanding of form as a verbal category, as a kind of doing. Dynamic Form thus opens new possibilities for conversation between modernist studies and formalist studies and simultaneously promotes a capacious rethinking of the convergence between literary modernism and creative work in other media.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501749193
    Weitere Identifier:
    Schlagworte: Kunst; Literatur; Intermedialität; Formalismus <Kunst>; Formalismus <Literatur>
    Umfang: 1 Online-Ressource (330 p.), 28 b&w halftones
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Sep 2020)

  11. Dynamic form
    how intermediality made modernism
    Autor*in: Lewis, Cara L.
    Erschienen: [2020]
    Verlag:  Cornell University Press, Ithaca

    Max-Planck-Institut für empirische Ästhetik, Bibliothek
    EC 1859 lew 2020
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    Quelle: Verbundkataloge
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    Format: Druck
    ISBN: 9781501749179
    Schlagworte: Kunst; Literatur; Intermedialität; Formalismus <Kunst>; Formalismus <Literatur>
    Umfang: xi, 314 Seiten, Illustrationen
  12. Dynamic Form
    How Intermediality Made Modernism
    Autor*in: Lewis, Cara L.
    Erschienen: 2020
    Verlag:  Cornell University Press, Ithaca ; ProQuest, Ann Arbor, Michigan

    Universität Mainz, Zentralbibliothek
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501749186
    Schlagworte: Kunst; Literatur; Intermedialität; Formalismus <Kunst>; Formalismus <Literatur>
    Umfang: 1 Online-Ressource (329 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

  13. Dynamic form
    how intermediality made modernism
    Autor*in: Lewis, Cara L.
    Erschienen: 2020
    Verlag:  Cornell University Press, Ithaca, New York

    "Dynamic Form offers a new conceptual and historical account of modernism through an emphasis on the intersecting domains of visual and narrative media. The project analyzes texts from the first five decades of the twentieth century alongside... mehr

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    Hochschule Aalen, Bibliothek
    E-Book EBSCO
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    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
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    Saarländische Universitäts- und Landesbibliothek
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    "Dynamic Form offers a new conceptual and historical account of modernism through an emphasis on the intersecting domains of visual and narrative media. The project analyzes texts from the first five decades of the twentieth century alongside sculptures, paintings, photographs, and films in order to show how visuality and non-textual media inflect the shape and movement of modernist narratives. Presents a wide-ranging study of modernist inter-mediation that embraces references to fine-art objects and evocations of painterly genres, as well as visual motifs and modes of viewing and engaging with visual and plastic artworks. Chapters on works by Henry James, Mina Loy, Virginia Woolf, Gertrude Stein, and Evelyn Waugh demonstrate that literary modernism's imbrication with spheres of visuality not only permeates its experiments with form but also calls for a more capacious rethinking of the visual-verbal encounter"-- Introduction : reformulating modernism -- Plastic form : Henry James's sculptural aesthetics and reading in the round -- Mortal form : still life and Virginia Woolf's other elegiac shapes -- Protean form : erotic abstraction and ardent futurity in the poetry of Mina Loy -- Bad formalism : Evelyn Waugh's film fictions and the work of art in the age of cinemechanics -- Surface forms : photography and Gertrude Stein's contact history of modernism -- Epilogue : the consolations of form.

     

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  14. Dynamic form
    how intermediality made modernism
    Autor*in: Lewis, Cara L.
    Erschienen: 2021
    Verlag:  Cornell University Press, Ithaca ; Oxford University Press, Oxford

    'Dynamic Form' traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot... mehr

    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    keine Fernleihe

     

    'Dynamic Form' traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot events, and configure poetry and memoir.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501749193
    Weitere Identifier:
    Schriftenreihe: Cornell scholarship online
    Schlagworte: Kunst; Literatur; Intermedialität; Formalismus <Kunst>; Formalismus <Literatur>; Modernism (Literature); Modernism (Literature); Modernism (Art); Modernism (Art); Art and literature; Art and literature; Formalism (Literary analysis); Formalism (Art); Literary form; English literature
    Umfang: 1 Online-Ressource (xi, 314 pages), Illustrations (black and white).
    Bemerkung(en):

    Previously issued in print: 2020

    Includes bibliographical references and index