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  1. Perceptual drift
    black art and an ethics of looking
    Erschienen: [2022]
    Verlag:  Cleveland Museum of Art, Cleveland, OH ; Yale University Press, New Haven

    'Perceptual Drift' offers a new interpretive model drawing on four key works of Black art in the Cleveland Museum of Art's collection. In its chapters, leading Black scholars from multiple disciplines deploy materialist approaches to challenge the... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2023:191:
    keine Fernleihe
    Staats- und Universitätsbibliothek Bremen
    03.m.0307
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    'Perceptual Drift' offers a new interpretive model drawing on four key works of Black art in the Cleveland Museum of Art's collection. In its chapters, leading Black scholars from multiple disciplines deploy materialist approaches to challenge the limits of canonic art history, rooted as it is in social and racial inequities. The opening essay by Key Jo Lee introduces the concept of "perceptual drift": a means of exploring the matter of Blackness, or Blackness as matter in art and scholarship. Christina Sharpe examines Rho I (1977) by Jack Whitten; Lee explores Lorna Simpson's Cure/Heal (1992); Robin Coste Lewis analyzes Ellen Gallagher's Bouffant Pride (2003); and Erica Moiah James considers Simone Leigh's Las Meninas (2019). This approach seeks to transform how art history is written, introduce readers to complex objects and theoretical frameworks, illuminate meanings and untold histories, and simultaneously celebrate and open new entry points into Black art

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0300263929; 9780300263923
    RVK Klassifikation: LH 31860 ; LO 94000
    Schlagworte: Art, Black; Art; Art, Black; Art - Moral and ethical aspects; Criticism, interpretation, etc
    Weitere Schlagworte: Whitten, Jack (1939-2018): Rho I; Simpson, Lorna (1960-): Cure/heal; Gallagher, Ellen (1965-): Bouffant pride; Leigh, Simone: Meninas
    Umfang: 80 Seiten, Illustrationen, 30 cm
    Bemerkung(en):

    Includes bibliographical references

    Director's foreword / William M. Griswold -- Introduction / Key Jo Lee -- "To decode the full spectrum": Jack Whitten's Rho I / Christina Sharpe -- An approach to Lorna Simpson's Cure/Heal / Key Jo Lee -- "Spit-bite" notes in conversation with Ellen Gallagher's Bouffant Pride: an introduction / Robin Coste Lewis -- A gust of grace: Simone Leigh's Las Meninas / Erica Moiah James.

  2. Perceptual drift
    black art and an ethics of looking
    Erschienen: [2022]
    Verlag:  Cleveland Museum of Art, Cleveland, OH ; Yale University Press, New Haven

    'Perceptual Drift' offers a new interpretive model drawing on four key works of Black art in the Cleveland Museum of Art's collection. In its chapters, leading Black scholars from multiple disciplines deploy materialist approaches to challenge the... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    'Perceptual Drift' offers a new interpretive model drawing on four key works of Black art in the Cleveland Museum of Art's collection. In its chapters, leading Black scholars from multiple disciplines deploy materialist approaches to challenge the limits of canonic art history, rooted as it is in social and racial inequities. The opening essay by Key Jo Lee introduces the concept of "perceptual drift": a means of exploring the matter of Blackness, or Blackness as matter in art and scholarship. Christina Sharpe examines Rho I (1977) by Jack Whitten; Lee explores Lorna Simpson's Cure/Heal (1992); Robin Coste Lewis analyzes Ellen Gallagher's Bouffant Pride (2003); and Erica Moiah James considers Simone Leigh's Las Meninas (2019). This approach seeks to transform how art history is written, introduce readers to complex objects and theoretical frameworks, illuminate meanings and untold histories, and simultaneously celebrate and open new entry points into Black art

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0300263929; 9780300263923
    RVK Klassifikation: LH 31860 ; LO 94000
    Schlagworte: Art, Black; Art; Art, Black; Art - Moral and ethical aspects; Criticism, interpretation, etc
    Weitere Schlagworte: Whitten, Jack (1939-2018): Rho I; Simpson, Lorna (1960-): Cure/heal; Gallagher, Ellen (1965-): Bouffant pride; Leigh, Simone: Meninas
    Umfang: 80 Seiten, Illustrationen, 30 cm
    Bemerkung(en):

    Includes bibliographical references

    Director's foreword / William M. Griswold -- Introduction / Key Jo Lee -- "To decode the full spectrum": Jack Whitten's Rho I / Christina Sharpe -- An approach to Lorna Simpson's Cure/Heal / Key Jo Lee -- "Spit-bite" notes in conversation with Ellen Gallagher's Bouffant Pride: an introduction / Robin Coste Lewis -- A gust of grace: Simone Leigh's Las Meninas / Erica Moiah James.

  3. Going dark
    the contemporary figure at the edge of visibility

    "Going Dark brings together a multigenerational group of contemporary artists who engage the "semi-visible" figure-representations that are partially (or fully) obscured, including, in some cases, literally darkened-and suggests that the concept of... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "Going Dark brings together a multigenerational group of contemporary artists who engage the "semi-visible" figure-representations that are partially (or fully) obscured, including, in some cases, literally darkened-and suggests that the concept of going dark is a tool that has been used by artists for decades to probe enduring questions surrounding both the potential and the discontents of social visibility. Across mediums-painting, photography, sculpture, video and installation-Going Dark names, charts and makes meaning of the semi-visible figure, arguing for its significance in contemporary art as a genre of unique conceptual and formal power. More than 125 works in all of these mediums by more than 25 artists are featured. Essays by such curators as Legacy Russell and Jordan Carter, and professor Abbe Schriber, among others, contextualize the histories that inspired these works. In addition, four award-winning poets and three acclaimed graphic designers have contributed works. Artists include: American Artist, Kevin Beasley, Rebecca Belmore, Dawoud Bey, John Edmonds, Ellen Gallagher, David Hammons, Lyle Ashton Harris, Tomashi Jackson, Titus Kaphar, Glenn Ligon, Kerry James Marshall, Tiona Nekkia McClodden, Joiri Minaya, Sandra Mujinga, Chris Ofili, Sondra Perry, Farah Al Qasimi, Faith Ringgold, Doris Salcedo, Lorna Simpson, Sable Elyse Smith, Stephanie Syjuco, Hank Willis Thomas, WangShui, Carrie Mae Weems and Charles White"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780892075638; 0892075635
    Schlagworte: Human beings in art / Exhibitions; Shades and shadows in art / Exhibitions; Absence in art / Exhibitions; Art, Modern / 21st century / Exhibitions; Absence in art; Art, Modern; Human beings in art; Shades and shadows in art; Dunkelheit <Motiv>; Unsichtbarkeit; Kunst
    Umfang: 253 Seiten, Illustrationen
    Bemerkung(en):

    Impressum: Published on the occasion of the exhibition 'Going Dark: The Contemporary Figure at the Edge of Visibility', Solomon R. Guggenheim Museum, New York, October 20, 2023 - April 7, 2024

  4. Perceptual drift
    Black art and an ethics of looking
    Erschienen: [2022]
    Verlag:  The Cleveland Museum of Art, Cleveland, OH ; Yale University Press, New Haven ; London

    'Perceptual Drift' offers a new interpretive model drawing on four key works of Black art in the Cleveland Museum of Art's collection. In its chapters, leading Black scholars from multiple disciplines deploy materialist approaches to challenge the... mehr

    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    'Perceptual Drift' offers a new interpretive model drawing on four key works of Black art in the Cleveland Museum of Art's collection. In its chapters, leading Black scholars from multiple disciplines deploy materialist approaches to challenge the limits of canonic art history, rooted as it is in social and racial inequities. The opening essay by Key Jo Lee introduces the concept of "perceptual drift": a means of exploring the matter of Blackness, or Blackness as matter in art and scholarship. Christina Sharpe examines Rho I (1977) by Jack Whitten; Lee explores Lorna Simpson's Cure/Heal (1992); Robin Coste Lewis analyzes Ellen Gallagher's Bouffant Pride (2003); and Erica Moiah James considers Simone Leigh's Las Meninas (2019). This approach seeks to transform how art history is written, introduce readers to complex objects and theoretical frameworks, illuminate meanings and untold histories, and simultaneously celebrate and open new entry points into Black art

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt