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  1. Buddhist literature as philosophy, Buddhist philosophy as literature
    Autor*in: Mannox, Tashi; Rondolino, Massimo A.; Nance, Richard F.; Kachru, Sonam; Huntington Jr., C. W.; Carpenter, Amber D.; Bushelle, Ethan; Komarovski, Yaroslav; Cho, Francisca; Heine, Steven; Gummer, Natalie; Shaw, Sarah
    Erschienen: 2020; © 2020
    Verlag:  State University of New York Press, Albany

    "Explores the relationship between literature and philosophy in classical and contemporary Buddhist texts. Twelve leading scholars address the relationship between Buddhist literature and Buddhist philosophy"-- mehr

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    2: Df III 1329
    Fernleihe:
    keine Fernleihe

    Standort:
    Centre for Asian and Transcultural Studies (CATS), Abteilung Südasien
    Signatur:
    rel 52 K 22/622
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Index theologicus der Universitätsbibliothek Tübingen
    Fernleihe:
    keine Fernleihe

     

    "Explores the relationship between literature and philosophy in classical and contemporary Buddhist texts. Twelve leading scholars address the relationship between Buddhist literature and Buddhist philosophy"--

     
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    Quelle: Verbundkataloge
    Beteiligt: Stepien, Rafal K. (HerausgeberIn, VerfasserIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781438480718; 9781438480701
    Schlagworte: Buddhistische Literatur; Buddhistische Philosophie;
    Umfang: xii, 381 Seiten
  2. What is it like to become a likeness of oneself?: Gestures of Light, Motion and Mind at the Surfaces of Representation
    Autor*in: Kachru, Sonam
    Erschienen: 2015
    Verlag:  Forum Transregionale Studien e. V.

    This essay explores the invocation of painting in a trope of Sanskrit literature which would have it that people can become like painted likenesses of themselves. While considering the invocation of painting in Sanskrit literature (with special... mehr

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    This essay explores the invocation of painting in a trope of Sanskrit literature which would have it that people can become like painted likenesses of themselves. While considering the invocation of painting in Sanskrit literature (with special reference to the work of Kālidāsa), the essay is particularly concerned with the Buddhist poet Aśvaghoṣa (fl. 1st-2nd century C.E.) and his use of this trope. As used by Aśvaghoṣa this trope functions as a figure of figuration, inviting us to think through two questions at once: firstly, what is it to be a human being? And secondly, what are the continuities between the kind of representation the arts of literature and painting make possible? Exploring these questions together—while exploring the place of self-representation in our images of ourselves—I argue that Aśvaghoṣa carefully modulates his use of such figures of figuration—his invocation of painting in language—to promote a radical model of literary attention or reading, and a radical experience of language.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    ftmaxweberst:oai:perspectivia.net:pnet_mods_00000480
    Weitere Schlagworte: Buch; Sanskrit -- Buchmalerei -- Selbstbild -- Invokation -- Literatur
    Umfang: Online-Ressource
    Bemerkung(en):

    Datenlieferant: perspectivia.net - The publication platform of the Max Weber Foundation
  3. What is it like to become a likeness of oneself?
    gestures of light, motion and mind at the surfaces of representation
    Autor*in: Kachru, Sonam
    Erschienen: [2015]
    Verlag:  Forum Transregionale Studien e.V., Berlin

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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    Schriftenreihe: Essays of the Forum Transregionale Studien ; 2015, 1
    Zukunftsphilologie
    Umfang: 67 Seiten, Illustration, 21 cm
  4. What is it like to become a likeness of oneself?: Gestures of Light, Motion and Mind at the Surfaces of Representation
    Autor*in: Kachru, Sonam
    Erschienen: 2015
    Verlag:  Forum Transregionale Studien e. V.

    This essay explores the invocation of painting in a trope of Sanskrit literature which would have it that people can become like painted likenesses of themselves. While considering the invocation of painting in Sanskrit literature (with special... mehr

     

    This essay explores the invocation of painting in a trope of Sanskrit literature which would have it that people can become like painted likenesses of themselves. While considering the invocation of painting in Sanskrit literature (with special reference to the work of Kālidāsa), the essay is particularly concerned with the Buddhist poet Aśvaghoṣa (fl. 1st-2nd century C.E.) and his use of this trope. As used by Aśvaghoṣa this trope functions as a figure of figuration, inviting us to think through two questions at once: firstly, what is it to be a human being? And secondly, what are the continuities between the kind of representation the arts of literature and painting make possible? Exploring these questions together—while exploring the place of self-representation in our images of ourselves—I argue that Aśvaghoṣa carefully modulates his use of such figures of figuration—his invocation of painting in language—to promote a radical model of literary attention or reading, and a radical experience of language.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    DDC Klassifikation: 7; 79; Freizeitgestaltung, darstellende Künste, Sport (790); 8; 80; Literatur und Rhetorik (800); 9; 90; Weltgeschichte (909)
    Schlagworte: Buch; Sanskrit -- Buchmalerei -- Selbstbild -- Invokation -- Literatur
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/ ; public ; info:eu-repo/semantics/openAccess