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  1. Realism, form, and representation in the Edwardian novel
    synthetic realism
    Autor*in: Jones, Charlotte
    Erschienen: 2021
    Verlag:  Oxford University Press, Oxford

    The real represents to my perception the things that we cannot possibly not know, sooner or later, in one way or another', wrote Henry James in 1907. This description, riven with double negatives, hesitation, and uncertainty, encapsulates the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The real represents to my perception the things that we cannot possibly not know, sooner or later, in one way or another', wrote Henry James in 1907. This description, riven with double negatives, hesitation, and uncertainty, encapsulates the epistemological difficulties of realism, for underlying its narrative and descriptive apparatus as an aesthetic mode lies a philosophical quandary. What grounds the 'real' of the realist novel? What kind of perception isrequired to validate the experience of reality? How does the realist novel represent the difficulty of knowing? What comes to the fore in James's account, as in so many, is how the forms of realism are constituted by a relation to unknowing, absence, and ineffability.0Realism, Form, and Representation in the Edwardian Novel recovers a neglected literary history centred on the intricate relationship between fictional representation and philosophical commitment. It asks how-or if-we can conceptualize realist novels when the objects of their representational intentions are realities that might exist beyond what is empirically verifiable by sense data or analytically verifiable by logic, and are thus irreducible to conceptual schemes or linguisticpractices-a formulation Charlotte Jones refers to as 'synthetic realism'.0In new readings of Edwardian novels including Conrad's Nostromo and The Secret Agent, Wells's Tono-Bungay, and Ford's The Good Soldier, this volume revises and reconsiders key elements of realist novel theory-metaphor and metonymy; character interiority; the insignificant detail; omniscient narration and free indirect discourse; causal linearity-to uncover the representational strategies by which realist writers grapple with the recalcitrance of reality as a referential anchor, and seek to give form to the force, opacity, and uncertain scope of realities that may lie beyond the material

     
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9780198857921; 0198857926
    Weitere Identifier:
    9780198857921
    RVK Klassifikation: HM 1331
    Auflage/Ausgabe: First edition
    Schlagworte: Englisch; Roman; Realismus; Geschichte 1901-1910;
    Umfang: xxvi, 303 Seiten
    Bemerkung(en):

    Dissertation, University College London, 2017
  2. Realism, form, and representation in the Edwardian novel
    synthetic realism
    Autor*in: Jones, Charlotte
    Erschienen: 2021
    Verlag:  Oxford University Press, Oxford

    The real represents to my perception the things that we cannot possibly not know, sooner or later, in one way or another', wrote Henry James in 1907. This description, riven with double negatives, hesitation, and uncertainty, encapsulates the... mehr

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    The real represents to my perception the things that we cannot possibly not know, sooner or later, in one way or another', wrote Henry James in 1907. This description, riven with double negatives, hesitation, and uncertainty, encapsulates the epistemological difficulties of realism, for underlying its narrative and descriptive apparatus as an aesthetic mode lies a philosophical quandary. What grounds the 'real' of the realist novel? What kind of perception isrequired to validate the experience of reality? How does the realist novel represent the difficulty of knowing? What comes to the fore in James's account, as in so many, is how the forms of realism are constituted by a relation to unknowing, absence, and ineffability.0Realism, Form, and Representation in the Edwardian Novel recovers a neglected literary history centred on the intricate relationship between fictional representation and philosophical commitment. It asks how-or if-we can conceptualize realist novels when the objects of their representational intentions are realities that might exist beyond what is empirically verifiable by sense data or analytically verifiable by logic, and are thus irreducible to conceptual schemes or linguisticpractices-a formulation Charlotte Jones refers to as 'synthetic realism'.0In new readings of Edwardian novels including Conrad's Nostromo and The Secret Agent, Wells's Tono-Bungay, and Ford's The Good Soldier, this volume revises and reconsiders key elements of realist novel theory-metaphor and metonymy; character interiority; the insignificant detail; omniscient narration and free indirect discourse; causal linearity-to uncover the representational strategies by which realist writers grapple with the recalcitrance of reality as a referential anchor, and seek to give form to the force, opacity, and uncertain scope of realities that may lie beyond the material

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9780198857921; 0198857926
    Weitere Identifier:
    9780198857921
    RVK Klassifikation: HM 1331
    Auflage/Ausgabe: First edition
    Schlagworte: Englisch; Roman; Realismus; Geschichte 1901-1910;
    Umfang: xxvi, 303 Seiten
    Bemerkung(en):

    Dissertation, University College London, 2017
  3. Realism, form, and representation in the Edwardian novel
    synthetic realism
    Autor*in: Jones, Charlotte
    Erschienen: 2021
    Verlag:  Oxford University Press, Oxford

    'Realism, Form, and Representation in the Edwardian Novel' recovers a neglected literary history centred on the intricate relationship between fictional representation and philosophical commitment. It asks how - or if - we can conceptualise realist... mehr

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    Technische Universität Chemnitz, Universitätsbibliothek
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    'Realism, Form, and Representation in the Edwardian Novel' recovers a neglected literary history centred on the intricate relationship between fictional representation and philosophical commitment. It asks how - or if - we can conceptualise realist novels when the objects of their representational intentions are realities that might exist beyond what is empirically verifiable by sense data or analytically verifiable by logic, and are thus irreducible to conceptual schemes or linguistic practices - a formulation Charlotte Jones refers to as 'synthetic realism'.

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780191890499
    Weitere Identifier:
    Auflage/Ausgabe: First edition.
    Schriftenreihe: Oxford scholarship online
    Schlagworte: English fiction; Realism in literature
    Weitere Schlagworte: Conrad, Joseph (1857-1924); Sinclair, May; Bennett, Arnold (1867-1931); Wells, H. G (1866-1946); Ford, Ford Madox (1873-1939)
    Umfang: 1 online resource (336 pages).
    Bemerkung(en):

    This edition also issued in print: 2021. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 16, 2020)
  4. Realism, form, and representation in the Edwardian novel
    synthetic realism
    Autor*in: Jones, Charlotte
    Erschienen: 2021
    Verlag:  Oxford University Press, Oxford

    The real represents to my perception the things that we cannot possibly not know, sooner or later, in one way or another', wrote Henry James in 1907. This description, riven with double negatives, hesitation, and uncertainty, encapsulates the... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The real represents to my perception the things that we cannot possibly not know, sooner or later, in one way or another', wrote Henry James in 1907. This description, riven with double negatives, hesitation, and uncertainty, encapsulates the epistemological difficulties of realism, for underlying its narrative and descriptive apparatus as an aesthetic mode lies a philosophical quandary. What grounds the 'real' of the realist novel? What kind of perception isrequired to validate the experience of reality? How does the realist novel represent the difficulty of knowing? What comes to the fore in James's account, as in so many, is how the forms of realism are constituted by a relation to unknowing, absence, and ineffability.0Realism, Form, and Representation in the Edwardian Novel recovers a neglected literary history centred on the intricate relationship between fictional representation and philosophical commitment. It asks how-or if-we can conceptualize realist novels when the objects of their representational intentions are realities that might exist beyond what is empirically verifiable by sense data or analytically verifiable by logic, and are thus irreducible to conceptual schemes or linguisticpractices-a formulation Charlotte Jones refers to as 'synthetic realism'.0In new readings of Edwardian novels including Conrad's Nostromo and The Secret Agent, Wells's Tono-Bungay, and Ford's The Good Soldier, this volume revises and reconsiders key elements of realist novel theory-metaphor and metonymy; character interiority; the insignificant detail; omniscient narration and free indirect discourse; causal linearity-to uncover the representational strategies by which realist writers grapple with the recalcitrance of reality as a referential anchor, and seek to give form to the force, opacity, and uncertain scope of realities that may lie beyond the material

     
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    Quelle: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Dissertation
    ISBN: 9780198857921
    RVK Klassifikation: HM 1331
    Auflage/Ausgabe: First edition
    Schlagworte: Englisch; Fiktion; Roman; Realismus
    Umfang: xxvi, 303 Seiten
    Bemerkung(en):

    Dissertation, University College London,
  5. Realism, form, and representation in the Edwardian novel
    synthetic realism
    Autor*in: Jones, Charlotte
    Erschienen: 2021
    Verlag:  Oxford University Press, Oxford

    The real represents to my perception the things that we cannot possibly not know, sooner or later, in one way or another', wrote Henry James in 1907. This description, riven with double negatives, hesitation, and uncertainty, encapsulates the... mehr

    Standort:
    Universitätsbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The real represents to my perception the things that we cannot possibly not know, sooner or later, in one way or another', wrote Henry James in 1907. This description, riven with double negatives, hesitation, and uncertainty, encapsulates the epistemological difficulties of realism, for underlying its narrative and descriptive apparatus as an aesthetic mode lies a philosophical quandary. What grounds the 'real' of the realist novel? What kind of perception isrequired to validate the experience of reality? How does the realist novel represent the difficulty of knowing? What comes to the fore in James's account, as in so many, is how the forms of realism are constituted by a relation to unknowing, absence, and ineffability.0Realism, Form, and Representation in the Edwardian Novel recovers a neglected literary history centred on the intricate relationship between fictional representation and philosophical commitment. It asks how-or if-we can conceptualize realist novels when the objects of their representational intentions are realities that might exist beyond what is empirically verifiable by sense data or analytically verifiable by logic, and are thus irreducible to conceptual schemes or linguisticpractices-a formulation Charlotte Jones refers to as 'synthetic realism'.0In new readings of Edwardian novels including Conrad's Nostromo and The Secret Agent, Wells's Tono-Bungay, and Ford's The Good Soldier, this volume revises and reconsiders key elements of realist novel theory-metaphor and metonymy; character interiority; the insignificant detail; omniscient narration and free indirect discourse; causal linearity-to uncover the representational strategies by which realist writers grapple with the recalcitrance of reality as a referential anchor, and seek to give form to the force, opacity, and uncertain scope of realities that may lie beyond the material

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    ISBN: 9780198857921
    RVK Klassifikation: HM 1331
    Auflage/Ausgabe: First edition
    Schlagworte: Englisch; Fiktion; Roman; Realismus
    Umfang: xxvi, 303 Seiten
    Bemerkung(en):

    Dissertation, University College London,
  6. Humble boy
    Autor*in: Jones, Charlotte
    Erschienen: 2001
    Verlag:  Faber & Faber, London

    Standort:
    Universitätsbibliothek der LMU München
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780571212873
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Bee culture
    Umfang: 101 S.
  7. In flame
    Autor*in: Jones, Charlotte
    Erschienen: 2000
    Verlag:  Faber and Faber, London

    Standort:
    Universitätsbibliothek der LMU München
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0571207774
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: ff stagescripts
    Umfang: 96 S.
  8. The literature of hell
    Beteiligt: Kean, Margaret (Herausgeber); Appleton, Helen (Mitwirkender); Jones, Charlotte (Mitwirkender); Ayadurai, Jeya (Mitwirkender); Seymour, Laura (Mitwirkender); Silverblank, Hannah (Mitwirkender); Dwan, Lisa (Mitwirkender); Falconer, Rachel (Mitwirkender); Olson, Jonathan R. (Mitwirkender); Almond, David (Mitwirkender)
    Erschienen: 2021
    Verlag:  D.S. Brewer, Cambridge

    Essays considering the representation and perception of hell in a variety of texts mehr

    Standort:
    Ruhr-Universität Bochum, Fakultät für Philologie, Englisches Seminar, Bibliothek
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    Z EAS NS 74
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    keine Fernleihe

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    Universitätsbibliothek Duisburg-Essen
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    01Z11
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    Essays considering the representation and perception of hell in a variety of texts

     
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    Quelle: Verbundkataloge
    Beteiligt: Kean, Margaret (Herausgeber); Appleton, Helen (Mitwirkender); Jones, Charlotte (Mitwirkender); Ayadurai, Jeya (Mitwirkender); Seymour, Laura (Mitwirkender); Silverblank, Hannah (Mitwirkender); Dwan, Lisa (Mitwirkender); Falconer, Rachel (Mitwirkender); Olson, Jonathan R. (Mitwirkender); Almond, David (Mitwirkender)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781843846093
    Schriftenreihe: Essays and studies / The English Association ; new series, volume 74 (2021)
    Schlagworte: Englisch; Literatur; Hölle <Motiv>
    Umfang: xv, 200 Seiten, Illustrationen
  9. Humble boy
    Autor*in: Jones, Charlotte
    Erschienen: 2001
    Verlag:  Faber & Faber, London

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780571212873
    Schriftenreihe: ff plays
    Schlagworte: Bee culture
    Umfang: 101 S.
  10. The Literature of Hell
    Autor*in: Kean, Margaret
    Erschienen: 2021
    Verlag:  Boydell & Brewer, Woodbridge ; ProQuest, Ann Arbor, Michigan

    Essays considering the representation and perception of hell in a variety of texts. mehr

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    keine Fernleihe

     

    Essays considering the representation and perception of hell in a variety of texts.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Appleton, Helen; Jones, Charlotte; Ayadurai, Jeya; Seymour, Laura; Silverblank, Hannah; Dwan, Lisa; Falconer, Rachel; Olson, Jonathan R.; Almond, David
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781800101814
    RVK Klassifikation: HG 432 ; HG 105
    Schlagworte: Englisch; Literatur; Hölle <Motiv>
    Umfang: 1 Online-Ressource (217 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  11. Realism, form, and representation in the Edwardian novel
    synthetic realism
    Autor*in: Jones, Charlotte
    Erschienen: 2021
    Verlag:  Oxford University Press, Oxford

    'Realism, Form, and Representation in the Edwardian Novel' recovers a neglected literary history centred on the intricate relationship between fictional representation and philosophical commitment. It asks how - or if - we can conceptualise realist... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    'Realism, Form, and Representation in the Edwardian Novel' recovers a neglected literary history centred on the intricate relationship between fictional representation and philosophical commitment. It asks how - or if - we can conceptualise realist novels when the objects of their representational intentions are realities that might exist beyond what is empirically verifiable by sense data or analytically verifiable by logic, and are thus irreducible to conceptual schemes or linguistic practices - a formulation Charlotte Jones refers to as 'synthetic realism'.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780191890499
    Weitere Identifier:
    Auflage/Ausgabe: First edition.
    Schriftenreihe: Oxford scholarship online
    Schlagworte: English fiction; Realism in literature
    Weitere Schlagworte: Conrad, Joseph (1857-1924); Sinclair, May; Bennett, Arnold (1867-1931); Wells, H. G (1866-1946); Ford, Ford Madox (1873-1939)
    Umfang: 1 online resource (336 pages).
    Bemerkung(en):

    This edition also issued in print: 2021. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 16, 2020)
  12. Realism, form, and representation in the Edwardian novel
    synthetic realism
    Autor*in: Jones, Charlotte
    Erschienen: 2021
    Verlag:  Oxford University Press, Oxford

    'Realism, Form, and Representation in the Edwardian Novel' recovers a neglected literary history centred on the intricate relationship between fictional representation and philosophical commitment. It asks how - or if - we can conceptualise realist... mehr

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    Standort:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Standort:
    Universität Mainz, Zentralbibliothek
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    'Realism, Form, and Representation in the Edwardian Novel' recovers a neglected literary history centred on the intricate relationship between fictional representation and philosophical commitment. It asks how - or if - we can conceptualise realist novels when the objects of their representational intentions are realities that might exist beyond what is empirically verifiable by sense data or analytically verifiable by logic, and are thus irreducible to conceptual schemes or linguistic practices - a formulation Charlotte Jones refers to as 'synthetic realism'.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780191890499
    Weitere Identifier:
    RVK Klassifikation: HM 1295
    Auflage/Ausgabe: First edition
    Schriftenreihe: Oxford scholarship online
    Umfang: 1 Online-Ressource (336 pages).
    Bemerkung(en):

    This edition also issued in print: 2021

    Includes bibliographical references and index
  13. Humble boy
    Autor*in: Jones, Charlotte
    Erschienen: [2013]
    Verlag:  Bloomsbury, London ; Bloomsbury Publishing PLC

    'Humble Boy' is a comedy about broken vows, failed hopes and the joys of bee-keeping. All is not well in the Humble hive. Thirty-five-year-old Felix Humble is a Cambridge astro-physicist in search of a unified field theory. Following the sudden death... mehr

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    Standort:
    Universität Mainz, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

     

    'Humble Boy' is a comedy about broken vows, failed hopes and the joys of bee-keeping. All is not well in the Humble hive. Thirty-five-year-old Felix Humble is a Cambridge astro-physicist in search of a unified field theory. Following the sudden death of his father, Felix returns to his middle England home and his difficult and demanding mother, where he soon realises that his search for unity must include his own chaotic home life. 'Humble Boy' premiered at the Royal National Theatre, London, in August 2001.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780571289509
    Weitere Identifier:
    Schriftenreihe: Bloomsbury Drama Online - Core Collection
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Originally published: in print in Plays one. London: Faber, 2004
  14. In flame
    Autor*in: Jones, Charlotte
    Erschienen: [2013]
    Verlag:  Bloomsbury, London ; Bloomsbury Publishing PLC

    First produced at London's Bush Theatre in 1999, 'In Flame' is a funny and sparky play about lust, hope and dreams, giving a somewhat fatalistic view of women as perennial victims of male inconstancy. The action takes place in Yorkshire in 1908, and... mehr

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    Standort:
    Universität Mainz, Zentralbibliothek
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    keine Fernleihe

     

    First produced at London's Bush Theatre in 1999, 'In Flame' is a funny and sparky play about lust, hope and dreams, giving a somewhat fatalistic view of women as perennial victims of male inconstancy. The action takes place in Yorkshire in 1908, and London in the present. Throughout there are parallels between the past and the present where the women appear in both eras as women denied fulfilment whilst the male characters embody ineffectual romanticism and heartless seduction. But whilst women today have greater choices than the past they are still victims of masculine weakness or egotism.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780571289509
    Weitere Identifier:
    Schriftenreihe: Bloomsbury Drama Online - Core Collection
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Originally published: in print in Plays one. London: Faber, 2004
  15. The dark
    Autor*in: Jones, Charlotte
    Erschienen: 2004
    Verlag:  Faber and Faber, London

    Standort:
    Universitätsbibliothek Mannheim
    Signatur:
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
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    ISBN: 0571224342
    RVK Klassifikation: HN 9990
    Umfang: 82 S., 20cm
  16. <<The>> literature of hell
    Beteiligt: Kean, Margaret (Herausgeber); Appleton, Helen (Mitwirkender); Jones, Charlotte (Mitwirkender); Ayadurai, Jeya (Mitwirkender); Seymour, Laura (Mitwirkender); Silverblank, Hannah (Mitwirkender); Dwan, Lisa (Mitwirkender); Falconer, Rachel (Mitwirkender); Olson, Jonathan R (Mitwirkender); Almond, David (Mitwirkender)
    Erschienen: 2021
    Verlag:  D.S. Brewer, Cambridge

    Essays considering the representation and perception of hell in a variety of texts mehr

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    Universitätsbibliothek Bielefeld
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    Ruhr-Universität Bochum, Universitätsbibliothek
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    Universitätsbibliothek Duisburg-Essen
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    Landesbibliothekszentrum Rheinland-Pfalz / Pfälzische Landesbibliothek
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    Universitätsbibliothek Wuppertal
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    Essays considering the representation and perception of hell in a variety of texts

     
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    Quelle: Verbundkataloge
    Beteiligt: Kean, Margaret (Herausgeber); Appleton, Helen (Mitwirkender); Jones, Charlotte (Mitwirkender); Ayadurai, Jeya (Mitwirkender); Seymour, Laura (Mitwirkender); Silverblank, Hannah (Mitwirkender); Dwan, Lisa (Mitwirkender); Falconer, Rachel (Mitwirkender); Olson, Jonathan R (Mitwirkender); Almond, David (Mitwirkender)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781843846093
    Schriftenreihe: Essays and studies / The English Association ; new series, volume 74 (2021)
    Schlagworte: Englisch; Literatur; Hölle <Motiv>
    Umfang: xv, 200 Seiten, Illustrationen
  17. The lightning play
    Autor*in: Jones, Charlotte
    Erschienen: 2006
    Verlag:  Faber, London ; Bloomsbury Publishing PLC

    Celebrity ghost writer Max Villiers and his wife Harriet, a talented shopper, host a party. As Max connects his first plasma TV, the evening is hijacked by interference from the past. There are trick or treaters at the door and strangers on the brand... mehr

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    Celebrity ghost writer Max Villiers and his wife Harriet, a talented shopper, host a party. As Max connects his first plasma TV, the evening is hijacked by interference from the past. There are trick or treaters at the door and strangers on the brand new rug.

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780571289479
    Weitere Identifier:
    Schriftenreihe: Bloomsbury Drama Online - Core Collection
    Umfang: 1 Online-Ressource (105 pages)
  18. War and the Mind
    Ford Madox Ford's Parade's End, Modernism, and Psychology
    Autor*in: Chantler, Ashley; Hawkes, Rob
    Erschienen: [2022]
    Verlag:  Edinburgh University Press, Edinburgh

    Frontmatter -- Contents -- Acknowledgements -- Introduction -- 1. 'Sex ferocity' and 'the sadic lusts of certain novelists': Sexuality, Sadomasochism, and Suppression in Parade's End -- 2. Freud Madox Ford: Impressionism, Psychoanalytic Trauma... mehr

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    Frontmatter -- Contents -- Acknowledgements -- Introduction -- 1. 'Sex ferocity' and 'the sadic lusts of certain novelists': Sexuality, Sadomasochism, and Suppression in Parade's End -- 2. Freud Madox Ford: Impressionism, Psychoanalytic Trauma Theory, and Ford's Wartime Writing -- 3. Empathy, Trauma, and the Space of War in Parade's End -- 4. Fellow Feeling in Ford's Last Post: Modernist Empathy and the Eighteenth-Century Man -- 5. The Self-Analysis of Christopher Tietjens -- 6. Composing the War and the Mind; Composing Parade's -- 7. The Work of Sleep: Insomnia and Discipline in Ford and Sassoon -- 8. Representing Shell Shock: A Return to Ford and Rebecca West -- 9. 'I hate soldiering': Ford, May Sinclair, and War Heroism -- 10. Peace of Mind in Parade's End -- Notes on Contributors -- Bibliography -- Index New critical essays illuminate Ford Madox Ford's epic First World War modernist masterpiece, Parade's EndThis is the first full-length critical study of Parade's End to focus on the psychological effects of the war. Originally published in 4 volumes between 1924 and 1928, Parade's End has been described as 'the finest novel about the First World War' (Anthony Burgess), 'the greatest war novel ever written by an Englishman' (Samuel Hynes), 'a central Modernist novel of the 1920s, in which it is exemplary' (Malcolm Bradbury), and 'possibly the greatest 20th-century novel in English' (John N. Gray).These 10 newly commissioned essays focus on the psychological effects of the war, both upon Ford himself and upon his novel: its characters, its themes and its form. The chapters explore: Ford's pioneering analysis of war trauma, trauma theory, shell shock, memory and repression, insomnia, empathy, therapy, literary Impressionism and literary style. Writers discussed alongside Ford include Joseph Conrad, Siegfried Sassoon, May Sinclair, and Rebecca West, as well as theorists Deleuze and Guattari, Michel Foucault, Sigmund Freud, William James, and W. H. R. Rivers.Key FeaturesA long-overdue examination of Ford's First World War modernist masterpiece Parade's EndFocuses on psychology and the effects of war on the minds of those who fought and those at homeAdds to writing about First World War writers, war trauma and trauma theory, as well as modernism and literary ImpressionismContributes to the burgeoning field of medical humanities by reconsidering Parade's End in terms of the various mental and psychological disorders represented within the novel

     
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    Beteiligt: Becquet, Alexandra (MitwirkendeR); Bont, Leslie de (MitwirkendeR); Chantler, Ashley (MitwirkendeR); Farnworth, Barbara (MitwirkendeR); Hammond, Meghan Marie (MitwirkendeR); Hawkes, Rob (MitwirkendeR); Jones, Charlotte (MitwirkendeR); Kingston, Sarah (MitwirkendeR); Moore, Gene M (MitwirkendeR); Saunders, Max (MitwirkendeR); Sorum, Eve (MitwirkendeR); Steffens, Karolyn (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748694273
    Weitere Identifier:
    Schlagworte: World War, 1914-1918; World War, 1914-1918; World War, 1914-1918; LITERARY CRITICISM / General
    Umfang: 1 Online-Ressource (224 p)
  19. The meeting
    Autor*in: Jones, Charlotte
    Erschienen: c2019
    Verlag:  Faber and Faber Limited, London [England] ; Bloomsbury Publishing (UK)

    "Rachel has been the voice for her deaf mother since she was born, but now she is restless to be heard for herself. Together, they have found sanctuary in a Quaker community that reveres silence. But the world is at war and it is becoming ever harder... mehr

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    "Rachel has been the voice for her deaf mother since she was born, but now she is restless to be heard for herself. Together, they have found sanctuary in a Quaker community that reveres silence. But the world is at war and it is becoming ever harder to live in Friendship. When a stranger arrives in their midst, their fragile peace is set to shatter. The Meeting by Charlotte Jones premiered at Chichester Festival Theatre in July 2018."--

     
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    Quelle: Staatsbibliothek zu Berlin
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    Schriftenreihe: Faber drama
    Schlagworte: Deaf; Quakers
    Umfang: 1 Online-Ressource
  20. The Literature of Hell
    Autor*in: Kean, Margaret
    Erschienen: 2021; ©2021
    Verlag:  Boydell & Brewer, Limited, Martlesham

    Essays considering the representation and perception of hell in a variety of texts. mehr

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    Essays considering the representation and perception of hell in a variety of texts.

     
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    Beteiligt: Appleton, Helen (MitwirkendeR); Jones, Charlotte (MitwirkendeR); Ayadurai, Jeya (MitwirkendeR); Seymour, Laura (MitwirkendeR); Silverblank, Hannah (MitwirkendeR); Dwan, Lisa (MitwirkendeR); Falconer, Rachel (MitwirkendeR); Olson, Jonathan R. (MitwirkendeR); Almond, David (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781800101814
    Schlagworte: Electronic books
    Umfang: 1 online resource (217 pages)
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    Description based on publisher supplied metadata and other sources
  21. Realism, Form, and Representation in the Edwardian Novel
    Synthetic Realism
    Autor*in: Jones, Charlotte
    Erschienen: 2021; ©2021
    Verlag:  Oxford University Press USA - OSO, Oxford

    Charts developments in literary realism between fin-de-siècle naturalism and early modernism by examining a wide range of realist novels from the Edwardian period, focusing in particular on works by Joseph Conrad, May Sinclair, Arnold Bennett, H.G.... mehr

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    Technische Universität Chemnitz, Universitätsbibliothek
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    Hochschulbibliothek Friedensau
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    Charts developments in literary realism between fin-de-siècle naturalism and early modernism by examining a wide range of realist novels from the Edwardian period, focusing in particular on works by Joseph Conrad, May Sinclair, Arnold Bennett, H.G. Wells, and Ford Madox Ford. Cover -- Realism, Form, and Representation in the Edwardian Novel: Synthetic Realism -- Copyright -- Dedication -- Preface -- Acknowledgements -- Contents -- Introduction -- The map and the territory -- New century, new realism -- Atomized: a crisis of materialism -- Synthesized: 'not subjectively unreal' -- Chapter 1: Joseph Conrad: The Visible Universe -- 'Craftsmen as well as seers' -- 'Multitudinous tandems': Nostromo -- 'And what remains?' The Secret Agent -- 'Snaring the invisible into shape' -- Chapter 2: May Sinclair: The Finding of the Absolute -- 'The Reality I am looking for' -- 'Reality itself, pressed on the senses': The Divine Fire -- 'Victims of our own metaphors': The Creators -- 'In touch with the new' -- Chapter 3: Arnold Bennett: What Life Is -- 'Wonder in a hard hat and a business suit' -- 'The Usual miraculously transformed by Art into the Sublime': The Old Wives' Tale -- 'A flood of consciousness': Clayhanger -- 'Infantile realisms' -- Chapter 4: H. G. Wells: More Than History Can Pattern -- 'How it is done' -- 'Stirring up the dregs': Tono-Bungay -- 'Little life circles': Kipps and The History of Mr Polly -- 'Somewhere between politics and literature' -- Chapter 5: Ford Madox Ford: The Whole Impression -- 'A view of life as a whole?' -- 'Won't it make everything different?' A Call -- 'You don't tell me anything': The Good Soldier -- 'I didn't know what to say' -- Conclusion -- Works Cited -- Index.

     
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    Sprache: Englisch
    Medientyp: Ebook
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    ISBN: 9780192599803
    Schlagworte: Realism in literature; English fiction-20th century-History and criticism; Electronic books
    Umfang: 1 online resource (332 pages)
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  22. The dark
    Autor*in: Jones, Charlotte
    Erschienen: 2004
    Verlag:  Faber and Faber, London ; Bloomsbury Publishing PLC

    John lives with his elderly mother and is helping the police with their enquiries. Brian and Janet's teenage son only talks to strangers. Barnaby and Louisa feel unable to give their new baby a name. Three households live side by side in isolation.... mehr

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    John lives with his elderly mother and is helping the police with their enquiries. Brian and Janet's teenage son only talks to strangers. Barnaby and Louisa feel unable to give their new baby a name. Three households live side by side in isolation. Then the lights go out. 'The Dark' premiered at the Donmar Warehouse, London, in March 2003.

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780571289516
    Weitere Identifier:
    Schriftenreihe: Bloomsbury Drama Online - Core Collection
    Schlagworte: Electric power failures; Neighborliness
    Umfang: 1 Online-Ressource (82 pages)
  23. Airswimming
    Autor*in: Jones, Charlotte
    Erschienen: 2013
    Verlag:  Bloomsbury, London

    A young woman from high society is wrenched from her world of luxury and incarcerated in St. Dymphna's Hospital for the Criminally Insane. With no idea of the reason of her imprisonment, bewildered Persephone retreats into her own fantasy world. A... mehr

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    A young woman from high society is wrenched from her world of luxury and incarcerated in St. Dymphna's Hospital for the Criminally Insane. With no idea of the reason of her imprisonment, bewildered Persephone retreats into her own fantasy world. A mutual love for Doris Day facilitates a connection with her fellow inmate Dora, who is traumatised by the loss of her brothers in the Great War

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Jones, Charlotte
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
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    Schlagworte: Mentally ill offenders; Mentally ill offenders
    Umfang: 1 Online-Ressource
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    Originally published: in print in Plays one. London: Faber, 2004
  24. Humble boy
    Autor*in: Jones, Charlotte
    Erschienen: 2013
    Verlag:  Bloomsbury, London

    'Humble Boy' is a comedy about broken vows, failed hopes and the joys of bee-keeping. All is not well in the Humble hive. Thirty-five-year-old Felix Humble is a Cambridge astro-physicist in search of a unified field theory. Following the sudden death... mehr

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    'Humble Boy' is a comedy about broken vows, failed hopes and the joys of bee-keeping. All is not well in the Humble hive. Thirty-five-year-old Felix Humble is a Cambridge astro-physicist in search of a unified field theory. Following the sudden death of his father, Felix returns to his middle England home and his difficult and demanding mother, where he soon realises that his search for unity must include his own chaotic home life. 'Humble Boy' premiered at the Royal National Theatre, London, in August 2001

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Jones, Charlotte
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
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    Umfang: 1 Online-Ressource
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    Originally published: in print in Plays one. London: Faber, 2004
  25. In flame
    Autor*in: Jones, Charlotte
    Erschienen: 2013
    Verlag:  Bloomsbury, London

    First produced at London's Bush Theatre in 1999, 'In Flame' is a funny and sparky play about lust, hope and dreams, giving a somewhat fatalistic view of women as perennial victims of male inconstancy. The action takes place in Yorkshire in 1908, and... mehr

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    First produced at London's Bush Theatre in 1999, 'In Flame' is a funny and sparky play about lust, hope and dreams, giving a somewhat fatalistic view of women as perennial victims of male inconstancy. The action takes place in Yorkshire in 1908, and London in the present. Throughout there are parallels between the past and the present where the women appear in both eras as women denied fulfilment whilst the male characters embody ineffectual romanticism and heartless seduction. But whilst women today have greater choices than the past they are still victims of masculine weakness or egotism

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Jones, Charlotte
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
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    Umfang: 1 Online-Ressource
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    Originally published: in print in Plays one. London: Faber, 2004