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  1. The choreography of the Annunciation through a computational eye
    Autor*in: Bell, Peter; Impett, Leonardo
    Erschienen: juin 2021

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch; Französisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Übergeordneter Titel:
    Histoire de l'art / publ. sous l'égide de l'Association des Professeurs d'Archéologie et d'Histoire de l'Art des Universités (APAHAU). Avec le soutien de la Direction Générale des Patrimoines, de l'École du Louvre, de l'Institut National d'Histoire de l'Art et du Centre Allemand d'Histoire de l'Art; Paris, 2021; No. 87, 1 (2021), Seite 61-76, 206, 210
    Schlagworte: Interaktion; Kunst; Bildanalyse; Bewegung; Digital Humanities; Geste; Mariendarstellung; Pose; Motiv
    Weitere Schlagworte: Gabriel Erzengel
    Umfang: Illustrationen
    Bemerkung(en):

    Zusammenfassung in französischer Sprache
  2. Ikonographie und Interaktion. Computergestützte Analyse von Posen in Bildern der Heilsgeschichte
    Anhang
    Autor*in: Bell, Peter; Impett, Leonardo
    Erschienen: 2019
    Verlag:  Universitäts- und Landesbibliothek Münster, Münster

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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    Weitere Schlagworte: Array; Array
    Umfang: Online-Ressource
    Bemerkung(en):

    In: Bell, Peter; Impett, Leonardo: Ikonographie und Interaktion. Computergestützte Analyse von Posen in Bildern der Heilsgeschichte. In: Das Mittelalter 24 (2019) 1 [Themenheft "Digitale Mediävistik"]
  3. Totentanz
    operationalizing Aby Warburg’s 'Pathosformeln'
    Autor*in: Impett, Leonardo; Moretti, Franco
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    The object of this study is one of the most ambitious projects of twentieth-century art history: Aby Warburg's 'Atlas Mnemosyne', conceived in the summer of 1926 – when the first mention of a 'Bilderatlas', or "atlas of images", occurs in his journal... mehr

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    Verlag (kostenfrei)
    Verlag (kostenfrei)

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Fernleihe:
    keine Fernleihe
    Titel im lokalen Katalog:
    https://hds.hebis.de/ubffm/Record/HEB434688398

     

    The object of this study is one of the most ambitious projects of twentieth-century art history: Aby Warburg's 'Atlas Mnemosyne', conceived in the summer of 1926 – when the first mention of a 'Bilderatlas', or "atlas of images", occurs in his journal – and truncated three years later, unfinished, by his sudden death in October 1929. Mnemosyne consisted in a series of large black panels, about 170x140 cm., on which were attached black-and-white photographs of paintings, sculptures, book pages, stamps, newspaper clippings, tarot cards, coins, and other types of images. Warburg kept changing the order of the panels and the position of the images until the very end, and three main versions of the Atlas have been recorded: one from 1928 (the "1-43 version", with 682 images); one from the early months of 1929, with 71 panels and 1050 images; and the one Warburg was working on at the time of his death, also known as the "1-79 version", with 63 panels and 971 images (which is the one we will examine). But Warburg was planning to have more panels – possibly many more – and there is no doubt that Mnemosyne is a dramatically unfinished and controversial object of study.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Fachkatalog AVL
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    DDC Klassifikation: Künste; Bildende und angewandte Kunst (700)
    Schriftenreihe: Pamphlets of the Stanford literary lab ; 16
    Umfang: 1 Online-Ressource (10 Seiten), Illustrationen
  4. Ikonographie und Interaktion. Computergestützte Analyse von Posen in Bildern der Heilsgeschichte
    Autor*in: Bell, Peter; Impett, Leonardo

    Abstract: The last few years have seen an explosion of medieval images in digital form, chiefly as a result of photo-library and manuscript digitisation projects. An entire corpus of images, even selected solely by scene or iconography, becomes an... mehr

     

    Abstract: The last few years have seen an explosion of medieval images in digital form, chiefly as a result of photo-library and manuscript digitisation projects. An entire corpus of images, even selected solely by scene or iconography, becomes an unwieldy object of study by traditional art-historical means. This is even more the case for medieval images, where authorship and dating are often cloudy and unclear, and the image itself is in many cases the first resource for scholarly inquiry.We take the digital image – in particular, the digital image of the body – as our object of study in a wide-ranging computationally-augmented reading of an image-corpus; ours is made up of thousands of depictions of the ‘Annunciation’ and ‘Baptism’, selected not only for their primacy in Christian art but for their dialogical interaction. Our corpus of 6,564 ‘Annunciations’ and 883 ‘Baptisms’, whilst not necessarily representative in density, includes a wide range of stylistic, theological and historical tendencies.We computationally extract not only body images but poses, gestures and interactions. Such a range of gestures allows for a morphological treatment of bodily motifs, whose multi-dimensional, quantitative nature allows us to complicate and problematise iconographic taxonomies, populating the spaces between categories. Finally, our gestural manifolds provide a morphological pointer to dissecting the microtemporalities of the scenes, and their relative dynamics and inconsistencies.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    Weitere Identifier:
    Übergeordneter Titel:
    Enthalten in: Das Mittelalter; Heidelberg : Heidelberg University Publishing, 1996-; 24, Heft 1 (2019), 31-53 (gesamt 23); Online-Ressource
    Weitere Schlagworte: computer vision; pose recognition; Christian iconography; art history; digital humanities
    Umfang: Online-Ressource
  5. Totentanz : Operationalizing Aby Warburg’s 'Pathosformeln'
    Autor*in: Impett, Leonardo; Moretti, Franco
    Erschienen: 2017

    The object of this study is one of the most ambitious projects of twentieth-century art history: Aby Warburg's 'Atlas Mnemosyne', conceived in the summer of 1926 – when the first mention of a 'Bilderatlas', or "atlas of images", occurs in his journal... mehr

     

    The object of this study is one of the most ambitious projects of twentieth-century art history: Aby Warburg's 'Atlas Mnemosyne', conceived in the summer of 1926 – when the first mention of a 'Bilderatlas', or "atlas of images", occurs in his journal – and truncated three years later, unfinished, by his sudden death in October 1929. Mnemosyne consisted in a series of large black panels, about 170x140 cm., on which were attached black-and-white photographs of paintings, sculptures, book pages, stamps, newspaper clippings, tarot cards, coins, and other types of images. Warburg kept changing the order of the panels and the position of the images until the very end, and three main versions of the Atlas have been recorded: one from 1928 (the "1-43 version", with 682 images); one from the early months of 1929, with 71 panels and 1050 images; and the one Warburg was working on at the time of his death, also known as the "1-79 version", with 63 panels and 971 images (which is the one we will examine). But Warburg was planning to have more panels – possibly many more – and there is no doubt that Mnemosyne is a dramatically unfinished and controversial object of study.

     
    Export in Literaturverwaltung
    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Bericht
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Pathosformel; Warburg; Aby Moritz; Mnemosyne; Muster
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help ; info:eu-repo/semantics/openAccess
  6. Totentanz : Operationalizing Aby Warburg’s 'Pathosformeln'
    Autor*in: Impett, Leonardo; Moretti, Franco
    Erschienen: 01.11.2017

    The object of this study is one of the most ambitious projects of twentieth-century art history: Aby Warburg's 'Atlas Mnemosyne', conceived in the summer of 1926 – when the first mention of a 'Bilderatlas', or "atlas of images", occurs in his journal... mehr

     

    The object of this study is one of the most ambitious projects of twentieth-century art history: Aby Warburg's 'Atlas Mnemosyne', conceived in the summer of 1926 – when the first mention of a 'Bilderatlas', or "atlas of images", occurs in his journal – and truncated three years later, unfinished, by his sudden death in October 1929. Mnemosyne consisted in a series of large black panels, about 170x140 cm., on which were attached black-and-white photographs of paintings, sculptures, book pages, stamps, newspaper clippings, tarot cards, coins, and other types of images. Warburg kept changing the order of the panels and the position of the images until the very end, and three main versions of the Atlas have been recorded: one from 1928 (the "1-43 version", with 682 images); one from the early months of 1929, with 71 panels and 1050 images; and the one Warburg was working on at the time of his death, also known as the "1-79 version", with 63 panels and 971 images (which is the one we will examine). But Warburg was planning to have more panels – possibly many more – and there is no doubt that Mnemosyne is a dramatically unfinished and controversial object of study.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Arbeitspapier; Arbeitspapier
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Stanford Literary Lab
    Schlagworte: Pathosformel; Warburg, Aby Moritz; Mnemosyne; Muster <Struktur>
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess