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  1. New directions in Early Modern English drama
    edges, Spaces, intersections
    Beteiligt: Norrie, Aidan (HerausgeberIn); Houlahan, Mark (HerausgeberIn)
    Erschienen: [2020]; © 2020
    Verlag:  De Gruyter, Berlin ; Western Michigan University, Medieval Institue Publications, Boston

    Frontmatter -- Contents -- List of Figures -- Acknowledgments -- Foreword: The Stage on the Shore -- Chapter 1. Introduction: Edges, Spaces, and Intersections in Early Modern English Drama -- Chapter 2. A Life on the Edge: Richard Bradshaw -- Chapter... mehr

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    Universitätsbibliothek Braunschweig
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    Technische Universität Chemnitz, Universitätsbibliothek
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    HafenCity Universität Hamburg, Bibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    Technische Universität Hamburg, Universitätsbibliothek
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    Hochschulbibliothek Pforzheim, Bereichsbibliothek Technik und Wirtschaft
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    Frontmatter -- Contents -- List of Figures -- Acknowledgments -- Foreword: The Stage on the Shore -- Chapter 1. Introduction: Edges, Spaces, and Intersections in Early Modern English Drama -- Chapter 2. A Life on the Edge: Richard Bradshaw -- Chapter 3. “Thou Dream’st Awake”: Ghosts and Sleep in Chapman’s Antonio’s Revenge and Marston’s Bussy D’Ambois -- Chapter 4. Canting Queer Ken: Stage Magic and the Edge of Knowledge -- Chapter 5. James Shirley at the Edge of Town -- Chapter 6. “Our Queen Is Comming to the Town”: Child Actors and Counsel in the Elizabethan Progresses of 1574 and 1578 -- Chapter 7. “And Huh, Too / For All Your Big Words!”: Language and Multiculturalism in Philip Massinger’s The Renegado -- Chapter 8. Inherited Insecurities and the Staging of Alterity: Islam in Marlowe’s Tamburlaine -- Chapter 9. “The End of All”: How a Forgotten Map Helped Us Forget Newington Butts -- Chapter 10. Hamlet’s French Philosophy -- Chapter 11. “Then Turn Tail to Tail and Peace Be with You”: John Fletcher’s The Woman’s Prize, or The Tamer Tamed, Menippean Satire, and Same-Sex Desire -- Chapter 12. “Whose Plot Was This?”: Shakespearean Convergences in Fletcher’s The Wild-Goose Chase -- Chapter 13. “They Always Speak Things as They Would Have Them”: Aspirational Royalist Politics in Henry Killigrew’s Pallantus and Eudora (1653 -- Notes on Contributors -- Index of Persons, Places, and Subjects This collection examines some of the people, places, and plays at the edge of early modern English drama. Recent scholarship has begun to think more critically about the edge, particularly in relation to the canon and canonicity. This book demonstrates that the people and concepts long seen as on the edge of early modern English drama made vital contributions both within the fictive worlds of early modern plays, and without, in the real worlds of playmakers, theaters, and audiences. The book engages with topics such as child actors, alterity, sexuality, foreignness, and locality to acknowledge and extend the rich sense of playmaking and all its ancillary activities that have emerged over the last decade. The essays by a global team of scholars bring to life people and practices that flourished on the edge, manifesting their importance to both early modern audiences, and to current readers and performers

     

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    Quelle: Verbundkataloge
    Beteiligt: Norrie, Aidan (HerausgeberIn); Houlahan, Mark (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501513749; 9781501514029
    Weitere Identifier:
    RVK Klassifikation: HI 1266
    Schriftenreihe: Late Tudor and Stuart drama
    Schlagworte: English drama; DRAMA / English, Irish, Scottish, Welsh
    Umfang: 1 Online-Ressource (XVIII, 265 Seiten), Illustrationen
    Bemerkung(en):

    Literaturangaben

  2. New directions in early modern English drama
    edges, spaces, intersections
    Beteiligt: Norrie, Aidan (Hrsg.); Houlahan, Mark (Hrsg.)
    Erschienen: [2020]; © 2020
    Verlag:  de Gruyter, Berlin ; Boston

    This collection examines some of the people, places, and plays at the edge of early modern English drama. Recent scholarship has begun to think more critically about the edge, particularly in relation to the canon and canonicity. This book... mehr

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Potsdam, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This collection examines some of the people, places, and plays at the edge of early modern English drama. Recent scholarship has begun to think more critically about the edge, particularly in relation to the canon and canonicity. This book demonstrates that the people and concepts long seen as on the edge of early modern English drama made vital contributions both within the fictive worlds of early modern plays, and without, in the real worlds of playmakers, theaters, and audiences. The book engages with topics such as child actors, alterity, sexuality, foreignness, and locality to acknowledge and extend the rich sense of playmaking and all its ancillary activities that have emerged over the last decade. The essays by a global team of scholars bring to life people and practices that flourished on the edge, manifesting their importance to both early modern audiences, and to current readers and performers

     

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Norrie, Aidan (Hrsg.); Houlahan, Mark (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501513749; 9781501514029
    Weitere Identifier:
    Schriftenreihe: Late Tudor and Stuart drama
    Schlagworte: Alterity; Andersartigkeit; Dramatiker; Early Modern Drama; Englisches Theater; English Theatre; Plays and Playwrights; Stücke und Stückeschreiber; Theater der Frühen Neuzeit; DRAMA / English, Irish, Scottish, Welsh; Englisch; Drama
    Umfang: 1 Online-Ressource (XVIII, 265 Seiten)
  3. Antipodal Shakespeare
    remembering and forgetting in Britain, Australia and New Zealand, 1916 - 2016
    Erschienen: 2018
    Verlag:  Bloomsbury Arden Shakespeare, New York ; Bloomsbury Publishing, London

    "In this collaborative monograph, five scholars from Britain, Australia and New Zealand reflect on the modes of commemoration of Shakespeare in and after the Tercentenary year, 1916, in two hemispheres. They argue that it was at this moment of... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In this collaborative monograph, five scholars from Britain, Australia and New Zealand reflect on the modes of commemoration of Shakespeare in and after the Tercentenary year, 1916, in two hemispheres. They argue that it was at this moment of remembering that 'global Shakespeare' first emerged in recognizable, if embryonic form. Despite a recent surge of interest in the Shakespeare Tercentenary, a great deal has been forgotten about this key moment in the history of the place of Shakespeare in national and global culture - much more than has been remembered. In addressing this the book offers new materials and discoveries about, and new interpretations of, the Tercentenary celebrations in Britain and in Australia and New Zealand, and reflects also on the long legacy of those celebrations."--

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Moriarty, Catherine (VerfasserIn eines Nachworts)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474271462; 9781474271455; 9781474271448
    Weitere Identifier:
    RVK Klassifikation: HI 3331 ; HI 3341
    Auflage/Ausgabe: First edition
    Schlagworte: Shakespeare, William; Jubiläum; Großbritannien; Australien; Neuseeland; Geschichte 1916-2016;
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xii, 227 pages), Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

  4. Shakespeare and emotions
    inheritances, enactments, legacies
    Beteiligt: White, Robert S. (HerausgeberIn); Houlahan, Mark (HerausgeberIn); O'Loughlin, Katrina (HerausgeberIn)
    Erschienen: 2015
    Verlag:  Palgrave Macmillan, Basingstoke

    "This collection of original essays by established and emerging scholars approaches the works of Shakespeare from the topical perspective of the History of Emotions. What emerges is not a single paradigm or 'grand narrative', but a variety of... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This collection of original essays by established and emerging scholars approaches the works of Shakespeare from the topical perspective of the History of Emotions. What emerges is not a single paradigm or 'grand narrative', but a variety of approaches, ranging from the historical to the interpretive, illuminating the primacy of emotions in Shakespearean scholarship and theatre. The section 'Emotional Inheritances' looks back to Shakespeare's sources and cultural backgrounds, showing that some aspects of his representations of emotions come from the classics and medieval world; 'Shakespearean Enactments' presents essays that analyse a range of emotional states and issues in the plays themselves; while 'Legacies and Re-Enactments' traces aspects of his influence through later times and down to the present day. Taken together these diverse but related essays present a kaleidoscope of suggestive approaches to the potentially endless subject of emotions in Shakespeare"--

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: White, Robert S. (HerausgeberIn); Houlahan, Mark (HerausgeberIn); O'Loughlin, Katrina (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781137464743
    RVK Klassifikation: HI 3385
    Schriftenreihe: Palgrave Shakespeare studies
    Schlagworte: Emotions in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: xii, 270 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 256-262

    In Pleasure Of My Spleen!': Troilus And Cressida And The Expression Of Emotion; Ronald Bedford: Machine generated contents note:Acknowledgments ; Notes on Contributors ; 1. Reclaiming Heartlands: Shakespeare And The History Of Emotions In Literature; R. S. White ; PART I: EMOTIONAL INHERITANCES ; 2. 'Of Comfort And Dispaire': Plato's Philosophy Of Love And Shakespeare's Sonnets; Danijela Kambaskovic ; 3. Locus Amoenus Or Locus Violens? Shakespearean Emotions Expressed Through An Ovidian Model; Bri;d Phillips ; 4. Once Upon A Time: Cymbeline, Fairy Tales, And 'The Terrifying Truths Of The Inner Life'; Ciara Rawnsley ; 5. '... Another Comfort': Virginity And Emotion In Measure For Measure; Andrew Lynch ; 6. French Feeling: Language, Sex And Identity In Henry V; Stephanie Downes ; 7. Power, Vulnerability And Sexuality: Representations Of Margaret Of Anjou In A London Chronicle And Shakespeare's 3 Henry VI; Mary-Rose McLaren ; PART II: SHAKESPEAREAN ENACTMENTS ; 8. 'My Heart Dances': Performing Emotion Through Shakespeare's Rhythms; Peter Groves ; 9. 'The Teares Of Ten Thousand Spectators': Shakespeare's Experiments With Emotion From Talbot To Richard II; Ruth Lunney ; 10. Emotional Education And Leadership In The Henriad; Martin Dawes ; 11. 'Say How I Loved You': Queering The Emotion Of Male Same-Sex Love In The Merchant Of Venice; Anthony Guy Patricia ; 12. Making A Virtue Of Giddiness: Rethinking Troilus' (E)Motion; Alison V. Scott ; 13. 'I Shall Split All

  5. New directions in Early Modern English drama
    edges, Spaces, intersections
    Beteiligt: Norrie, Aidan (HerausgeberIn); Houlahan, Mark (HerausgeberIn)
    Erschienen: [2020]; © 2020
    Verlag:  De Gruyter, Berlin ; Western Michigan University, Medieval Institue Publications, Boston

    Frontmatter -- Contents -- List of Figures -- Acknowledgments -- Foreword: The Stage on the Shore -- Chapter 1. Introduction: Edges, Spaces, and Intersections in Early Modern English Drama -- Chapter 2. A Life on the Edge: Richard Bradshaw -- Chapter... mehr

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    Universität Potsdam, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Frontmatter -- Contents -- List of Figures -- Acknowledgments -- Foreword: The Stage on the Shore -- Chapter 1. Introduction: Edges, Spaces, and Intersections in Early Modern English Drama -- Chapter 2. A Life on the Edge: Richard Bradshaw -- Chapter 3. “Thou Dream’st Awake”: Ghosts and Sleep in Chapman’s Antonio’s Revenge and Marston’s Bussy D’Ambois -- Chapter 4. Canting Queer Ken: Stage Magic and the Edge of Knowledge -- Chapter 5. James Shirley at the Edge of Town -- Chapter 6. “Our Queen Is Comming to the Town”: Child Actors and Counsel in the Elizabethan Progresses of 1574 and 1578 -- Chapter 7. “And Huh, Too / For All Your Big Words!”: Language and Multiculturalism in Philip Massinger’s The Renegado -- Chapter 8. Inherited Insecurities and the Staging of Alterity: Islam in Marlowe’s Tamburlaine -- Chapter 9. “The End of All”: How a Forgotten Map Helped Us Forget Newington Butts -- Chapter 10. Hamlet’s French Philosophy -- Chapter 11. “Then Turn Tail to Tail and Peace Be with You”: John Fletcher’s The Woman’s Prize, or The Tamer Tamed, Menippean Satire, and Same-Sex Desire -- Chapter 12. “Whose Plot Was This?”: Shakespearean Convergences in Fletcher’s The Wild-Goose Chase -- Chapter 13. “They Always Speak Things as They Would Have Them”: Aspirational Royalist Politics in Henry Killigrew’s Pallantus and Eudora (1653 -- Notes on Contributors -- Index of Persons, Places, and Subjects This collection examines some of the people, places, and plays at the edge of early modern English drama. Recent scholarship has begun to think more critically about the edge, particularly in relation to the canon and canonicity. This book demonstrates that the people and concepts long seen as on the edge of early modern English drama made vital contributions both within the fictive worlds of early modern plays, and without, in the real worlds of playmakers, theaters, and audiences. The book engages with topics such as child actors, alterity, sexuality, foreignness, and locality to acknowledge and extend the rich sense of playmaking and all its ancillary activities that have emerged over the last decade. The essays by a global team of scholars bring to life people and practices that flourished on the edge, manifesting their importance to both early modern audiences, and to current readers and performers

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Norrie, Aidan (HerausgeberIn); Houlahan, Mark (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501513749; 9781501514029
    Weitere Identifier:
    RVK Klassifikation: HI 1266
    Schriftenreihe: Late Tudor and Stuart drama
    Schlagworte: English drama; DRAMA / English, Irish, Scottish, Welsh
    Umfang: 1 Online-Ressource (XVIII, 265 Seiten), Illustrationen
    Bemerkung(en):

    Literaturangaben

  6. New Directions in Early Modern English Drama
    Edges, Spaces, Intersections
    Beteiligt: Norrie, Aidan (Herausgeber); Houlahan, Mark (Herausgeber)
    Erschienen: 2020
    Verlag:  De Gruyter, Kalamazoo ; Medieval Institute Publications

  7. Shakespeare and emotions
    inheritances, enactments, legacies
    Beteiligt: White, Robert S. (HerausgeberIn); Houlahan, Mark (HerausgeberIn); O'Loughlin, Katrina (HerausgeberIn)
    Erschienen: 2015
    Verlag:  Palgrave Macmillan, Basingstoke

    "This collection of original essays by established and emerging scholars approaches the works of Shakespeare from the topical perspective of the History of Emotions. What emerges is not a single paradigm or 'grand narrative', but a variety of... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 947243
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2015 A 9298
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    ang 478.9 DC 8113
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    HI 3385 W582
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This collection of original essays by established and emerging scholars approaches the works of Shakespeare from the topical perspective of the History of Emotions. What emerges is not a single paradigm or 'grand narrative', but a variety of approaches, ranging from the historical to the interpretive, illuminating the primacy of emotions in Shakespearean scholarship and theatre. The section 'Emotional Inheritances' looks back to Shakespeare's sources and cultural backgrounds, showing that some aspects of his representations of emotions come from the classics and medieval world; 'Shakespearean Enactments' presents essays that analyse a range of emotional states and issues in the plays themselves; while 'Legacies and Re-Enactments' traces aspects of his influence through later times and down to the present day. Taken together these diverse but related essays present a kaleidoscope of suggestive approaches to the potentially endless subject of emotions in Shakespeare"--

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: White, Robert S. (HerausgeberIn); Houlahan, Mark (HerausgeberIn); O'Loughlin, Katrina (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781137464743
    RVK Klassifikation: HI 3385
    Schriftenreihe: Palgrave Shakespeare studies
    Schlagworte: Emotions in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: xii, 270 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 256-262

    In Pleasure Of My Spleen!': Troilus And Cressida And The Expression Of Emotion; Ronald Bedford: Machine generated contents note:Acknowledgments ; Notes on Contributors ; 1. Reclaiming Heartlands: Shakespeare And The History Of Emotions In Literature; R. S. White ; PART I: EMOTIONAL INHERITANCES ; 2. 'Of Comfort And Dispaire': Plato's Philosophy Of Love And Shakespeare's Sonnets; Danijela Kambaskovic ; 3. Locus Amoenus Or Locus Violens? Shakespearean Emotions Expressed Through An Ovidian Model; Bri;d Phillips ; 4. Once Upon A Time: Cymbeline, Fairy Tales, And 'The Terrifying Truths Of The Inner Life'; Ciara Rawnsley ; 5. '... Another Comfort': Virginity And Emotion In Measure For Measure; Andrew Lynch ; 6. French Feeling: Language, Sex And Identity In Henry V; Stephanie Downes ; 7. Power, Vulnerability And Sexuality: Representations Of Margaret Of Anjou In A London Chronicle And Shakespeare's 3 Henry VI; Mary-Rose McLaren ; PART II: SHAKESPEAREAN ENACTMENTS ; 8. 'My Heart Dances': Performing Emotion Through Shakespeare's Rhythms; Peter Groves ; 9. 'The Teares Of Ten Thousand Spectators': Shakespeare's Experiments With Emotion From Talbot To Richard II; Ruth Lunney ; 10. Emotional Education And Leadership In The Henriad; Martin Dawes ; 11. 'Say How I Loved You': Queering The Emotion Of Male Same-Sex Love In The Merchant Of Venice; Anthony Guy Patricia ; 12. Making A Virtue Of Giddiness: Rethinking Troilus' (E)Motion; Alison V. Scott ; 13. 'I Shall Split All

  8. Shakespeare and emotions
    inheritances, enactments, legacies
    Beteiligt: White, Robert S. (HerausgeberIn); Houlahan, Mark (HerausgeberIn); O'Loughlin, Katrina (HerausgeberIn)
    Erschienen: 2015
    Verlag:  Palgrave Macmillan, Basingstoke

    "This collection of original essays by established and emerging scholars approaches the works of Shakespeare from the topical perspective of the History of Emotions. What emerges is not a single paradigm or 'grand narrative', but a variety of... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 947243
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Freiburg
    GE 2016/1821
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2015 A 9298
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Mannheim
    500 HI 3385 W587
    keine Fernleihe
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    ang 478.9 DC 8113
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Württembergische Landesbibliothek
    65/10876
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Brechtbau-Bibliothek
    NO 752.877
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    HI 3385 W582
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This collection of original essays by established and emerging scholars approaches the works of Shakespeare from the topical perspective of the History of Emotions. What emerges is not a single paradigm or 'grand narrative', but a variety of approaches, ranging from the historical to the interpretive, illuminating the primacy of emotions in Shakespearean scholarship and theatre. The section 'Emotional Inheritances' looks back to Shakespeare's sources and cultural backgrounds, showing that some aspects of his representations of emotions come from the classics and medieval world; 'Shakespearean Enactments' presents essays that analyse a range of emotional states and issues in the plays themselves; while 'Legacies and Re-Enactments' traces aspects of his influence through later times and down to the present day. Taken together these diverse but related essays present a kaleidoscope of suggestive approaches to the potentially endless subject of emotions in Shakespeare"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Verlag (Inhaltsverzeichnis)
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: White, Robert S. (HerausgeberIn); Houlahan, Mark (HerausgeberIn); O'Loughlin, Katrina (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781137464743
    RVK Klassifikation: HI 3385
    Schriftenreihe: Palgrave Shakespeare studies
    Schlagworte: Emotions in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: xii, 270 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 256-262

    In Pleasure Of My Spleen!': Troilus And Cressida And The Expression Of Emotion; Ronald Bedford: Machine generated contents note:Acknowledgments ; Notes on Contributors ; 1. Reclaiming Heartlands: Shakespeare And The History Of Emotions In Literature; R. S. White ; PART I: EMOTIONAL INHERITANCES ; 2. 'Of Comfort And Dispaire': Plato's Philosophy Of Love And Shakespeare's Sonnets; Danijela Kambaskovic ; 3. Locus Amoenus Or Locus Violens? Shakespearean Emotions Expressed Through An Ovidian Model; Bri;d Phillips ; 4. Once Upon A Time: Cymbeline, Fairy Tales, And 'The Terrifying Truths Of The Inner Life'; Ciara Rawnsley ; 5. '... Another Comfort': Virginity And Emotion In Measure For Measure; Andrew Lynch ; 6. French Feeling: Language, Sex And Identity In Henry V; Stephanie Downes ; 7. Power, Vulnerability And Sexuality: Representations Of Margaret Of Anjou In A London Chronicle And Shakespeare's 3 Henry VI; Mary-Rose McLaren ; PART II: SHAKESPEAREAN ENACTMENTS ; 8. 'My Heart Dances': Performing Emotion Through Shakespeare's Rhythms; Peter Groves ; 9. 'The Teares Of Ten Thousand Spectators': Shakespeare's Experiments With Emotion From Talbot To Richard II; Ruth Lunney ; 10. Emotional Education And Leadership In The Henriad; Martin Dawes ; 11. 'Say How I Loved You': Queering The Emotion Of Male Same-Sex Love In The Merchant Of Venice; Anthony Guy Patricia ; 12. Making A Virtue Of Giddiness: Rethinking Troilus' (E)Motion; Alison V. Scott ; 13. 'I Shall Split All

  9. New directions in early modern English drama
    edges, spaces, intersections
    Beteiligt: Norrie, Aidan (HerausgeberIn); Houlahan, Mark (HerausgeberIn)
    Erschienen: [2020]; © 2020
    Verlag:  De Gruyter, Berlin ; Western Michigan University, Medieval Institue Publications, Boston

    Frontmatter -- Contents -- List of Figures -- Acknowledgments -- Foreword: The Stage on the Shore -- Chapter 1. Introduction: Edges, Spaces, and Intersections in Early Modern English Drama -- Chapter 2. A Life on the Edge: Richard Bradshaw -- Chapter... mehr

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    Frontmatter -- Contents -- List of Figures -- Acknowledgments -- Foreword: The Stage on the Shore -- Chapter 1. Introduction: Edges, Spaces, and Intersections in Early Modern English Drama -- Chapter 2. A Life on the Edge: Richard Bradshaw -- Chapter 3. “Thou Dream’st Awake”: Ghosts and Sleep in Chapman’s Antonio’s Revenge and Marston’s Bussy D’Ambois -- Chapter 4. Canting Queer Ken: Stage Magic and the Edge of Knowledge -- Chapter 5. James Shirley at the Edge of Town -- Chapter 6. “Our Queen Is Comming to the Town”: Child Actors and Counsel in the Elizabethan Progresses of 1574 and 1578 -- Chapter 7. “And Huh, Too / For All Your Big Words!”: Language and Multiculturalism in Philip Massinger’s The Renegado -- Chapter 8. Inherited Insecurities and the Staging of Alterity: Islam in Marlowe’s Tamburlaine -- Chapter 9. “The End of All”: How a Forgotten Map Helped Us Forget Newington Butts -- Chapter 10. Hamlet’s French Philosophy -- Chapter 11. “Then Turn Tail to Tail and Peace Be with You”: John Fletcher’s The Woman’s Prize, or The Tamer Tamed, Menippean Satire, and Same-Sex Desire -- Chapter 12. “Whose Plot Was This?”: Shakespearean Convergences in Fletcher’s The Wild-Goose Chase -- Chapter 13. “They Always Speak Things as They Would Have Them”: Aspirational Royalist Politics in Henry Killigrew’s Pallantus and Eudora (1653 -- Notes on Contributors -- Index of Persons, Places, and Subjects This collection examines some of the people, places, and plays at the edge of early modern English drama. Recent scholarship has begun to think more critically about the edge, particularly in relation to the canon and canonicity. This book demonstrates that the people and concepts long seen as on the edge of early modern English drama made vital contributions both within the fictive worlds of early modern plays, and without, in the real worlds of playmakers, theaters, and audiences. The book engages with topics such as child actors, alterity, sexuality, foreignness, and locality to acknowledge and extend the rich sense of playmaking and all its ancillary activities that have emerged over the last decade. The essays by a global team of scholars bring to life people and practices that flourished on the edge, manifesting their importance to both early modern audiences, and to current readers and performers.

     

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    Quelle: Verbundkataloge
    Beteiligt: Norrie, Aidan (HerausgeberIn); Houlahan, Mark (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781501518218
    RVK Klassifikation: HI 1266
    Schriftenreihe: Late Tudor and Stuart drama
    Schlagworte: English drama
    Umfang: XVIII, 265 Seiten, Illustrationen
    Bemerkung(en):

    Literaturangaben

  10. Antipodal Shakespeare
    remembering and forgetting in Britain, Australia and New Zealand, 1916 - 2016
    Erschienen: 2018
    Verlag:  Bloomsbury Arden Shakespeare, New York ; Bloomsbury Publishing, London

    "In this collaborative monograph, five scholars from Britain, Australia and New Zealand reflect on the modes of commemoration of Shakespeare in and after the Tercentenary year, 1916, in two hemispheres. They argue that it was at this moment of... mehr

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    "In this collaborative monograph, five scholars from Britain, Australia and New Zealand reflect on the modes of commemoration of Shakespeare in and after the Tercentenary year, 1916, in two hemispheres. They argue that it was at this moment of remembering that 'global Shakespeare' first emerged in recognizable, if embryonic form. Despite a recent surge of interest in the Shakespeare Tercentenary, a great deal has been forgotten about this key moment in the history of the place of Shakespeare in national and global culture - much more than has been remembered. In addressing this the book offers new materials and discoveries about, and new interpretations of, the Tercentenary celebrations in Britain and in Australia and New Zealand, and reflects also on the long legacy of those celebrations."--

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Moriarty, Catherine (VerfasserIn eines Nachworts)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474271462; 9781474271455; 9781474271448
    Weitere Identifier:
    RVK Klassifikation: HI 3331 ; HI 3341
    Auflage/Ausgabe: First edition
    Schlagworte: Shakespeare, William; Jubiläum; Großbritannien; Australien; Neuseeland; Geschichte 1916-2016;
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xii, 227 pages), Illustrationen
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    Includes bibliographical references and index

  11. Antipodal Shakespeare
    remembering and forgetting in Britain, Australia and New Zealand, 1916-2016
    Erschienen: 2018
    Verlag:  Bloomsbury, London

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2018 A 10410
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    2019 A 9783
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    Beteiligt: Moriarty, Catherine (VerfasserIn eines Nachworts)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781474271431; 147427143X
    RVK Klassifikation: HI 3331 ; HI 3341
    Schriftenreihe: The Arden Shakespeare
    Schlagworte: Shakespeare, William; Rezeption; Gedenken; Großbritannien; Australien; Neuseeland; Geschichte 1913-2016; ; William Shakespeare <1916>;
    Umfang: xii, 227 Seiten, Illustrationen
  12. Katherine Mansfield and Literary Influence
    Erschienen: [2022]
    Verlag:  Edinburgh University Press, Edinburgh

    Frontmatter -- Contents -- Acknowledgements -- Abbreviations -- 1. 'Like a thousand reflections of my own hands in a dark mirror': Katherine Mansfield and Literary Influence -- Part I. Ambivalence -- 2. 'The Twilight of Language': The Young Evelyn... mehr

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    Frontmatter -- Contents -- Acknowledgements -- Abbreviations -- 1. 'Like a thousand reflections of my own hands in a dark mirror': Katherine Mansfield and Literary Influence -- Part I. Ambivalence -- 2. 'The Twilight of Language': The Young Evelyn Waugh on 'Catherine' Mansfield -- 3. 'Where is she?' Katherine Mansfield and Elizabeth Bowen -- Part II. Exchange -- 4. '[O]ur precious art': Katherine Mansfield, Virginia Woolf and the Gift Economy -- 5. 'The Silence is Broken': Katherine Mansfield and the 'Manifesto Moment' -- 6. Circles of Influence: Katherine Mansfield, S. S. Koteliansky and Russia -- Part III. Identification -- 7. 'Worms of the Same Family': Katherine Mansfield and Elizabeth von Arnim -- 8. 'Objectless Love': The Vagabondage of Colette and Katherine Mansfield -- Part IV. Imitation -- 9. 'God forgive me, Tchehov, for my impertinence': Mansfield and the Art of Copying -- 10. '[A]ctively making one feel': Katherine Mansfield, Evolving Empathy and Intimate Influence in Virginia Woolf's Writings of the 1920s and 1930s -- Part V. Enchantment -- 11. Mansfield eats Dickens -- 12. Katherine Mansfield, Nettie Palmer and Critical Influence -- 13. The Meeting of Katherine Mansfield and Eve Langley -- Part VI. Legacy -- 14. Mansfield, Shakespeare and the Unanxiety of Influence -- 15. The 'Burden' of the Feminine: Frank Sargeson's Encounter with Katherine Mansfield -- 16. Writing from the Cellar: Revisiting the Villa Isola Bella -- Notes on Contributors -- Bibliography -- Index Provides new reflections on literary influence using Katherine Mansfield as a case studyKatherine Mansfield and Literary Influence identifies Mansfield's involvement in six modes of literary influence - Ambivalence, Exchange, Identification, Imitation, Enchantment and Legacy. In so doing, it revisits key issues in Mansfield studies, including her relationships with Virginia Woolf, John Middleton Murry and S. S. Koteliansky, as well as the famous plagiarism case regarding Anton Chekhov. It also charts new territories for exploration, expanding the terrain of Mansfield's influence to include writers as diverse as Colette, Evelyn Waugh, Nettie Palmer, Eve Langley and Frank Sargeson.Key FeaturesExtends upon models of literary influence that are oriented around the ideas of anxiety and coteriesEngages with and develops areas of scholarly inquiry investigating modernism as the product of social and intellectual networksOffers new interpretations of Mansfield's relationships with writers with whom she is often associated, such as D H Lawrence, Anton Chekhov and Virginia WoolfTraces new connections between Mansfield's work and the work of writers not previously linked to Mansfield, such as Evelyn Waugh, Colette and Nettie Palmer

     

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    Quelle: Verbundkataloge
    Beteiligt: Ailwood, Sarah (MitwirkendeR); Cassidy, Bonny (MitwirkendeR); Gildersleeve, Jessica (MitwirkendeR); Harvey, Melinda (MitwirkendeR); Hollington, Michael (MitwirkendeR); Houlahan, Mark (MitwirkendeR); Kimber, Gerri (MitwirkendeR); Macnamara, Katie (MitwirkendeR); Magner, Brigid (MitwirkendeR); Milthorpe, Naomi (MitwirkendeR); Pike, Deborah (MitwirkendeR); Reid, Susan (MitwirkendeR); Römhild, Juliane (MitwirkendeR); Simpson, Kathryn (MitwirkendeR); Wilson, Janet (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748694426
    Weitere Identifier:
    RVK Klassifikation: HQ 3639
    Schlagworte: LITERARY CRITICISM / Australian & Oceanian
    Umfang: 1 Online-Ressource (272 p), 1 B/W illustrations
  13. Antipodal Shakespeare
    remembering and forgetting in Britain, Australia and New Zealand, 1916-2016
    Erschienen: 2018
    Verlag:  Bloomsbury Arden Shakespeare, London, UK

    "In this collaborative monograph, five scholars from Britain, Australia and New Zealand reflect on the modes of commemoration of Shakespeare in and after the Tercentenary year, 1916, in two hemispheres. They argue that it was at this moment of... mehr

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    "In this collaborative monograph, five scholars from Britain, Australia and New Zealand reflect on the modes of commemoration of Shakespeare in and after the Tercentenary year, 1916, in two hemispheres. They argue that it was at this moment of remembering that 'global Shakespeare' first emerged in recognizable, if embryonic form. Despite a recent surge of interest in the Shakespeare Tercentenary, a great deal has been forgotten about this key moment in the history of the place of Shakespeare in national and global culture - much more than has been remembered. In addressing this the book offers new materials and discoveries about, and new interpretations of, the Tercentenary celebrations in Britain and in Australia and New Zealand, and reflects also on the long legacy of those celebrations"-- Introduction -- Chapter 1:'Goblin's market: Israel Gollancz, the 1916 Tercentenary, and the invention of "global Shakespeare"' reflections I -- Chapter 2: 'The Shakespeare Hut: Anzac meets Shakespeare in London, 1916' reflections II -- Chapter 3:'Oblivion and Memory: New Zealand Inside the Shakespeare Hut (and Beyond), 1916' reflections III -- Chapter 4: 'The Afterlife of a Memorial' reflections IV -- Chapter 5: '"Remembering with Advantages": Henry V and the play of commemorative rhetoric in Australia' -- After Word: 'Memory, Architecture, Space' -- Notes -- Bibliography -- Index.

     

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    Quelle: Verbundkataloge
    Beteiligt: Moriarty, Catherine (VerfasserIn eines Nachworts)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1474271464; 1474271448; 1474271456; 9781474271448; 9781474271455; 9781474271462
    Auflage/Ausgabe: First edition
    Schriftenreihe: The Arden Shakespeare
    Schlagworte: Art appreciation; Shakespeare studies & criticism; LITERARY CRITICISM ; Shakespeare; DRAMA ; Shakespeare; Anniversaries
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William
    Umfang: 1 Online-Ressource (xii, 227 pages)
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    Includes bibliographical references and index

  14. Shakespeare and Emotions
    Inheritances, Enactments, Legacies
    Beteiligt: White, R. S. (HerausgeberIn); Houlahan, Mark (HerausgeberIn); O’Loughlin, Katrina (HerausgeberIn)
    Erschienen: 2015.
    Verlag:  Palgrave Macmillan UK, London ; Imprint: Palgrave Macmillan

    This collection of essays approaches the works of Shakespeare from the topical perspective of the History of Emotions. Contributions come from established and emergent scholars from a range of disciplines, including performance history, musicology... mehr

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    This collection of essays approaches the works of Shakespeare from the topical perspective of the History of Emotions. Contributions come from established and emergent scholars from a range of disciplines, including performance history, musicology and literary history.

     

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    Beteiligt: White, R. S. (HerausgeberIn); Houlahan, Mark (HerausgeberIn); O’Loughlin, Katrina (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781137464750
    Weitere Identifier:
    Schriftenreihe: Palgrave Shakespeare Studies
    Schlagworte: Poetry.; Literature, Modern.; History, Modern.; British literature.; Literature—History and criticism.; Europe—History—1492-.
    Umfang: 1 Online-Ressource(XII, 270 p. 7 illus.)
  15. Katherine Mansfield and Literary Influence
    Erschienen: [2015]; ©2015
    Verlag:  Edinburgh University Press, Edinburgh ; Walter de Gruyter GmbH, Berlin

    Provides new reflections on literary influence using Katherine Mansfield as a case studyKatherine Mansfield and Literary Influence identifies Mansfield's involvement in six modes of literary influence - Ambivalence, Exchange, Identification,... mehr

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    Provides new reflections on literary influence using Katherine Mansfield as a case studyKatherine Mansfield and Literary Influence identifies Mansfield's involvement in six modes of literary influence - Ambivalence, Exchange, Identification, Imitation, Enchantment and Legacy. In so doing, it revisits key issues in Mansfield studies, including her relationships with Virginia Woolf, John Middleton Murry and S. S. Koteliansky, as well as the famous plagiarism case regarding Anton Chekhov. It also charts new territories for exploration, expanding the terrain of Mansfield's influence to include writers as diverse as Colette, Evelyn Waugh, Nettie Palmer, Eve Langley and Frank Sargeson.Key FeaturesExtends upon models of literary influence that are oriented around the ideas of anxiety and coteriesEngages with and develops areas of scholarly inquiry investigating modernism as the product of social and intellectual networksOffers new interpretations of Mansfield's relationships with writers with whom she is often associated, such as D H Lawrence, Anton Chekhov and Virginia WoolfTraces new connections between Mansfield's work and the work of writers not previously linked to Mansfield, such as Evelyn Waugh, Colette and Nettie Palmer...

     

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    Beteiligt: Cassidy, Bonny (Mitwirkender); Gildersleeve, Jessica (Mitwirkender); Hollington, Michael (Mitwirkender); Houlahan, Mark (Mitwirkender); Kimber, Gerri (Mitwirkender); Macnamara, Katie (Mitwirkender); Magner, Brigid (Mitwirkender); Milthorpe, Naomi (Mitwirkender); Pike, Deborah (Mitwirkender); Reid, Susan (Mitwirkender); Römhild, Juliane (Mitwirkender); Simpson, Kathryn (Mitwirkender); Wilson, Janet (Mitwirkender)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748694426
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    Umfang: 1 Online-Ressource (272 p.), 1 B/W illustrations
  16. Antipodal Shakespeare
    remembering and forgetting in Britain, Australia and New Zealand, 1916 - 2016
    Erschienen: 2018
    Verlag:  Bloomsbury Arden Shakespeare, New York ; Bloomsbury Publishing, London

    "Despite a recent surge of critical interest in the Shakespeare Tercentenary, a great deal has been forgotten about this key moment in the history of the place of Shakespeare in national and global culture -- much more than has been remembered. This... mehr

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    "Despite a recent surge of critical interest in the Shakespeare Tercentenary, a great deal has been forgotten about this key moment in the history of the place of Shakespeare in national and global culture -- much more than has been remembered. This book offers new archival discoveries about, and new interpretations of, the Tercentenary celebrations in Britain, Australia and New Zealand and reflects on the long legacy of those celebrations. This collection gathers together five scholars from Britain, Australia and New Zealand to reflect on the modes of commemoration of Shakespeare across the hemispheres in and after the Tercentenary year, 1916. It was at this moment of remembering in 1916 that 'global Shakespeare' first emerged in recognizable form. Each contributor performs their own 'antipodal' reading, assessing in parallel events across two hemispheres, geographically opposite but politically and culturally connected in the wake of empire."--Bloomsbury Publishing.

     

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    Quelle: Verbundkataloge
    Beteiligt: Ferguson, Ailsa Grant; Flaherty, Kate; Houlahan, Mark; Mead, Philip; Moriarty, Catherine
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474271462
    Weitere Identifier:
    Auflage/Ausgabe: First edition
    Schriftenreihe: Bloomsbury Drama Online - Critical Studies and Performance Practice
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    Literary Studies 2017