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Jayne Cortez, Adrienne Rich, and the feminist superhero
voice, vision, politics, and performance in U.S. contemporary women's poetics -
Jayne Cortez, Adrienne Rich, and the feminist superhero
voice, vision, politics, and performance in U.S. contemporary women's poetics -
Jayne Cortez, Adrienne Rich, and the feminist superhero
voice, vision, politics, and performance in U.S. contemporary women's poetics -
Jayne Cortez, Adrienne Rich, and the Feminist Superhero
Voice, Vision, Politics, and Performance in U.S. Contemporary Women's Poetics -
Sadomasochistic narratives
the politics of subjectivity in the Anglo-American and French novel -
The perverse gaze of sympathy
sadomasochistic sentiments from Clarissa to Rescue 911 -
Jayne Cortez, Adrienne Rich, and the feminist superhero
voice, vision, politics, and performance in U.S. contemporary women's poetics -
Sadomasochistic narratives
the politics of subjectivity in the Anglo-American and French novel -
<<The>> perverse gaze of sympathy
sadomasochistic sentiments from Clarissa to Rescue 911 -
The perverse gaze of sympathy
sadomasochistic sentiments from Clarissa to Rescue 911 -
We who love to be astonished
experimental women's writing and performance poetics -
Jayne Cortez, Adrienne Rich, and the Feminist Superhero
Voice, Vision, Politics, and Performance in U.S. Contemporary Women's Poetics -
Jayne Cortez, Adrienne Rich, and the feminist superhero
voice, vision, politics, and performance in U.S. contemporary women's poetics -
The perverse gaze of sympathy
sadomasochistic sentiments from Clarissa to Rescue 911 -
The perverse gaze of sympathy
sadomasochistic sentiments from Clarissa to Rescue 911 -
REVIEWS - The Perverse Gaze of Sympathy: Sado-Masochistic Sentiments from Clarissa to Rescue 911
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REVIEWS - Centering Margins: The Language Poets Reconsidered (as Women)
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The Heroine's Subjection: Clarissa, Sadomasochism, and Natural Law
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REVIEWS - We Who Love to Be Astonished: Experimental Women's Writing and Performance Poetics