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  1. The Feminine Ethos in C. S. Lewisʼs «Chronicles of Narnia»
    Preface by Elizabeth Baird Hardy
    Autor*in: Hilder, Monika
    Erschienen: 2012
    Verlag:  Peter Lang Inc., International Academic Publishers, New York

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781453909003
    Weitere Identifier:
    9781453909003
    RVK Klassifikation: HN 5505
    Auflage/Ausgabe: 1st, New ed
    Schlagworte: Spiritualität <Motiv>; Weiblichkeit <Motiv>
    Weitere Schlagworte: Lewis, C. S. (1898-1963): The chronicles of Narnia
    Umfang: 1 Online-Ressource (221 Seiten)
    Bemerkung(en):

    Online resource; title from title screen (viewed June 10, 2019)

    C. S. Lewis, fantasy novelist, literary scholar, and Christian apologist, is one of the most original and well-known literary figures of the twentieth century. As one who stood at the crossroads of Edwardian and modern thinking, he is often read as a sexist or even misogynistic man of his time, but this fresh rereading assesses Lewis as a prescient thinker who transformed typical Western gender paradigms. The Feminine Ethos in C. S. Lewis's 'Chronicles of Narnia' proposes that Lewis's highly nuanced metaphorical view of gender relations has been misunderstood precisely because it challenges Western chauvinist assumptions on sex and gender. Instead of perpetuating sexism, Lewis subverts the culturally inherited chauvinism of «masculine» classical heroism with the biblically inspired vision of a surprisingly «feminine» spiritual heroism. His view that we are all «feminine» in relation to the «masculine» God - a theological feminism that crosses gender lines - means that qualities we tend to consider to be feminine, such as humility, are the qualities essential to being fully human. This book's theoretical framework is Lewis's own, grounded in his view of biblical thinking, as he was informed by writers such as Milton, Wordsworth, and George MacDonald, and in terms of the uniquely progressive implications for twentieth-first century cultural studies. This highly insightful and entertaining study of theological feminism in Lewis's Chronicles of Narnia will be compelling for anyone interested in children's and fantasy literature, Inklings scholarship, gender discourse, ethical and spiritual discourse, literature and theology, and cultural studies in general

    «Presented in a clear and engaging literary style, Monika B. Hilder's exhaustive study not only exposes the shortcomings of all sexist readings of Lewis's works, but it also convincingly demonstrates how his theological feminism evenhandedly attributes the same range of characteristics to both genders. With this book, Hilder is making an essential contribution to Lewis studies.» (Rolland Hein, Professor Emeritus of English, Wheaton College)

  2. The Gender Dance
    Ironic Subversion in C. S. Lewis's Cosmic Trilogy
    Autor*in: Hilder, Monika
    Erschienen: 2013
    Verlag:  Peter Lang Inc., International Academic Publishers, New York

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781453910481
    Weitere Identifier:
    9781453910481
    RVK Klassifikation: HN 5505
    Auflage/Ausgabe: 1st, New ed
    Schlagworte: Spiritualität <Motiv>; Geschlechterverhältnis <Motiv>
    Weitere Schlagworte: Lewis, C. S. (1898-1963): Ransom trilogy
    Umfang: 1 Online-Ressource (240 Seiten)
    Bemerkung(en):

    Online resource; title from title screen (viewed June 10, 2019)

    C. S. Lewis, fantasy novelist, literary scholar, and Christian apologist, is one of the most original and well-known literary figures of the twentieth century. As one who stood at the crossroads of Edwardian and modern thinking, he is often read as a sexist or even misogynistic man of his time, but this fresh rereading assesses Lewis as a prescient thinker who transformed typical Western gender paradigms. The Gender Dance: Ironic Subversion in C. S. Lewis's Cosmic Trilogy, the second volume in a triad, proposes that Lewis's highly nuanced metaphorical view of gender relations has been misunderstood precisely because it challenges Western chauvinist assumptions on sex and gender. Instead of perpetuating sexism, Lewis subverts the culturally inherited chauvinism of «masculine» classical heroism with the biblically inspired vision of a surprisingly «feminine» spiritual heroism. His view that we are all «feminine» in relation to the «masculine» God - a theological feminism which crosses gender lines - means that qualities we tend to gender as feminine, such as humility, are the qualities essential to being fully human. The study's theoretical framework is Lewis's own, grounded in his view of biblical thinking, and as he was informed by writers such as Milton, Wordsworth, and George MacDonald, and in terms of the uniquely progressive implications for twentieth-first-century cultural studies. This highly insightful and entertaining study of theological feminism in Lewis's Cosmic Trilogy will be compelling for anyone interested in fantasy literature, Inklings scholarship, gender discourse, ethical and spiritual discourse, literature and theology, and cultural studies in general

    «In her careful reading of Lewis and his critics, Hilder provides a nuanced and balanced approach, showing how often Lewis subverted the usual stereotypes, giving us a new understanding of Lewis's fiction and a new way to think about gender - a viable Third Way.» (David C. Downing, R. W. Schlosser Professor of English at Elizabethtown College, author of Planets in Peril: A Critical Study of C.S. Lewis's Ransom Trilogy) «At long last, a serious study of the Cosmic Trilogy's central theme, and one which is sufficiently thorough and nuanced to bring out the radical implications of Lewis's views on gender. Carefully, thoughtfully, insightfully, Hilder moves beyond the Pavlovian superficiality of so many previous ventures into this field. An important and valuable contribution.» (Dr. Michael Ward, St Peter's College, Oxford, author of Planet Narnia: The Seven Heavens in the Imagination of C.S. Lewis)

  3. Surprised by the Feminine
    A Rereading of C. S. Lewis and Gender- Preface by Christopher W. Mitchell
    Autor*in: Hilder, Monika
    Erschienen: 2013
    Verlag:  Peter Lang Inc., International Academic Publishers, New York

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781453911648
    Weitere Identifier:
    9781453911648
    RVK Klassifikation: HN 5505
    Auflage/Ausgabe: 1st, New ed
    Schlagworte: Spiritualität <Motiv>; Geschlechterverhältnis <Motiv>; Weiblichkeit <Motiv>
    Weitere Schlagworte: Lewis, C. S. (1898-1963)
    Umfang: 1 Online-Ressource (227 Seiten)
    Bemerkung(en):

    Online resource; title from title screen (viewed June 10, 2019)

    C. S. Lewis, fantasy novelist, literary scholar, and Christian apologist, is one of the best-known and most original literary figures of the twentieth century. As one who stood at the crossroads of Edwardian and modern thinking, he is often read as a sexist or even misogynistic man of his time, but this fresh reading assesses Lewis as a prescient thinker who transformed typical Western gender paradigms. Surprised by the Feminine: A Rereading of C. S. Lewis and Gender proposes that Lewis's highly nuanced metaphorical view of gender relations has been misunderstood precisely because it challenges Western chauvinist assumptions of sex and gender. Instead of perpetuating sexism, Lewis subverts the culturally inherited chauvinism of «masculine» classical heroism with the biblically inspired vision of a surprisingly «feminine» spiritual heroism. His view that we are all «feminine» in relation to the «masculine» God - a theological feminism that crosses gender lines - means that qualities we tend to gender as feminine, such as humility, are the qualities essential to being fully human. This book's theoretical framework is Lewis's own, grounded in his view of biblical thinking and informed by the thinking of writers such as Milton, Wordsworth, and George MacDonald; thus it has uniquely progressive implications for twenty-first-century cultural studies. This highly insightful and entertaining study of theological feminism in Lewis's life's work, from Dymer and The Pilgrim's Regress, to The Screwtape Letters, The Great Divorce, and Till We Have Faces, will be compelling for anyone interested in fantasy literature, Inklings scholarship, gender discourse, ethical and spiritual discourse, the interplay of literature and theology, and cultural studies

    «Monika B. Hilder's carefully reasoned treatment of C. S. Lewis and women is the book for which the scholarly world has been waiting. It towers above other writing on the subject by virtue of the thoroughness of its scholarship, the breadth of context into which the question of Lewis and gender is placed, and the superior abundance of close reading of Lewis texts.» (Leland Ryken, Professor of English, Wheaton College) «In Monika B. Hilder's 'Surprised by the Feminine: A Rereading of C. S. Lewis and Gender' we find a thoughtful, nuanced, scholarly, and penetrating exploration of the increasingly popular discussion of Lewis's understanding of gender. Hilder's exciting new contribution to the debate is her argument that Lewis consistently affirms values associated with the feminine. Lewis's 'theological feminism', according to Hilder, elevates spiritual heroism (characterized by imagination, passivity, care, submission, truthfulness, and humility) over the predominant Western notion of classical heroism (characterized by reason, autonomy, activity, aggression, conquest, deceit, and pride). In her study of Lewis's theological feminism Hilder primarily addresses his fiction, although she does not overlook his non-fiction and poetry. 'Surprised by the Feminine' is a major new contribution to Lewis studies.» (Don W. King, Professor of English, Montreat College; Editor, Christian Scholar's Review)

  4. The Feminine Ethos in C. S. Lewisʼs «Chronicles of Narnia»
    Autor*in: Hilder, Monika
    Erschienen: 2012
    Verlag:  Peter Lang Inc., New York ; Peter Lang International Academic Publishers, Bern

    C. S. Lewis, fantasy novelist, literary scholar, and Christian apologist, is one of the most original and well-known literary figures of the twentieth century. As one who stood at the crossroads of Edwardian and modern thinking, he is often read as a... mehr

    Zugang:
    Universitätsbibliothek Gießen
    keine Fernleihe

     

    C. S. Lewis, fantasy novelist, literary scholar, and Christian apologist, is one of the most original and well-known literary figures of the twentieth century. As one who stood at the crossroads of Edwardian and modern thinking, he is often read as a sexist or even misogynistic man of his time, but this fresh rereading assesses Lewis as a prescient thinker who transformed typical Western gender paradigms. The Feminine Ethos in C. S. Lewis’s ‘Chronicles of Narnia’ proposes that Lewis’s highly nuanced metaphorical view of gender relations has been misunderstood precisely because it challenges Western chauvinist assumptions on sex and gender. Instead of perpetuating sexism, Lewis subverts the culturally inherited chauvinism of «masculine» classical heroism with the biblically inspired vision of a surprisingly «feminine» spiritual heroism. His view that we are all «feminine» in relation to the «masculine» God – a theological feminism that crosses gender lines – means that qualities we tend to consider to be feminine, such as humility, are the qualities essential to being fully human. This book’s theoretical framework is Lewis’s own, grounded in his view of biblical thinking, as he was informed by writers such as Milton, Wordsworth, and George MacDonald, and in terms of the uniquely progressive implications for twentieth-first century cultural studies. This highly insightful and entertaining study of theological feminism in Lewis’s Chronicles of Narnia will be compelling for anyone interested in children’s and fantasy literature, Inklings scholarship, gender discourse, ethical and spiritual discourse, literature and theology, and cultural studies in general. «Presented in a clear and engaging literary style, Monika B. Hilder’s exhaustive study not only exposes the shortcomings of all sexist readings of Lewis’s works, but it also convincingly demonstrates how his theological feminism evenhandedly attributes the same range of characteristics to both genders. With this book, Hilder is making an essential contribution to Lewis studies.» (Rolland Hein, Professor Emeritus of English, Wheaton College)...

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781453909003
    Weitere Identifier:
    RVK Klassifikation: HN 5505
    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Auflage/Ausgabe: 1st, New ed.
    Schriftenreihe: Studies in Twentieth-Century British Literature ; 10
    Schlagworte: Spiritualität <Motiv>; Weiblichkeit <Motiv>
    Weitere Schlagworte: Lewis, C. S. (1898-1963): The chronicles of Narnia
    Umfang: 1 Online-Ressource
  5. The Gender Dance
    Autor*in: Hilder, Monika
    Erschienen: 2013
    Verlag:  Peter Lang Inc., New York ; Peter Lang International Academic Publishers, Bern

    C. S. Lewis, fantasy novelist, literary scholar, and Christian apologist, is one of the most original and well-known literary figures of the twentieth century. As one who stood at the crossroads of Edwardian and modern thinking, he is often read as a... mehr

    Zugang:
    Universitätsbibliothek Gießen
    keine Fernleihe

     

    C. S. Lewis, fantasy novelist, literary scholar, and Christian apologist, is one of the most original and well-known literary figures of the twentieth century. As one who stood at the crossroads of Edwardian and modern thinking, he is often read as a sexist or even misogynistic man of his time, but this fresh rereading assesses Lewis as a prescient thinker who transformed typical Western gender paradigms. The Gender Dance: Ironic Subversion in C. S. Lewis’s Cosmic Trilogy, the second volume in a triad, proposes that Lewis’s highly nuanced metaphorical view of gender relations has been misunderstood precisely because it challenges Western chauvinist assumptions on sex and gender. Instead of perpetuating sexism, Lewis subverts the culturally inherited chauvinism of «masculine» classical heroism with the biblically inspired vision of a surprisingly «feminine» spiritual heroism. His view that we are all «feminine» in relation to the «masculine» God – a theological feminism which crosses gender lines – means that qualities we tend to gender as feminine, such as humility, are the qualities essential to being fully human. The study’s theoretical framework is Lewis’s own, grounded in his view of biblical thinking, and as he was informed by writers such as Milton, Wordsworth, and George MacDonald, and in terms of the uniquely progressive implications for twentieth-first-century cultural studies. This highly insightful and entertaining study of theological feminism in Lewis’s Cosmic Trilogy will be compelling for anyone interested in fantasy literature, Inklings scholarship, gender discourse, ethical and spiritual discourse, literature and theology, and cultural studies in general. «In her careful reading of Lewis and his critics, Hilder provides a nuanced and balanced approach, showing how often Lewis subverted the usual stereotypes, giving us a new understanding of Lewis’s fiction and a new way to think about gender – a viable Third Way.» (David C. Downing, R. W. Schlosser Professor of English at Elizabethtown College, author of Planets in Peril: A Critical Study of C.S. Lewis’s Ransom Trilogy) «At long last, a serious study of the Cosmic Trilogy’s central theme, and one which is sufficiently thorough and nuanced to bring out the radical implications of Lewis’s views on gender. Carefully, thoughtfully, insightfully, Hilder moves beyond the Pavlovian superficiality of so many previous ventures into this field. An important and valuable contribution.» (Dr. Michael Ward, St Peter’s College, Oxford, author of Planet Narnia: The Seven Heavens in the Imagination of C.S. Lewis)...

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781453910481
    Weitere Identifier:
    RVK Klassifikation: HN 5505
    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Auflage/Ausgabe: 1st, New ed.
    Schriftenreihe: Studies in Twentieth-Century British Literature ; 11
    Schlagworte: Geschlechterverhältnis <Motiv>; Spiritualität <Motiv>
    Weitere Schlagworte: Lewis, C. S. (1898-1963): Ransom trilogy
    Umfang: 1 Online-Ressource
  6. Surprised by the Feminine
    Autor*in: Hilder, Monika
    Erschienen: 2013
    Verlag:  Peter Lang Inc., New York ; Peter Lang International Academic Publishers, Bern

    C. S. Lewis, fantasy novelist, literary scholar, and Christian apologist, is one of the best-known and most original literary figures of the twentieth century. As one who stood at the crossroads of Edwardian and modern thinking, he is often read as a... mehr

    Zugang:
    Universitätsbibliothek Gießen
    keine Fernleihe

     

    C. S. Lewis, fantasy novelist, literary scholar, and Christian apologist, is one of the best-known and most original literary figures of the twentieth century. As one who stood at the crossroads of Edwardian and modern thinking, he is often read as a sexist or even misogynistic man of his time, but this fresh reading assesses Lewis as a prescient thinker who transformed typical Western gender paradigms. Surprised by the Feminine: A Rereading of C. S. Lewis and Gender proposes that Lewis’s highly nuanced metaphorical view of gender relations has been misunderstood precisely because it challenges Western chauvinist assumptions of sex and gender. Instead of perpetuating sexism, Lewis subverts the culturally inherited chauvinism of «masculine» classical heroism with the biblically inspired vision of a surprisingly «feminine» spiritual heroism. His view that we are all «feminine» in relation to the «masculine» God – a theological feminism that crosses gender lines – means that qualities we tend to gender as feminine, such as humility, are the qualities essential to being fully human. This book’s theoretical framework is Lewis’s own, grounded in his view of biblical thinking and informed by the thinking of writers such as Milton, Wordsworth, and George MacDonald; thus it has uniquely progressive implications for twenty-first-century cultural studies. This highly insightful and entertaining study of theological feminism in Lewis’s life’s work, from Dymer and The Pilgrim’s Regress, to The Screwtape Letters, The Great Divorce, and Till We Have Faces, will be compelling for anyone interested in fantasy literature, Inklings scholarship, gender discourse, ethical and spiritual discourse, the interplay of literature and theology, and cultural studies. «Monika B. Hilder’s carefully reasoned treatment of C. S. Lewis and women is the book for which the scholarly world has been waiting. It towers above other writing on the subject by virtue of the thoroughness of its scholarship, the breadth of context into which the question of Lewis and gender is placed, and the superior abundance of close reading of Lewis texts.» (Leland Ryken, Professor of English, Wheaton College) «In Monika B. Hilder’s ‘Surprised by the Feminine: A Rereading of C. S. Lewis and Gender’ we find a thoughtful, nuanced, scholarly, and penetrating exploration of the increasingly popular discussion of Lewis’s understanding of gender. Hilder’s exciting new contribution to the debate is her argument that Lewis consistently affirms values associated with the feminine. Lewis’s ‘theological feminism’, according to Hilder, elevates spiritual heroism (characterized by imagination, passivity, care, submission, truthfulness, and humility) over the predominant Western notion of classical heroism (characterized by reason, autonomy, activity, aggression, conquest, deceit, and pride). In her study of Lewis’s theological feminism Hilder primarily addresses his fiction, although she does not overlook his non-fiction and poetry. ‘Surprised by the Feminine’ is a major new contribution to Lewis studies.» (Don W. King, Professor of English, Montreat College; Editor, Christian Scholar’s Review)...

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781453911648
    Weitere Identifier:
    RVK Klassifikation: HN 5505
    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Auflage/Ausgabe: 1st, New ed.
    Schriftenreihe: Studies in Twentieth-Century British Literature ; 12
    Schlagworte: Weiblichkeit <Motiv>; Geschlechterverhältnis <Motiv>; Spiritualität <Motiv>
    Weitere Schlagworte: Lewis, C. S. (1898-1963)
    Umfang: 1 Online-Ressource