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  1. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Autor*in: Weimann, Robert
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge

    In this seminal work, Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan... mehr

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    Universitätsbibliothek Bamberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In this seminal work, Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, the new history of the Elizabethan theatre, performance theory, and film and video interpretation, and offers a new approach to understanding Shakespeare. Weimann examines a range of plays including Hamlet, Troilus and Cressida, Henry V, A Midsummer Night's Dream and Macbeth, among others, as well as other contemporary works. A major part of the study explores the duality between playing and writing: the imaginary world-in-the-play and the visible, audible playing-in-the-world of the playhouse, and Weimann focuses especially on the gap between these two, between the so-called 'pen' and 'voice'

     
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    Quelle: Verbundkataloge
    Beteiligt: Higbee, Helen (Hrsg.); West, William N. (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511484070
    Weitere Identifier:
    RVK Klassifikation: EC 5146 ; HI 3390
    Schriftenreihe: Cambridge studies in Renaissance literature and culture ; 39
    Schlagworte: Wissen; Theater in literature; Acting in literature; Drama / Technique; Drama; Aufführung; Textproduktion
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Knowledge / Performing arts; Shakespeare, William / 1564-1616 / Criticism and interpretation; Shakespeare, William / 1564-1616 / Dramatic production; Shakespeare, William (1564-1616)
    Umfang: 1 online resource (xiii, 298 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  2. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Autor*in: Weimann, Robert
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge

    In this seminal work, Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan... mehr

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    Universität Frankfurt, Elektronische Ressourcen
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    /
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    Standort:
    Universitätsbibliothek Gießen
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    In this seminal work, Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, the new history of the Elizabethan theatre, performance theory, and film and video interpretation, and offers a new approach to understanding Shakespeare. Weimann examines a range of plays including Hamlet, Troilus and Cressida, Henry V, A Midsummer Night's Dream and Macbeth, among others, as well as other contemporary works. A major part of the study explores the duality between playing and writing: the imaginary world-in-the-play and the visible, audible playing-in-the-world of the playhouse, and Weimann focuses especially on the gap between these two, between the so-called 'pen' and 'voice'.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Higbee, Helen (Herausgeber); West, William N. (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511484070
    Schriftenreihe: Cambridge studies in Renaissance literature and culture ; 39
    Umfang: 1 Online-Ressource (xiii, 298 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  3. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Autor*in: Weimann, Robert
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge, U.K. [u.a.] ; [ProQuest], [Ann Arbor, Michigan]

    Standort:
    Universität Frankfurt, Elektronische Ressourcen
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    /
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Higbee, Helen; West, William
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Schriftenreihe: Cambridge studies in Renaissance literature and culture ; 39
    Umfang: xiii, 298 p.
    Bemerkung(en):

    Includes bibliographical references (p. 269-288) and index
  4. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Autor*in: Weimann, Robert
    Erschienen: 2006
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    Standort:
    Universitätsbibliothek Gießen
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    FH Angl KS WEI V 2
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Higbee, Helen
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0521787351; 9780521787352; 0521781302; 9780521781305
    RVK Klassifikation: EC 5146 ; HI 3390
    Auflage/Ausgabe: digital print.
    Schriftenreihe: Cambridge studies in Renaissance literature and culture ; 39
    Schlagworte: Drama; Theater
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: XIII, 298 S.
    Bemerkung(en):

    Literaturverz. S. 269 - 288
  5. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Autor*in: Weimann, Robert
    Erschienen: 2000
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Leibniz-Zentrum für Literatur- und Kulturforschung
    Beteiligt: Higbee, Helen (Hrsg.); West, William (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0-521-78735-1
    Schriftenreihe: Cambridge studies in Renaissance literature and culture ; 39
    Weitere Schlagworte: Shakespeare, William; Shakespeare, William
    Umfang: XIII, 298 S.
    Bemerkung(en):

    Literaturverz. S. 269 - 288
  6. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Autor*in: Weimann, Robert
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge

    In this seminal work, Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In this seminal work, Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, the new history of the Elizabethan theatre, performance theory, and film and video interpretation, and offers a new approach to understanding Shakespeare. Weimann examines a range of plays including Hamlet, Troilus and Cressida, Henry V, A Midsummer Night's Dream and Macbeth, among others, as well as other contemporary works. A major part of the study explores the duality between playing and writing: the imaginary world-in-the-play and the visible, audible playing-in-the-world of the playhouse, and Weimann focuses especially on the gap between these two, between the so-called 'pen' and 'voice'

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Higbee, Helen (HerausgeberIn); West, William N. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511484070
    Weitere Identifier:
    RVK Klassifikation: EC 5146 ; HI 3390
    Schriftenreihe: Cambridge studies in Renaissance literature and culture ; 39
    Schlagworte: Acting in literature; Drama; Theater in literature; Shakespeare, William ; 1564-1616 ; Knowledge ; Performing arts; Shakespeare, William ; 1564-1616 ; Criticism and interpretation; Shakespeare, William ; 1564-1616 ; Dramatic production; Theater in literature; Acting in literature; Drama ; Technique
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xiii, 298 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction: conjunctures and concepts -- Performance and authority in Hamlet (1603) -- A new agenda for authority -- The "low and ignorant" crust of corruption -- Towards a circulation of authority in the theatre -- Players, printers, preachers: distraction in authority -- Pen and voice: versions of doubleness -- "Frivolous jestures" vs. matter of "worthiness" (Tamburlaine) -- Bifold authority in Troilus and Cressida -- "Unworthy scaffold" for "so great an object" (Henry V) -- Playing with a difference -- To "disfigure, or to present" (A Midsummer Night's Dream) -- To "descant" on difference and deformity (Richard III) -- The "self-resembled show" -- Presentation, or the performant function -- Histories in Elizabethan performance -- Disparity in mid-Elizabethan theatre history -- Reforming "a whole theatre of others" (Hamlet) -- From common player to excellent actor -- Differentiation, exclusion, withdrawal -- Hamlet and the purposes of playing -- Renaissance writing and common playing -- Unworthy antics in the glass of fashion -- "When in one line two crafts directly meet" -- (Word)play and the mirror of representation -- Space (in)dividable: locus and platea revisited -- Space as symbolic form: the locus -- The open space: provenance and function -- Locus and platea in Macbeth -- Banqueting in Timon of Athens -- Shakespeare's endings: commodious thresholds -- Epilogues vs. closure -- Ends of postponement: holiday into workaday -- Thresholds to memory and commodity -- Liminality: cultural authority 'betwixt-and-between'.
  7. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Autor*in: Weimann, Robert
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre and offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre and offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, performance theory, and film interpretation, and offers a new approach to understanding Shakespeare.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Higbee, Helen; West, William
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511013086; 9780511013089; 0521781302; 9780521781305; 0521787351; 9780521787352; 051111866X; 9780511118661; 9780511484070; 0511484070; 9780511046001; 0511046006; 0511153651; 9780511153655; 1280162171; 9781280162176
    Schriftenreihe: Cambridge studies in Renaissance literature and culture ; 39
    Umfang: 1 Online-Ressource (xiii, 298 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 269-288) and index
  8. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Autor*in: Weimann, Robert
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge

    In this seminal work, Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan... mehr

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    Peace Research Institute Frankfurt, Bibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    In this seminal work, Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, the new history of the Elizabethan theatre, performance theory, and film and video interpretation, and offers a new approach to understanding Shakespeare. Weimann examines a range of plays including Hamlet, Troilus and Cressida, Henry V, A Midsummer Night's Dream and Macbeth, among others, as well as other contemporary works. A major part of the study explores the duality between playing and writing: the imaginary world-in-the-play and the visible, audible playing-in-the-world of the playhouse, and Weimann focuses especially on the gap between these two, between the so-called 'pen' and 'voice'

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Higbee, Helen (HerausgeberIn); West, William N. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511484070
    Weitere Identifier:
    RVK Klassifikation: EC 5146 ; HI 3390
    Schriftenreihe: Cambridge studies in Renaissance literature and culture ; 39
    Schlagworte: Acting in literature; Drama; Theater in literature; Shakespeare, William ; 1564-1616 ; Knowledge ; Performing arts; Shakespeare, William ; 1564-1616 ; Criticism and interpretation; Shakespeare, William ; 1564-1616 ; Dramatic production; Theater in literature; Acting in literature; Drama ; Technique
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xiii, 298 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction: conjunctures and concepts -- Performance and authority in Hamlet (1603) -- A new agenda for authority -- The "low and ignorant" crust of corruption -- Towards a circulation of authority in the theatre -- Players, printers, preachers: distraction in authority -- Pen and voice: versions of doubleness -- "Frivolous jestures" vs. matter of "worthiness" (Tamburlaine) -- Bifold authority in Troilus and Cressida -- "Unworthy scaffold" for "so great an object" (Henry V) -- Playing with a difference -- To "disfigure, or to present" (A Midsummer Night's Dream) -- To "descant" on difference and deformity (Richard III) -- The "self-resembled show" -- Presentation, or the performant function -- Histories in Elizabethan performance -- Disparity in mid-Elizabethan theatre history -- Reforming "a whole theatre of others" (Hamlet) -- From common player to excellent actor -- Differentiation, exclusion, withdrawal -- Hamlet and the purposes of playing -- Renaissance writing and common playing -- Unworthy antics in the glass of fashion -- "When in one line two crafts directly meet" -- (Word)play and the mirror of representation -- Space (in)dividable: locus and platea revisited -- Space as symbolic form: the locus -- The open space: provenance and function -- Locus and platea in Macbeth -- Banqueting in Timon of Athens -- Shakespeare's endings: commodious thresholds -- Epilogues vs. closure -- Ends of postponement: holiday into workaday -- Thresholds to memory and commodity -- Liminality: cultural authority 'betwixt-and-between'.