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Dante beyond borders
contexts and reception$dedited by Nick Havely and Jonathan Katz with Richard Cooper -
Dante's Modern Afterlife
Reception and Response from Blake to Heaney -
Dante beyond borders
contexts and reception$dedited by Nick Havely and Jonathan Katz with Richard Cooper -
Dante and the Franciscans
poverty and the Papacy in the Commedia -
Dante in the nineteenth century
reception, canonicity, popularization -
Chaucer's Boccaccio
sources for Troilus and the Knight's and Franklin's tales ; translations from the Filostrato, Teseida and Filocolo -
The house of fame
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Dante's modern afterlife
reception and response from Blake to Heaney -
Dante's British public
readers and texts, from the fourteenth century to the present -
'Hell on a paying basis' : morality, the market, and the movies in Harry Lachman's "Dante's Inferno" (1935)
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Dante
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Dante in the nineteenth century
reception, canonicity, popularization -
Dante's modern afterlife
reception and response from Blake to Heaney -
Dante's modern afterlife
reception and response from Blake to Heaney -
Dante's British public
readers and texts, from the fourteenth century to the present -
Dante in the nineteenth century
reception, canonicity, popularization -
Dante's British public
readers and texts, from the fourteenth century to the present -
Dante and the Franciscans
poverty and the Papacy in the Commedia -
After Dante
poets in purgatory -
Chaucer's Boccaccio
sources of Troilus and the Knight's and Franklin's tales -
Dante's British public
readers and texts, from the fourteenth century to the present -
The Friar's, Summoner's and Pardoner's tales from the Canterbury tales
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Dante in the nineteenth century
reception, canonicity, popularization -
Dante and the Franciscans
poverty and the Papacy in the "Commedia" -
The house of fame