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Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- List of Figures -- List of Interviews -- Acknowledgements -- Introduction -- Storytelling as Professional Performance -- Female Artists as Storytellers -- Talking to Storytellers -- Storytelling Presences -- 1 Storytelling Presences -- Sarah Rundle, The Poorest Hee (2013) -- Clare Murphy, The Nine Muses of Queen's Crescent (2022) -- Jo Blake, Blodeuwedd Untold (2018) -- Summary: Contemporary Presences -- 2 Storytelling Authorship -- Alys Torrance, Up Endings! (2021) -- Rachel Rose Reid, Silence (2018) -- Mara Menzies, Blood and Gold (2019) -- Summary: Authoring Storytelling Performances -- 3 Devising Storytelling -- Sarah Liisa Wilkinson, The Girl and The Snake Witch (2018) -- Alys Torrance, Stoopid (2019) -- Debs Newbold, Outrageous Fortune (2020) -- Summary: Devising New Storytellings -- 4 Aural Storytelling -- Sarah Liisa Wilkinson, The Devil's Violin (2019) -- Laura Sampson, Three-Crossing River (2022) -- Debs Newbold, Lost in Blue (2022) -- Summary: Aurality and Story-Performance -- 5 Sites of Storytelling -- Tamar Eluned Williams, Pathways/Llwybrau (2020) -- Vanessa Woolf, Trees (2021) and Ghosts of the Thames (2020) -- Tim Ralphs and Sarah Liisa Wilkinson, The Game of Seven Candles (2021) -- Summary: Sites of Storytelling -- 6 Story-Performance in New Media -- Mara Menzies, The Giver of Joy (2021) -- Jo Blake, What Do You See with Your Eye to the Keyhole? (2020) -- Xanthe Gresham-Knight, Kitchen Goddess (2020) -- Summary: Story, Media, and Emergent Spaces -- 7 Story-Performance and Social Practice -- Rachel Rose Reid, Sofa Story Club (2020) -- Xanthe Gresham-Knight, Goddess Lounge (2020-2021) -- Pyn Stockman, Tell It To The Bees (2022) -- Summary: Making Social Rituals -- 8 Storytelling and Slam -- Clare Murphy, Myth Off (2011).
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