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  1. Creative lives in classical antiquity
    poets, artists and biography
    Beteiligt: Fletcher, Richard (Herausgeber, Verfasser); Hanink, Johanna (Herausgeber, Verfasser)
    Erschienen: 2016
    Verlag:  Cambridge University Press, Cambridge

    Ruhr-Universität Bochum, Universitätsbibliothek
    JYB10044
    Ausleihe von Bänden möglich, keine Kopien
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    43A9699
    Ausleihe von Bänden möglich, keine Kopien
    Universitäts- und Landesbibliothek Münster
    3K 68762
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Fletcher, Richard (Herausgeber, Verfasser); Hanink, Johanna (Herausgeber, Verfasser)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781107159082
    Schriftenreihe: Cambridge classical studies
    Schlagworte: Classical biography; Biography as a literary form; Antike; Biografie; Künstler; Schriftsteller
    Umfang: ix, 373 Seiten, Illustrationen, 22 cm
  2. Lycurgan Athens and the making of classical tragedy
    Autor*in: Hanink, Johanna
    Erschienen: 2014
    Verlag:  Cambridge Univ. Press, Cambridge

    Ruhr-Universität Bochum, Universitätsbibliothek
    JYB10022
    Ausleihe von Bänden möglich, keine Kopien
    Universität Bonn, Institut für Klassische und Romanische Philologie, Abteilung für Griechische und Lateinische Philologie, Bibliothek
    C 14/619 10/20
    keine Fernleihe
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    42A8754
    Ausleihe von Bänden möglich, keine Kopien
    Institut für Altertumskunde, Abteilung Klassische Philologie, Alte Geschichte, Bibliothek
    404/Jb1350
    keine Fernleihe
    Bibliotheken im Fürstenberghaus 1
    VI 518/272
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781107062023
    Schriftenreihe: Cambridge classical studies
    Schlagworte: Greek drama (Tragedy); Tragedy; Literature and society; Kanon; Literatur
    Weitere Schlagworte: Lycurgus (approximately 390 B.C.-approximately 324 B.C.); Aeschylus (v525-v456); Euripides (ca. 485/480 v. Chr.-406 v.Chr.); Sophocles (ca. 497/496 v. Chr.-406 v. Chr.)
    Umfang: XIII, 280 S.
  3. Creative lives in classical antiquity
    poets, artists and biography
    Beteiligt: Fletcher, Richard (HerausgeberIn); Hanink, Johanna (HerausgeberIn)
    Erschienen: 2016
    Verlag:  Cambridge University Press, Cambridge, United Kingdom

    "What happened when creative biographers took on especially creative subjects (poets, artists and others) in Greek and Roman antiquity? Creative Lives examines how the biographical traditions of ancient poets and artists parallel the creative... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "What happened when creative biographers took on especially creative subjects (poets, artists and others) in Greek and Roman antiquity? Creative Lives examines how the biographical traditions of ancient poets and artists parallel the creative processes of biographers themselves, both within antiquity and beyond. Each chapter explores a range of biographical material that highlights the complexity of how readers and viewers imagine the lives of ancient creator-figures. Work in the last decades has emphasized the likely fictionality of nearly all of the ancient evidence about lives of poets, as well as of other artists and intellectuals; this book now sets out to show what we might nevertheless still do with the rich surviving testimony for 'creative lives'-and the evidence that those traditions still shape how we narrate modern lives, too."-- Part I. Opening remarks -- Orientation: what we mean by 'Creative lives' / Johanna Hanink and Richard Fletcher -- 'Lives' as parameter: the privileging of ancient lives as a category of research c. 1900 / Constanze Güthenke -- Part II. Dead poets societies -- Close encounters with the ancient poets / Barbara Graziosi -- Recognizing Virgil / Andrew Laird -- Part III. Lives in unexpected places -- A poetic possession: Pindar's Lives of the poets / Anna Uhlig -- What's in a life? Some forgotten faces of Euripides / Johanna Hanink -- Lives from stone: Epigraphy and biography in Classical and Hellenistic Greece / Polly Low -- Part IV. Laughing matters and lives of the mind -- On bees, poets and Plato: Ancient biographers' representations of the creative process / Mary Lefkowitz -- The life and philosophy of Aristippus in the Socratic epistles / Kurt Lampe -- Imagination dead imagine: Diogenes Laertius' work of mourning / Richard Fletcher -- Part V. Portraits of the artist -- 'It is Orpheus when there is singing': The mythical fabric of musical lives / Pauline A. Leven -- The artists as anecdote: Creating creators in ancient texts and modern art history / Verity Platt -- Freud and the biography of antiquity / Miriam Leonard -- Envoi / John Henderson

     

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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Fletcher, Richard (HerausgeberIn); Hanink, Johanna (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781107159082
    Weitere Identifier:
    9781107159082
    RVK Klassifikation: NH 5150 ; FB 5175 ; FE 3537
    Schriftenreihe: Cambridge classical studies
    Schlagworte: Classical biography; Biography as a literary form
    Umfang: ix, 373 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Literaturverzeichnis Seite 334-368

    Mit Register

  4. Creative lives in classical antiquity
    poets, artists and biography
    Beteiligt: Fletcher, Richard (Hrsg.); Hanink, Johanna (Hrsg.)
    Erschienen: 2016
    Verlag:  Cambridge University Press, Cambridge, United Kingdom

    "What happened when creative biographers took on especially creative subjects (poets, artists and others) in Greek and Roman antiquity? Creative Lives examines how the biographical traditions of ancient poets and artists parallel the creative... mehr

    Universitätsbibliothek Eichstätt-Ingolstadt
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "What happened when creative biographers took on especially creative subjects (poets, artists and others) in Greek and Roman antiquity? Creative Lives examines how the biographical traditions of ancient poets and artists parallel the creative processes of biographers themselves, both within antiquity and beyond. Each chapter explores a range of biographical material that highlights the complexity of how readers and viewers imagine the lives of ancient creator-figures. Work in the last decades has emphasized the likely fictionality of nearly all of the ancient evidence about lives of poets, as well as of other artists and intellectuals; this book now sets out to show what we might nevertheless still do with the rich surviving testimony for 'creative lives'-and the evidence that those traditions still shape how we narrate modern lives, too."...

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Fletcher, Richard (Hrsg.); Hanink, Johanna (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781107159082
    RVK Klassifikation: FB 5175 ; NH 5150
    Schriftenreihe: Cambridge classical studies
    Schlagworte: Classical biography; Biography as a literary form; Schriftsteller; Biografie; Antike; Künstler
    Umfang: ix, 373 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references

  5. Creative lives in classical antiquity
    poets, artists and biography
    Beteiligt: Fletcher, Richard (Herausgeber, Verfasser); Hanink, Johanna (Herausgeber, Verfasser)
    Erschienen: 2021
    Verlag:  Cambridge University Press, Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore

    Universitäts- und Landesbibliothek Bonn
    2022/1333
    Ausleihe von Bänden möglich, keine Kopien
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Fletcher, Richard (Herausgeber, Verfasser); Hanink, Johanna (Herausgeber, Verfasser)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781316612040; 9781107159082
    Auflage/Ausgabe: First paperback edition
    Schriftenreihe: Cambridge classical studies
    Schlagworte: Classical biography; Biography as a literary form; Antike; Schriftsteller; Biografie; Künstler
    Umfang: ix, 373 Seiten, Illustrationen, 22 cm
  6. Creative lives in classical antiquity
    poets, artists and biography
    Beteiligt: Fletcher, Richard (Hrsg.); Hanink, Johanna (Hrsg.)
    Erschienen: 2016
    Verlag:  Cambridge University Press, Cambridge, United Kingdom

    "What happened when creative biographers took on especially creative subjects (poets, artists and others) in Greek and Roman antiquity? Creative Lives examines how the biographical traditions of ancient poets and artists parallel the creative... mehr

     

    "What happened when creative biographers took on especially creative subjects (poets, artists and others) in Greek and Roman antiquity? Creative Lives examines how the biographical traditions of ancient poets and artists parallel the creative processes of biographers themselves, both within antiquity and beyond. Each chapter explores a range of biographical material that highlights the complexity of how readers and viewers imagine the lives of ancient creator-figures. Work in the last decades has emphasized the likely fictionality of nearly all of the ancient evidence about lives of poets, as well as of other artists and intellectuals; this book now sets out to show what we might nevertheless still do with the rich surviving testimony for 'creative lives'-and the evidence that those traditions still shape how we narrate modern lives, too."...

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Fletcher, Richard (Hrsg.); Hanink, Johanna (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781107159082
    RVK Klassifikation: NH 5150 ; FB 5175
    Schriftenreihe: Cambridge classical studies
    Schlagworte: Classical biography; Biography as a literary form
    Umfang: ix, 373 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references

  7. Lycurgan Athens and the making of classical tragedy
    Autor*in: Hanink, Johanna
    Erschienen: 2014
    Verlag:  Cambridge Univ. Press, Cambridge

    Ruhr-Universität Bochum, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitäts- und Landesbibliothek Bonn
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781107062023
    Schriftenreihe: Cambridge classical studies
    Schlagworte: Greek drama (Tragedy); Tragedy; Literature and society
    Weitere Schlagworte: Lycurgus (approximately 390 B.C.-approximately 324 B.C)
    Umfang: XIII, 280 S.
  8. Lycurgan Athens and the making of classical tragedy
    Autor*in: Hanink, Johanna
    Erschienen: 2014
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    "Through a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth... mehr

     

    "Through a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth century BC, and specifically during the 'Lycurgan Era' (338-322 BC), a number of measures were taken in Athens to affirm to the Greek world that the achievement of tragedy was owed to the unique character of the city. By means of rhetoric, architecture, inscriptions, statues, archives and even legislation, the 'classical' tragedians (Aeschylus, Sophocles and Euripides) and their plays came to be presented as both the products and vital embodiments of an idealised Athenian past. This study marks the first account of Athens' invention of its own theatrical heritage and sheds new light upon the interaction between the city's literary and political history"--

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781107062023
    RVK Klassifikation: NH 6880
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Cambridge classical studies
    Schlagworte: Greek drama (Tragedy) / History and criticism; Tragedy; Literature and society / Greece / Athens; HISTORY / Ancient / General / bisacsh
    Weitere Schlagworte: Lycurgus / approximately 390 B.C.-approximately 324 B.C.
    Umfang: XIII, 280 S., Ill., 23 cm
    Bemerkung(en):

    Literaturverz. S. 250 - 272

    Introduction: through the Lycurgan looking glass; Part I. Classical Tragedy and the Lycurgan Programme: 1. Civic poetry in Lycurgus' Against Leocrates; 2. Scripts and statues, or a law of Lycurgus' own; 3. Site of change, site of memory: the 'Lycurgan' Theatre of Dionysus; Part II. Reading the Theatrical Heritage: 4. Courtroom drama: Aeschines and Demosthenes; 5. Classical tragedy and its comic lovers; 6. Aristotle and the theatre of Athens; Epilogue: classical tragedy in the age of Macedon

  9. Creative lives in classical antiquity
    poets, artists and biography
    Beteiligt: Fletcher, Richard (Hrsg.); Hanink, Johanna (Hrsg.)
    Erschienen: 2016
    Verlag:  Cambridge University Press, Cambridge, United Kingdom

    "What happened when creative biographers took on especially creative subjects (poets, artists and others) in Greek and Roman antiquity? Creative Lives examines how the biographical traditions of ancient poets and artists parallel the creative... mehr

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "What happened when creative biographers took on especially creative subjects (poets, artists and others) in Greek and Roman antiquity? Creative Lives examines how the biographical traditions of ancient poets and artists parallel the creative processes of biographers themselves, both within antiquity and beyond. Each chapter explores a range of biographical material that highlights the complexity of how readers and viewers imagine the lives of ancient creator-figures. Work in the last decades has emphasized the likely fictionality of nearly all of the ancient evidence about lives of poets, as well as of other artists and intellectuals; this book now sets out to show what we might nevertheless still do with the rich surviving testimony for 'creative lives'-and the evidence that those traditions still shape how we narrate modern lives, too."...

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Fletcher, Richard (Hrsg.); Hanink, Johanna (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781107159082
    Übergeordneter Titel:
    RVK Klassifikation: FB 5175 ; NH 5150
    Schriftenreihe: Cambridge classical studies
    Schlagworte: Classical biography; Biography as a literary form; Schriftsteller; Biografie; Antike; Künstler
    Umfang: ix, 373 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references

  10. Lycurgan Athens and the making of classical tragedy
    Autor*in: Hanink, Johanna
    Erschienen: 2014
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    "Through a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth... mehr

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Through a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth century BC, and specifically during the 'Lycurgan Era' (338-322 BC), a number of measures were taken in Athens to affirm to the Greek world that the achievement of tragedy was owed to the unique character of the city. By means of rhetoric, architecture, inscriptions, statues, archives and even legislation, the 'classical' tragedians (Aeschylus, Sophocles and Euripides) and their plays came to be presented as both the products and vital embodiments of an idealised Athenian past. This study marks the first account of Athens' invention of its own theatrical heritage and sheds new light upon the interaction between the city's literary and political history"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781107062023
    RVK Klassifikation: NH 6880
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Cambridge classical studies
    Schlagworte: Geschichte; Greek drama (Tragedy) / History and criticism; HISTORY / Ancient / General; Literature and society / Greece / Athens; Tragedy; Drama; Griechisch; Rezeption
    Weitere Schlagworte: Lycurgus / approximately 390 B.C.-approximately 324 B.C.
    Umfang: XIII, 280 S., 23 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Machine generated contents note: Introduction: through the Lycurgan looking glass; Part I. Classical Tragedy and the Lycurgan Programme: 1. Civic poetry in Lycurgus' Against Leocrates; 2. Scripts and statues, or a law of Lycurgus' own; 3. Site of change, site of memory: the 'Lycurgan' Theatre of Dionysus; Part II. Reading the Theatrical Heritage: 4. Courtroom drama: Aeschines and Demosthenes; 5. Classical tragedy and its comic lovers; 6. Aristotle and the theatre of Athens; Epilogue: classical tragedy in the age of Macedon

  11. Creative lives in classical antiquity
    poets, artists and biography
    Beteiligt: Fletcher, Richard (Herausgeber); Hanink, Johanna (Herausgeber)
    Erschienen: 2016
    Verlag:  Cambridge University Press, Cambridge

    What happened when creative biographers took on especially creative subjects (poets, artists and others) in Greek and Roman antiquity? Creative Lives in Classical Antiquity examines how the biographical traditions of ancient poets and artists... mehr

    Universität Frankfurt, Elektronische Ressourcen
    /
    keine Fernleihe
    Universitätsbibliothek Gießen
    keine Fernleihe

     

    What happened when creative biographers took on especially creative subjects (poets, artists and others) in Greek and Roman antiquity? Creative Lives in Classical Antiquity examines how the biographical traditions of ancient poets and artists parallel the creative processes of biographers themselves, both within antiquity and beyond. Each chapter explores a range of biographical material that highlights the complexity of how readers and viewers imagine the lives of ancient creator-figures. Work in the last decades has emphasized the likely fictionality of nearly all of the ancient evidence about the lives of poets, as well as of other artists and intellectuals; this book now sets out to show what we might nevertheless still do with the rich surviving testimony for 'creative lives' - and the evidence that those traditions still shape how we narrate modern lives too.

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Fletcher, Richard (Herausgeber); Hanink, Johanna (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781316670651
    RVK Klassifikation: FB 5175 ; NH 5150 ; NH 5250 ; FB 6101
    Schriftenreihe: Cambridge classical studies
    Schlagworte: Antike; Schriftsteller; Künstler; Biografie
    Umfang: 1 Online-Ressource (viii, 373 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 15 Dec 2016)

  12. Lycurgan Athens and the making of classical tragedy
    Autor*in: Hanink, Johanna
    Erschienen: 2014
    Verlag:  Cambridge University Press, Cambridge

    Through a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth... mehr

    Universität Frankfurt, Elektronische Ressourcen
    /
    keine Fernleihe
    Universitätsbibliothek Gießen
    keine Fernleihe
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    keine Fernleihe

     

    Through a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth century BC, and specifically during the 'Lycurgan Era' (338–322 BC), a number of measures were taken in Athens to affirm to the Greek world that the achievement of tragedy was owed to the unique character of the city. By means of rhetoric, architecture, inscriptions, statues, archives and even legislation, the 'classical' tragedians (Aeschylus, Sophocles and Euripides) and their plays came to be presented as both the products and vital embodiments of an idealised Athenian past. This study marks the first account of Athens' invention of its own theatrical heritage and sheds new light upon the interaction between the city's literary and political history.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781107449589
    RVK Klassifikation: FE 4351
    Schriftenreihe: [Cambridge classical studies]
    Schlagworte: Griechisch; Drama; Rezeption
    Umfang: 1 Online-Ressource (xiii, 280 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  13. Creative lives in classical antiquity
    poets, artists and biography
    Beteiligt: Fletcher, Richard (HerausgeberIn); Hanink, Johanna (HerausgeberIn)
    Erschienen: 2016
    Verlag:  Cambridge University Press, Cambridge

    What happened when creative biographers took on especially creative subjects (poets, artists and others) in Greek and Roman antiquity? Creative Lives in Classical Antiquity examines how the biographical traditions of ancient poets and artists... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    What happened when creative biographers took on especially creative subjects (poets, artists and others) in Greek and Roman antiquity? Creative Lives in Classical Antiquity examines how the biographical traditions of ancient poets and artists parallel the creative processes of biographers themselves, both within antiquity and beyond. Each chapter explores a range of biographical material that highlights the complexity of how readers and viewers imagine the lives of ancient creator-figures. Work in the last decades has emphasized the likely fictionality of nearly all of the ancient evidence about the lives of poets, as well as of other artists and intellectuals; this book now sets out to show what we might nevertheless still do with the rich surviving testimony for 'creative lives' - and the evidence that those traditions still shape how we narrate modern lives too. Part I. Opening remarks -- Orientation: what we mean by 'Creative lives' / Johanna Hanink and Richard Fletcher -- 'Lives' as parameter: the privileging of ancient lives as a category of research c. 1900 / Constanze Güthenke -- Part II. Dead poets societies -- Close encounters with the ancient poets / Barbara Graziosi -- Recognizing Virgil / Andrew Laird -- Part III. Lives in unexpected places -- A poetic possession: Pindar's Lives of the poets / Anna Uhlig -- What's in a life? Some forgotten faces of Euripides / Johanna Hanink -- Lives from stone: Epigraphy and biography in Classical and Hellenistic Greece / Polly Low -- Part IV. Laughing matters and lives of the mind -- On bees, poets and Plato: Ancient biographers' representations of the creative process / Mary Lefkowitz -- The life and philosophy of Aristippus in the Socratic epistles / Kurt Lampe -- Imagination dead imagine: Diogenes Laertius' work of mourning / Richard Fletcher -- Part V. Portraits of the artist -- 'It is Orpheus when there is singing': The mythical fabric of musical lives / Pauline A. Leven -- The artists as anecdote: Creating creators in ancient texts and modern art history / Verity Platt -- Freud and the biography of antiquity / Miriam Leonard -- Envoi / John Henderson

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Fletcher, Richard (HerausgeberIn); Hanink, Johanna (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781107159082; 9781316612040; 9781316670651
    Weitere Identifier:
    RVK Klassifikation: NH 5150 ; FE 3537 ; FB 5175
    Schriftenreihe: Cambridge classical studies
    Schlagworte: Biography as a literary form; Classical biography; Classical biography ; History and criticism; Biography as a literary form
    Umfang: 1 online resource (viii, 373 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 15 Dec 2016)

  14. Lycurgan Athens and the making of classical tragedy
    Autor*in: Hanink, Johanna
    Erschienen: 2014
    Verlag:  Cambridge Univ. Press, Cambridge

    Universitätsbibliothek Gießen
    000 FE 4351 H239
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Marburg, Universitätsbibliothek
    001 NZG R 52124
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1107062020; 9781107062023
    RVK Klassifikation: FE 4351
    Schriftenreihe: Cambridge Classical Studies
    Schlagworte: Griechisch; Drama; Rezeption
    Umfang: XIII, 280 S.
    Bemerkung(en):

    Literaturverz. S. 250 - 272

  15. Creative lives in classical antiquity
    poets, artists and biography
    Beteiligt: Fletcher, Richard (Verfasser, Herausgeber); Hanink, Johanna (Verfasser, Herausgeber)
    Erschienen: 2021
    Verlag:  Cambridge University Press, Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore

    Universitäts- und Landesbibliothek Bonn
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Fletcher, Richard (Verfasser, Herausgeber); Hanink, Johanna (Verfasser, Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781316612040; 9781107159082
    Auflage/Ausgabe: First paperback edition
    Schriftenreihe: Cambridge classical studies
    Schlagworte: Classical biography; Biography as a literary form
    Umfang: ix, 373 Seiten, Illustrationen, 22 cm
  16. Creative lives in classical antiquity
    poets, artists and biography
    Beteiligt: Fletcher, Richard (Verfasser, Herausgeber); Hanink, Johanna (Verfasser, Herausgeber)
    Erschienen: 2016
    Verlag:  Cambridge University Press, Cambridge

    Ruhr-Universität Bochum, Universitätsbibliothek
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    ISBN: 9781107159082
    Schriftenreihe: Cambridge classical studies
    Schlagworte: Classical biography; Biography as a literary form
    Umfang: ix, 373 Seiten, Illustrationen, 22 cm
  17. Creative lives in classical antiquity
    poets, artists and biography
    Beteiligt: Fletcher, Richard (HerausgeberIn); Hanink, Johanna (HerausgeberIn)
    Erschienen: 2016
    Verlag:  Cambridge University Press, Cambridge, United Kingdom

    "What happened when creative biographers took on especially creative subjects (poets, artists and others) in Greek and Roman antiquity? Creative Lives examines how the biographical traditions of ancient poets and artists parallel the creative... mehr

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    "What happened when creative biographers took on especially creative subjects (poets, artists and others) in Greek and Roman antiquity? Creative Lives examines how the biographical traditions of ancient poets and artists parallel the creative processes of biographers themselves, both within antiquity and beyond. Each chapter explores a range of biographical material that highlights the complexity of how readers and viewers imagine the lives of ancient creator-figures. Work in the last decades has emphasized the likely fictionality of nearly all of the ancient evidence about lives of poets, as well as of other artists and intellectuals; this book now sets out to show what we might nevertheless still do with the rich surviving testimony for 'creative lives'-and the evidence that those traditions still shape how we narrate modern lives, too."-- Part I. Opening remarks -- Orientation: what we mean by 'Creative lives' / Johanna Hanink and Richard Fletcher -- 'Lives' as parameter: the privileging of ancient lives as a category of research c. 1900 / Constanze Güthenke -- Part II. Dead poets societies -- Close encounters with the ancient poets / Barbara Graziosi -- Recognizing Virgil / Andrew Laird -- Part III. Lives in unexpected places -- A poetic possession: Pindar's Lives of the poets / Anna Uhlig -- What's in a life? Some forgotten faces of Euripides / Johanna Hanink -- Lives from stone: Epigraphy and biography in Classical and Hellenistic Greece / Polly Low -- Part IV. Laughing matters and lives of the mind -- On bees, poets and Plato: Ancient biographers' representations of the creative process / Mary Lefkowitz -- The life and philosophy of Aristippus in the Socratic epistles / Kurt Lampe -- Imagination dead imagine: Diogenes Laertius' work of mourning / Richard Fletcher -- Part V. Portraits of the artist -- 'It is Orpheus when there is singing': The mythical fabric of musical lives / Pauline A. Leven -- The artists as anecdote: Creating creators in ancient texts and modern art history / Verity Platt -- Freud and the biography of antiquity / Miriam Leonard -- Envoi / John Henderson

     

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    Beteiligt: Fletcher, Richard (HerausgeberIn); Hanink, Johanna (HerausgeberIn)
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    ISBN: 9781107159082
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    9781107159082
    RVK Klassifikation: NH 5150 ; FB 5175 ; FE 3537
    Schriftenreihe: Cambridge classical studies
    Schlagworte: Classical biography; Biography as a literary form
    Umfang: ix, 373 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Literaturverzeichnis Seite 334-368

    Mit Register

  18. Lycurgan Athens and the making of classical tragedy
    Autor*in: Hanink, Johanna
    Erschienen: 2014
    Verlag:  Cambridge Univ. Press, Cambridge

    "Through a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth... mehr

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    "Through a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth century BC, and specifically during the 'Lycurgan Era' (338-322 BC), a number of measures were taken in Athens to affirm to the Greek world that the achievement of tragedy was owed to the unique character of the city. By means of rhetoric, architecture, inscriptions, statues, archives and even legislation, the 'classical' tragedians (Aeschylus, Sophocles and Euripides) and their plays came to be presented as both the products and vital embodiments of an idealised Athenian past. This study marks the first account of Athens' invention of its own theatrical heritage and sheds new light upon the interaction between the city's literary and political history"-- Epilogue: Classical tragedy in the Age of MacedonBibliography; Index The first account of how Athens invented the notion of 'classical' tragedy during the later fourth century BC

     

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    Quelle: Staatsbibliothek zu Berlin
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    ISBN: 9781107062023; 9781107697508
    RVK Klassifikation: NH 6880
    Schriftenreihe: Cambridge classical studies
    Schlagworte: Greek drama (Tragedy); Tragedy; Literature and society; Athens (Greece) -- History; Greece -- Civilization -- To 146 B.C; Greek drama (Tragedy) -- History and criticism; Literature and society -- Greece -- Athens; Lycurgus, approximately 390 B.C.-approximately 324 B.C; Tragedy
    Weitere Schlagworte: Lycurgus (approximately 390 B.C.-approximately 324 B.C)
    Umfang: XIII, 280 S., Ill.
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    Literaturverz. S. 250 - 272

    Machine generated contents note: Introduction: through the Lycurgan looking glass; Part I. Classical Tragedy and the Lycurgan Programme: 1. Civic poetry in Lycurgus' Against Leocrates; 2. Scripts and statues, or a law of Lycurgus' own; 3. Site of change, site of memory: the 'Lycurgan' Theatre of Dionysus; Part II. Reading the Theatrical Heritage: 4. Courtroom drama: Aeschines and Demosthenes; 5. Classical tragedy and its comic lovers; 6. Aristotle and the theatre of Athens; Epilogue: classical tragedy in the age of Macedon.

  19. Creative lives in classical antiquity
    poets, artists and biography
    Beteiligt: Fletcher, Richard (HerausgeberIn); Hanink, Johanna (HerausgeberIn)
    Erschienen: 2016
    Verlag:  Cambridge University Press, Cambridge

    What happened when creative biographers took on especially creative subjects (poets, artists and others) in Greek and Roman antiquity? Creative Lives in Classical Antiquity examines how the biographical traditions of ancient poets and artists... mehr

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    What happened when creative biographers took on especially creative subjects (poets, artists and others) in Greek and Roman antiquity? Creative Lives in Classical Antiquity examines how the biographical traditions of ancient poets and artists parallel the creative processes of biographers themselves, both within antiquity and beyond. Each chapter explores a range of biographical material that highlights the complexity of how readers and viewers imagine the lives of ancient creator-figures. Work in the last decades has emphasized the likely fictionality of nearly all of the ancient evidence about the lives of poets, as well as of other artists and intellectuals; this book now sets out to show what we might nevertheless still do with the rich surviving testimony for 'creative lives' - and the evidence that those traditions still shape how we narrate modern lives too. Part I. Opening remarks -- Orientation: what we mean by 'Creative lives' / Johanna Hanink and Richard Fletcher -- 'Lives' as parameter: the privileging of ancient lives as a category of research c. 1900 / Constanze Güthenke -- Part II. Dead poets societies -- Close encounters with the ancient poets / Barbara Graziosi -- Recognizing Virgil / Andrew Laird -- Part III. Lives in unexpected places -- A poetic possession: Pindar's Lives of the poets / Anna Uhlig -- What's in a life? Some forgotten faces of Euripides / Johanna Hanink -- Lives from stone: Epigraphy and biography in Classical and Hellenistic Greece / Polly Low -- Part IV. Laughing matters and lives of the mind -- On bees, poets and Plato: Ancient biographers' representations of the creative process / Mary Lefkowitz -- The life and philosophy of Aristippus in the Socratic epistles / Kurt Lampe -- Imagination dead imagine: Diogenes Laertius' work of mourning / Richard Fletcher -- Part V. Portraits of the artist -- 'It is Orpheus when there is singing': The mythical fabric of musical lives / Pauline A. Leven -- The artists as anecdote: Creating creators in ancient texts and modern art history / Verity Platt -- Freud and the biography of antiquity / Miriam Leonard -- Envoi / John Henderson

     

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    Beteiligt: Fletcher, Richard (HerausgeberIn); Hanink, Johanna (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781107159082; 9781316612040; 9781316670651
    Weitere Identifier:
    RVK Klassifikation: NH 5150 ; FE 3537 ; FB 5175
    Schriftenreihe: Cambridge classical studies
    Schlagworte: Biography as a literary form; Classical biography; Classical biography ; History and criticism; Biography as a literary form
    Umfang: 1 online resource (viii, 373 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 15 Dec 2016)

  20. Lycurgan Athens and the making of classical tragedy
    Autor*in: Hanink, Johanna
    Erschienen: 2014
    Verlag:  Cambridge University Press, Cambridge

    "Through a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth... mehr

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    "Through a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth century BC, and specifically during the 'Lycurgan Era' (338-322 BC), a number of measures were taken in Athens to affirm to the Greek world that the achievement of tragedy was owed to the unique character of the city. By means of rhetoric, architecture, inscriptions, statues, archives and even legislation, the 'classical' tragedians (Aeschylus, Sophocles and Euripides) and their plays came to be presented as both the products and vital embodiments of an idealised Athenian past. This study marks the first account of Athens' invention of its own theatrical heritage and sheds new light upon the interaction between the city's literary and political history"-- Introduction: through the Lycurgan looking glass -- Part I. Classical tragedy and the Lycurgan programme. 1. Civic poetry in Lycurgus' Against Leocrates ; 2. Scripts and statues, or a law of Lycurgus' own ; 3. Site of change, site of memory: the 'Lycurgan' Theatre of Dionysus -- Part II. Reading the theatrical heritage. 4. Courtroom drama: Aeschines and Demosthenes ; 5. Classical tragedy and its comic lovers ; 6. Aristotle and the theatre of Athens -- Epilogue: classical tragedy in the age of Macedon.

     

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    ISBN: 1316004724; 131600922X; 1107449588; 9781316009222; 9781107449589; 9781316004722
    Schriftenreihe: [Cambridge classical studies]
    Schlagworte: Greek drama (Tragedy); Tragedy; Literature and society; Literature and society; Tragedy; Drama; Griechisch; Rezeption; Greek drama (Tragedy); HISTORY ; Ancient ; General; DRAMA ; Ancient, Classical & Medieval; Civilization; Criticism, interpretation, etc; History
    Weitere Schlagworte: Lycurgus (approximately 390 B.C.-approximately 324 B.C); Lycurgus
    Umfang: 1 Online-Ressource (xiii, 280 pages)
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    Includes bibliographical references and index

  21. Lycurgan Athens and the making of classical tragedy
    Autor*in: Hanink, Johanna
    Erschienen: 2014
    Verlag:  Cambridge University Press, Cambridge

    Through a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth... mehr

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    Through a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth century BC, and specifically during the 'Lycurgan Era' (338–322 BC), a number of measures were taken in Athens to affirm to the Greek world that the achievement of tragedy was owed to the unique character of the city. By means of rhetoric, architecture, inscriptions, statues, archives and even legislation, the 'classical' tragedians (Aeschylus, Sophocles and Euripides) and their plays came to be presented as both the products and vital embodiments of an idealised Athenian past. This study marks the first account of Athens' invention of its own theatrical heritage and sheds new light upon the interaction between the city's literary and political history

     

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    RVK Klassifikation: NH 6880
    Schriftenreihe: [Cambridge classical studies]
    Schlagworte: Geschichte; Greek drama (Tragedy) / History and criticism; Tragedy; Literature and society / Greece / Athens; Griechisch; Drama; Rezeption
    Weitere Schlagworte: Lycurgus / approximately 390 B.C.-approximately 324 B.C.
    Umfang: 1 online resource (xiii, 280 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction: through the Lycurgan looking glass -- 1. Civic poetry in Lycurgus' Against Leocrates -- 2. Scripts and statues, or a law of Lycurgus' own -- Site of change, site of memory: the 'Lycurgan' Theatre of Dionysus -- 4. Courtroom drama: Aeschines and Demosthenes -- 5. Classical tragedy and its comic lovers -- 6. Aristotle and the theatre of Athens -- Epilogue: classical tragedy in the age of Macedon

  22. Lycurgan Athens and the making of classical tragedy
    Autor*in: Hanink, Johanna
    Erschienen: 2014
    Verlag:  Cambridge University Press, Cambridge

    Through a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Through a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth century BC, and specifically during the 'Lycurgan Era' (338–322 BC), a number of measures were taken in Athens to affirm to the Greek world that the achievement of tragedy was owed to the unique character of the city. By means of rhetoric, architecture, inscriptions, statues, archives and even legislation, the 'classical' tragedians (Aeschylus, Sophocles and Euripides) and their plays came to be presented as both the products and vital embodiments of an idealised Athenian past. This study marks the first account of Athens' invention of its own theatrical heritage and sheds new light upon the interaction between the city's literary and political history Introduction: through the Lycurgan looking glass -- 1. Civic poetry in Lycurgus' Against Leocrates -- 2. Scripts and statues, or a law of Lycurgus' own -- Site of change, site of memory: the 'Lycurgan' Theatre of Dionysus -- 4. Courtroom drama: Aeschines and Demosthenes -- 5. Classical tragedy and its comic lovers -- 6. Aristotle and the theatre of Athens -- Epilogue: classical tragedy in the age of Macedon

     

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    Schriftenreihe: [Cambridge classical studies]
    Schlagworte: Tragedy; Literature and society; Greek drama (Tragedy); Lycurgus ; approximately 390 B.C.-approximately 324 B.C; Greek drama (Tragedy) ; History and criticism; Tragedy; Literature and society ; Greece ; Athens; Athens (Greece) ; History; Greece ; Civilization ; To 146 B.C
    Weitere Schlagworte: Lycurgus (approximately 390 B.C.-approximately 324 B.C)
    Umfang: 1 Online-Ressource (xiii, 280 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  23. Lycurgan Athens and the Making of Classical Tragedy
    Autor*in: Hanink, Johanna
    Erschienen: 2014
    Verlag:  Cambridge University Press, Cambridge

    The first account of how Athens invented the notion of 'classical' tragedy during the later fourth century BC mehr

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    The first account of how Athens invented the notion of 'classical' tragedy during the later fourth century BC

     

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    ISBN: 9781107062023
    Schriftenreihe: Cambridge Classical Studies
    Umfang: Online-Ressource (296 p)
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    Description based upon print version of record

    Cover; Half title; Title; Copyright; Contents; List of illustrations; Acknowledgements; Short titles and abbreviations; Reference chronology; Introduction: Through the Lycurgan looking glass; Part I Classical Tragedy and the Lycurgan Programme; 1 Civic Poetry in Lycurgus' Against Leocrates; 2 Scripts and statues, or a law of Lycurgus' own; 3 Site of change, site of memory: The 'Lycurgan' Theatre of Dionysus; Part II Reading the Theatrical Heritage; 4 Courtroom Drama: Aeschines and Demosthenes; 5 Classical tragedy and its comic lovers; 6 Aristotle and the Theatre of Athens

    Epilogue: Classical tragedy in the Age of MacedonBibliography; Index

  24. Lycurgan Athens and the making of classical tragedy
    Autor*in: Hanink, Johanna
    Erschienen: 2014
    Verlag:  Cambridge University Press, Cambridge

    Through a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth... mehr

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    Through a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth century BC, and specifically during the 'Lycurgan Era' (338–322 BC), a number of measures were taken in Athens to affirm to the Greek world that the achievement of tragedy was owed to the unique character of the city. By means of rhetoric, architecture, inscriptions, statues, archives and even legislation, the 'classical' tragedians (Aeschylus, Sophocles and Euripides) and their plays came to be presented as both the products and vital embodiments of an idealised Athenian past. This study marks the first account of Athens' invention of its own theatrical heritage and sheds new light upon the interaction between the city's literary and political history Introduction: through the Lycurgan looking glass -- 1. Civic poetry in Lycurgus' Against Leocrates -- 2. Scripts and statues, or a law of Lycurgus' own -- Site of change, site of memory: the 'Lycurgan' Theatre of Dionysus -- 4. Courtroom drama: Aeschines and Demosthenes -- 5. Classical tragedy and its comic lovers -- 6. Aristotle and the theatre of Athens -- Epilogue: classical tragedy in the age of Macedon

     

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    RVK Klassifikation: NH 6880
    Schriftenreihe: [Cambridge classical studies]
    Schlagworte: Tragedy; Literature and society; Greek drama (Tragedy); Lycurgus ; approximately 390 B.C.-approximately 324 B.C; Greek drama (Tragedy) ; History and criticism; Tragedy; Literature and society ; Greece ; Athens; Athens (Greece) ; History; Greece ; Civilization ; To 146 B.C
    Weitere Schlagworte: Lycurgus (approximately 390 B.C.-approximately 324 B.C)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)