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  1. Sparring with Gil Kane
    debating the history and aesthetics of comics
    Beteiligt: Kane, Gil (InterviewerIn, KünstlerIn); Groth, Gary (HerausgeberIn, VerfasserIn einer Einleitung); Chaykin, Howard (VerfasserIn eines Vorworts); Kane, Gil
    Erschienen: Januar 2018
    Verlag:  Fantagraphics Books, Seattle, WA

    "In 12 conversations with his professional peers between 1969 and 1988, Gil Kane appreciates comic strips of the past criticizes comic books of the present, and envisions a future of graphic novels. ... In a series of remarkably candid and insightful... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In 12 conversations with his professional peers between 1969 and 1988, Gil Kane appreciates comic strips of the past criticizes comic books of the present, and envisions a future of graphic novels. ... In a series of remarkably candid and insightful discussions with other comics artists and writers over the years, Kane examines the fundamentals of the form itself, praises the virtues of individual creators, and challenges the industrial standards imposed on artists that he felt held them back from telling innovative stories." -- Gil Kane drew every major comic book character in his 50-year career -- from Spider-Man and the Hulk to Superman and Batman -- and conceived and drew independent "graphic novels" long before the term had any meaning to the larger public. He was also a fascinating raconteur and a formidable analyst, critic, and theorist of comics, a medium he loved. Included in this collection are interviews Kane conducted with a wide array of cartoonists: newspaper strip artists such as Hal Foster (Prince Valiant) and Walt Kelly (Pogo); fellow comic book creators such as Harvey Kurtzman; underground cartoonists Robert Crumb and Jack Jackson; and the literary critic Donald Phelps

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Kane, Gil (InterviewerIn, KünstlerIn); Groth, Gary (HerausgeberIn, VerfasserIn einer Einleitung); Chaykin, Howard (VerfasserIn eines Vorworts); Kane, Gil
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1683960718; 9781683960713
    Auflage/Ausgabe: First Fantagraphics Books edition
    Schlagworte: Cartoonists; Comic books, strips, etc; Graphic novels
    Weitere Schlagworte: Kane, Gil
    Umfang: 307 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    by Howard Chaykin: Preface

    by Gary Groth: Introduction

    by Gil Kane: Eyes fixed on comics

    with Denny O'Neil: What was right and wrong (mostly wrong) about comics?

    with Jack Jackson: Comics: all style, no content

    with Howard Chaykin: The virtues and limitations of craft

    by Gil Kane: Poetry of motion

    with Robert Crumb: Opposites attract

    with Bill Everett: The beginning of comics books and the genesis of the sub-mariner

    with Hal Foster: The majesty of Prince Valiant

    with Noel Sickles: Tradition and experimentation

    with Walt Kelly: The importance of being irreverent

    with Harvey Kurtzman: The comics school of Hard Knocks

    with Gary Groth, Howard Chaykin, and Walt Simonson: Is personal expression and commercial comics at odds?

    with Jean-Claude Mézières: The French vs. the American comics scenes

    with Don Phelps: The aesthetic varieties and immersive worlds of comic strips

    with Stan Lee, Will Eisner, et al: The state of comics industry, 1971

    by Gil Kane.: Skipping the ideal for the real
  2. Am liebsten mag ich Monster
    Autor*in: Ferris, Emil
    Erschienen: [2018]
    Verlag:  Panini Comics, Stuttgart

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    Quelle: Verbundkataloge
    Beteiligt: Hempelt, Torsten; Ravazzani, Alessio (Hrsg.); Groth, Gary (Hrsg.)
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783741608087; 3741608084
    Weitere Identifier:
    9783741608087
    RVK Klassifikation: EC 7120
    DDC Klassifikation: 741.5
    Auflage/Ausgabe: Originalausgabe
    Weitere Schlagworte: Graphic Novel; Comic; Ende der Sechziger; Chicago; Mystery; Familiendrama
    Umfang: circa 420 Seiten, 28 cm
  3. <<The>> Rough Pearl
    Beteiligt: Mutch, Kevin; Allan-Spencer, Justin (Hrsg.); Groth, Gary (Hrsg.)
    Erschienen: [2020]
    Verlag:  Fantagraphics Books Inc., Seattle

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    Quelle: Verbundkataloge
    Beteiligt: Mutch, Kevin; Allan-Spencer, Justin (Hrsg.); Groth, Gary (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781683962847
    RVK Klassifikation: EC 7120
    Umfang: 169 Seiten, 26 cm
    Bemerkung(en):

    "The cover of this book includes glow-in-the-dark ink. To fully enjoy the effect, expose the cover to light prior to entering a dark space."
  4. Sparring with Gil Kane
    debating the history and aesthetics of comics
    Beteiligt: Kane, Gil (InterviewerIn, KünstlerIn); Groth, Gary (HerausgeberIn, VerfasserIn einer Einleitung); Chaykin, Howard (VerfasserIn eines Vorworts); Kane, Gil
    Erschienen: Januar 2018
    Verlag:  Fantagraphics Books, Seattle, WA

    "In 12 conversations with his professional peers between 1969 and 1988, Gil Kane appreciates comic strips of the past criticizes comic books of the present, and envisions a future of graphic novels. ... In a series of remarkably candid and insightful... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 38986
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    HH 11A/Kan/Gr 1
    Fernleihe:
    keine Fernleihe

     

    "In 12 conversations with his professional peers between 1969 and 1988, Gil Kane appreciates comic strips of the past criticizes comic books of the present, and envisions a future of graphic novels. ... In a series of remarkably candid and insightful discussions with other comics artists and writers over the years, Kane examines the fundamentals of the form itself, praises the virtues of individual creators, and challenges the industrial standards imposed on artists that he felt held them back from telling innovative stories." -- Gil Kane drew every major comic book character in his 50-year career -- from Spider-Man and the Hulk to Superman and Batman -- and conceived and drew independent "graphic novels" long before the term had any meaning to the larger public. He was also a fascinating raconteur and a formidable analyst, critic, and theorist of comics, a medium he loved. Included in this collection are interviews Kane conducted with a wide array of cartoonists: newspaper strip artists such as Hal Foster (Prince Valiant) and Walt Kelly (Pogo); fellow comic book creators such as Harvey Kurtzman; underground cartoonists Robert Crumb and Jack Jackson; and the literary critic Donald Phelps

     
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      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Kane, Gil (InterviewerIn, KünstlerIn); Groth, Gary (HerausgeberIn, VerfasserIn einer Einleitung); Chaykin, Howard (VerfasserIn eines Vorworts); Kane, Gil
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1683960718; 9781683960713
    Auflage/Ausgabe: First Fantagraphics Books edition
    Schlagworte: Cartoonists; Comic books, strips, etc; Graphic novels
    Weitere Schlagworte: Kane, Gil
    Umfang: 307 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    by Howard Chaykin: Preface

    by Gary Groth: Introduction

    by Gil Kane: Eyes fixed on comics

    with Denny O'Neil: What was right and wrong (mostly wrong) about comics?

    with Jack Jackson: Comics: all style, no content

    with Howard Chaykin: The virtues and limitations of craft

    by Gil Kane: Poetry of motion

    with Robert Crumb: Opposites attract

    with Bill Everett: The beginning of comics books and the genesis of the sub-mariner

    with Hal Foster: The majesty of Prince Valiant

    with Noel Sickles: Tradition and experimentation

    with Walt Kelly: The importance of being irreverent

    with Harvey Kurtzman: The comics school of Hard Knocks

    with Gary Groth, Howard Chaykin, and Walt Simonson: Is personal expression and commercial comics at odds?

    with Jean-Claude Mézières: The French vs. the American comics scenes

    with Don Phelps: The aesthetic varieties and immersive worlds of comic strips

    with Stan Lee, Will Eisner, et al: The state of comics industry, 1971

    by Gil Kane.: Skipping the ideal for the real
  5. Rebel visions
    the underground comix revolution, 1963-1975
    Autor*in: Rosenkranz, Patrick
    Erschienen: 2002
    Verlag:  Fantagraphics Books, Seattle (Washington)

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    Q-2 6/35
    Fernleihe:
    keine Fernleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    HH 7T/Und/Ro 1
    Fernleihe:
    keine Fernleihe

    Standort:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Signatur:
    NC/200/1422
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    UB Weimar
    Signatur:
    4ʿ-216 461
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Groth, Gary (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1560974648
    RVK Klassifikation: LO 96700 ; LB 42610 ; LC 84610
    Auflage/Ausgabe: 1. edition
    Schlagworte: Underground comic books, strips, etc.; Underground comic books, strips, etc.
    Umfang: 292 Seiten, Illustrationen (farbig)