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  1. Melville's democracy
    radical figuration and political form
    Erschienen: 2023
    Verlag:  Stanford University Press, Stanford, California

    Verdure, imperial history, and state-of-nature theory -- Verdigris and radical democracy -- Round robins and founding violence -- Circles and sovereignty -- Gravity, slavery, and political prophecy -- Unplanted to the last. "For Herman Melville, the... mehr

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    Verdure, imperial history, and state-of-nature theory -- Verdigris and radical democracy -- Round robins and founding violence -- Circles and sovereignty -- Gravity, slavery, and political prophecy -- Unplanted to the last. "For Herman Melville, the instability of democracy held tremendous creative potential. Examining the centrality of political thought to Melville's oeuvre, Jennifer Greiman argues that Melville's densely figurative aesthetics give form to a radical reimagining of democratic foundations, relations, and ways of being--modeling how we can think democracy in political theory today. Across Melville's five decades of writing, from his early Pacific novels to his late poetry, Greiman identifies a literary formalism that is radically political and carries the project of democratic theory in new directions. Recovering Melville's readings in political philosophy and aesthetics, Greiman shows how he engaged with key problems in political theory--the paradox of foundations, the vicious circles of sovereign power, the fragility of the people--to produce a body of radical democratic art and thought. Scenes of green and growing life, circular structures, and images of a groundless world emerge as forms for understanding democracy as a collective project in flux. In Melville's experimental aesthetics, Greiman finds a significant precursor to the tradition of radical democratic theory in the US and France that emphasizes transience and creativity over the foundations and forms prized by liberalism. Such politics, she argues, are necessarily aesthetic: attuned to material and sensible distinctions, open to new forces of creativity"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781503634329
    Schlagworte: Politics and literature; Democracy in literature; Literary criticism
    Weitere Schlagworte: Melville, Herman (1819-1891)
    Umfang: 1 Online-Ressource (xvi, 334 pages)
    Bemerkung(en):

    Includes bibliographical references and index

  2. Melville's democracy
    radical figuration and political form
    Erschienen: 2023
    Verlag:  Stanford University Press, Stanford, California

    Verdure, imperial history, and state-of-nature theory -- Verdigris and radical democracy -- Round robins and founding violence -- Circles and sovereignty -- Gravity, slavery, and political prophecy -- Unplanted to the last. "For Herman Melville, the... mehr

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    Verdure, imperial history, and state-of-nature theory -- Verdigris and radical democracy -- Round robins and founding violence -- Circles and sovereignty -- Gravity, slavery, and political prophecy -- Unplanted to the last. "For Herman Melville, the instability of democracy held tremendous creative potential. Examining the centrality of political thought to Melville's oeuvre, Jennifer Greiman argues that Melville's densely figurative aesthetics give form to a radical reimagining of democratic foundations, relations, and ways of being--modeling how we can think democracy in political theory today. Across Melville's five decades of writing, from his early Pacific novels to his late poetry, Greiman identifies a literary formalism that is radically political and carries the project of democratic theory in new directions. Recovering Melville's readings in political philosophy and aesthetics, Greiman shows how he engaged with key problems in political theory--the paradox of foundations, the vicious circles of sovereign power, the fragility of the people--to produce a body of radical democratic art and thought. Scenes of green and growing life, circular structures, and images of a groundless world emerge as forms for understanding democracy as a collective project in flux. In Melville's experimental aesthetics, Greiman finds a significant precursor to the tradition of radical democratic theory in the US and France that emphasizes transience and creativity over the foundations and forms prized by liberalism. Such politics, she argues, are necessarily aesthetic: attuned to material and sensible distinctions, open to new forces of creativity"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781503634329
    RVK Klassifikation: HT 6015
    Schlagworte: Politics and literature; Democracy in literature; Literary criticism
    Weitere Schlagworte: Melville, Herman (1819-1891)
    Umfang: 1 Online-Ressource (xvi, 334 pages)
    Bemerkung(en):

    Includes bibliographical references and index

  3. Melville's democracy
    radical figuration and political form
    Erschienen: 2023
    Verlag:  Stanford University Press, Stanford, California

    "For Herman Melville, the instability of democracy held tremendous creative potential. Examining the centrality of political thought to Melville's oeuvre, Jennifer Greiman argues that Melville's densely figurative aesthetics give form to a radical... mehr

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    "For Herman Melville, the instability of democracy held tremendous creative potential. Examining the centrality of political thought to Melville's oeuvre, Jennifer Greiman argues that Melville's densely figurative aesthetics give form to a radical reimagining of democratic foundations, relations, and ways of being--modeling how we can think democracy in political theory today. Across Melville's five decades of writing, from his early Pacific novels to his late poetry, Greiman identifies a literary formalism that is radically political and carries the project of democratic theory in new directions. Recovering Melville's readings in political philosophy and aesthetics, Greiman shows how he engaged with key problems in political theory--the paradox of foundations, the vicious circles of sovereign power, the fragility of the people--to produce a body of radical democratic art and thought. Scenes of green and growing life, circular structures, and images of a groundless world emerge as forms for understanding democracy as a collective project in flux. In Melville's experimental aesthetics, Greiman finds a significant precursor to the tradition of radical democratic theory in the US and France that emphasizes transience and creativity over the foundations and forms prized by liberalism. Such politics, she argues, are necessarily aesthetic: attuned to material and sensible distinctions, open to new forces of creativity"--

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781503633322
    RVK Klassifikation: HT 6015
    Schlagworte: Politics and literature; Democracy in literature; Literary criticism
    Weitere Schlagworte: Melville, Herman (1819-1891)
    Umfang: 332 Seiten, Illustration, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Verdure, imperial history, and state-of-nature theory -- Verdigris and radical democracy -- Round robins and founding violence -- Circles and sovereignty -- Gravity, slavery, and political prophecy -- Unplanted to the last.

  4. Democracy's spectacle
    sovereignty and public life in antebellum American writing
    Erschienen: 2010
    Verlag:  Fordham Univ. Press, New York

    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780823230990
    RVK Klassifikation: HT 1691
    Auflage/Ausgabe: 1. ed.
    Schlagworte: American literature; Politics and literature; Democracy in literature; Sovereignty in literature; Literature and society; Democracy; Klassenbewusstsein <Motiv>; Politik <Motiv>; Literatur; Rassenfrage <Motiv>; Gesellschaftsleben <Motiv>
    Umfang: XI, 276 S.
    Bemerkung(en):

    Includes bibliographical references and index

  5. Melville's Democracy
    Radical Figuration and Political Form
    Erschienen: [2023]; © 2023
    Verlag:  Stanford University Press, Stanford, CA

    For Herman Melville, the instability of democracy held tremendous creative potential. Examining the centrality of political thought to Melville's oeuvre, Jennifer Greiman argues that Melville's densely figurative aesthetics give form to a radical... mehr

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    For Herman Melville, the instability of democracy held tremendous creative potential. Examining the centrality of political thought to Melville's oeuvre, Jennifer Greiman argues that Melville's densely figurative aesthetics give form to a radical reimagining of democratic foundations, relations, and ways of being-modeling how we can think democracy in political theory today. Across Melville's five decades of writing, from his early Pacific novels to his late poetry, Greiman identifies a literary formalism that is radically political and carries the project of democratic theory in new directions. Recovering Melville's readings in political philosophy and aesthetics, Greiman shows how he engaged with key problems in political theory-the paradox of foundations, the vicious circles of sovereign power, the fragility of the people-to produce a body of radical democratic art and thought. Scenes of green and growing life, circular structures, and images of a groundless world emerge as forms for understanding democracy as a collective project in flux. In Melville's experimental aesthetics, Greiman finds a significant precursor to the tradition of radical democratic theory in the US and France that emphasizes transience and creativity over the foundations and forms prized by liberalism. Such politics, she argues, are necessarily aesthetic: attuned to material and sensible distinctions, open to new forces of creativity

     

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    Format: Online
    ISBN: 9781503634329
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    RVK Klassifikation: HL 4990
    Schlagworte: LITERARY CRITICISM / American / General; Democracy in literature; Politics and literature
    Umfang: 1 Online-Ressource (350 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023)

  6. Democracy's spectacle
    sovereignty and public life in antebellum American writing
    Erschienen: 2010
    Verlag:  Fordham Univ. Press, New York, NY

  7. Melville's Democracy
    Radical Figuration and Political Form
    Erschienen: [2023]; © 2023
    Verlag:  Stanford University Press, Stanford, CA

    For Herman Melville, the instability of democracy held tremendous creative potential. Examining the centrality of political thought to Melville's oeuvre, Jennifer Greiman argues that Melville's densely figurative aesthetics give form to a radical... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    For Herman Melville, the instability of democracy held tremendous creative potential. Examining the centrality of political thought to Melville's oeuvre, Jennifer Greiman argues that Melville's densely figurative aesthetics give form to a radical reimagining of democratic foundations, relations, and ways of being-modeling how we can think democracy in political theory today. Across Melville's five decades of writing, from his early Pacific novels to his late poetry, Greiman identifies a literary formalism that is radically political and carries the project of democratic theory in new directions. Recovering Melville's readings in political philosophy and aesthetics, Greiman shows how he engaged with key problems in political theory-the paradox of foundations, the vicious circles of sovereign power, the fragility of the people-to produce a body of radical democratic art and thought. Scenes of green and growing life, circular structures, and images of a groundless world emerge as forms for understanding democracy as a collective project in flux. In Melville's experimental aesthetics, Greiman finds a significant precursor to the tradition of radical democratic theory in the US and France that emphasizes transience and creativity over the foundations and forms prized by liberalism. Such politics, she argues, are necessarily aesthetic: attuned to material and sensible distinctions, open to new forces of creativity

     

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    Sprache: Englisch
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    Format: Online
    ISBN: 9781503634329
    Weitere Identifier:
    RVK Klassifikation: HL 4990
    Schlagworte: LITERARY CRITICISM / American / General; Democracy in literature; Politics and literature
    Umfang: 1 Online-Ressource (350 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023)

  8. Democracy's spectacle
    sovereignty and public life in antebellum American writing
    Erschienen: 2010
    Verlag:  Fordham Univ. Press, New York

    Freie Universität Berlin, Universitätsbibliothek
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    Quelle: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780823230990
    RVK Klassifikation: HT 1691
    Auflage/Ausgabe: 1. ed.
    Schlagworte: Geschichte; Psychologie; American literature; Politics and literature; Democracy in literature; Sovereignty in literature; Literature and society; Democracy; Literatur; Rassenfrage <Motiv>; Gesellschaftsleben <Motiv>; Politik <Motiv>; Klassenbewusstsein <Motiv>
    Umfang: XI, 276 S.
    Bemerkung(en):

    Includes bibliographical references and index

  9. Democracy's Spectacle
    Sovereignty and Public Life in Antebellum American Writing
    Erschienen: 2011
    Verlag:  Temple University Press, New York ; ProQuest, Ann Arbor, Michigan

    Universität Frankfurt, Elektronische Ressourcen
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    ISBN: 9780823231010
    Umfang: 1 Online-Ressource (234 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

  10. Democracy's spectacle
    sovereignty and public life in antebellum American writing
    Erschienen: 2010
    Verlag:  Fordham Univ. Press, New York, NY

    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    13/HT 1691 G824
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    ISBN: 9780823231003; 0823231003; 9780823230990; 0823230996
    RVK Klassifikation: HT 1691
    Auflage/Ausgabe: 1. ed.
    Schlagworte: Literatur; Gesellschaftsleben <Motiv>; Klassenbewusstsein <Motiv>; Politik <Motiv>
    Umfang: XI, 276 S.
    Bemerkung(en):

    Literaturverz. S. [255] - 270

  11. Democracy's spectacle
    sovereignty and public life in antebellum American writing
    Erschienen: 2010
    Verlag:  Fordham Univ. Press, New York

    Bayerische Staatsbibliothek
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    ISBN: 9780823230990
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    Schlagworte: Geschichte; Psychologie; American literature; Politics and literature; Democracy in literature; Sovereignty in literature; Literature and society; Democracy; Literatur; Rassenfrage <Motiv>; Gesellschaftsleben <Motiv>; Politik <Motiv>; Klassenbewusstsein <Motiv>
    Umfang: XI, 276 S.
    Bemerkung(en):

    Includes bibliographical references and index

  12. Democracy's spectacle
    sovereignty and public life in antebellum American writing
    Erschienen: 2010
    Verlag:  Fordham Univ. Press, New York

    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    ISBN: 9780823230990
    RVK Klassifikation: HT 1691
    Auflage/Ausgabe: 1. ed.
    Schlagworte: American literature; Politics and literature; Democracy in literature; Sovereignty in literature; Literature and society; Democracy
    Umfang: XI, 276 S.
    Bemerkung(en):

    Includes bibliographical references and index

  13. Democracy's spectacle
    sovereignty and public life in antebellum American writing
    Erschienen: 2010
    Verlag:  Fordham University Press, New York

    Thing is new: sovereignty and slavery in democracy in America -- Color, race, and the spectacle of opinion in Beaumont's Marie -- Hangman's accomplice: spectacle and complicity in Lydia Maria Child's New York -- Spectacle of reform: theater and... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Thing is new: sovereignty and slavery in democracy in America -- Color, race, and the spectacle of opinion in Beaumont's Marie -- Hangman's accomplice: spectacle and complicity in Lydia Maria Child's New York -- Spectacle of reform: theater and prison in Hawthorne's Blithedale romance -- Theatricality, strangeness, and democracy in Melville's Confidence-man

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780823230990
    RVK Klassifikation: HT 1691
    Auflage/Ausgabe: 1. ed.
    Schlagworte: American literature; Politics and literature; Democracy in literature; Sovereignty in literature; Literature and society; Democracy; American literature; Politics and literature; Democracy in literature; Sovereignty in literature; Literature and society; Democracy
    Umfang: XI, 276 S.
    Bemerkung(en):

    Includes bibliographical references (p. [255]-270) and index

    "The thing is new": sovereignty and slavery in Democracy in America -- Color, race, and the spectacle of opinion in Beaumont's Marie -- "The hangman's accomplice": spectacle and complicity in Lydia Maria Child's New York -- The spectacle of reform: theater and prison in Hawthorne's Blithedale romance -- Theatricality, strangeness, and democracy in Melville's Confidence-man.

  14. Democracy's Spectacle
    Sovereignty and Public Life in Antebellum American Writing
    Erschienen: [2011]; © 2011
    Verlag:  Fordham University Press, New York, NY

    "What is the hangman but a servant of law? And what is that law but an expression of public opinion? And if public opinion be brutal and thou a component part thereof, art thou not the hangman's accomplice?" Writing in 1842, Lydia Maria Child... mehr

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    "What is the hangman but a servant of law? And what is that law but an expression of public opinion? And if public opinion be brutal and thou a component part thereof, art thou not the hangman's accomplice?" Writing in 1842, Lydia Maria Child articulates a crisis in the relationship of democracy to sovereign power that continues to occupy political theory today. Is sovereignty, with its reliance on singular and exceptional power, fundamentally inimical to democracy? Or might a more fully realized democracy distribute, share, and popularize sovereignty, thus blunting its exceptional character and its basic violence? In Democracy's Spectacle, Jennifer Greiman looks to an earlier moment in the history of American democracy's vexed interpretation of sovereignty to argue that such questions about the popularization of sovereign power shaped debates about political belonging and public life in the antebellum United States. In an emergent democracy that was also an expansionist slave society, Greiman argues, the problems that sovereignty posed were less concerned with a singular and exceptional power lodged in the state than with a power over life and death that involved all Americans intimately.Drawing on Alexis de Tocqueville's analysis of the sovereignty of the people in Democracy in America, along with work by Gustave de Beaumont, Lydia Maria Child, Nathaniel Hawthorne, and Herman Melville, Greiman tracks the crises of sovereign power as it migrates out of the state to become a constitutive feature of the public sphere. Greiman brings together literature and political theory, as well as materials on antebellum performance culture, antislavery activism, and penitentiary reform, to argue that the antebellum public sphere, transformed by its empowerment, emerges as a spectacle with investments in both punishment and entertainment

     

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    Format: Online
    ISBN: 9780823241651
    Weitere Identifier:
    Schlagworte: LITERARY CRITICISM / American / General; American literature; Democracy; Literature and society; Politics and literature
    Umfang: 1 online resource (292 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  15. Melville's Democracy
    Radical Figuration and Political Form
    Erschienen: 2023; ©2023
    Verlag:  Stanford University Press, Edinburgh

    Cover -- Title Page -- Copyright -- Dedication -- Contents -- Acknowledgments -- Abbreviations -- Introduction Ruthless Democracy -- Part One: Democracy Is Green -- 1. Verdure, Imperial History and State-of-Nature Theory -- 2. Verdigris and Radical... mehr

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    Cover -- Title Page -- Copyright -- Dedication -- Contents -- Acknowledgments -- Abbreviations -- Introduction Ruthless Democracy -- Part One: Democracy Is Green -- 1. Verdure, Imperial History and State-of-Nature Theory -- 2. Verdigris and Radical Democracy -- Part Two: Democracy Is Round -- 3. Round Robins and Founding Violence -- 4. Circles and Sovereignty -- Part Three: Democracy Is Groundless -- 5. Gravity, Slavery, and Political Prophecy -- 6. Unplanted to the Last -- Notes -- Index -- Back Cover.

     

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    ISBN: 9781503634329
    Auflage/Ausgabe: 1st ed.
    Schlagworte: Electronic books
    Umfang: 1 online resource (352 pages)
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  16. Democracy's Spectacle
    Sovereignty and Public Life in Antebellum American Writing
    Erschienen: [2011]
    Verlag:  Fordham University Press, New York, NY

    "What is the hangman but a servant of law? And what is that law but an expression of public opinion? And if public opinion be brutal and thou a component part thereof, art thou not the hangman's accomplice?" Writing in 1842, Lydia Maria Child... mehr

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    "What is the hangman but a servant of law? And what is that law but an expression of public opinion? And if public opinion be brutal and thou a component part thereof, art thou not the hangman's accomplice?" Writing in 1842, Lydia Maria Child articulates a crisis in the relationship of democracy to sovereign power that continues to occupy political theory today. Is sovereignty, with its reliance on singular and exceptional power, fundamentally inimical to democracy? Or might a more fully realized democracy distribute, share, and popularize sovereignty, thus blunting its exceptional character and its basic violence? In Democracy's Spectacle, Jennifer Greiman looks to an earlier moment in the history of American democracy's vexed interpretation of sovereignty to argue that such questions about the popularization of sovereign power shaped debates about political belonging and public life in the antebellum United States. In an emergent democracy that was also an expansionist slave society, Greiman argues, the problems that sovereignty posed were less concerned with a singular and exceptional power lodged in the state than with a power over life and death that involved all Americans intimately.Drawing on Alexis de Tocqueville's analysis of the sovereignty of the people in Democracy in America, along with work by Gustave de Beaumont, Lydia Maria Child, Nathaniel Hawthorne, and Herman Melville, Greiman tracks the crises of sovereign power as it migrates out of the state to become a constitutive feature of the public sphere. Greiman brings together literature and political theory, as well as materials on antebellum performance culture, antislavery activism, and penitentiary reform, to argue that the antebellum public sphere, transformed by its empowerment, emerges as a spectacle with investments in both punishment and entertainment Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. “The thing is new”: Sovereignty and Slavery in Democracy in America -- 2. Color, Race, and the Spectacle of Opinion in Beaumont’s Marie -- 3. “The Hangman’s Accomplice”: Spectacle and Complicity in Lydia Maria Child’s New York -- 4. The Spectacle of Reform: Theater and Prison in Hawthorne’s Blithedale Romance -- 5. Theatricality, Strangeness, and Democracy in Melville’s Confidence-Man -- Notes -- Select Bibliography -- Index

     

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    Schlagworte: American literature; Democracy; Literature and society; Politics and literature; LITERARY CRITICISM / American / General
    Umfang: 1 Online-Ressource (292 p)
  17. Democracy's Spectacle
    Sovereignty and Public Life in Antebellum American Writing
    Erschienen: [2011]; © 2011
    Verlag:  Fordham University Press, New York, NY

    "What is the hangman but a servant of law? And what is that law but an expression of public opinion? And if public opinion be brutal and thou a component part thereof, art thou not the hangman's accomplice?" Writing in 1842, Lydia Maria Child... mehr

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    "What is the hangman but a servant of law? And what is that law but an expression of public opinion? And if public opinion be brutal and thou a component part thereof, art thou not the hangman's accomplice?" Writing in 1842, Lydia Maria Child articulates a crisis in the relationship of democracy to sovereign power that continues to occupy political theory today. Is sovereignty, with its reliance on singular and exceptional power, fundamentally inimical to democracy? Or might a more fully realized democracy distribute, share, and popularize sovereignty, thus blunting its exceptional character and its basic violence? In Democracy's Spectacle, Jennifer Greiman looks to an earlier moment in the history of American democracy's vexed interpretation of sovereignty to argue that such questions about the popularization of sovereign power shaped debates about political belonging and public life in the antebellum United States. In an emergent democracy that was also an expansionist slave society, Greiman argues, the problems that sovereignty posed were less concerned with a singular and exceptional power lodged in the state than with a power over life and death that involved all Americans intimately.Drawing on Alexis de Tocqueville's analysis of the sovereignty of the people in Democracy in America, along with work by Gustave de Beaumont, Lydia Maria Child, Nathaniel Hawthorne, and Herman Melville, Greiman tracks the crises of sovereign power as it migrates out of the state to become a constitutive feature of the public sphere. Greiman brings together literature and political theory, as well as materials on antebellum performance culture, antislavery activism, and penitentiary reform, to argue that the antebellum public sphere, transformed by its empowerment, emerges as a spectacle with investments in both punishment and entertainment

     

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    Schlagworte: LITERARY CRITICISM / American / General; American literature; Democracy; Literature and society; Politics and literature
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  18. Democracy's spectacle
    sovereignty and public life in antebellum American writing
    Erschienen: 2010; © 2010
    Verlag:  Fordham University Press, New York, [New York]

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    ISBN: 9780823231010
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    Auflage/Ausgabe: First edition
    Schlagworte: Geschichte; Psychologie; American literature; Politics and literature; Democracy in literature; Sovereignty in literature; Literature and society; Democracy; Politik <Motiv>; Rassenfrage <Motiv>; Gesellschaftsleben <Motiv>; Klassenbewusstsein <Motiv>; Literatur
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  19. Melville's democracy
    radical figuration and political form
    Erschienen: 2023
    Verlag:  Stanford University Press, Stanford, California ; Oxford University Press, Oxford

    For Herman Melville, the instability of democracy held tremendous creative potential. Examining the centrality of political thought to Melville's oeuvre, Jennifer Greiman argues that Melville's densely figurative aesthetics give form to a radical... mehr

    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    For Herman Melville, the instability of democracy held tremendous creative potential. Examining the centrality of political thought to Melville's oeuvre, Jennifer Greiman argues that Melville's densely figurative aesthetics give form to a radical reimagining of democratic foundations, relations, and ways of being-modeling how we can think democracy in political theory today.

     

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    ISBN: 9781503634329
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    Schriftenreihe: Stanford scholarship online
    Schlagworte: Politics and literature; Democracy in literature; Literature; Literature: history & criticism
    Weitere Schlagworte: Melville, Herman (1819-1891)
    Umfang: 1 Online-Ressource (xiv, 332 pages).
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    Also issued in print: 2023

    Includes bibliographical references and index

  20. Democracy's spectacle
    sovereignty and public life in antebellum American writing
    Erschienen: 2010
    Verlag:  Fordham University Press, New York ; Oxford University Press, Oxford

    Drawing on Alexis de Tocqueville's Democracy in America, along with work by Gustave de Beaumont, Lydia Maria Child, Nathaniel Hawthorne, and Herman Melville, Greiman tracks the crises of sovereign power as it migrates out of the state to become a... mehr

    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    keine Fernleihe

     

    Drawing on Alexis de Tocqueville's Democracy in America, along with work by Gustave de Beaumont, Lydia Maria Child, Nathaniel Hawthorne, and Herman Melville, Greiman tracks the crises of sovereign power as it migrates out of the state to become a constitutive feature of the public sphere. Bringing together literature and political theory, she argues that the antebellum public sphere emerges as a spectacle with investments in both punishment and entertainment.

     

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    ISBN: 9780823241156
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    RVK Klassifikation: HT 1691
    Schlagworte: Literatur; Gesellschaftsleben <Motiv>; Klassenbewusstsein <Motiv>; Politik <Motiv>; American literature; Politics and literature; Democracy in literature; Sovereignty in literature; Literature and society; Democracy
    Umfang: 1 Online-Ressource (xi, 276 p.)
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    Includes bibliographical references and index

  21. Melville's Democracy
    Radical Figuration and Political Form
    Erschienen: 2023
    Verlag:  Stanford University Press, Edinburgh ; ProQuest, Ann Arbor, Michigan

    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    ISBN: 9781503634329
    Auflage/Ausgabe: 1st ed.
    Umfang: 1 Online-Ressource (352 pages)
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  22. Democracy's Spectacle
    Sovereignty and Public Life in Antebellum American Writing
    Erschienen: [2011]
    Verlag:  Fordham University Press, New York, NY ; Walter de Gruyter GmbH, Berlin

    "What is the hangman but a servant of law? And what is that law but an expression of public opinion? And if public opinion be brutal and thou a component part thereof, art thou not the hangman's accomplice?" Writing in 1842, Lydia Maria Child... mehr

    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    "What is the hangman but a servant of law? And what is that law but an expression of public opinion? And if public opinion be brutal and thou a component part thereof, art thou not the hangman's accomplice?" Writing in 1842, Lydia Maria Child articulates a crisis in the relationship of democracy to sovereign power that continues to occupy political theory today. Is sovereignty, with its reliance on singular and exceptional power, fundamentally inimical to democracy? Or might a more fully realized democracy distribute, share, and popularize sovereignty, thus blunting its exceptional character and its basic violence? In Democracy's Spectacle, Jennifer Greiman looks to an earlier moment in the history of American democracy's vexed interpretation of sovereignty to argue that such questions about the popularization of sovereign power shaped debates about political belonging and public life in the antebellum United States. In an emergent democracy that was also an expansionist slave society, Greiman argues, the problems that sovereignty posed were less concerned with a singular and exceptional power lodged in the state than with a power over life and death that involved all Americans intimately.Drawing on Alexis de Tocqueville's analysis of the sovereignty of the people in Democracy in America, along with work by Gustave de Beaumont, Lydia Maria Child, Nathaniel Hawthorne, and Herman Melville, Greiman tracks the crises of sovereign power as it migrates out of the state to become a constitutive feature of the public sphere. Greiman brings together literature and political theory, as well as materials on antebellum performance culture, antislavery activism, and penitentiary reform, to argue that the antebellum public sphere, transformed by its empowerment, emerges as a spectacle with investments in both punishment and entertainment.

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823241651
    Weitere Identifier:
    Umfang: 1 Online-Ressource (292 p.)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

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