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Shaggy crowns
Ennius' "Annales" and Virgil's "Aeneid" -
Afterlives of the Roman poets
biofiction and the reception of Latin poetry -
Afterlives of the Roman poets
biofiction and the reception of Latin poetry -
Tombs of the ancient poets
between literary reception and material culture -
Fragmentary modernism
the classical fragment in literary and visual cultures, c.1896-c.1936 -
Shaggy crowns
Ennius' Annales and Virgil's Aeneid -
Afterlives of the Roman poets
biofiction and the reception of Latin poetry -
Afterlives of the Roman poets
biofiction and the reception of Latin poetry -
Tombs of the ancient poets
between literary reception and material culture -
Tombs of the ancient poets
between literary reception and material culture -
Fragmentary modernism
the classical fragment in literary and visual cultures, c.1896-c.1936 -
Tombs of the ancient poets
between literary reception and material culture -
Tombs of the ancient poets
between literary reception and material culture -
Tombs of the ancient poets
between literary reception and material culture -
Tombs of the ancient poets
between literary reception and material culture -
Tombs of the ancient poets
between literary reception and material culture -
Afterlives of the Roman poets
biofiction and the reception of Latin poetry -
Tombs of the ancient poets
between literary reception and material culture -
Tombs of the ancient poets
between literary reception and material culture -
Afterlives of the Roman poets
biofiction and the reception of Latin poetry -
Tombs of the ancient poets
between literary reception and material culture -
Fragmentary modernism
the classical fragment in literary and visual cultures, c.1896-c.1936 -
Fragmentary modernism
the classical fragment in literary and visual cultures, c.1896-c.1936 -
Fragmentary modernism
the classical fragment in literary and visual cultures, c.1896-c.1936 -
Tombs of the ancient poets
between literary reception and material culture