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  1. Das chinesische Schriftzeichen als poetisches Medium
    Autor*in: Fenollosa, Ernest
    Erschienen: 1972
    Verlag:  Keller, Starnberg

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    Universität der Künste Berlin, Universitätsbibliothek
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    Quelle: Verbundkataloge
    Beteiligt: Pound, Ezra (Hrsg.)
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    ISBN: 3780800764
    Schriftenreihe: Kunst und Umwelt ; 2
    Schlagworte: Literatur; Lyrik; Semiotik; Chinesisch; Chinesische Schrift; Schriftzeichen; Japanisch
    Umfang: 51 S.
  2. The Chinese Written Character as a Medium for Poetry
    A Critical Edition
    Autor*in: Fenollosa, Ernest; Klein, Lucas; Pound, Ezra
    Erschienen: [2009]; © 2009
    Verlag:  Fordham University Press, New York, NY

    First published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often "ed statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that... mehr

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    First published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often "ed statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound’s understanding—it is fair to say, his appropriation—of the text. Fenollosa’s manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North Americaand East Asia.Pound’s editing of the essay obscured two important features, here restored to view: Fenollosa’s encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry.This book is the definitive critical edition of Fenollosa’s important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound’s deletions, insertions, and alterations to Fenollosa’s sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa’s ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition.This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry

     
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    Beteiligt: Saussy, Haun (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823238347
    Weitere Identifier:
    Schlagworte: LITERARY COLLECTIONS / Essays; Chinese language; Chinese poetry; Grammar, Comparative and general
    Umfang: 1 online resource (240 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  3. Das chinesische Schriftzeichen als poetisches Medium
    Autor*in: Fenollosa, Ernest
    Erschienen: 2019
    Verlag:  Matthes & Seitz Berlin, Berlin

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    http://d-nb.info/1156931746/04 (Inhaltsverzeichnis)
    Quelle: Leibniz-Zentrum für Literatur- und Kulturforschung
    Beteiligt: Pound, Ezra (Hrsg.); Gomringer, Eugen; Motsch, Monika
    Sprache: Deutsch; Chinesisch
    Medientyp: Buch (Monographie)
    ISBN: 978-3-95757-628-6
    Auflage/Ausgabe: 1. Auflage
    Schriftenreihe: Fröhliche Wissenschaft ; 146
    Schlagworte: Chinesisch; Schriftzeichen; Poetik
    Umfang: 95 S.
  4. The Chinese Written Character as a Medium for Poetry
    A Critical Edition
    Autor*in: Fenollosa, Ernest; Pound, Ezra; Klein, Lucas
    Erschienen: [2009]
    Verlag:  Fordham University Press, New York, NY

    Frontmatter -- Contents -- List of Illustrations -- Conventions -- Preface -- Fenollosa Compounded: A Discrimination -- The Chinese Written Character as a Medium for Poetry: An Ars Poetica -- Appendix: With Some Notes by a Very Ignorant Man -- The... mehr

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    Frontmatter -- Contents -- List of Illustrations -- Conventions -- Preface -- Fenollosa Compounded: A Discrimination -- The Chinese Written Character as a Medium for Poetry: An Ars Poetica -- Appendix: With Some Notes by a Very Ignorant Man -- The Chinese Written Language as a Medium for Poetry -- Synopsis of Lectures on Chinese and Japanese Poetry -- Chinese and Japanese Poetry. Draft of Lecture I. Vol. II. -- Chinese and Japanese Traits -- The Coming Fusion of East and West -- Chinese Ideals -- [Retrospect on the Fenollosa Papers] -- Notes -- Works Cited First published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often "ed statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound’s understanding—it is fair to say, his appropriation—of the text. Fenollosa’s manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North Americaand East Asia.Pound’s editing of the essay obscured two important features, here restored to view: Fenollosa’s encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry.This book is the definitive critical edition of Fenollosa’s important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound’s deletions, insertions, and alterations to Fenollosa’s sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa’s ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition.This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry

     
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    Quelle: Verbundkataloge
    Beteiligt: Saussy, Haun (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823238347
    Weitere Identifier:
    Schlagworte: Chinese language; Chinese poetry; Grammar, Comparative and general; LITERARY COLLECTIONS / Essays
    Umfang: 1 Online-Ressource (240 p)
  5. The Chinese Written Character as a Medium for Poetry
    A Critical Edition
    Autor*in: Fenollosa, Ernest; Klein, Lucas; Pound, Ezra
    Erschienen: [2009]; © 2009
    Verlag:  Fordham University Press, New York, NY

    First published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often "ed statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that... mehr

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    First published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often "ed statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound’s understanding—it is fair to say, his appropriation—of the text. Fenollosa’s manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North Americaand East Asia.Pound’s editing of the essay obscured two important features, here restored to view: Fenollosa’s encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry.This book is the definitive critical edition of Fenollosa’s important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound’s deletions, insertions, and alterations to Fenollosa’s sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa’s ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition.This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry

     
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    Quelle: Verbundkataloge
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823238347
    Weitere Identifier:
    Schlagworte: LITERARY COLLECTIONS / Essays; Chinese language; Chinese poetry; Grammar, Comparative and general
    Umfang: 1 online resource (240 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  6. The Chinese written character as a medium for poetry
    a critical edition
    Autor*in: Fenollosa, Ernest
    Erschienen: 2008
    Verlag:  Fordham University Press, New York

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823228683
    Schlagworte: Grammatik; Chinese language; Chinese poetry; Grammar, Comparative and general; Semiotik; Chinesische Schrift; Schriftzeichen; Japanisch; Literatur; Lyrik; Chinesisch
    Umfang: xiv, 216 p
    Bemerkung(en):

    Includes bibliographical references
  7. The Chinese Written Character as a Medium for Poetry
    A Critical Edition
    Autor*in: Fenollosa, Ernest
    Erschienen: [2009]
    Verlag:  Fordham University Press, New York, NY ; Walter de Gruyter GmbH, Berlin

    First published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often "ed statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that... mehr

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    First published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often "ed statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound’s understanding—it is fair to say, his appropriation—of the text. Fenollosa’s manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North Americaand East Asia.Pound’s editing of the essay obscured two important features, here restored to view: Fenollosa’s encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry.This book is the definitive critical edition of Fenollosa’s important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound’s deletions, insertions, and alterations to Fenollosa’s sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa’s ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition.This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry.

     
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    Quelle: Verbundkataloge
    Beteiligt: Klein, Lucas; Pound, Ezra; Saussy, Haun
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823238347
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    Umfang: 1 Online-Ressource (240 p.)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  8. The Chinese written character as a medium for poetry
    Autor*in: Fenollosa, Ernest
    Erschienen: 2008
    Verlag:  Fordham University Press, New York

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    ISBN: 0823228703; 0823228681; 0823246922; 9780823228706; 9780823228683; 9780823246922
    Schlagworte: Chinese language; Grammar, Comparative and general; Chinese poetry
    Umfang: 1 Online-Ressource (xiv, 216 pages), illustrations
    Bemerkung(en):

    Includes bibliographical references (pages 209-216)

    Originally published: London : Stanley Nott, 1936
  9. The Chinese written character as a medium for poetry
    Autor*in: Fenollosa, Ernest
    Erschienen: 2008
    Verlag:  Fordham University Press, New York

    First published in 1919 by Ezra Pound, Ernest Fenollosa's essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language... mehr

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    First published in 1919 by Ezra Pound, Ernest Fenollosa's essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent only Pound's understanding--it is fair to say, his appropriation--of the text. Fenollosa's manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North America and East Asia. Pound's editing of the essay obscured two important features, here restored to view: Fenollosa's encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry. This book is the definitive critical edition of Fenollosa's influential essay. After a substantial Introduction, the text as edited by Pound is presented. At the heart of the book is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the manuscript's verso pages. Pound's deletions, insertions, and alterations are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the development of Fenollosa's ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition. Intro -- Contents -- List of Illustrations -- Conventions -- Preface -- Fenollosa Compounded: A Discrimination -- The Chinese Written Character as a Medium for Poetry: An Ars Poetica -- Appendix: With Some Notes by a Very Ignorant Man -- The Chinese Written Language as a Medium for Poetry -- Synopsis of Lectures on Chinese and Japanese Poetry -- Chinese and Japanese Poetry. Draft of Lecture I. Vol. II. -- Chinese and Japanese Traits -- The Coming Fusion of East and West -- Chinese Ideals -- [Retrospect on the Fenollosa Papers] -- Notes -- Works Cited.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 128269880X; 9781282698802; 9780823228706
    Schlagworte: Grammar, Comparative and general; Chinese language; Chinese poetry; Chinese language ; Writing; Chinese poetry ; History and criticism; Grammar, Comparative and general; Electronic books
    Umfang: Online-Ressource (xiv, 216 p), ill
    Bemerkung(en):

    Includes bibliographical references (p. 209-216)

    Originally published: London : Stanley Nott, 1936

    ""Contents""; ""List of Illustrations""; ""Conventions""; ""Preface""; ""Fenollosa Compounded: A Discrimination""; ""The Chinese Written Character as a Medium for Poetry: An Ars Poetica""; ""Appendix""; ""The Chinese Written Language as a Medium for Poetry""; ""Synopsis of Lectures on Chinese and Japanese Poetry""; ""Chinese and Japanese Poetry. Draft of Lecture I. Vol. II.""; ""Chinese and Japanese Traits""; ""The Coming Fusion of East and West""; ""Chinese Ideals""; ""[Retrospect on the Fenollosa Papers]""; ""Notes""; ""Works Cited""