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  1. Surface tension
    ruptural time and the poetics of desire in late Victorian poetry
    Autor*in: Carr, Julie
    Erschienen: 2013
    Verlag:  Dalkey Archive Press, Champaign, Ill. [.a.]

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781564788092
    Auflage/Ausgabe: 1. ed.
    Schlagworte: English poetry; Aesthetics in literature; Desire in literature; Poetics
    Umfang: IX, 389 S.
    Bemerkung(en):

    Includes bibliographical references and index
  2. Active romanticism
    the radical impulse in nineteenth-century and contemporary poetic practice
    Beteiligt: Carr, Julie (HerausgeberIn); Robinson, Jeffrey Cane (HerausgeberIn)
    Erschienen: 2015
    Verlag:  The University of Alabama Press, Tuscaloosa

    "Essays that highlight the pervasive role of Romantic poetry and poetics on modern and contemporary innovative poetry"-- "Literary history generally locates the primary movement toward poetic innovation in twentieth-century modernism, an impulse... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Essays that highlight the pervasive role of Romantic poetry and poetics on modern and contemporary innovative poetry"-- "Literary history generally locates the primary movement toward poetic innovation in twentieth-century modernism, an impulse carried out against a supposedly enervated "late-Romantic" poetry of the nineteenth century. The original essays in Active Romanticism challenge this interpretation by tracing the fundamental continuities between Romanticism's poetic and political radicalism and the experimental movements in poetry from the late-nineteenth-century to the present day. According to editors July Carr and Jeffrey C. Robinson, "active romanticism" is a poetic response, direct or indirect, to pressing social issues and an attempt to redress forms of ideological repression; at its core, "active romanticism" champions democratic pluralism and confronts ideologies that suppress the evidence of pluralism. "Poetry fetter'd, fetters the human race," declared poet William Blake at the beginning of the nineteenth century. No other statement from the era of the French Revolution marks with such terseness the challenge for poetry to participate in the liberation of human society from forms of inequality and invisibility. No other statement insists so vividly that a poetic event pushing for social progress demands the unfettering of traditional, customary poetic form and language. Bringing together work by well-known writers and critics, ranging from scholarly studies to poets' testimonials, Active Romanticism shows Romantic poetry not to be the sclerotic corpse against which the avant-garde reacted but rather the well-spring from which it flowed. Offering a fundamental rethinking of the history of modern poetry, Carr and Robinson have grouped together in this collection a variety of essays that confirm the existence of Romanticism as an ongoing mode of poetic production that is innovative and dynamic, a continuation of the nineteenth-century Romantic tradition, and a form that reacts and renews itself at any given moment of perceived social crisis. "--

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Carr, Julie (HerausgeberIn); Robinson, Jeffrey Cane (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 081735784X; 9780817357849
    RVK Klassifikation: HL 1131
    Schriftenreihe: Modern & contemporary poetics
    Schlagworte: Poetry, Modern; Romanticism; Poetics; LITERARY CRITICISM / Poetry; Poetics; Poetry, Modern; Romanticism; Poetry, Modern; Romanticism; Poetics
    Umfang: vi, 276 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Includes bibliographical references and index
  3. Active romanticism
    the radical impulse in nineteenth-century and contemporary poetic practice
    Beteiligt: Robinson, Jeffrey Cane (Hrsg.); Carr, Julie (Hrsg.)
    Erschienen: [2015]
    Verlag:  University Alabama Press, Tuscaloosa

    "Essays that highlight the pervasive role of Romantic poetry and poetics on modern and contemporary innovative poetry"-- "Literary history generally locates the primary movement toward poetic innovation in twentieth-century modernism, an impulse... mehr

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    "Essays that highlight the pervasive role of Romantic poetry and poetics on modern and contemporary innovative poetry"-- "Literary history generally locates the primary movement toward poetic innovation in twentieth-century modernism, an impulse carried out against a supposedly enervated "late-Romantic" poetry of the nineteenth century. The original essays in Active Romanticism challenge this interpretation by tracing the fundamental continuities between Romanticism's poetic and political radicalism and the experimental movements in poetry from the late-nineteenth-century to the present day. According to editors July Carr and Jeffrey C. Robinson, "active romanticism" is a poetic response, direct or indirect, to pressing social issues and an attempt to redress forms of ideological repression; at its core, "active romanticism" champions democratic pluralism and confronts ideologies that suppress the evidence of pluralism. "Poetry fetter'd, fetters the human race," declared poet William Blake at the beginning of the nineteenth century. No other statement from the era of the French Revolution marks with such terseness the challenge for poetry to participate in the liberation of human society from forms of inequality and invisibility. No other statement insists so vividly that a poetic event pushing for social progress demands the unfettering of traditional, customary poetic form and language. Bringing together work by well-known writers and critics, ranging from scholarly studies to poets' testimonials, Active Romanticism shows Romantic poetry not to be the sclerotic corpse against which the avant-garde reacted but rather the well-spring from which it flowed. Offering a fundamental rethinking of the history of modern poetry, Carr and Robinson have grouped together in this collection a variety of essays that confirm the existence of Romanticism as an ongoing mode of poetic production that is innovative and dynamic, a continuation of the nineteenth-century Romantic tradition, and a form that reacts and renews itself at any given moment of perceived social crisis. "--

     
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    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Beteiligt: Robinson, Jeffrey Cane (Hrsg.); Carr, Julie (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780817387853; 0817387854
    Auflage/Ausgabe: First edition
    Schriftenreihe: Modern & contemporary poetics
    Schlagworte: Romanticism; Poetry, Modern; Poetry, Modern; Poetics; Romanticism; Romanticism; Poetics; Poetry, Modern; LITERARY CRITICISM ; Poetry; BIOGRAPHY & AUTOBIOGRAPHY ; Literary; Poetics; Poetry, Modern; Romanticism ; Influence; Criticism, interpretation, etc
    Umfang: Online Ressource (pages cm.)
    Bemerkung(en):

    Includes bibliographical references and index. - Description based on print version record
  4. Someone shot my book
    Autor*in: Carr, Julie
    Erschienen: 2018; ©2018
    Verlag:  University of Michigan Press, Ann Arbor

    Approaching the practices of reading and writing from a feminist perspective, Julie Carr asks vital ethical questions about the role of poetry--and of art in general--in a violent culture. She addresses issues such as the art of listening, the body... mehr

    Standort:
    Universität Mainz, Bereichsbibliothek Philosophicum, Standort Allgemeine und Vergleichende Literaturwissenschaft
    Signatur:
    31.1 - 429/4
    Fernleihe:
    keine Fernleihe

     

    Approaching the practices of reading and writing from a feminist perspective, Julie Carr asks vital ethical questions about the role of poetry--and of art in general--in a violent culture. She addresses issues such as the art of listening, the body and the avant-garde, gun violence, police brutality, reading and protest, and feminist responses to war in essays that are lucid, inventive, and informed by a life lived with poetry. Essays on poets Lorine Niedecker, Jean Valentine, Anne Carson, Lyn Hejinian, and Lisa Robertson detail some of the political, emotional, and spiritual work of these forerunners. A former dancer, Carr also takes up question of text, dance, performance, and race in an essay on the work of choreographer, writer, and visual artist Ralph Lemon and poet Fred Moten. Carr's essays push past familiar boundaries between the personal/confessional and experimental/conceptual strains in American poetry. Pressing philosophical inquiries into the nature of gender, motherhood, fear, the body, and violence up against readings of twentieth- and twenty-first-century poets, she asks us to consider the political and affective work of poetry in a range of contexts. Carr reports on her own practices, examining her concerns for research and narrative against her investment in lyric, as well as her history as a dancer and her work as curator and publisher. Carr's breadth of inquiry moves well beyond the page, yet remains grounded in languages possibilities

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780472037209; 047203720X
    Schriftenreihe: Poets on poetry
    Umfang: 182 Seiten, Illustrationen, 21 cm.
  5. Active Romanticism
    The Radical Impulse in Nineteenth-Century and Contemporary Poetic Practice
    Autor*in: Beachy-Quick, Dan
    Erschienen: 2015
    Verlag:  University of Alabama Press, Tuscaloosa ; [ProQuest], [Ann Arbor, Michigan]

    Literary history generally locates the primary movement toward poetic innovation in twentieth-century modernism, an impulse carried out against a supposedly enervated "late-Romantic" poetry of the nineteenth century. The original essays in Active... mehr

    Standort:
    Universität Mainz, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

     

    Literary history generally locates the primary movement toward poetic innovation in twentieth-century modernism, an impulse carried out against a supposedly enervated "late-Romantic" poetry of the nineteenth century. The original essays in Active Romanticism challenge this interpretation by tracing the fundamental continuities between Romanticism's poetic and political radicalism and the experimental movements in poetry from the late-nineteenth-century to the present day. According to editors July Carr and Jeffrey C. Robinson, "active romanticism" is a poetic response, direct or indirect, to pressing social issues and an attempt to redress forms of ideological repression; at its core, "active romanticism" champions democratic pluralism and confronts ideologies that suppress the evidence of pluralism. "Poetry fetter'd, fetters the human race," declared poet William Blake at the beginning of the nineteenth century. No other statement from the era of the French Revolution marks with such terseness the challenge for poetry to participate in the liberation of human society from forms of inequality and invisibility. No other statement insists so vividly that a poetic event pushing for social progress demands the unfettering of traditional, customary poetic form and language. Bringing together work by well-known writers and critics, ranging from scholarly studies to poets' testimonials, Active Romanticism shows Romantic poetry not to be the sclerotic corpse against which the avant-garde reacted but rather the well-spring from which it flowed. Offering a fundamental rethinking of the history of modern poetry, Carr and Robinson have grouped together in this collection a variety of essays that confirm the existence of Romanticism as an ongoing mode of poetic production that is innovative and dynamic, a continuation of the nineteenth-century Romantic... tradition, and a form that reacts and renews itself at any given moment of perceived social crisis. Cover image: Ruckenfigur by Susan Bee, 2013, oil on linen, 24 x 30 in.Cover image: Rückenfigur by Susan Bee (2013), oil on linen, 24 x 30 in.; courtesy of the artist. Contributors: Dan Beachy-Quick / Julie Carr / Jacques Darras / Rachel Blau DuPlessis / Judith Goldman / Simon Jarvis / Andrew Joron / Nigel Leask / Jennifer Moxley / Bob Perelman / Jeffrey C. Robinson / Jerome Rothenberg / Elizabeth Willis / and Heriberto Yépez.

     
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    Quelle: Verbundkataloge
    Beteiligt: Carr, Julie; Darras, Jacques; DuPlessis, Rachel Blau; Goldman, Judith; Jarvis, Simon; Leask, Nigel; Carr, Julie; Robinson, Jeffrey Cane
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780817387853
    Schriftenreihe: Modern & Contemporary Poetics
    Umfang: 1 Online-Ressource (285 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  6. Active romanticism
    the radical impulse in nineteenth-century and contemporary poetic practice
    Beteiligt: Carr, Julie (HerausgeberIn); Robinson, Jeffrey Cane (HerausgeberIn)
    Erschienen: 2015
    Verlag:  The University of Alabama Press, Tuscaloosa

    "Essays that highlight the pervasive role of Romantic poetry and poetics on modern and contemporary innovative poetry"-- "Literary history generally locates the primary movement toward poetic innovation in twentieth-century modernism, an impulse... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 942139
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2015 A 6416
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Thüringer Universitäts- und Landesbibliothek
    Signatur:
    ANG:HF:475:Car::2015
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Mannheim
    Signatur:
    500 HL 1131 C311
    Fernleihe:
    keine Fernleihe

    Standort:
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Signatur:
    EC 4360 C311
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Essays that highlight the pervasive role of Romantic poetry and poetics on modern and contemporary innovative poetry"-- "Literary history generally locates the primary movement toward poetic innovation in twentieth-century modernism, an impulse carried out against a supposedly enervated "late-Romantic" poetry of the nineteenth century. The original essays in Active Romanticism challenge this interpretation by tracing the fundamental continuities between Romanticism's poetic and political radicalism and the experimental movements in poetry from the late-nineteenth-century to the present day. According to editors July Carr and Jeffrey C. Robinson, "active romanticism" is a poetic response, direct or indirect, to pressing social issues and an attempt to redress forms of ideological repression; at its core, "active romanticism" champions democratic pluralism and confronts ideologies that suppress the evidence of pluralism. "Poetry fetter'd, fetters the human race," declared poet William Blake at the beginning of the nineteenth century. No other statement from the era of the French Revolution marks with such terseness the challenge for poetry to participate in the liberation of human society from forms of inequality and invisibility. No other statement insists so vividly that a poetic event pushing for social progress demands the unfettering of traditional, customary poetic form and language. Bringing together work by well-known writers and critics, ranging from scholarly studies to poets' testimonials, Active Romanticism shows Romantic poetry not to be the sclerotic corpse against which the avant-garde reacted but rather the well-spring from which it flowed. Offering a fundamental rethinking of the history of modern poetry, Carr and Robinson have grouped together in this collection a variety of essays that confirm the existence of Romanticism as an ongoing mode of poetic production that is innovative and dynamic, a continuation of the nineteenth-century Romantic tradition, and a form that reacts and renews itself at any given moment of perceived social crisis. "--

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Carr, Julie (HerausgeberIn); Robinson, Jeffrey Cane (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 081735784X; 9780817357849
    RVK Klassifikation: HL 1131
    Schriftenreihe: Modern & contemporary poetics
    Schlagworte: Poetry, Modern; Romanticism; Poetics; LITERARY CRITICISM / Poetry; Poetics; Poetry, Modern; Romanticism; Poetry, Modern; Romanticism; Poetics
    Umfang: vi, 276 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Includes bibliographical references and index
  7. Surface tension
    ruptural time and the poetics of desire in late Victorian poetry
    Autor*in: Carr, Julie
    Erschienen: 2013
    Verlag:  Dalkey Archive Press, Champaign, Ill. [.a.]

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 898315
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2013 A 11769
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781564788092
    Auflage/Ausgabe: 1. ed.
    Schlagworte: English poetry; Aesthetics in literature; Desire in literature; Poetics
    Umfang: IX, 389 S.
    Bemerkung(en):

    Includes bibliographical references and index
  8. Active Romanticism
    The Radical Impulse in Nineteenth-Century and Contemporary Poetic Practice
    Autor*in: Carr, Julie
    Erschienen: 2015
    Verlag:  University of Alabama Press, Tuscaloosa

    Literary history generally locates the primary movement toward poetic innovation in twentieth-century modernism, an impulse carried out against a supposedly enervated "late-Romantic" poetry of the nineteenth century. The original essays in Active... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    Literary history generally locates the primary movement toward poetic innovation in twentieth-century modernism, an impulse carried out against a supposedly enervated "late-Romantic" poetry of the nineteenth century. The original essays in Active Romanticism challenge this interpretation by tracing the fundamental continuities between Romanticism's poetic and political radicalism and the experimental movements in poetry from the late-nineteenth-century to the present day. According to editors July Carr and Jeffrey C. Robinson, "active romanticism" is a poetic response, direct or indirect, to p

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780817357849
    Schriftenreihe: Modern & Contemporary Poetics
    Umfang: Online-Ressource (285 p)
    Bemerkung(en):

    Description based upon print version of record

    Contents; Introduction: Active Romanticism - Julie Carr and Jeffrey C. Robinson; 1. Bright Ellipses: The Botanic Garden, Meteoric Flowers, and Leaves of Grass - Elizabeth Willis; 2. "The Oracular Tree Acquiring": On Romanticism as Radical Praxis - Dan Beachy-Quick; 3. Singing Schools and "Mental Equality": An Essay in Three Parts - Rachel Blau DuPlessis; 4. A Deeper, Older O: The Oral (Sex) Tradition (in Poetry) - Jennifer Moxley; 5. The Construction of Poems for the Millennium, Volume Three and the Poems It Engendered - Jerome Rothenberg; 6. Copying Whitman - Bob Perelman

    7. "A Spark o' Nature's Fire": Robert Burns and the Vernacular Muse - Nigel Leask8. Hyper-Pindaric: The Greater Irregular Lyric from Cowley to Keston Sutherland - Simon Jarvis; 9. Dysachrony: Temporalities and Their Discontents, in New and Old Romanticisms - Judith Goldman; 10. The Influence of Shelley on Twentieth-and Twenty-First-Century Avant-Garde Poetry: A Survey - Jeffrey C. Robinson; 11. The Dialectic of Romantic and Postromantic Ethopoetics (after Certain Hispano-American Visual Poetries) - Heriberto Yépez, translated by Jen Hofer; 12. The Sublime Is Now Again - Julie Carr

    13. Beyond Romanticism - Jacques Darras14. Accident over N: Lines of Flight in the Philosophical Notebooks of Novalis - Andrew Joron; Bibliography; Contributors; Index
  9. Surface tension
    ruptural time and the poetics of desire in late Victorian poetry
    Autor*in: Carr, Julie
    Erschienen: 2013
    Verlag:  Dalkey Archive, Champaign [u.a.]

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781564788092
    Auflage/Ausgabe: 1. ed.
    Schlagworte: Geschichte; English poetry; Aesthetics in literature; Desire in literature; Poetics; Verlangen; Englisch; Lyrik; Poetik
    Umfang: IX, 389 S.
    Bemerkung(en):

    Includes bibliographical references and index
  10. The shape of the "I"
    Beteiligt: Carr, Julie (Hrsg.)
    Erschienen: 2011-2012
    Verlag:  Dep. of English, Univ. of Colorado Boulder, Boulder, Colo.

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Freiburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Brechtbau-Bibliothek
    Signatur:
    Allg Z/Eng 3
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Carr, Julie (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    RVK Klassifikation: HU 1691
    Schriftenreihe: English language notes ; ...
    Schlagworte: Englisch; Literatur; Subjekt <Philosophie>; Ich;
    Bemerkung(en):

    Pt. 1 (2011) -