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  1. Beyond the Color Line and the Iron Curtain
    Reading Encounters between Black and Red, 1922-1963
    Autor*in: Baldwin, Kate A.
    Erschienen: [2002]; © 2002
    Verlag:  Duke University Press, Durham

    Examining the significant influence of the Soviet Union on the work of four major African American authors-and on twentieth-century American debates about race-Beyond the Color Line and the Iron Curtain remaps black modernism, revealing the... mehr

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Examining the significant influence of the Soviet Union on the work of four major African American authors-and on twentieth-century American debates about race-Beyond the Color Line and the Iron Curtain remaps black modernism, revealing the importance of the Soviet experience in the formation of a black transnationalism.Langston Hughes, W. E. B. Du Bois, Claude McKay, and Paul Robeson each lived or traveled extensively in the Soviet Union between the 1920s and the 1960s, and each reflected on Communism and Soviet life in works that have been largely unavailable, overlooked, or understudied. Kate A. Baldwin takes up these writings, as well as considerable material from Soviet sources-including articles in Pravda and Ogonek, political cartoons, Russian translations of unpublished manuscripts now lost, and mistranslations of major texts-to consider how these writers influenced and were influenced by both Soviet and American culture. Her work demonstrates how the construction of a new Soviet citizen attracted African Americans to the Soviet Union, where they could explore a national identity putatively free of class, gender, and racial biases. While Hughes and McKay later renounced their affiliations with the Soviet Union, Baldwin shows how, in different ways, both Hughes and McKay, as well as Du Bois and Robeson, used their encounters with the U. S. S. R. and Soviet models to rethink the exclusionary practices of citizenship and national belonging in the United States, and to move toward an internationalism that was a dynamic mix of antiracism, anticolonialism, social democracy, and international socialism.Recovering what Baldwin terms the "Soviet archive of Black America," this book forces a rereading of some of the most important African American writers and of the transnational circuits of black modernism

     
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Pease, Donald E. (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822383833
    Weitere Identifier:
    Schriftenreihe: New Americanists
    Schlagworte: SOCIAL SCIENCE / Ethnic Studies / African American Studies; African American arts; African American authors; African American intellectuals; African Americans; Communism
    Umfang: 1 online resource (359 pages), 19 b&w photos
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  2. Beyond the Color Line and the Iron Curtain
    Reading Encounters between Black and Red, 1922-1963
    Autor*in: Baldwin, Kate A.
    Erschienen: [2002]; © 2002
    Verlag:  Duke University Press, Durham

    Examining the significant influence of the Soviet Union on the work of four major African American authors-and on twentieth-century American debates about race-Beyond the Color Line and the Iron Curtain remaps black modernism, revealing the... mehr

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Hochschule Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Coburg, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Kempten, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Examining the significant influence of the Soviet Union on the work of four major African American authors-and on twentieth-century American debates about race-Beyond the Color Line and the Iron Curtain remaps black modernism, revealing the importance of the Soviet experience in the formation of a black transnationalism.Langston Hughes, W. E. B. Du Bois, Claude McKay, and Paul Robeson each lived or traveled extensively in the Soviet Union between the 1920s and the 1960s, and each reflected on Communism and Soviet life in works that have been largely unavailable, overlooked, or understudied. Kate A. Baldwin takes up these writings, as well as considerable material from Soviet sources-including articles in Pravda and Ogonek, political cartoons, Russian translations of unpublished manuscripts now lost, and mistranslations of major texts-to consider how these writers influenced and were influenced by both Soviet and American culture. Her work demonstrates how the construction of a new Soviet citizen attracted African Americans to the Soviet Union, where they could explore a national identity putatively free of class, gender, and racial biases. While Hughes and McKay later renounced their affiliations with the Soviet Union, Baldwin shows how, in different ways, both Hughes and McKay, as well as Du Bois and Robeson, used their encounters with the U. S. S. R. and Soviet models to rethink the exclusionary practices of citizenship and national belonging in the United States, and to move toward an internationalism that was a dynamic mix of antiracism, anticolonialism, social democracy, and international socialism.Recovering what Baldwin terms the "Soviet archive of Black America," this book forces a rereading of some of the most important African American writers and of the transnational circuits of black modernism

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Pease, Donald E. (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822383833
    Weitere Identifier:
    Schriftenreihe: New Americanists
    Schlagworte: SOCIAL SCIENCE / Ethnic Studies / African American Studies; African American arts; African American authors; African American intellectuals; African Americans; Communism
    Umfang: 1 online resource (359 pages), 19 b&w photos
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  3. Beyond the color line and the Iron Curtain
    reading encounters between Black and Red, 1922-1963
    Autor*in: Baldwin, Kate A.
    Erschienen: 2002
    Verlag:  Duke University Press, Durham [N.C.]

    Examining the significant influence of the Soviet Union on the work of four major African American authors-and on twentieth-century American debates about race-Beyond the Color Line and the Iron Curtain remaps black modernism, revealing the... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bibliothek der Friedrich-Ebert-Stiftung
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Examining the significant influence of the Soviet Union on the work of four major African American authors-and on twentieth-century American debates about race-Beyond the Color Line and the Iron Curtain remaps black modernism, revealing the importance of the Soviet experience in the formation of a black transnationalism.Langston Hughes, W. E. B. Du Bois, Claude McKay, and Paul Robeson each lived or traveled extensively in the Soviet Union between the 1920s and the 1960s, and each reflected on Communism and Soviet life in works that have been largely unavailable, overlooked, or understudied. Kate A. Baldwin takes up these writings, as well as considerable material from Soviet sources-including articles in Pravda and Ogonek, political cartoons, Russian translations of unpublished manuscripts now lost, and mistranslations of major texts-to consider how these writers influenced and were influenced by both Soviet and American culture. Her work demonstrates how the construction of a new Soviet citizen attracted African Americans to the Soviet Union, where they could explore a national identity putatively free of class, gender, and racial biases. While Hughes and McKay later renounced their affiliations with the Soviet Union, Baldwin shows how, in different ways, both Hughes and McKay, as well as Du Bois and Robeson, used their encounters with the U. S. S. R. and Soviet models to rethink the exclusionary practices of citizenship and national belonging in the United States, and to move toward an internationalism that was a dynamic mix of antiracism, anticolonialism, social democracy, and international socialism.Recovering what Baldwin terms the "Soviet archive of Black America," this book forces a rereading of some of the most important African American writers and of the transnational circuits of black modernism

     
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    Hinweise zum Inhalt
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 082232976X; 0822329905
    RVK Klassifikation: HU 1728 ; KK 1950
    Schriftenreihe: New Americanists
    Schlagworte: Farbige; Kommunismus; Literaturgeschichte; Schwarze; Schwarze; Kulturkontakt; Ost-West-Konflikt
    Umfang: XII, 346 S., Ill.
    Bemerkung(en):

    Includes bibliographical references and index
  4. Beyond the color line and the Iron Curtain
    reading encounters between Black and Red, 1922-1963
    Autor*in: Baldwin, Kate A.
    Erschienen: 2002
    Verlag:  Duke University Press, Durham [N.C.]

    Examining the significant influence of the Soviet Union on the work of four major African American authors-and on twentieth-century American debates about race-Beyond the Color Line and the Iron Curtain remaps black modernism, revealing the... mehr

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Examining the significant influence of the Soviet Union on the work of four major African American authors-and on twentieth-century American debates about race-Beyond the Color Line and the Iron Curtain remaps black modernism, revealing the importance of the Soviet experience in the formation of a black transnationalism.Langston Hughes, W. E. B. Du Bois, Claude McKay, and Paul Robeson each lived or traveled extensively in the Soviet Union between the 1920s and the 1960s, and each reflected on Communism and Soviet life in works that have been largely unavailable, overlooked, or understudied. Kate A. Baldwin takes up these writings, as well as considerable material from Soviet sources-including articles in Pravda and Ogonek, political cartoons, Russian translations of unpublished manuscripts now lost, and mistranslations of major texts-to consider how these writers influenced and were influenced by both Soviet and American culture. Her work demonstrates how the construction of a new Soviet citizen attracted African Americans to the Soviet Union, where they could explore a national identity putatively free of class, gender, and racial biases. While Hughes and McKay later renounced their affiliations with the Soviet Union, Baldwin shows how, in different ways, both Hughes and McKay, as well as Du Bois and Robeson, used their encounters with the U. S. S. R. and Soviet models to rethink the exclusionary practices of citizenship and national belonging in the United States, and to move toward an internationalism that was a dynamic mix of antiracism, anticolonialism, social democracy, and international socialism.Recovering what Baldwin terms the "Soviet archive of Black America," this book forces a rereading of some of the most important African American writers and of the transnational circuits of black modernism

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 082232976X; 0822329905
    RVK Klassifikation: HU 1728 ; KK 1950
    Schriftenreihe: New Americanists
    Schlagworte: Farbige; Kommunismus; Literaturgeschichte; Schwarze; Schwarze; Kulturkontakt; Ost-West-Konflikt
    Umfang: XII, 346 S., Ill.
    Bemerkung(en):

    Includes bibliographical references and index
  5. Beyond the color line and the Iron Curtain
    reading encounters between Black and Red, 1922-1963
    Autor*in: Baldwin, Kate A.
    Erschienen: 2002
    Verlag:  Duke University Press, Durham, N.C

    Re-examines the relations between African Americans and the Soviet Union from a more transnational perspective and shows how these relations were crucial in the formation of Black modernism mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    Re-examines the relations between African Americans and the Soviet Union from a more transnational perspective and shows how these relations were crucial in the formation of Black modernism

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0822329905; 1283063328; 0822383837; 082232976X; 9781283063326; 9780822329909; 9780822383833; 9780822329763
    Schriftenreihe: New Americanists
    Schlagworte: African American arts; African Americans; African American authors; Communism; African American intellectuals
    Umfang: Online-Ressource (xii, 346 p), ill, 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. [263]-331) and index

    Electronic reproduction; Available via World Wide Web

    CONTENTS; Acknowledgments; Introduction: The Demand for a New Kind of Person:Black Americans and the Soviet Union, 1922-1963; 1 ''Not at All God's White People'': McKay and the Negro in Red; 2 Between Harem and Harlem: Hughes and the Ways of the Veil; 3 Du Bois, Russia, and the ''Refusal to Be 'White,' ''; 4 Black Shadows across the Iron Curtain: Robeson's Stancebetween Cold War Cultures; Epilogue: The Only Television Hostess Who Doesn't Turn Red; Notes; Selected Bibliography; Index
  6. The racial imaginary of the Cold War kitchen
    from Sokolʹniki Park to Chicago's South Side
    Autor*in: Baldwin, Kate A.
    Erschienen: [2016]
    Verlag:  Dartmouth College Press, Hanover, New Hampshire

    "A study of the ways in which the kitchen was used as a recurring motif in the ideological and propaganda battles of the Cold War, particularly in regard to issues of feminism and race"--Provided by publisher "Race, domesticity, and consumerism in... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "A study of the ways in which the kitchen was used as a recurring motif in the ideological and propaganda battles of the Cold War, particularly in regard to issues of feminism and race"--Provided by publisher "Race, domesticity, and consumerism in the Cold War era. This book demonstrates the ways in which the kitchen--the centerpiece of domesticity and consumerism--was deployed as a recurring motif in the ideological and propaganda battles of the Cold War. Beginning with the famous Nixon-Khrushchev kitchen debate, Baldwin shows how Nixon turned the kitchen into a space of exception, while contemporary writers, artists, and activists depicted it as a site of cultural resistance. Focusing on a wide variety of literature and media from the United States and the Soviet Union, Baldwin reveals how the binary logic at work in Nixon's discourse--setting U.S. freedom against Soviet totalitarianism--erased the histories of slavery, gender subordination, colonialism, and racial genocide. The Racial Imaginary of the Cold War Kitchen treats the kitchen as symptomatic of these erasures, connecting issues of race, gender, and social difference across national boundaries. This rich and rewarding study--embracing the literature, film, and photography of the era--will appeal to a broad spectrum of scholars"--From publisher's website Introduction: Cold War, hot kitchen -- Envy and other warm guns : Ray and Charles Eames at the American National Exhibition in Moscow -- Reframing the Cold War kitchen : Sylvia Plath, Byt, and the radical imaginary of The Bell Jar -- Alice Childress, Natalya Baranskaya, and the conditions of Cold War womanhood -- Lorraine Hansberry and the social life of emotions -- Selling the homeland : Silk Stockings, stilyagi, and style -- Epilogue: A kitchen in history

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781611688627; 9781611688634
    Schriftenreihe: Re-mapping the transnational : a Dartmouth series in American studies
    Schlagworte: Cold War; Propaganda; Kitchens; Kitchens; Race; Sex role; Kitchens in literature; Kitchens; Ost-West-Konflikt; Küche <Motiv>; Propaganda; Geschichte; Cold War; Propaganda; Kitchens; Kitchens; Race; Sex role; Kitchens in literature; Political aspects; History; Political aspects; Political aspects; Political aspects; Political aspects; Kitchens; United States; Soviet Union
    Umfang: xviii, 236 pages, illustrations, map, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index

    :
  7. The racial imaginary of the Cold War kitchen
    from Sokolʹniki Park to Chicago's South Side
    Autor*in: Baldwin, Kate A.
    Erschienen: [2016]
    Verlag:  Dartmouth College Press, Hanover, New Hampshire

    Introduction: Cold War, hot kitchen -- Envy and other warm guns : Ray and Charles Eames at the American National Exhibition in Moscow -- Reframing the Cold War kitchen : Sylvia Plath, Byt, and the radical imaginary of The Bell Jar -- Alice Childress,... mehr

    Standort:
    Historisches Institut, Abteilung für Nordamerikanische Geschichte, Bibliothek
    Signatur:
    422/327.734.7Bal/Rac
    Fernleihe:
    keine Fernleihe

     

    Introduction: Cold War, hot kitchen -- Envy and other warm guns : Ray and Charles Eames at the American National Exhibition in Moscow -- Reframing the Cold War kitchen : Sylvia Plath, Byt, and the radical imaginary of The Bell Jar -- Alice Childress, Natalya Baranskaya, and the conditions of Cold War womanhood -- Lorraine Hansberry and the social life of emotions -- Selling the homeland : Silk Stockings, stilyagi, and style -- Epilogue: A kitchen in history "A study of the ways in which the kitchen was used as a recurring motif in the ideological and propaganda battles of the Cold War, particularly in regard to issues of feminism and race"--Provided by publisher "Race, domesticity, and consumerism in the Cold War era. This book demonstrates the ways in which the kitchen--the centerpiece of domesticity and consumerism--was deployed as a recurring motif in the ideological and propaganda battles of the Cold War. Beginning with the famous Nixon-Khrushchev kitchen debate, Baldwin shows how Nixon turned the kitchen into a space of exception, while contemporary writers, artists, and activists depicted it as a site of cultural resistance. Focusing on a wide variety of literature and media from the United States and the Soviet Union, Baldwin reveals how the binary logic at work in Nixon's discourse--setting U.S. freedom against Soviet totalitarianism--erased the histories of slavery, gender subordination, colonialism, and racial genocide. The Racial Imaginary of the Cold War Kitchen treats the kitchen as symptomatic of these erasures, connecting issues of race, gender, and social difference across national boundaries. This rich and rewarding study--embracing the literature, film, and photography of the era--will appeal to a broad spectrum of scholars"--From publisher's website

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781611688627; 9781611688634; 9781611688641
    Schriftenreihe: Re-mapping the transnational : a Dartmouth series in American studies
    Weitere Schlagworte: Soviet Union; Relations; United States; United States; Relations; Soviet Union; Cold War; Political aspects; Kitchens; In mass media; Kitchens; Political aspects; History; 20th century; United States; Kitchens; Political aspects; History; Soviet Union; Kitchens in literature; Propaganda; History; 20th century; Race; Political aspects; History; 20th century; Sex role; Political aspects; History; 20th century; Geschichte; USA; Sowjetunion; Ost-West-Konflikt; Küche <Motiv>; Propaganda; Geschichte; Cold War / Political aspects; Propaganda / History / 20th century; Kitchens / Political aspects / United States / History / 20th century; Kitchens / Political aspects / Soviet Union / History; Race / Political aspects / History / 20th century; Sex role / Political aspects / History / 20th century; Kitchens in literature; Kitchens / In mass media; United States / Relations / Soviet Union; Soviet Union / Relations / United States
    Umfang: xviii, 236 Seiten, Illustrationen, Karten, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction: Cold War, hot kitchenEnvy and other warm guns : Ray and Charles Eames at the American National Exhibition in Moscow -- Reframing the Cold War kitchen : Sylvia Plath, Byt, and the radical imaginary of The bell jar -- Alice Childress, Natalya Baranskaya, and the conditions of Cold War womanhood -- Lorraine Hansberry and the social life of emotions -- Selling the homeland : Silk Stockings, stilyagi, and style -- Epilogue: A kitchen in history..
  8. Beyond the color line and the Iron Curtain
    reading encounters between Black and Red, 1922 - 1963
    Autor*in: Baldwin, Kate A.
    Erschienen: 2002
    Verlag:  Duke Univ. Press, Durham, NC [u.a.]

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 082232976X; 0822329905
    RVK Klassifikation: HU 1728
    Schriftenreihe: New Americanists
    Schlagworte: African Americans; African American intellectuals; African American authors; African American arts; Communism
    Umfang: XII, 346 S., Ill., 23cm
    Bemerkung(en):

    Literaturverz. S. [321] - 331
  9. Beyond the color line and the Iron Curtain
    reading encounters between Black and Red, 1922 - 1963
    Autor*in: Baldwin, Kate A.
    Erschienen: 2002
    Verlag:  Duke University Press, Durham, NC

    Standort:
    Haus der Kulturen der Welt, HKW.Bibliothek
    Signatur:
    FC 200 Bal
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Signatur:
    01.T.0746
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2003 A 701
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    AA L XXX 700
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    keine Fernleihe

    Standort:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Signatur:
    EV/320/1201
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Historisches Seminar, Schurman-Bibliothek für Amerikanische Geschichte
    Signatur:
    Sch 3.5.8 - 416
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    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Brechtbau-Bibliothek
    Signatur:
    PZ 343.074
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    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 082232976X; 0822329905
    RVK Klassifikation: HU 1728
    Schriftenreihe: New Americanists
    Schlagworte: African Americans; African American intellectuals; African American authors; African American arts; Communism
    Umfang: XII, 346 S, Ill, 23cm.
    Bemerkung(en):

    Includes bibliographical references (S. 321 - 331) and index
  10. Beyond the color line and the Iron Curtain
    reading encounters between Black and Red, 1922-1963
    Autor*in: Baldwin, Kate A.
    Erschienen: 2002
    Verlag:  Duke Univ Press, Durham [u.a.]

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    Signatur:
    13/HD 370.190 B181
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Marburg, Universitätsbibliothek
    Signatur:
    080 OEG S-Ru 21/351
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0822329905; 082232976X
    RVK Klassifikation: HD 370 ; HU 1728
    Schriftenreihe: New Americanists
    Umfang: XII, 346 S., Ill.
    Bemerkung(en):

    Literaturverz. S. [320] - 331
  11. The racial imaginary of the Cold War kitchen
    from sokol'niki park to chicago's south side
    Autor*in: Baldwin, Kate A.
    Erschienen: [2016]; © 2016
    Verlag:  Dartmouth College Press, Hanover, NH

    Standort:
    Universität Frankfurt, Elektronische Ressourcen
    Signatur:
    /
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    keine Fernleihe

    Standort:
    Universitätsbibliothek Gießen
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    Standort:
    Universität Mainz, Zentralbibliothek
    Fernleihe:
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781611688641
    RVK Klassifikation: MG 70091
    Schriftenreihe: Re-mapping the transnational: a dartmouth series in American studies
    Schlagworte: Konsumgesellschaft; Küche <Motiv>; Ost-West-Konflikt; Propaganda
    Umfang: 1 Online-Ressource (xviii, 236 Seiten)
  12. Beyond the color line and the Iron Curtain
    reading encounters between Black and Red, 1922-1963
    Autor*in: Baldwin, Kate A.
    Erschienen: 2002

    Standort:
    Bibliothek der Friedrich-Ebert-Stiftung
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    Quelle: Verbundkataloge
    Beteiligt: Baldwin Kate
    Medientyp: Buch (Monographie)
    ISBN: 082232976X; 0822329905
    Weitere Schlagworte: Farbige; Kommunismus; Literaturgeschichte; Schwarze; Sowjetunion; Literatur
    Umfang: XII, 346 S., Ill.
    Bemerkung(en):

    Includes bibliographical references and index
  13. The Radical Imaginary of The Bell Jar
    Autor*in: Baldwin, Kate A.
    Erschienen: 2004

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    Quelle: Online Contents Komparatistik
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    Übergeordneter Titel: Novel; Durham, NC : Duke Univ. Press, 1967-; Band 38, Heft 1 (2004), Seite 21-40