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  1. American independent cinema
    rites of passage and the crisis image
    Autor*in: Backman Rogers, Anna
    Erschienen: 2015
    Verlag:  Edinburgh University Press, Edinburgh

    Examines crisis, transition and metamorphosis in American independent cinema. By examining six films, all of which conform to the notion of 'indiewood' (King 2005) from a formal perspective, this book argues that American 'indie' cinema is not one... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Examines crisis, transition and metamorphosis in American independent cinema. By examining six films, all of which conform to the notion of 'indiewood' (King 2005) from a formal perspective, this book argues that American 'indie' cinema is not one merely in crisis, but also of crisis. As a cinema that draws upon an American cinematic heritage that explores various rites of passage (the teen movie, the road movie, the western), these films deal in images of crisis, transition and metamorphosis. This cinema of crisis offers surprisingly subversive and critical images that both engage with and undermine modes of cliched representation and thought by exploring notions of ambiguity and opacity.Key Features: Case studies include: The Virgin Suicides , Elephant , Dead Man , Last Days , Somewhere and Broken Flowers * Engages with and develops on recent scholarship on American independent film from a formal perspective * Situates analysis of indie film within the context of American generic cinematic (and historical) traditions

     
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    Volltext (URL des Erstveröffentlichers)
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    RVK Klassifikation: AP 44983 ; AP 53800
    Schriftenreihe: Edinburgh studies in film and intermediality
    Schlagworte: Independent films / United States / History and criticism; Unabhängiger Film; Übergangsritus <Motiv>; Krise <Motiv>; Erwachsenwerden <Motiv>
    Weitere Schlagworte: Coppola, Sofia (1971-); Van Sant, Gus (1952-); Jarmusch, Jim (1953-)
    Umfang: 1 online resource (170 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 29 Sep 2017)

    Adolescence: Sofia Coppola's The Virgin Suicides (1999) -- Adolescence: Gus Van Sant's Elephant (2003) -- Death: Jim Jarmusch's Dead Man (1994) -- Death: Gus Van Sant's Last Days (2004) -- Life-crisis: Sofia Coppola's Somewhere (2011) -- Life-crisis: Jim Jarmusch's Broken Flowers (2005) -- Conclusion: the crisis image - mumblecore and beyond
  2. American independent cinema
    rites of passage and the crisis image
    Autor*in: Backman Rogers, Anna
    Erschienen: 2015
    Verlag:  Edinburgh University Press, Edinburgh

    Examines crisis, transition and metamorphosis in American independent cinema. By examining six films, all of which conform to the notion of 'indiewood' (King 2005) from a formal perspective, this book argues that American 'indie' cinema is not one... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Examines crisis, transition and metamorphosis in American independent cinema. By examining six films, all of which conform to the notion of 'indiewood' (King 2005) from a formal perspective, this book argues that American 'indie' cinema is not one merely in crisis, but also of crisis. As a cinema that draws upon an American cinematic heritage that explores various rites of passage (the teen movie, the road movie, the western), these films deal in images of crisis, transition and metamorphosis. This cinema of crisis offers surprisingly subversive and critical images that both engage with and undermine modes of cliched representation and thought by exploring notions of ambiguity and opacity.Key Features: Case studies include: The Virgin Suicides , Elephant , Dead Man , Last Days , Somewhere and Broken Flowers * Engages with and develops on recent scholarship on American independent film from a formal perspective * Situates analysis of indie film within the context of American generic cinematic (and historical) traditions

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    RVK Klassifikation: AP 44983 ; AP 53800
    Schriftenreihe: Edinburgh studies in film and intermediality
    Schlagworte: Independent films / United States / History and criticism; Unabhängiger Film; Übergangsritus <Motiv>; Krise <Motiv>; Erwachsenwerden <Motiv>
    Weitere Schlagworte: Coppola, Sofia (1971-); Van Sant, Gus (1952-); Jarmusch, Jim (1953-)
    Umfang: 1 online resource (170 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 29 Sep 2017)

    Adolescence: Sofia Coppola's The Virgin Suicides (1999) -- Adolescence: Gus Van Sant's Elephant (2003) -- Death: Jim Jarmusch's Dead Man (1994) -- Death: Gus Van Sant's Last Days (2004) -- Life-crisis: Sofia Coppola's Somewhere (2011) -- Life-crisis: Jim Jarmusch's Broken Flowers (2005) -- Conclusion: the crisis image - mumblecore and beyond
  3. American independent cinema
    rites of passage and the crisis image
    Autor*in: Backman Rogers, Anna
    Erschienen: 2015
    Verlag:  Edinburg Univ. Press, Edinburgh

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Hochschule Nürnberg Georg Simon Ohm, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780748693603
    RVK Klassifikation: AP 44983 ; AP 53800
    Schriftenreihe: Edinburgh studies in film and intermediality
    Schlagworte: Unabhängiger Film; Erwachsenwerden <Motiv>; Krise <Motiv>; Übergangsritus <Motiv>
    Weitere Schlagworte: Coppola, Sofia (1971-); Jarmusch, Jim (1953-); Van Sant, Gus (1952-)
    Umfang: 170 S., Ill.
  4. American independent cinema
    rites of passage and the crisis image
    Autor*in: Backman Rogers, Anna
    Erschienen: c 2015
    Verlag:  Edinburgh Univ. Press, Edinburgh

    "Anna Backman Rogers argues that American independent cinema is a cinema not merely in crisis, but also of crisis. As a cinema which often explores the rite of passage by explicitly drawing on American cinematic heritage, from the teen movie to the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 945781
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signatur:
    Bw 793
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Anna Backman Rogers argues that American independent cinema is a cinema not merely in crisis, but also of crisis. As a cinema which often explores the rite of passage by explicitly drawing on American cinematic heritage, from the teen movie to the western, American independent films deal in images of crisis, transition and metamorphosis, offering a subversive engagement with more traditional modes of representation." -- Back cover Adolescence: Sofia Coppola's The Virgin Suicides (1999) -- Adolescence: Gus Van Sant's Elephant (2003) -- Death: Jim Jarmusch's Dead Man (1994) -- Death: Gus Van Sant's Last Days (2004) -- Life-crisis: Sofia Coppola's Somewhere (2011) -- Life-crisis: Jim Jarmusch's Broken Flowers (2005) -- Conclusion: the crisis image - mumblecore and beyond

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780748693603
    RVK Klassifikation: AP 44983 ; AP 53800
    Schriftenreihe: Edinburgh studies in film and intermediality
    Schlagworte: Independent films
    Umfang: 170 S., Ill.
  5. American independent cinema
    rites of passage and the crisis image
    Autor*in: Backman Rogers, Anna
    Erschienen: [2015]
    Verlag:  Edinburgh University Press, Edinburgh

    "Anna Backman Rogers argues that American independent cinema is a cinema not merely in crisis, but also of crisis. As a cinema which often explores the rite of passage by explicitly drawing on American cinematic heritage, from the teen movie to the... mehr

    Standort:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
    Signatur:
    2.3.US-ROG 1
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 945781
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signatur:
    Bw 793
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Mannheim
    Signatur:
    2016 A 3368
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Anna Backman Rogers argues that American independent cinema is a cinema not merely in crisis, but also of crisis. As a cinema which often explores the rite of passage by explicitly drawing on American cinematic heritage, from the teen movie to the western, American independent films deal in images of crisis, transition and metamorphosis, offering a subversive engagement with more traditional modes of representation." -- Back cover Adolescence: Sofia Coppola's The Virgin Suicides (1999) -- Adolescence: Gus Van Sant's Elephant (2003) -- Death: Jim Jarmusch's Dead Man (1994) -- Death: Gus Van Sant's Last Days (2004) -- Life-crisis: Sofia Coppola's Somewhere (2011) -- Life-crisis: Jim Jarmusch's Broken Flowers (2005) -- Conclusion: the crisis image - mumblecore and beyond

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780748693603
    RVK Klassifikation: AP 44983 ; AP 53800
    Schriftenreihe: Edinburgh studies in film and intermediality
    Schlagworte: Independent films; Unabhängiger Film; Krise <Motiv>; Erwachsenwerden <Motiv>; Übergangsritus <Motiv>
    Weitere Schlagworte: Coppola *1971*; Jarmusch *1953*; Van Sant *1952*
    Umfang: 170 Seiten, Illustrationen
  6. American independent cinema
    rites of passage and the crisis image
    Autor*in: Backman Rogers, Anna
    Erschienen: 2015
    Verlag:  Edinburg Univ. Press, Edinburgh

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780748693603
    RVK Klassifikation: AP 44983 ; AP 53800
    Schriftenreihe: Edinburgh studies in film and intermediality
    Schlagworte: Unabhängiger Film; Erwachsenwerden <Motiv>; Krise <Motiv>; Übergangsritus <Motiv>
    Weitere Schlagworte: Coppola, Sofia (1971-); Jarmusch, Jim (1953-); Van Sant, Gus (1952-)
    Umfang: 170 S., Ill.
  7. American independent cinema
    rites of passage and the crisis image
    Autor*in: Backman Rogers, Anna
    Erschienen: [2015]
    Verlag:  Edinburgh University Press, Edinburgh ; ProQuest, Ann Arbor, Michigan

    Examining films by Gus Van Sant, Jim Jarmusch and Sofia Coppola to highlight their use of cinematic time as a mode of philosophical thought, this book brings new and exciting perspectives to American independent cinema. mehr

    Standort:
    Universität Mainz, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

     

    Examining films by Gus Van Sant, Jim Jarmusch and Sofia Coppola to highlight their use of cinematic time as a mode of philosophical thought, this book brings new and exciting perspectives to American independent cinema.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748693610
    RVK Klassifikation: AP 51087 ; AP 51185 ; AP 51400 ; AP 50300 ; AP 53800 ; AP 44983
    Schriftenreihe: Edinburgh studies in film and intermediality
    Schlagworte: Unabhängiger Film; Krise <Motiv>; Erwachsenwerden <Motiv>; Übergangsritus <Motiv>
    Weitere Schlagworte: Coppola, Sofia (1971-); Jarmusch, Jim (1953-); Van Sant, Gus (1952-)
    Umfang: 1 Online-Ressource (ix, 170 Seiten)
    Bemerkung(en):

    Literaturverzeichnis Seite 160-166

    Description based upon print version of record
  8. Feminisms
    Beteiligt: Mulvey, Laura (Hrsg.); Backman Rogers, Anna (Hrsg.)
    Erschienen: 2015
    Verlag:  Amsterdam University Press, Amsterdam

    This collection brings together an exciting group of established and emerging scholars to consider the history of feminist film theory and new developments in the field and in film culture itself. Opening the field up to urgent questions and covering... mehr

     

    This collection brings together an exciting group of established and emerging scholars to consider the history of feminist film theory and new developments in the field and in film culture itself. Opening the field up to urgent questions and covering such topics as new experimental film, the digital image, consumerism, activism, and pornography, Feminisms will be essential reading for scholars of both film and feminism.

     
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    Quelle: OAPEN
    Beteiligt: Mulvey, Laura (Hrsg.); Backman Rogers, Anna (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789048523634; 9789089646767
    Weitere Identifier:
    Schlagworte: The arts: general issues; Electronic, holographic & video art; Film theory & criticism
    Weitere Schlagworte: Feminism
    Umfang: 1 electronic resource (277 p.)
  9. Still Life : Notes on Barbara Loden's "Wanda" (1970)
    Autor*in: Backman Rogers, Anna
    Erschienen: 2021
    Verlag:  punctum books, Brooklyn, NY

    "There is indeed a ""miracle"" in the 1970 film Wanda. This film has survived, despite decades of neglect, to emerge into the fuliginous light of an era that may just be ready to strain at grasping its harsh and brutal truths -- truths that reveal... mehr

     

    "There is indeed a ""miracle"" in the 1970 film Wanda. This film has survived, despite decades of neglect, to emerge into the fuliginous light of an era that may just be ready to strain at grasping its harsh and brutal truths -- truths that reveal the imbrication of the psychic in the social and the experiential in political structures. Barbara Loden's film dares to suggest that the social and ethical functions of art should not necessarily be redemptive – that salvation is a cheap and spurious form of consolation that few can afford in this world. This film, made by a woman who knew all too well what it means to be defined through and by her material circumstances (and her relationships to men), and that is so relentlessly ferocious in its refusal to assuage and comfort the viewer, has always been a form of future feminism. Wanda does not brook the comforts of positivity, of aspiration, or even the luxury of selfhood.

     

    This film, Still Life contends, is so radical in its feminist-anti-capitalist politics of refusal that we are still struggling to keep up with it. It delineates precisely how the personal is political and why this matters now more than ever. Wanda, a film about a woman who refuses to be saved or to save herself, who lacks the means and energy to alter anything in her life, who lives in a permanent state of blockage, impasse and failure is, as this publication suggests, the film of our contemporary moment."

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781953035684
    Schlagworte: Film theory & criticism; Feminism & feminist theory
    Weitere Schlagworte: 1970s cinema, Barbara Loden, feminist studies, film studies, US independent cinema, Wanda (film)
    Umfang: 1 electronic resource (154 p.)
  10. Feminsms: Diversity, Difference and Multiplicity in Contemporary Film Cultures
    Beteiligt: Mulvey, Laura (Hrsg.); Backman Rogers, Anna (Hrsg.)
    Erschienen: 2015
    Verlag:  Amsterdam University Press

    This collection brings together an exciting group of established and emerging scholars to consider the history of feminist film theory and new developments in the field and in film culture itself. Opening the field up to urgent questions and covering... mehr

     

    This collection brings together an exciting group of established and emerging scholars to consider the history of feminist film theory and new developments in the field and in film culture itself. Opening the field up to urgent questions and covering such topics as new experimental film, the digital image, consumerism, activism, and pornography, Feminisms will be essential reading for scholars of both film and feminism.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: OAPEN
    Beteiligt: Mulvey, Laura (Hrsg.); Backman Rogers, Anna (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789089646767
    Weitere Identifier:
    Schlagworte: Film theory & criticism
    Weitere Schlagworte: the digital image; experimental film; culture; consumerism; activism; history of feminist film theory; film; feminism; pornography; Feminism
  11. Feminisms
    Diversity, Difference and Multiplicity in Contemporary Film Cultures
    Beteiligt: Backman Rogers, Anna (HerausgeberIn); Mulvey, Laura (HerausgeberIn)
    Erschienen: [2015]
    Verlag:  Amsterdam University Press, Amsterdam

    This collection brings together an exciting group of established and emerging scholars to consider the history of feminist film theory and new developments in the field and in film culture itself. Opening the field up to urgent questions and covering... mehr

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    Verlag (kostenfrei)

    Standort:
    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
    Fernleihe:
    keine Fernleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Fernleihe:
    keine Fernleihe

    Standort:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Osnabrück
    Fernleihe:
    keine Fernleihe

     

    This collection brings together an exciting group of established and emerging scholars to consider the history of feminist film theory and new developments in the field and in film culture itself. Opening the field up to urgent questions and covering such topics as new experimental film, the digital image, consumerism, activism, and pornography, 'Feminisms' will be essential reading for scholars of both film and feminism.

     
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    Quelle: Verbundkataloge
    Beteiligt: Backman Rogers, Anna (HerausgeberIn); Mulvey, Laura (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789048523634; 904852363X
    Schriftenreihe: The key debates. Mutations and appropriations in European film studies ; 5
    Schlagworte: Women on television; Women in motion pictures; Feminism and motion pictures; Feminist film criticism; Feministisk teori ; sao; Kvinnokroppen ; sao; Filmestetik ; sao; Feminism ; sao; Periodicals ; kao/eng; Queer theory ; kao/eng; Pornography ; kao/eng; Feminism ; kao/eng; identity ; kao/eng; Body ; kao/eng; Film ; feminist theory ; kao/eng; Periodicals ; kao//eng; Queer theory ; kao//eng; Pornography ; kao//eng; Feminism ; kao//eng; identity ; kao//eng; Body ; kao//eng; Film ; feminist theory ; kao//eng; Tidskrifter ; kao; Queerteori ; kao; Pornografi ; kao; Feminism ; kao; Identitet ; kao; Kropp ; kao; Film ; feministisk teori ; kao; Music, Dance, Drama & Film ; hilcc; Film ; hilcc; Feministische Filmtheorie ; gnd; Feministischer Film ; gnd; Frauenfilm ; gnd; Frau ; Motiv ; gnd; Bibel ; Philemonbrief ; gnd; Filmhistoria ; sfit; Könsroller på film ; sfit; Film ; historia ; sao; Women on television; Women in motion pictures; Feminism and motion pictures; Feminist film criticism; PERFORMING ARTS ; Reference; ART ; General; The arts; Films, cinema; Film, TV and radio; Film theory and criticism; Femmes à la television; Femmes au cinema; Feminisme et cinema; Critique cinematographique feministe; Film ; feminist theory; Periodicals; Queer theory; Pornography; Feminism; identity; Body; Film ; feminist theory; Tidskrifter; Queerteori; Pornografi; Feminism; Identitet; Kropp; Film ; feministisk teori; Music, Dance, Drama & Film; Film; Feministische Filmtheorie; Feministischer Film; Frauenfilm; Frau ; Motiv; Bibel ; Philemonbrief; Filmhistoria; Film ; historia; Könsroller på film; Feministisk teori; Kvinnokroppen; Filmestetik; Feminism; Periodicals; Queer theory; Pornography; Feminism; identity; Body
    Umfang: 1 Online-Ressource (1 Online-Ressource 275 pages ..)
    Bemerkung(en):

    Includes bibliographical references and indexes. - Description based on print version record
  12. Female agency and documentary
    subjectivities, identity and activism
    Beteiligt: Ulfsdotter, Boel (Hrsg.); Backman Rogers, Anna (Hrsg.)
    Erschienen: 2018
    Verlag:  University Press, Edinburg

    Standort:
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Ulfsdotter, Boel (Hrsg.); Backman Rogers, Anna (Hrsg.)
    Medientyp: Buch (Monographie)
    ISBN: 9781474419475
    Weitere Schlagworte: Weibliche Filmschaffende, Frauenfilm, Filmregisseurin, Filmproduzentin; Dokumentarfilm/B; Ästhetik/A; Filmemacherinnen/A; Frauen und Film/A; Soziale Medien/E
    Umfang: xiv, 207 Seiten, Illustrationen