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  1. Contemporary Japanese women's theatre and visual arts
    performing girls' aesthetics
    Autor*in: Anan, Nobuko
    Erschienen: 2016
    Verlag:  Palgrave Macmillan, Houndmills, Basingstoke, Hampshire

    "This book explores the concept of 'girls' aesthetics,' where adult Japanese women create art works about 'girls' that resist motherhood. It traces their beginnings in homoerotic novels about schoolgirls around the 1910s and their later expression in... mehr

    Standort:
    Universitätsbibliothek Trier
    Signatur:
    MMO/od37386
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This book explores the concept of 'girls' aesthetics,' where adult Japanese women create art works about 'girls' that resist motherhood. It traces their beginnings in homoerotic novels about schoolgirls around the 1910s and their later expression in early 'Boys' Love' (BL) manga in the 1970s. The aesthetics are also manifested in contemporary theater and dance performances both in avant-garde and popular theater groups (e.g., Takarazuka) as well as in cult films. 'Girls' aesthetics' are distinct from the well-known 'kawaii' (cute) culture and contemporary art theories that emphasize the child-like nature of Japanese arts. The book situates these aesthetics within a history of Japanese performance and visual arts during the modern and contemporary period and links them to historical events such as the violent 1960s leftist movements, the 1970s women's liberation movements, and the post-war Japan-US relationship. The aesthetics provide an alternative to Western approaches for theorizing women within feminist theory. This is an important book for scholars and upper-level students of international performance and Japanese studies"...

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781137372970
    RVK Klassifikation: MS 2840 ; AP 78863 ; EI 4990 ; AP 44963 ; MS 3010 ; EI 5002
    Schriftenreihe: Contemporary performance interActions
    Schlagworte: Theater; Women in the theater; Aesthetics, Japanese; Performing arts; Women in the theater; PERFORMING ARTS / Theater / History & Criticism; Darstellende Kunst; Kultur; Mädchen; Manga; Ästhetik; Performance <Künste>; Mädchen <Motiv>; Theater; Feminismus
    Umfang: x, 229 Seiten, Illustrationen
  2. Contemporary Japanese women's theatre and visual arts
    performing girls' aesthetics
    Autor*in: Anan, Nobuko
    Erschienen: 2016
    Verlag:  Palgrave Macmillan, Houndmills, Basingstoke, Hampshire

    "This book explores the concept of 'girls' aesthetics,' where adult Japanese women create art works about 'girls' that resist motherhood. It traces their beginnings in homoerotic novels about schoolgirls around the 1910s and their later expression in... mehr

    Standort:
    Universitätsbibliothek Trier
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This book explores the concept of 'girls' aesthetics,' where adult Japanese women create art works about 'girls' that resist motherhood. It traces their beginnings in homoerotic novels about schoolgirls around the 1910s and their later expression in early 'Boys' Love' (BL) manga in the 1970s. The aesthetics are also manifested in contemporary theater and dance performances both in avant-garde and popular theater groups (e.g., Takarazuka) as well as in cult films. 'Girls' aesthetics' are distinct from the well-known 'kawaii' (cute) culture and contemporary art theories that emphasize the child-like nature of Japanese arts. The book situates these aesthetics within a history of Japanese performance and visual arts during the modern and contemporary period and links them to historical events such as the violent 1960s leftist movements, the 1970s women's liberation movements, and the post-war Japan-US relationship. The aesthetics provide an alternative to Western approaches for theorizing women within feminist theory. This is an important book for scholars and upper-level students of international performance and Japanese studies"..

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781137372970
    RVK Klassifikation: AP 44963 ; AP 78863 ; EI 4990 ; EI 5002 ; MS 3010 ; MS 2840
    Schriftenreihe: Contemporary performance interActions
    Schlagworte: Theater; Women in the theater; Aesthetics, Japanese; Performing arts; Women in the theater; PERFORMING ARTS / Theater / History & Criticism
    Umfang: x, 229 Seiten, Illustrationen
  3. Contemporary Japanese women's theatre and visual arts
    performing girls' aesthetics
    Autor*in: Anan, Nobuko
    Erschienen: 2016
    Verlag:  Palgrave Macmillan, Houndmills, Basingstoke, Hampshire

    "This book explores the concept of 'girls' aesthetics,' where adult Japanese women create art works about 'girls' that resist motherhood. It traces their beginnings in homoerotic novels about schoolgirls around the 1910s and their later expression in... mehr

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This book explores the concept of 'girls' aesthetics,' where adult Japanese women create art works about 'girls' that resist motherhood. It traces their beginnings in homoerotic novels about schoolgirls around the 1910s and their later expression in early 'Boys' Love' (BL) manga in the 1970s. The aesthetics are also manifested in contemporary theater and dance performances both in avant-garde and popular theater groups (e.g., Takarazuka) as well as in cult films. 'Girls' aesthetics' are distinct from the well-known 'kawaii' (cute) culture and contemporary art theories that emphasize the child-like nature of Japanese arts. The book situates these aesthetics within a history of Japanese performance and visual arts during the modern and contemporary period and links them to historical events such as the violent 1960s leftist movements, the 1970s women's liberation movements, and the post-war Japan-US relationship. The aesthetics provide an alternative to Western approaches for theorizing women within feminist theory. This is an important book for scholars and upper-level students of international performance and Japanese studies"...

     
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  4. Contemporary Japanese Women’s Theatre and Visual Arts
    Performing Girls' Aesthetics
    Autor*in: Anan, Nobuko
    Erschienen: 2016
    Verlag:  Palgrave Macmillan UK, London

    Standort:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
  5. Contemporary Japanese women's theatre and visual arts
    performing girls' aesthetics
    Autor*in: Anan, Nobuko
    Erschienen: 2016
    Verlag:  Palgrave Macmillan, Houndmills, Basingstoke, Hampshire

    "This book explores the concept of 'girls' aesthetics,' where adult Japanese women create art works about 'girls' that resist motherhood. It traces their beginnings in homoerotic novels about schoolgirls around the 1910s and their later expression in... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This book explores the concept of 'girls' aesthetics,' where adult Japanese women create art works about 'girls' that resist motherhood. It traces their beginnings in homoerotic novels about schoolgirls around the 1910s and their later expression in early 'Boys' Love' (BL) manga in the 1970s. The aesthetics are also manifested in contemporary theater and dance performances both in avant-garde and popular theater groups (e.g., Takarazuka) as well as in cult films. 'Girls' aesthetics' are distinct from the well-known 'kawaii' (cute) culture and contemporary art theories that emphasize the child-like nature of Japanese arts. The book situates these aesthetics within a history of Japanese performance and visual arts during the modern and contemporary period and links them to historical events such as the violent 1960s leftist movements, the 1970s women's liberation movements, and the post-war Japan-US relationship. The aesthetics provide an alternative to Western approaches for theorizing women within feminist theory. This is an important book for scholars and upper-level students of international performance and Japanese studies"...

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781137372970
    RVK Klassifikation: AP 44963 ; AP 78863 ; EI 4990 ; EI 5002 ; MS 2840 ; MS 3010
    Schriftenreihe: Contemporary performance interActions
    Schlagworte: PERFORMING ARTS / Theater / History & Criticism; Geschichte; Philosophie; Theater; Women in the theater; Aesthetics, Japanese; Performing arts; Women in the theater; PERFORMING ARTS / Theater / History & Criticism; Manga; Performance <Künste>; Popkultur; Drama; Feminismus; Mädchen <Motiv>; Theater; Frauenbewegung; Emanzipation
    Umfang: x, 229 Seiten, Illustrationen
  6. Symbolism
    An International Annual of Critical Aesthetics
    Beteiligt: Anan, Nobuko (Mitwirkender); Anderson, Tiffany M. B. (Mitwirkender); Betts, Gregory (Mitwirkender); Charlwood, Catherine (Mitwirkender); Ecke, Jochen (Mitwirkender); Eckert, Kenneth (Mitwirkender); Fabb, Nigel (Mitwirkender); Gill, Patrick (Mitwirkender); Golovchenko, Margaryta (Mitwirkender); Henriksen, Anni Haahr (Mitwirkender); Klaeger, Florian (Herausgeber); Magome, Kiyoko (Mitwirkender); Newbould, M-C (Mitwirkender); Redding, Art (Mitwirkender); Schinko, Carsten (Mitwirkender); Stierstorfer, Klaus (Herausgeber); Strachan, Aysha (Mitwirkender); Tronicke, Marlena (Herausgeber)
    Erschienen: 2022; ©2022
    Verlag:  De Gruyter, Berlin ; Walter de Gruyter GmbH

    Special Focus: "Omission", edited by Patrick Gill Throughout literary history and in many cultures, we encounter an astute use of conspicuous absences to conjure an imagined reality into a recipient's mind. The term 'omission' as used in the present... mehr

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    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Mainz, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Marburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    Special Focus: "Omission", edited by Patrick Gill Throughout literary history and in many cultures, we encounter an astute use of conspicuous absences to conjure an imagined reality into a recipient's mind. The term 'omission' as used in the present study, then, demarcates a common artistic phenomenon: a silence, blank, or absence, introduced against the recipient's generic or experiential expectations, but which nonetheless frequently encapsulates the tenor of the work as a whole. Such omissions can be employed for their affective potential, when emotions represented or evoked by the text are deemed to be beyond words. They can be employed to raise epistemological questions, as when an omission marks the limits of what can be known. Ethical questions can also be approached by means of omissions, as when a character's voice is omitted, for instance. Finally, omission always carries within it the potential to reflect on the media and genres on which it is brought to bear: as its efficacy depends on the recipient's generic expectations, omission is frequently characterized by a high degree of meta-discursiveness. This volume investigates the various strategies with which the phenomenon of omission is employed across a range of textual forms and in different cultures to conclusively argue for its status as a highly effective and near-universal form of artistic signification.

     
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    Quelle: Verbundkataloge
    Beteiligt: Anan, Nobuko (Mitwirkender); Anderson, Tiffany M. B. (Mitwirkender); Betts, Gregory (Mitwirkender); Charlwood, Catherine (Mitwirkender); Ecke, Jochen (Mitwirkender); Eckert, Kenneth (Mitwirkender); Fabb, Nigel (Mitwirkender); Gill, Patrick (Mitwirkender); Golovchenko, Margaryta (Mitwirkender); Henriksen, Anni Haahr (Mitwirkender); Klaeger, Florian (Herausgeber); Magome, Kiyoko (Mitwirkender); Newbould, M-C (Mitwirkender); Redding, Art (Mitwirkender); Schinko, Carsten (Mitwirkender); Stierstorfer, Klaus (Herausgeber); Strachan, Aysha (Mitwirkender); Tronicke, Marlena (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110775884
    Weitere Identifier:
    DDC Klassifikation: Sprache (400)
    Schriftenreihe: Symbolism : An International Annual of Critical Aesthetics , ; 22
    Schlagworte: Literatur; Auslassung
    Umfang: 1 Online-Ressource (VIII, 281 p.)