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  1. Reductive reading
    a syntax of Victorian moralizing
    Autor*in: Allison, Sarah
    Erschienen: 2018
    Verlag:  Johns Hopkins University Press, Baltimore

    "An intervention into what Rita Felski has called "the method wars," Sarah Allison's Reductive Reading is among the surprisingly few books that apply new computational digital humanities methods to a specific field. The book is a manifesto for and a... mehr

    Standort:
    Universitätsbibliothek Trier
    Signatur:
    TH/mb22145
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Standort:
    Universitätsbibliothek Trier
    Signatur:
    np50860
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "An intervention into what Rita Felski has called "the method wars," Sarah Allison's Reductive Reading is among the surprisingly few books that apply new computational digital humanities methods to a specific field. The book is a manifesto for and a model of how digital analysis can provide daringly simple approaches to complex literary problems. Reductive Reading contributes to Victorian studies, as well as to studies in the novel and narrative, by introducing a computational perspective to debates about the value of fiction and the ethical representation of people in literature. Its analyses examine how patterns that form little part of our conscious experience of reading nevertheless structure our experience of books, and how linguistic patterns in moral commentary or the representation of dialogue comment on the story in the process of narrating it. Reductive Reading reveals a counterintuitive truth about criticism: that one of the most powerful ways to generate subtle reading is to be reductive; that is, to design projects with the questions up front, with a clear statement of how we propose to find the answers"...

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781421425627; 1421425629
    RVK Klassifikation: HL 1063
    Schlagworte: English literature; Discourse analysis, Literary; Criticism; Ethics in literature; English literature; Moral; Textanalyse; Literatur; Englisch; Stilistik
    Umfang: ix, 172 Seiten, Illustrationen, Diagramm
    Bemerkung(en):

    Literaturverzeichnis: Seite 155-165
  2. Reductive reading
    a syntax of Victorian moralizing
    Autor*in: Allison, Sarah
    Erschienen: 2018
    Verlag:  Johns Hopkins University Press, Baltimore

    "An intervention into what Rita Felski has called "the method wars," Sarah Allison's Reductive Reading is among the surprisingly few books that apply new computational digital humanities methods to a specific field. The book is a manifesto for and a... mehr

    Standort:
    Universitätsbibliothek Augsburg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
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    "An intervention into what Rita Felski has called "the method wars," Sarah Allison's Reductive Reading is among the surprisingly few books that apply new computational digital humanities methods to a specific field. The book is a manifesto for and a model of how digital analysis can provide daringly simple approaches to complex literary problems. Reductive Reading contributes to Victorian studies, as well as to studies in the novel and narrative, by introducing a computational perspective to debates about the value of fiction and the ethical representation of people in literature. Its analyses examine how patterns that form little part of our conscious experience of reading nevertheless structure our experience of books, and how linguistic patterns in moral commentary or the representation of dialogue comment on the story in the process of narrating it. Reductive Reading reveals a counterintuitive truth about criticism: that one of the most powerful ways to generate subtle reading is to be reductive; that is, to design projects with the questions up front, with a clear statement of how we propose to find the answers"...

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781421425627; 1421425629
    RVK Klassifikation: HL 1063
    Schlagworte: English literature; Discourse analysis, Literary; Criticism; Ethics in literature; English literature; Stilistik; Englisch; Literatur; Textanalyse; Moral
    Umfang: ix, 172 Seiten, Illustrationen, Diagramm
    Bemerkung(en):

    Literaturverzeichnis: Seite 155-165
  3. Quantitative formalism: an experiment
    Autor*in: Allison, Sarah; Heuser, Ryan; Jockers, Matthew Lee; Moretti, Franco; Witmore, Michael
    Erschienen: 2011
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
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    Schriftenreihe: Stanford Literary Lab: Pamphlets ; 1
    Schlagworte: Digital Humanities; Literaturwissenschaft; Gattungstheorie
    Weitere Schlagworte: Gattungspoetik
    Umfang: Online-Ressource
  4. Style at the scale of the sentence
    Autor*in: Allison, Sarah; Gemma, Marissa; Heuser, Ryan; Moretti, Franco; Tevel, Amir; Yamboliev, Irena
    Erschienen: 2013
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

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    Quelle: Verbundkataloge
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    Schriftenreihe: Stanford Literary Lab: Pamphlets ; 5
    Schlagworte: Worthäufigkeit; Stilistik; Satzanalyse; Digital Humanities; Englische Literatur
    Umfang: Online-Ressource
  5. Canon/archive
    large-scale dynamics in the literary field
    Autor*in: Algee-Hewitt, Mark; Allison, Sarah; Gemma, Marissa; Heuser, Ryan; Moretti, Franco; Walser, Hannah
    Erschienen: 2016
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

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    Quelle: Verbundkataloge
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    Schriftenreihe: Stanford Literary Lab: Pamphlets ; 11
    Schlagworte: Quantitative Literaturwissenschaft; Digital Humanities; Romantheorie
    Umfang: Online-Ressource
  6. Reductive reading
    a syntax of Victorian moralizing
    Autor*in: Allison, Sarah
    Erschienen: 2018
    Verlag:  Johns Hopkins University Press, Baltimore

    "An intervention into what Rita Felski has called "the method wars," Sarah Allison's Reductive Reading is among the surprisingly few books that apply new computational digital humanities methods to a specific field. The book is a manifesto for and a... mehr

    Standort:
    Universitätsbibliothek Trier
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "An intervention into what Rita Felski has called "the method wars," Sarah Allison's Reductive Reading is among the surprisingly few books that apply new computational digital humanities methods to a specific field. The book is a manifesto for and a model of how digital analysis can provide daringly simple approaches to complex literary problems. Reductive Reading contributes to Victorian studies, as well as to studies in the novel and narrative, by introducing a computational perspective to debates about the value of fiction and the ethical representation of people in literature. Its analyses examine how patterns that form little part of our conscious experience of reading nevertheless structure our experience of books, and how linguistic patterns in moral commentary or the representation of dialogue comment on the story in the process of narrating it. Reductive Reading reveals a counterintuitive truth about criticism: that one of the most powerful ways to generate subtle reading is to be reductive; that is, to design projects with the questions up front, with a clear statement of how we propose to find the answers"..

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781421425627; 1421425629
    RVK Klassifikation: HL 1063
    Schlagworte: English literature; Discourse analysis, Literary; Criticism; Ethics in literature; English literature
    Umfang: ix, 172 Seiten, Illustrationen, Diagramm
    Bemerkung(en):

    Literaturverzeichnis: Seite 155-165
  7. <<La>> littérature au laboratoire
    Autor*in: Moretti, Franco; Algee-Hewitt, Mark; Allison, Sarah; Gemma, Marissa; Heuser, Ryan; Jockers, Matthew Lee; Katsma, Holst; Pestre, Dominique; Tevel, Amir; Walser, Hanna; Witmore, Michael; Yamboliev, Irena
    Erschienen: [2016]
    Verlag:  Ithaque, Paris

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    Quelle: Verbundkataloge
    Sprache: Französisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9782916120591
    Schriftenreihe: Theoria incognita
    Schlagworte: Literaturtheorie; Formalismus <Literatur>;
    Umfang: 278 Seiten, Illustrationen, Diagramme
    Bemerkung(en):

    Die einzelnen Kapitel erschienen zuerst auf Englisch als "Pamphlets" des Stanford Literary Lab
  8. Reductive reading
    a syntax of Victorian moralizing
    Autor*in: Allison, Sarah
    Erschienen: 2018
    Verlag:  Johns Hopkins University Press, Baltimore

    "An intervention into what Rita Felski has called "the method wars," Sarah Allison's Reductive Reading is among the surprisingly few books that apply new computational digital humanities methods to a specific field. The book is a manifesto for and a... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "An intervention into what Rita Felski has called "the method wars," Sarah Allison's Reductive Reading is among the surprisingly few books that apply new computational digital humanities methods to a specific field. The book is a manifesto for and a model of how digital analysis can provide daringly simple approaches to complex literary problems. Reductive Reading contributes to Victorian studies, as well as to studies in the novel and narrative, by introducing a computational perspective to debates about the value of fiction and the ethical representation of people in literature. Its analyses examine how patterns that form little part of our conscious experience of reading nevertheless structure our experience of books, and how linguistic patterns in moral commentary or the representation of dialogue comment on the story in the process of narrating it. Reductive Reading reveals a counterintuitive truth about criticism: that one of the most powerful ways to generate subtle reading is to be reductive; that is, to design projects with the questions up front, with a clear statement of how we propose to find the answers"...

     
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    Verlag (Inhaltsverzeichnis)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781421425627; 1421425629
    RVK Klassifikation: HL 1063
    Schlagworte: English literature; Discourse analysis, Literary; Criticism; Ethics in literature; English literature; Stilistik; Englisch; Literatur; Textanalyse; Moral
    Umfang: ix, 172 Seiten, Illustrationen, Diagramm
    Bemerkung(en):

    Literaturverzeichnis: Seite 155-165
  9. Reductive reading
    a syntax of Victorian moralizing
    Autor*in: Allison, Sarah
    Erschienen: [2018]
    Verlag:  Johns Hopkins University Press, Baltimore

    Introduction the syntax of Victorian moralizing: on choosing a proxy for style -- In defense of reading reductively -- The shockingly subtle criticism of the London Quarterly Review, 1855-1861 -- Relative clauses and the narrative present tense in... mehr

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    Universität Mainz, Zentralbibliothek
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    Introduction the syntax of Victorian moralizing: on choosing a proxy for style -- In defense of reading reductively -- The shockingly subtle criticism of the London Quarterly Review, 1855-1861 -- Relative clauses and the narrative present tense in George Eliot -- generalization and declamation : Elizabeth Barrett Browning's present-tense poetics -- A moral technology: speech tags in Charles Dickens's dialogue -- Conclusion : a grammar of perception "An intervention into what Rita Felski has called "the method wars," Sarah Allison's Reductive Reading is among the surprisingly few books that apply new computational digital humanities methods to a specific field. The book is a manifesto for and a model of how digital analysis can provide daringly simple approaches to complex literary problems. Reductive Reading contributes to Victorian studies, as well as to studies in the novel and narrative, by introducing a computational perspective to debates about the value of fiction and the ethical representation of people in literature. Its analyses examine how patterns that form little part of our conscious experience of reading nevertheless structure our experience of books, and how linguistic patterns in moral commentary or the representation of dialogue comment on the story in the process of narrating it. Reductive Reading reveals a counterintuitive truth about criticism: that one of the most powerful ways to generate subtle reading is to be reductive; that is, to design projects with the questions up front, with a clear statement of how we propose to find the answers"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781421425627
    RVK Klassifikation: HL 1063
    Schlagworte: Englisch; Literatur; Moral; Stilistik
    Umfang: ix, 172 Seiten
  10. Reductive reading
    a syntax of Victorian moralizing
    Autor*in: Allison, Sarah
    Erschienen: 2018
    Verlag:  Johns Hopkins University Press, Baltimore

    "An intervention into what Rita Felski has called "the method wars," Sarah Allison's Reductive Reading is among the surprisingly few books that apply new computational digital humanities methods to a specific field. The book is a manifesto for and a... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    10 A 32193
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Universitätsbibliothek Heidelberg
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    "An intervention into what Rita Felski has called "the method wars," Sarah Allison's Reductive Reading is among the surprisingly few books that apply new computational digital humanities methods to a specific field. The book is a manifesto for and a model of how digital analysis can provide daringly simple approaches to complex literary problems. Reductive Reading contributes to Victorian studies, as well as to studies in the novel and narrative, by introducing a computational perspective to debates about the value of fiction and the ethical representation of people in literature. Its analyses examine how patterns that form little part of our conscious experience of reading nevertheless structure our experience of books, and how linguistic patterns in moral commentary or the representation of dialogue comment on the story in the process of narrating it. Reductive Reading reveals a counterintuitive truth about criticism: that one of the most powerful ways to generate subtle reading is to be reductive; that is, to design projects with the questions up front, with a clear statement of how we propose to find the answers"-- Introduction the syntax of Victorian moralizing: on choosing a proxy for style -- In defense of reading reductively -- The shockingly subtle criticism of the London Quarterly Review, 1855-1861 -- Relative clauses and the narrative present tense in George Eliot -- generalization and declamation : Elizabeth Barrett Browning's present-tense poetics -- A moral technology: speech tags in Charles Dickens's dialogue -- Conclusion : a grammar of perception

     
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    Verlag (Inhaltsverzeichnis)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1421425629; 9781421425627
    RVK Klassifikation: HL 1063
    Schlagworte: English literature; Discourse analysis, Literary; Criticism; Ethics in literature; English literature
    Umfang: ix, 172 Seiten
    Bemerkung(en):

    Includes bibliographical references and index
  11. Reductive reading
    a syntax of victorian moralizing
    Autor*in: Allison, Sarah
    Erschienen: [2018]
    Verlag:  Johns Hopkins University Press, Baltimore

    Cover -- Half Title -- Title -- Copyright -- Contents -- Acknowledgments -- Introduction. On Choosing a Proxy for Style -- 1 In Defense of Reading Reductively -- 2 The Shockingly Subtle Criticism of the London Quarterly Review , 1855-1861 -- 3... mehr

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
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    keine Fernleihe

     

    Cover -- Half Title -- Title -- Copyright -- Contents -- Acknowledgments -- Introduction. On Choosing a Proxy for Style -- 1 In Defense of Reading Reductively -- 2 The Shockingly Subtle Criticism of the London Quarterly Review , 1855-1861 -- 3 Relative Clauses and the Narrative Present Tense in George Eliot -- 4 Generalization and Declamation: Elizabeth Barrett Browning's Present-Tense Poetics -- 5 A Moral Technology: Speech Tags in Charles Dickens's Dialogue -- Conclusion. A Grammar of Perception -- Notes -- Works Cited -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y

     
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  12. Canon/archive
    large-scale dynamics in the literary field
    Autor*in: Algee-Hewitt, Mark; Allison, Sarah; Gemma, Marissa; Heuser, Ryan; Moretti, Franco; Walser, Hannah
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    Of the novelties introduced by digitization in the study of literature, the size of the archive is probably the most dramatic: we used to work on a couple of hundred nineteenth-century novels, and now we can analyze thousands of them, tens of... mehr

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    Verlag (kostenfrei)
    Verlag (kostenfrei)

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    keine Fernleihe
    Titel im lokalen Katalog:
    https://hds.hebis.de/ubffm/Record/HEB434665258

     

    Of the novelties introduced by digitization in the study of literature, the size of the archive is probably the most dramatic: we used to work on a couple of hundred nineteenth-century novels, and now we can analyze thousands of them, tens of thousands, tomorrow hundreds of thousands. It's a moment of euphoria, for quantitative literary history: like having a telescope that makes you see entirely new galaxies. And it's a moment of truth: so, have the digital skies revealed anything that changes our knowledge of literature? This is not a rhetorical question. In the famous 1958 essay in which he hailed "the advent of a quantitative history" that would "break with the traditional form of nineteenth-century history", Fernand Braudel mentioned as its typical materials "demographic progressions, the movement of wages, the variations in interest rates [...] productivity [...] money supply and demand." These were all quantifiable entities, clearly enough; but they were also completely new objects compared to the study of legislation, military campaigns, political cabinets, diplomacy, and so on. It was this double shift that changed the practice of history; not quantification alone. In our case, though, there is no shift in materials: we may end up studying 200,000 novels instead of 200; but, they're all still novels. Where exactly is the novelty?

     
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    Quelle: Fachkatalog AVL
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
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    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Schriftenreihe: Pamphlets of the Stanford literyry lab ; 11
    Umfang: 1 Online-Ressource (13 Seiten), Diagramme
  13. Style at the scale of the sentence
    Autor*in: Allison, Sarah; Gemma, Marissa; Heuser, Ryan; Moretti, Franco; Tevel, Amir; Yamboliev, Irena
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    We would study not style as such, but style 'at the scale of the sentence': the lowest level, it seemed, at which style as a distinct phenomenon became visible. Implicitly, we were defining style as a combination of smaller linguistic units, which... mehr

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    Standort:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    keine Fernleihe
    Titel im lokalen Katalog:
    https://hds.hebis.de/ubffm/Record/HEB434680222

     

    We would study not style as such, but style 'at the scale of the sentence': the lowest level, it seemed, at which style as a distinct phenomenon became visible. Implicitly, we were defining style as a combination of smaller linguistic units, which made it, in consequence, particularly sensitive to changes in scale—from words to clauses to whole sentences.

     
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    Quelle: Fachkatalog AVL
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
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    DDC Klassifikation: Literatur und Rhetorik (800)
    Schriftenreihe: Pamphlets of the Stanford literary lab ; pamphlet 5
    Umfang: 1 Online-Ressource (29 Seiten), Illustrationen
  14. Quantitative formalism: an experiment
    Autor*in: Allison, Sarah; Heuser, Ryan; Jockers, Matthew Lee; Moretti, Franco; Witmore, Michael
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    This paper is the report of a study conducted by five people – four at Stanford, and one at the University of Wisconsin – which tried to establish whether computer-generated algorithms could "recognize" literary genres. You take 'David Copperfield',... mehr

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    Standort:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    keine Fernleihe
    Titel im lokalen Katalog:
    https://hds.hebis.de/ubffm/Record/HEB434686999

     

    This paper is the report of a study conducted by five people – four at Stanford, and one at the University of Wisconsin – which tried to establish whether computer-generated algorithms could "recognize" literary genres. You take 'David Copperfield', run it through a program without any human input – "unsupervised", as the expression goes – and ... can the program figure out whether it's a gothic novel or a 'Bildungsroman'? The answer is, fundamentally, Yes: but a Yes with so many complications that it is necessary to look at the entire process of our study. These are new methods we are using, and with new methods the process is almost as important as the results.

     
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    Quelle: Fachkatalog AVL
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
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    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Schriftenreihe: Pamphlets of the Stanford literary lab ; pamphlet 1
    Umfang: 1 Online-Ressource (26 Seiten), Illustrationen
  15. Literatur im Labor
    Autor*in: Moretti, Franco; Algee-Hewitt, Mark; Allison, Sarah; Gemma, Marissa; Heuser, Ryan; Jockers, Matthew Lee; Pestre, Dominique; Steiner, Erik; Tevel, Amir; Walser, Hannah; Witmore, Michael; Yamboliev, Irena
    Erschienen: [2017]; © 2017
    Verlag:  Konstanz University Press, Paderborn

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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Engels, Bettina (ÜbersetzerIn); Adrian, Michael (ÜbersetzerIn)
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783862530816; 3862530817
    Weitere Identifier:
    9783862530816
    RVK Klassifikation: CC 3800 ; EC 1300 ; EC 5000 ; EC 1820
    DDC Klassifikation: Sprache (400)
    Schlagworte: Literaturwissenschaft; Literaturgattung; Algorithmus; Computer
    Umfang: 268 Seiten, Illustrationen, Diagramme, Karten, 23.3 cm x 15.7 cm
  16. Quantitative formalism: an experiment
    Autor*in: Allison, Sarah; Heuser, Ryan; Jockers, Matthew Lee; Moretti, Franco; Witmore, Michael
    Erschienen: 2011

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    Sprache: Englisch
    Medientyp: Unbestimmt
    Format: Online
    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Schlagworte: Gattungspoetik
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  17. Style at the scale of the sentence
    Autor*in: Allison, Sarah; Gemma, Marissa; Heuser, Ryan; Moretti, Franco; Tevel, Amir; Yamboliev, Irena
    Erschienen: 2013

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    Sprache: Englisch
    Medientyp: Unbestimmt
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
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  18. Canon/archive
    Autor*in: Algee-Hewitt, Mark; Allison, Sarah; Gemma, Marissa; Heuser, Ryan; Moretti, Franco; Walser, Hannah
    Erschienen: 2016

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    Sprache: Englisch
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    DDC Klassifikation: Englische, altenglische Literaturen (820)
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  19. Canon / archive
    Autor*in: Algee-Hewitt, Mark; Allison, Sarah; Gemma, Marissa

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    Quelle: Leibniz-Zentrum für Literatur- und Kulturforschung
    Beteiligt: Heuser, Ryan (Hrsg.); Moretti, Franco (Hrsg.); Walser, Hannah (Hrsg.)
    Medientyp: Teil eines Buches (Kapitel)
    Übergeordneter Titel: In: Canon/Archive : studies in quantitative formalism from the Stanford Literary Lab.(2017); 2017; S. 253 - 294
  20. Style at the scale of the sentence
    Autor*in: Allison, Sarah; Gemma, Marissa; Heuser, Ryan

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    Quelle: Leibniz-Zentrum für Literatur- und Kulturforschung
    Beteiligt: Moretti, Franco (Hrsg.); Tevel, Amir (Hrsg.); Yamboliev, Irena (Hrsg.)
    Medientyp: Teil eines Buches (Kapitel)
    Übergeordneter Titel: In: Canon/Archive : studies in quantitative formalism from the Stanford Literary Lab.(2017); 2017; S. 33 - 63
  21. Quantitative formalism
    Autor*in: Allison, Sarah; Heuser, Ryan; Jockers, Matthew

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    Quelle: Leibniz-Zentrum für Literatur- und Kulturforschung
    Beteiligt: Moretti, Franco (Hrsg.); Witmore, Michael (Hrsg.)
    Medientyp: Teil eines Buches (Kapitel)
    Übergeordneter Titel: In: Canon/Archive : studies in quantitative formalism from the Stanford Literary Lab.(2017); 2017; S. 1 - 31
  22. Reductive Reading
    A Syntax of Victorian Moralizing
    Autor*in: Allison, Sarah
    Erschienen: 2018; ©2018
    Verlag:  Johns Hopkins University Press, Baltimore

    A manifesto for and a model of how digital analysis can provide daringly simple approaches to complex literary problems, Reductive Reading introduces a counterintuitive computational perspective to debates about the value of fiction and the ethical... mehr

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    A manifesto for and a model of how digital analysis can provide daringly simple approaches to complex literary problems, Reductive Reading introduces a counterintuitive computational perspective to debates about the value of fiction and the ethical representation of people in literature. Cover -- Half Title -- Title -- Copyright -- Contents -- Acknowledgments -- Introduction. On Choosing a Proxy for Style -- 1 In Defense of Reading Reductively -- 2 The Shockingly Subtle Criticism of the London Quarterly Review , 1855-1861 -- 3 Relative Clauses and the Narrative Present Tense in George Eliot -- 4 Generalization and Declamation: Elizabeth Barrett Browning's Present-Tense Poetics -- 5 A Moral Technology: Speech Tags in Charles Dickens's Dialogue -- Conclusion. A Grammar of Perception -- Notes -- Works Cited -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781421425634
    Auflage/Ausgabe: 1st ed.
    Schlagworte: Electronic books
    Umfang: 1 online resource (185 pages)
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  23. Quantitative formalism: an experiment
    Autor*in: Allison, Sarah; Heuser, Ryan; Jockers, Matthew; Moretti, Franco; Witmore, Michael
    Erschienen: 2011

    This paper is the report of a study conducted by five people – four at Stanford, and one at the University of Wisconsin – which tried to establish whether computer-generated algorithms could "recognize" literary genres. You take 'David Copperfield',... mehr

     

    This paper is the report of a study conducted by five people – four at Stanford, and one at the University of Wisconsin – which tried to establish whether computer-generated algorithms could "recognize" literary genres. You take 'David Copperfield', run it through a program without any human input – "unsupervised", as the expression goes – and . can the program figure out whether it's a gothic novel or a 'Bildungsroman'? The answer is, fundamentally, Yes: but a Yes with so many complications that it is necessary to look at the entire process of our study. These are new methods we are using, and with new methods the process is almost as important as the results.

     
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    Sprache: Englisch
    Medientyp: Bericht
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Digital Humanities; Literaturwissenschaft; Gattungstheorie
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    publikationen.ub.uni-frankfurt.de/home/index/help ; info:eu-repo/semantics/openAccess
  24. Style at the scale of the sentence
    Autor*in: Allison, Sarah; Gemma, Marissa; Heuser, Ryan; Moretti, Franco; Tevel, Amir; Yamboliev, Irena
    Erschienen: 2013

    We would study not style as such, but style 'at the scale of the sentence': the lowest level, it seemed, at which style as a distinct phenomenon became visible. Implicitly, we were defining style as a combination of smaller linguistic units, which... mehr

     

    We would study not style as such, but style 'at the scale of the sentence': the lowest level, it seemed, at which style as a distinct phenomenon became visible. Implicitly, we were defining style as a combination of smaller linguistic units, which made it, in consequence, particularly sensitive to changes in scale—from words to clauses to whole sentences.

     
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    Sprache: Englisch
    Medientyp: Bericht
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Worthäufigkeit; Stilistik; Satzanalyse; Digital Humanities; Englische Literatur
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  25. Canon/archive : large-scale dynamics in the literary field
    Autor*in: Algee-Hewitt, Mark; Allison, Sarah; Gemma, Marissa; Heuser, Ryan; Moretti, Franco; Walser, Hannah
    Erschienen: 2016

    Of the novelties introduced by digitization in the study of literature, the size of the archive is probably the most dramatic: we used to work on a couple of hundred nineteenth-century novels, and now we can analyze thousands of them, tens of... mehr

     

    Of the novelties introduced by digitization in the study of literature, the size of the archive is probably the most dramatic: we used to work on a couple of hundred nineteenth-century novels, and now we can analyze thousands of them, tens of thousands, tomorrow hundreds of thousands. It's a moment of euphoria, for quantitative literary history: like having a telescope that makes you see entirely new galaxies. And it's a moment of truth: so, have the digital skies revealed anything that changes our knowledge of literature? This is not a rhetorical question. In the famous 1958 essay in which he hailed "the advent of a quantitative history" that would "break with the traditional form of nineteenth-century history", Fernand Braudel mentioned as its typical materials "demographic progressions, the movement of wages, the variations in interest rates [.] productivity [.] money supply and demand." These were all quantifiable entities, clearly enough; but they were also completely new objects compared to the study of legislation, military campaigns, political cabinets, diplomacy, and so on. It was this double shift that changed the practice of history; not quantification alone. In our case, though, there is no shift in materials: we may end up studying 200,000 novels instead of 200; but, they're all still novels. Where exactly is the novelty?

     
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    Sprache: Englisch
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    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Quantitative Literaturwissenschaft; Digital Humanities; Romantheorie
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    publikationen.ub.uni-frankfurt.de/home/index/help ; info:eu-repo/semantics/openAccess