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  1. The New Territory
    Ralph Ellison and the Twenty-First Century
    Beteiligt: , (Herausgeber)
    Erschienen: 2020
    Verlag:  University Press of Mississippi, Jackson

    Contributions by Herman Beavers, Robert Butler, John Callahan, Marc C. Conner, Bryan Crable, Steven D. Ealy, Lena Hill, Lucas E. Morel, Timothy Parrish, Ross Posnock, Patrice Rankine, Grant Shreve, Eric J. Sundquist, and Steven E. Tracy.Ralph Ellison... mehr

    Landesbibliothekszentrum Rheinland-Pfalz / Pfälzische Landesbibliothek
    Landesbibliothekszentrum Rheinland-Pfalz / Pfälzische Landesbibliothek
    121-3236
    Ausleihe von Bänden möglich, keine Kopien

     

    Contributions by Herman Beavers, Robert Butler, John Callahan, Marc C. Conner, Bryan Crable, Steven D. Ealy, Lena Hill, Lucas E. Morel, Timothy Parrish, Ross Posnock, Patrice Rankine, Grant Shreve, Eric J. Sundquist, and Steven E. Tracy.Ralph Ellison once said, "We’re only a partially achieved nation." In The New Territory, scholars show how clearly Ellison foresaw and articulated both the challenges and the possibilities of America in the twenty-first century. Indeed, Ellison in these new essays appears more and more to be a cultural prophet of twenty-first century America. As literary scholar Ross Posnock states, "If in our global, transnational age the renewed promise of cosmopolitan democracy has emerged as an animating ideal of popular political, and academic culture, this is a way of saying that we are only now beginning to catch up with Ralph Waldo Ellison."In this collection, the editors offer fourteen original essays that seek to examine and re-examine Ellison’s life and work in the context of its meanings for our own age, the early twenty-first century, the age of Obama, a period that is seemingly post-racial and yet all too acutely racial.Following a careful introduction that situates Ellison’s writings in the context of new approaches and interest in his work, the book offers new essays examining Ellison’s 1952 masterpiece, Invisible Man. It then turns to his vast, unfinished second novel, Three Days Before the Shooting., with detailed readings of that powerful and elusive narrative. These essays are the first sustained treatments of that posthumous work. The New Territory concludes with five chapters that discuss Ellison’s political, cultural, and historical significance, probing how he speaks to the contemporary moment and beyond.

     

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    Quelle: Verbundkataloge
    Beteiligt: , (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781496825643
    Weitere Identifier:
    9781496825643
    Weitere Schlagworte: Literaturwissenschaft; Literature: history & criticism; African American Studies; Literature
    Umfang: 376 p., 229 mm.
    Bemerkung(en):

    3 black & white photographs

  2. The Drum Is a Wild Woman
    Jazz and Gender in African Diaspora Literature
    Autor*in: ,
    Erschienen: 2022
    Verlag:  University Press of Mississippi, Jackson

    In 1957, Duke Ellington released the influential album A Drum Is a Woman. This musical allegory revealed the implicit truth about the role of women in jazz discourse—jilted by the musician and replaced by the drum. Further, the album’s cover displays... mehr

    Universitätsbibliothek Dortmund
    keine Fernleihe

     

    In 1957, Duke Ellington released the influential album A Drum Is a Woman. This musical allegory revealed the implicit truth about the role of women in jazz discourse—jilted by the musician and replaced by the drum. Further, the album’s cover displays an image of a woman sitting atop a drum, depicting the way in which the drum literally obscures the female body, turning the subject into an object. This objectification of women leads to a critical reading of the role of women in jazz music: If the drum can take the place of a woman, then a woman can also take the place of a drum.The Drum Is a Wild Woman: Jazz and Gender in African Diaspora Literature challenges that image but also defines a counter-tradition within women’s writing that involves the reinvention and reclamation of a modern jazz discourse. Despite their alienation from bebop, women have found jazz music empowering and have demonstrated this power in various ways.- The Drum Is a Wild Woman explores the complex relationship between women and jazz music in recent African diasporic literature. The book examines how women writers from the African diaspora have challenged and revised major tropes and concerns of jazz literature since the bebop era in the mid-1940s. Black women writers create dissonant sounds that broaden our understanding of jazz literature. By underscoring the extent to which gender is already embedded in jazz discourse, author Patricia G. Lespinasse responds to and corrects narratives that tell the story of jazz through a male-centered lens. She concentrates on how the Wild Woman, the female vocalist in classic blues, used blues and jazz to push the boundaries of Black womanhood outside of the confines of respectability.- In texts that refer to jazz in form or content, the Wild Woman constitutes a figure of resistance who uses language, image, and improvisation to refashion herself from object to subject.This book breaks new ground by comparing the politics of resistance alongside moments of improvisation by examining recurring literary motifs—cry-and-response, the Wild Woman, and the jazz moment—in jazz novels, short stories, and poetry, comparing works by Ann Petry, Gayl Jones, Toni Morrison, Paule Marshall, Edwidge Danticat, and Maya Angelou with pieces by Albert Murray, Ralph Ellison, James Baldwin, and Ellington. Within an interdisciplinary and transnational context, Lespinasse foregrounds the vexed negotiations around gender and jazz discourse.

     

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  3. Horizon, Sea, Sound
    Caribbean and African Women's Cultural Critiques of Nation
    Autor*in: ,
    Erschienen: 2022
    Verlag:  Northwestern University Press, Evanston

    In Horizon, Sea, Sound: Caribbean and African Women’s Cultural Critiques of Nation, Andrea Davis imagines new reciprocal relationships beyond the competitive forms of belonging suggested by the nation-state. The book employs the tropes of horizon,... mehr

    Universitätsbibliothek Dortmund
    keine Fernleihe

     

    In Horizon, Sea, Sound: Caribbean and African Women’s Cultural Critiques of Nation, Andrea Davis imagines new reciprocal relationships beyond the competitive forms of belonging suggested by the nation-state. The book employs the tropes of horizon, sea, and sound as a critique of nation-state discourses and formations, including multicultural citizenship, racial capitalism, settler colonialism, and the hierarchical nuclear family.Drawing on Tina Campt’s discussion of Black feminist futurity, Davis offers the concept future now, which is both central to Black freedom and a joint social justice project that rejects existing structures of white supremacy. Calling for new affiliations of community among Black, Indigenous, and other racialized women, and offering new reflections on the relationship between the Caribbean and Canada, she articulates a diaspora poetics that privileges our shared humanity. In advancing these claims, Davis turns to the expressive cultures (novels, poetry, theater, and music) of Caribbean and African women artists in Canada, including work by Dionne Brand, M. NourbeSe Philip, Esi Edugyan, Ramabai Espinet, Nalo Hopkinson, Amai Kuda, and Djanet Sears. Davis considers the ways in which the diasporic characters these artists create redraw the boundaries of their horizons, invoke the fluid histories of the Caribbean Sea to overcome the brutalization of plantation histories, use sound to enter and reenter archives, and shapeshift to survive in the face of conquest. The book will interest readers of literary and cultural studies, critical race theories, and Black diasporic studies.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780810144583
    Weitere Identifier:
    9780810144583
    Schriftenreihe: Critical Insurgencies
    Weitere Schlagworte: Literaturwissenschaft; Amerikanische Geschichte; Gender Studies, Geschlechtersoziologie; History of the Americas; Gender studies, gender groups; Literary companions, book reviews & guides
    Umfang: 312 p., 229 mm.
    Bemerkung(en):

    3 b&w images

    - Acknowledgements; - Preface; - Introduction: A Cultural Poetics; - 1. Limits of the Horizon; - 2. Re/turn to the Sea; - 3. Sounding Place; - Postscript: Living in the Past / Future Present; - Notes; - Bibliography; - Index;

  4. Before Equiano
    A Prehistory of the North American Slave Narrative
    Autor*in: ,
    Erschienen: 2022
    Verlag:  The University of North Carolina Press, Chapel Hill

    In the antebellum United States, formerly enslaved men and women who told their stories and advocated for abolition helped establish a new genre with widely recognized tropes: the slave narrative. This book investigates how enslaved black Africans... mehr

    Landesbibliothekszentrum Rheinland-Pfalz / Pfälzische Landesbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In the antebellum United States, formerly enslaved men and women who told their stories and advocated for abolition helped establish a new genre with widely recognized tropes: the slave narrative. This book investigates how enslaved black Africans conceived of themselves and their stories before the War of American Independence and the genre's development in the nineteenth century. Zachary McLeod Hutchins argues that colonial newspapers were pivotal in shaping popular understandings of both slavery and the black African experience well before the slave narrative's proliferation. Introducing the voices and art of black Africans long excluded from the annals of literary history, Hutchins shows how the earliest life writing by and about enslaved black Africans established them as political agents in an Atlantic world defined by diplomacy, war, and foreign relations. In recovering their stories, Hutchins sheds new light on how black Africans became Black Americans; how the earliest accounts of enslaved life were composed editorially from textual fragments rather than authored by a single hand; and how the public discourse of slavery shifted from the language of just wars and foreign policy to a heritable, race-based system of domestic oppression.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781469671543
    Weitere Identifier:
    9781469671543
    Weitere Schlagworte: Volkskunde; Amerikanische Geschichte; Literaturwissenschaft; History of the Americas; Literary studies: general; Slavery & abolition of slavery; Literary companions, book reviews & guides
    Umfang: 304 p., 235 mm.
  5. Vor gamle Skolemester
    Erschienen: 2013

    Universitätsbibliothek Kiel, Zentralbibliothek
    keine Fernleihe
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    Quelle: Verbundkataloge
    Sprache: Dänisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Druck
    Übergeordneter Titel: Enthalten in: Plys; Rødekro : Forlaget Arnis, 1985; 28(2013), Seite 315-316