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  1. Die Familie auf dem Lande: ein Drama, in fünf Aufzügen
    Autor*in: Hensel, Sophie Friederike
    Erschienen: 1770
    Verlag:  Verlag der Fürstlichen Waisenhaus-Buchhandlung

  2. Le Procès de Paradis dans la tradition française et dans la tradition allemande des Jeux de la Passion
    Autor*in: Borgnet, Guy
    Erschienen: 2015

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    Quelle: BASE Fachausschnitt AVL
    Sprache: Französisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: 2; 20; Religion (200); 7; 79; Bühnenkunst (792); 8; 80; Geschichte, Darstellung, Literaturwissenschaft und –kritik (809)
    Schlagworte: article
    Lizenz:

    all rights reserved ; info:eu-repo/semantics/openAccess
  3. Die »Passion de Sainte-Geneviève« und das »Donaueschinger Passionsspiel« im Vergleich
    Autor*in: Dauven, Carla
    Erschienen: 2015

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    Quelle: BASE Fachausschnitt AVL
    Sprache: Deutsch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: 2; 20; Religion (200); 7; 79; Bühnenkunst (792); 8; 80; Geschichte, Darstellung, Literaturwissenschaft und –kritik (809)
    Schlagworte: article; Deutschland -- Frankreich -- Drama -- Forschung -- Literatur -- Passionsspiel
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    all rights reserved ; info:eu-repo/semantics/openAccess
  4. What is it like to become a likeness of oneself?: Gestures of Light, Motion and Mind at the Surfaces of Representation
    Autor*in: Kachru, Sonam
    Erschienen: 2015
    Verlag:  Forum Transregionale Studien e. V.

    This essay explores the invocation of painting in a trope of Sanskrit literature which would have it that people can become like painted likenesses of themselves. While considering the invocation of painting in Sanskrit literature (with special... mehr

     

    This essay explores the invocation of painting in a trope of Sanskrit literature which would have it that people can become like painted likenesses of themselves. While considering the invocation of painting in Sanskrit literature (with special reference to the work of Kālidāsa), the essay is particularly concerned with the Buddhist poet Aśvaghoṣa (fl. 1st-2nd century C.E.) and his use of this trope. As used by Aśvaghoṣa this trope functions as a figure of figuration, inviting us to think through two questions at once: firstly, what is it to be a human being? And secondly, what are the continuities between the kind of representation the arts of literature and painting make possible? Exploring these questions together—while exploring the place of self-representation in our images of ourselves—I argue that Aśvaghoṣa carefully modulates his use of such figures of figuration—his invocation of painting in language—to promote a radical model of literary attention or reading, and a radical experience of language.

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    DDC Klassifikation: 7; 79; Freizeitgestaltung, darstellende Künste, Sport (790); 8; 80; Literatur und Rhetorik (800); 9; 90; Weltgeschichte (909)
    Schlagworte: Buch; Sanskrit -- Buchmalerei -- Selbstbild -- Invokation -- Literatur
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/ ; public ; info:eu-repo/semantics/openAccess
  5. Su certe tendenze della letteratura tedesca e del cinema tedesco in Italia
    Autor*in: Galli, Matteo
    Erschienen: 2019

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    Quelle: BASE Fachausschnitt AVL
    Sprache: Italienisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: 3; 30; Sozialwissenschaften (300); 7; 79; Öffentliche Darbietungen, Film, Rundfunk (791); 8; 83; 9; 94; Geschichte der italienische Halbinsel und benachbarter Inseln (945)
    Schlagworte: Artikel; Article; Italien -- Deutsche Literatur -- Kino -- Deutsch
    Lizenz:

    creativecommons.org/licenses/by-nc-nd/4.0/ ; info:eu-repo/semantics/openAccess
  6. Die Familie auf dem Lande: ein Drama, in fünf Aufzügen
    Autor*in: Hensel, Sophie Friederike
    Erschienen: 1770
    Verlag:  Verlag der Fürstlichen Waisenhaus-Buchhandlung

  7. Die Helden der neuen Welt: Schauspiel in fünf Aufzügen
    Autor*in: Gebhard, Friedrich Albert
    Erschienen: 1821
    Verlag:  Friedrich Vieweg

  8. Lecturing / Performing YouStorm: 'Presentification' and 'MetAdaptation'
    Autor*in: Voigts-Virchow, Eckart
    Erschienen: 2013
    Verlag:  Gunter Narr Verlag

  9. Staging the Palimpsest: An Introduction to Adaptation and Appropriation in Performance
    Autor*in: Pietrzak-Franger, Monika; Voigts-Virchow, Eckart
    Erschienen: 2009
    Verlag:  WVT Wissenschaftlicher Verlag

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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: 4; 42; Englisch, Altenglisch (420); 7; 79; Bühnenkunst (792); 8; 82; Englische, altenglische Literaturen (820)
    Schlagworte: Article; Veröffentlichung der TU Braunschweig
    Lizenz:

    public ; all rights reserved ; info:eu-repo/semantics/openAccess
  10. LandLust - The “Knowability” of Post-Pastoral Ruralism
    Autor*in: Voigts, Eckart
    Erschienen: 2016
    Verlag:  jovis Verlag GmbH

  11. Metadaptation: Adaptation and Intermediality – Cock and Bull
    Autor*in: Voigts-Virchow, Eckart
    Erschienen: 2009
    Verlag:  Intellect

    The paper for the usefulness of the term intermediality to account for hybrid intermedia and interart practices at the core of adaptation. Engaging with A Cock and Bull Story, Michael Winterbottom’s film adaptation based on Sterne’s Tristram Shandy,... mehr

     

    The paper for the usefulness of the term intermediality to account for hybrid intermedia and interart practices at the core of adaptation. Engaging with A Cock and Bull Story, Michael Winterbottom’s film adaptation based on Sterne’s Tristram Shandy, the analysis skirts the difficulties signaled by the terms fidelity, literature, taxonomy, and evaluation. Instead, the paper’s method is based on isolating the levels of mediality, transmediality and intermediality. It holds that Winterbottom’s film adaptation of a foundational metafiction lays bare the specific mediality not only of literature and film. The movie’s system contamination is focused on the in-between process of adaptation. It follows that ‘metadaptations’ (i.e., texts that foreground their own adaptive processes) constitute an heuristically rich subgenre among adaptations.

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: 4; 42; Englisch, Altenglisch (420); 7; 79; Bühnenkunst (792); 8; 82; Englische, altenglische Literaturen (820)
    Schlagworte: Article; Veröffentlichung der TU Braunschweig; intermediality -- metafiction -- Winterbottom; Michael -- A Cock and Bull Story -- Sterne; Laurence -- Tristram Shandy
    Lizenz:

    public ; all rights reserved ; info:eu-repo/semantics/openAccess
  12. Paratracks in the Digital Age: Bonus Material as Bogus Material in Blood Simple (Joel and Ethan Coen, 1984/2001)
    Autor*in: Voigts-Virchow, Eckart
    Erschienen: 2007
    Verlag:  WVT Wissenschaftlicher Verlag

  13. ‘Victoriana’s Secret’: Emilie Autumn’s Burlesque Performance of Subcultural Neo-Victorianism
    Autor*in: Voigts, Eckart
    Erschienen: 2013
    Verlag:  Swansea University

    This article discusses the neo-Victorian transmedia performance of Emilie Autumn, in the light of the “disproportionate attention” given to sensationalist tropes in feminist and queer criticism (Kohlke and Gutleben 2010: 23). Her burlesque... mehr

     

    This article discusses the neo-Victorian transmedia performance of Emilie Autumn, in the light of the “disproportionate attention” given to sensationalist tropes in feminist and queer criticism (Kohlke and Gutleben 2010: 23). Her burlesque performance may, on the one hand, be criticised as commodified neo-Victorianism, but, on the other hand, it can be seen as disturbing the bland heritage formulae still governing many neo-Victorian adaptations. Autumn comes in various guises that give rise to a plethora of fan engagement and foster controversy and publicity, such as her autobiographical neo-Victorian novel, An Asylum for Wayward Victorian Girls (2009), her music albums, such as Enchant (2003), Opheliac (2006) or Fight Like a Girl (2012), songs (‘Miss Lucy Had Some Leeches’), poems and performances and tours in the USA and Europe. Addressing Autumn as an example of ‘performative’ neo-Victorianism, this article asks the same question that Christine Ferguson has posed with reference to steampunk subcultures: should her transmedia personae be described as an apolitical surface style or is there any substantial subcultural commitment in her contemporary adaptations of Victorianism?

     
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  14. Trashing and Recycling: Regenrification in British Heritage Movies and Costume Films of the 1990s
    Autor*in: Griem, Julika; Voigts-Virchow, Eckart
    Erschienen: 2003
    Verlag:  WVT Wissenschaftlicher Verlag

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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: 4; 42; Englisch, Altenglisch (420); 7; 79; Bühnenkunst (792); 8; 82; Englische, altenglische Literaturen (820)
    Schlagworte: Article; Veröffentlichung der TU Braunschweig
    Lizenz:

    public ; all rights reserved ; info:eu-repo/semantics/openAccess
  15. Algorithms, Artificial Intelligence, and Posthuman Adaptation: Adapting as Cultural Technique
    Autor*in: Voigts, Eckart
    Erschienen: 2020
    Verlag:  Oxford University Press

    The paper discusses hybrid writing practices which emerge as a consequence of digital coding in electronic media and therefore also transform the materiality of ‘classic’ media. It argues that practices of adaptation have been re-shaped; digital... mehr

     

    The paper discusses hybrid writing practices which emerge as a consequence of digital coding in electronic media and therefore also transform the materiality of ‘classic’ media. It argues that practices of adaptation have been re-shaped; digital advances in Artificial Intelligence that have not been taken into consideration by adaptation studies. The interconnected digital world holds large quantities of available data and it is conceived as an ever-changing space of permanent copy and constant adaptation. It is shaped by fluid, textual recombination (e.g., remix, mashup, intermedia trailer, remediation, remake, fanfiction). The focus in this essay will be on automated writing practices executed through artificial neural networks or deep-learning applications that algorithmically recognize and imitate writing patterns as further typical manifestations of aesthetic practices in an information-rich society. It assesses these algorithmic writing practices as digital art, in relation to modernist, surrealist, and Dadaist avant-garde experimentation with automated writing. In addition, the essay raises the question of the present role and function of adaptation as a genre, and adaptations as texts, as quite separate from adapting as a human cultural technique (Kulturtechnik) in the context of newly defined modalities and cultural literacies. Advocating a wide notion of adaptation, the contribution launches a definition of posthuman adaptation that applies Actor-Network Theory to adaptation studies.

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: 4; 42; Englisch, Altenglisch (420); 7; 79; Bühnenkunst (792); 8; 82; Englische, altenglische Literaturen (820)
    Schlagworte: Article; Veröffentlichung der TU Braunschweig; artificial intelligence -- deep learning -- Actor-Network Theory -- posthumanism -- algorithm -- cultural technique
    Lizenz:

    public ; all rights reserved ; info:eu-repo/semantics/openAccess
  16. From Paratext to Polyprocess: The “Quirky” Mashup Novel
    Autor*in: Voigts, Eckart
    Erschienen: 2019
    Verlag:  Amsterdam University Press

    Applying broad notions of adaptation, this chapter seeks to bring “recombinant adaptation” – mashups and remixes on digital platforms – in dialogue with Gérard Genette’s idea of the paratext as a text’s “relations with the public.” It takes four... mehr

     

    Applying broad notions of adaptation, this chapter seeks to bring “recombinant adaptation” – mashups and remixes on digital platforms – in dialogue with Gérard Genette’s idea of the paratext as a text’s “relations with the public.” It takes four steps towards investigating how literary publishing houses such as Quirk Books respond to recombinant adaptation. Firstly, it delineates the paratexts of mashup novels as performative zones of transaction. Secondly, it examines the question of how paratexts regulate the quasi-religious textuality of fandom participation. Thirdly, it looks at the role of paratextual canonization within this textuality. And finally, it argues that printed products within the field attempt to perform a nostalgic authorization and re-materialization of literature, highlighting the haptic and material qualities of the book. Adapting the term “polytext,” the chapter calls these multifarious paratextual transactions the “polyprocess.”

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: 4; 42; Englisch, Altenglisch (420); 7; 79; Bühnenkunst (792); 8; 82; Englische, altenglische Literaturen (820)
    Schlagworte: Article; Veröffentlichung der TU Braunschweig; Paratext -- mashup novel -- recombinant adaptation -- fandom -- polytext/polyprocess -- remix
    Lizenz:

    public ; creativecommons.org/licenses/by-nc-nd/4.0/ ; info:eu-repo/semantics/openAccess
  17. Tom Stoppard: European Phantom Pain and the Theatre of Faux Biography
    Autor*in: Voigts, Eckart
    Erschienen: 2021
    Verlag:  MDPI AG

    The paper reads Stoppard’s work in the 21st century as further testimony of the gradual politicisation of his work that began in the 1970s under the influence of Czech dissidents, and particularly as a result of his visits to Russia and Prague in... mehr

     

    The paper reads Stoppard’s work in the 21st century as further testimony of the gradual politicisation of his work that began in the 1970s under the influence of Czech dissidents, and particularly as a result of his visits to Russia and Prague in 1977. It also provides evidence that Stoppard, since the 1990s, had begun to target emotional responses from his audience to redress the intellectual cool that seems to have shaped his earlier, “absurdist” phase. This turn towards emotionalism, the increasingly elegiac obsession with doubles, unrequited lives, and memory are linked to a set of biographical turning points: the death of his mother and the investigation into his Czech-Jewish family roots, which laid bare the foundations of the Stoppardian art. Examining this kind of “phantom pain” in two of his 21st-century plays, Rock’n’Roll (2006) and Leopoldstadt (2019), the essay argues that Stoppard’s work in the 21st century was increasingly coloured by his biography and Jewishness—bringing to the fore an important engagement with European history that helped Stoppard become aware of some blind spots in his attitudes towards Englishness.

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: 4; 42; Englisch, Altenglisch (420); 7; 79; Bühnenkunst (792); 8; 82; Englische, altenglische Literaturen (820)
    Schlagworte: Article; Veröffentlichung der TU Braunschweig
    Lizenz:

    public ; creativecommons.org/licenses/by/4.0/ ; info:eu-repo/semantics/openAccess
  18. Recombinant Appropriation: Remix, Mashup, Parody ; Memes and Recombinant Appropriation: Remix, Mashup, Parody
    Autor*in: Voigts, Eckart
    Erschienen: 2017
    Verlag:  Oxford University Press

    This essay considers the ways in which new intertextual forms engendered by emerging technologies—mashups, remixes, reboots, samplings, remodelings, transformations—further develop the impulse to adapt and appropriate, and the ways in which they... mehr

     

    This essay considers the ways in which new intertextual forms engendered by emerging technologies—mashups, remixes, reboots, samplings, remodelings, transformations—further develop the impulse to adapt and appropriate, and the ways in which they challenge the theory and practice of adaptation and appropriation. It argues that broad notions of adaptation in adaptation studies and the emergence of media protocols are useful for the analysis of recombinant appropriations and adaptations/appropriations in general. Best read in conjunction with the companion essay by Kyle Meikle in this volume, it explores the political and aesthetic dimensions of participatory mashups and viewer engagements with, and appropriations of, transmedia franchises, taking a variety of Internet memes and the BBC franchise Sherlock as case studies and focusing on the politically, ethically, and aesthetically transgressive potential of recombinant adaptations.

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: 4; 42; Englisch, Altenglisch (420); 7; 79; Bühnenkunst (792); 8; 82; Englische, altenglische Literaturen (820)
    Schlagworte: Article; Veröffentlichung der TU Braunschweig
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    public ; all rights reserved ; info:eu-repo/semantics/openAccess
  19. Melancholy Elephants and Virgin Machines: Technological Imagery and Mechanical Lacunae from Industrial Novels to Scientific Romances
    Autor*in: Voigts, Eckart
    Erschienen: 1999
    Verlag:  Galda + Wilch

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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: 4; 42; Englisch, Altenglisch (420); 7; 79; Bühnenkunst (792); 8; 82; Englische, altenglische Literaturen (820)
    Schlagworte: Article; Veröffentlichung der TU Braunschweig
    Lizenz:

    public ; all rights reserved ; info:eu-repo/semantics/openAccess
  20. Sarah Kane, a Late Modernist: Intertextuality and Montage in the Broken Images of Crave (1998)
    Autor*in: Voigts-Virchow, Eckart
    Erschienen: 2001
    Verlag:  WVT Wissenschaftlicher Verlag

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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: 4; 42; Englisch, Altenglisch (420); 7; 79; Bühnenkunst (792); 8; 82; Englische, altenglische Literaturen (820)
    Schlagworte: Article; Veröffentlichung der TU Braunschweig
    Lizenz:

    public ; all rights reserved ; info:eu-repo/semantics/openAccess
  21. ,,Fixed Periods". Euthanasie als disziplinierte Zeittechnologie in Uchronien und Utopien des ausgehenden 19. Jahrhunderts
    Autor*in: Voigts-Virchow, Eckart
    Erschienen: 2003
    Verlag:  Max Niemeyer Verlag

  22. History: The Sitcom, England: The Theme Park - Blackadder's Retrovisions as Historiographic Meta-TV
    Autor*in: Voigts-Virchow, Eckart
    Erschienen: 2005
    Verlag:  Palgrave Macmillan

    In 2000, a survey conducted by military history publishers, Osprey, suggested that the 1980s television sitcom Blackadder has entered the collective memory of British schoolchildren to a great extent: many of them thought that the title character of... mehr

     

    In 2000, a survey conducted by military history publishers, Osprey, suggested that the 1980s television sitcom Blackadder has entered the collective memory of British schoolchildren to a great extent: many of them thought that the title character of the series was a historical person. This arch-misunderstanding of historiographical re-imagining speaks both for the cultural power of the TV sitcom and for the peculiar conditions under which the metahistorical series Blackadder operated in 1980s Britain. What a shock it must have been for historians to realize that the next generation’s historical knowledge is to some extent being shaped by a television sitcom, which has been largely neglected in accounts of how national history has been conceived of in audiovisual media. In this chapter, I shall outline how the serial narrative of the television sitcom has contributed to a postmodernist, metahistoric social construction of history.

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: 4; 42; Englisch, Altenglisch (420); 7; 79; Bühnenkunst (792); 8; 82; Englische, altenglische Literaturen (820)
    Schlagworte: Article; Veröffentlichung der TU Braunschweig
    Lizenz:

    public ; all rights reserved ; info:eu-repo/semantics/openAccess
  23. Adaptation, Adaptation and Drosophilology, or Hollywood, Bio-Poetics and Literary Darwinism
    Autor*in: Voigts-Virchow, Eckart
    Erschienen: 2006
    Verlag:  WVT Wissenschaftlicher Verlag

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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: 4; 42; Englisch, Altenglisch (420); 7; 79; Bühnenkunst (792); 8; 82; Englische, altenglische Literaturen (820)
    Schlagworte: Article; Veröffentlichung der TU Braunschweig
    Lizenz:

    public ; all rights reserved ; info:eu-repo/semantics/openAccess
  24. "Dennis is a Liar" - Mendacity in the Plays of Dennis Kelly
    Autor*in: Voigts, Eckart
    Erschienen: 2015
    Verlag:  Peter Lang

  25. Posthuman Dystopia. Animal Surrealism and Permanent Crisis in Contemporary British Theatre
    Autor*in: Voigts, Eckart; Tönnies, Merle
    Erschienen: 2020
    Verlag:  DeGruyter

    The paper situates current developments in British theatre within wider trends towards dystopia and (post-)apocalyptic writing. A central focus is on the role of posthuman elements in dystopian plays which are used to create a constant and pervasive,... mehr

     

    The paper situates current developments in British theatre within wider trends towards dystopia and (post-)apocalyptic writing. A central focus is on the role of posthuman elements in dystopian plays which are used to create a constant and pervasive, but mostly unspecific sense of crisis. Two recent works by female playwrights – Dawn King’s Foxfinder (2011) and Stef Smith’s Human Animals (2016) – are compared and related back to Caryl Churchill’s seminal Far Away (2000) to elucidate how the nonhuman comes to be perceived as a threat and how this leads to, and/or supports, a dystopian system and its violent measures. Moreover, both Foxfinder and Human Animals manage to combine absurdist elements that border on the surreal with more or less pronounced didactic implications for the audience, although these connections are realised in different ways by the two playwrights. In this manner, post-apocalyptic dystopian theatre of the early 21st century can become revolutionary rather than regressive.

     
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