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Wissensorganisation ist ein Programm
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The Sea and the Beloved. A Corpus-Linguistic Study of Frequencies, Keywords, and Topics in the Poetry of the Syrian Writer Nizar Qabbani (1923-1998)
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Die Wortkrieger des Web 2.0
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Ein Werkzeug zur datengetriebenen Visualisierung von Shakespeare-Dramen. Konzeption und Implementierung von To See or Not to See
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Annotations in Scholarly Editions and Research
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Virtual heritage
a guide -
The Architecture of Concepts
The Historical Formation of Human Rights -
Text Mining Islamic Law
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“If you need a virtual community, something is wrong with your congregation”
Institutionalized Laestadianism and the use of digital media -
Gateway to the Syriac Saints
A Database Project -
Modeling the Transmission of al-Mubashshir Ibn Fātik’s Mukhtār al-Ḥikam in Medieval Europe
Some Initial Data-Driven Explorations -
Imaging Sacred Artifacts
Ethics and the Digitizing of Lichfield Cathedral's St Chad Gospels -
Formalizující modelování v neintencionální historii náboženství
transdisciplinarita mezi přírodní vědou a historickou religionistikou? = Formalizing modeling in the nonintentional history of religions : transdisciplinarity between the natural sciences and history of religions? -
Taming the Digital Behemoth
Rethinking the Digital - Human Divide -
Introducing Jeri Wieringa
On Data, Religion, and Digital Humanities -
Tracing Text Types in Biblical Hebrew
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Refining the Reconstruction of Col. 2 of the Temple Scroll (11QTa)
The Turn to Digital Mapping and Historical Syntax -
The emergence of neuromarketing investigated through online public communications (2002-2008)
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Foundations of Comparison
Finding Home in a Material Field Site, a Digital Field Site, and a Virtual Village -
Big Digital Humanities
Imagining a Meeting Place for the Humanities and the Digital -
Interdisciplining Digital Humanities
Boundary Work in an Emerging Field -
Hacking the Academy
New Approaches to Scholarship and Teaching from Digital Humanities -
In saecula saeculorum
Long-Term Perspectives on Religious History -
Network analysis of medieval manuscript transmission
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Artist migration through the biographer’s lens