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  1. Contact, Mobility and Authenticity: Language Ideologies in Koineisation
    Author: Tresch, Laura Alessandra
    Published: 2014
    Publisher:  (:null)

    Other ; New Zealand English first emerged at the beginning of the 19th century as a result of the dialect contact of British (51%), Scottish (27.3%) and Irish (22%) migrants (Hay and Gordon 2008:6). This variety has subsequently developed into an... more

     

    Other ; New Zealand English first emerged at the beginning of the 19th century as a result of the dialect contact of British (51%), Scottish (27.3%) and Irish (22%) migrants (Hay and Gordon 2008:6). This variety has subsequently developed into an autonomous and legitimised national variety and enjoys a distinct socio-political status, recognition and codification. In fact, a number of dictionaries of New Zealand English have been published1 and the variety is routinely used as the official medium on TV, radio and other media. This however, has not always been the case, as for long only British standard norms were deemed suitable for media broadcasting. While there is some work already on lay commentary about New Zealand English (see for example Gordon 1983, 1994; Hundt 1998), there is much more to be done especially concerning more recent periods of the history of this variety and the ideologies underlying its development and legitimisation. Consequently, the current project aims at investigating the metalinguistic discourses during the period of transition from a British norm to a New Zealand norm in the media context, this will be done by focusing on debates about language in light of the advent of radio and television. The main purpose of this investigation is thus to examine the (language) ideologies that have shaped and underlain these discourses (e.g. discussions about the appropriateness of New Zealand English vis à vis external, British models of language) and their related practices in these media (e.g. broadcasting norms). The sociolinguistic and pragmatic effects of these ideologies will also be taken into account. Furthermore, a comparison will be carried out, at a later stage in the project, between New Zealand English and a more problematic and less legitimised variety: Estuary English. Despite plenty of evidence of media and other public discourses on Estuary English, in fact, there has been very little metalinguistic analysis of this evidence, nor examinations of the underlying ideologies in these discourses. The comparison will seek to discover whether similar themes emerge in the ideologies played out in publish discourses about these varieties, themes which serve to legitimise one variety, whilst denying such legitimacy to the other.

     
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  2. Handschriftenfunde zur Literatur des Mittelalters. 220. Beitrag: Leipziger Handschriftenfunde I. Ein neu aufgefundenes Fragment von Wolframs 'Parziva' aus Naumburg
    Author: Eifler, Matthias; Stolz, Michael; Mackert, Christoph
    Published: 2014
    Publisher:  Hirzel

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    Language: German
    Media type: Undefined
    Format: Online
    DDC Categories: 830; 430
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  3. Language ideologies: the formation and legitimisation of New Zealand English
    Author: Tresch, Laura Alessandra; Neuenschwander, Christoph
    Published: 2014
    Publisher:  (:null)

    Other ; New Zealand English first emerged at the beginning of the 19th century as a result of the dialect contact of British (51%), Scottish (27.3%) and Irish (22%) migrants (Hay and Gordon 2008:6). This variety has subsequently developed into an... more

     

    Other ; New Zealand English first emerged at the beginning of the 19th century as a result of the dialect contact of British (51%), Scottish (27.3%) and Irish (22%) migrants (Hay and Gordon 2008:6). This variety has subsequently developed into an autonomous and legitimised national variety and enjoys a distinct socio-political status, recognition and codification. In fact, a number of dictionaries of New Zealand English have been published1 and the variety is routinely used as the official medium on TV, radio and other media. This however, has not always been the case, as for long only British standard norms were deemed suitable for media broadcasting. While there is some work already on lay commentary about New Zealand English (see for example Gordon 1983, 1994; Hundt 1998), there is much more to be done especially concerning more recent periods of the history of this variety and the ideologies underlying its development and legitimisation. Consequently, the current project aims at investigating the metalinguistic discourses during the period of transition from a British norm to a New Zealand norm in the media context, this will be done by focusing on debates about language in light of the advent of radio and television. The main purpose of this investigation is thus to examine the (language) ideologies that have shaped and underlain these discourses (e.g. discussions about the appropriateness of New Zealand English vis à vis external, British models of language) and their related practices in these media (e.g. broadcasting norms). The sociolinguistic and pragmatic effects of these ideologies will also be taken into account. Furthermore, a comparison will be carried out, at a later stage in the project, between New Zealand English and a more problematic and less legitimised variety: Estuary English. Despite plenty of evidence of media and other public discourses on Estuary English, in fact, there has been very little metalinguistic analysis of this evidence, nor examinations of the underlying ideologies in these discourses. The comparison will seek to discover whether similar themes emerge in the ideologies played out in publish discourses about these varieties, themes which serve to legitimise one variety, whilst denying such legitimacy to the other.

     
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  4. Digital multitext editions from scratch to electronic performance. Transcription and collation routines transformed in a flexible database system
    Author: Stolz, Michael
    Published: 2014
    Publisher:  (:null)

    Other ; The poster demonstrates the preparatory steps of a digital multi-text edition that are abstracted from the experiences made in the Parzival Project, based at the University of Bern, the Berlin-Brandenburg Academy of Sciences and the... more

     

    Other ; The poster demonstrates the preparatory steps of a digital multi-text edition that are abstracted from the experiences made in the Parzival Project, based at the University of Bern, the Berlin-Brandenburg Academy of Sciences and the University of Erlangen. This edition of Wolfram von Eschenbach’s German Grail novel, written shortly after 1200 and transmitted during several centuries in ca. hundred witnesses, has now been completed by more than a half of the textual corpus. As the text is transmitted in medieval manuscripts the witnesses have to be transcribed according to specific encoding rules. The transcriptions then are collated following certain ideas and concepts of how the transmission process could have developed. The transcriptions and collations finally have to be transferred to a digital edition that allows the users to explore the characteristics of single witnesses as well as the history of a text, which is delivered in variants and in different versions. A dynamically organized database offering various components and adapted to the needs of diverse user-profiles is nowadays the right tool for this purpose.

     
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  5. Introduction: Melodrama: Staging Emotions in the Anglophone World
    Author: Straub, Julia; Rippl, Gabriele
    Published: 2014
    Publisher:  De Gruyter

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  6. Workshop "Körper - Leib"
    Author: Klankert, Tanja; Reisigl, Martin; Alloa, Emmanuel
    Published: 2014
    Publisher:  (:null)

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    Language: English
    Media type: Undefined
    Format: Online
    DDC Categories: 300; 430; 790; 830; 000
    Subjects: sociology & anthropology; games & entertainment; knowledge & systems
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  7. Melodrama and Narrative Fiction: Towards a Typology
    Author: Straub, Julia
    Published: 2014
    Publisher:  De Gruyter

    Other ; Recent research on melodrama has stressed its versatility and ubiquity by approaching it as a mode of expression rather than a theatrical genre. A variety of contexts in which melodrama is at work have been explored, but only little scholarly... more

     

    Other ; Recent research on melodrama has stressed its versatility and ubiquity by approaching it as a mode of expression rather than a theatrical genre. A variety of contexts in which melodrama is at work have been explored, but only little scholarly attention has been paid to the relationship between melodrama and novels, short stories and novellas. This article proposes a typology of melodrama in narrative prose fiction, examining four different categories: Melodrama and Sentimentalism, Depiction of Melodramatic Performances in Narrative Prose Fiction, Theatrical Antics and Aesthetics in Narrative Prose Fiction and Meta-Melodrama. Its aim is to clarify the ways in which melodrama, ever since its early days on the stages of late eighteenth-century Europe, has interacted with fictional prose narratives, thereby shaping the literary imagination in the Anglophone world.

     
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  8. The Best Story of the World: Theology, Geology and Philip Henry Gosse's Omphalos
    Author: Richter, Virginia
    Published: 2014
    Publisher:  Amsterdam University Press

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  9. Tim Lanzendörfer. The Professionalization of the American Magazine
    Author: Straub, Julia
    Published: 2014
    Publisher:  De Gruyter

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  10. Poetik des Unbehagens. Unlust als 'point de départ' in Romanen Marie NDiayes
    Author: Torra-Mattenklott, Caroline
    Published: 2014
    Publisher:  Böhlau

    Other ; Die Romane der französischen Autorin Marie NDiaye (geb. 1967) sind durchzogen von Zuständen des Unwohlseins: NDiayes Protagonistinnen werden auf diffuse Weise sozial ausgegrenzt oder massiv bedrängt, verlieren die Kontrolle über ihren Körper... more

     

    Other ; Die Romane der französischen Autorin Marie NDiaye (geb. 1967) sind durchzogen von Zuständen des Unwohlseins: NDiayes Protagonistinnen werden auf diffuse Weise sozial ausgegrenzt oder massiv bedrängt, verlieren die Kontrolle über ihren Körper oder geraten in schwindelerregende Zweifel über den Realitätsgehalt ihrer Sinneswahrnehmungen und Erinnerungen. Anhand der Romane "En famille" (1990), "Autoportrait en vert" (2005) und "Mon cœur à l’étroit" (2007) zeigt der Aufsatz, dass diese Momente des Unbehagens nicht nur die Suchbewegungen und Erkenntnisprozesse der Romanfiguren auslösen, sondern auch die kreative Spannung bilden, die den Vorgang der literarischen inventio in Gang setzt. Theoretische Modelle einer Psychologie, in der Unlust als Antrieb fungiert, finden sich bei Leibniz, Locke und Freud; Elemente einer Narratologie der Unlust, mit der sich die quête-Struktur von NDiayes Romanen beschreiben lässt, bietet die strukturalistische Märchentheorie Wladimir Propps und seiner Nachfolger.

     
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    Subjects: rhetoric & criticism
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  11. "¿Critique génétique y/o filologia d’autore? Según los casos… ”Historia” —¿o fin?— “de una utopía real”
    Author: Vauthier, Bénédicte
    Published: 2014
    Publisher:  Departamento de Literatura Española. Facultad de Filosofía y Letras

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  12. El valor estructural de la magia en el universo pastoril de Lope de Vega
    Author: Fernández Rodríguez, Natalia
    Published: 2014
    Publisher:  University of California

    Other ; The different aspects of magic became an essential ingredient of bucolic universe since the origin of pastoral genre. Within an idealized and utopic frame, magic built a bridge towards transcendence, and balanced the disharmony created by... more

     

    Other ; The different aspects of magic became an essential ingredient of bucolic universe since the origin of pastoral genre. Within an idealized and utopic frame, magic built a bridge towards transcendence, and balanced the disharmony created by human love emotions within Arcadian microcosm. This concept of magic became infused to Sixteenth century pastoral novel through Neoplatonism and Hermetic tradition. From a narratological point of view, magic episodes became indispensable to complete the philosophical meaning of the works. Lope de Vega, in La Arcadia, published in 1598, fully participated from this tradition, though he will approach the convention from a particular dramatic-like perspective. And it was precisely in pastoral comedias where the Fénix ends up deconstructing bucolic code to remodel it as a mere vestige of the tradition and treat magic as a humorous ingredient.

     
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    Language: Spanish
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  13. Ancora su Hölderlin e gli scrittori di lingua italiana (da Giosue Carducci a Fabio Pusterla)
    Author: Cordibella, Giovanna
    Published: 2014
    Publisher:  Università degli Studi di Milano

    Other ; A discussion of the long-term “Hölderlinism” of Italian poets, starting from Vigolo’s essay on Hölderlin and the music (1966), moving back to Carducci’s translations, with a critical edition of his version of Hölderlin’s Achill (1874, see the... more

     

    Other ; A discussion of the long-term “Hölderlinism” of Italian poets, starting from Vigolo’s essay on Hölderlin and the music (1966), moving back to Carducci’s translations, with a critical edition of his version of Hölderlin’s Achill (1874, see the leaf reproduced in the appendix), and concluding with a look at later Italian poets up to Pusterla (2004).

     
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    Language: Italian
    Media type: Undefined
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    DDC Categories: 850; 830
    Subjects: Romanian & related literatures
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  14. Giorgio Vigolo – Quali musiche suonò Hölderlin? (28 aprile 1966)
    Author: Cordibella, Giovanna
    Published: 2014
    Publisher:  Università degli Studi di Milano

    Other ; Giorgio Vigolo’s lecture Quali musiche suonò Hölderlin? (Which Pieces of Music Did Hölderlin Play?), which the Italian poet held in Rome on April 28th 1966, here edited for the first time, with notes, by Giovanna Cordibella. more

     

    Other ; Giorgio Vigolo’s lecture Quali musiche suonò Hölderlin? (Which Pieces of Music Did Hölderlin Play?), which the Italian poet held in Rome on April 28th 1966, here edited for the first time, with notes, by Giovanna Cordibella.

     
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    Language: Italian
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    DDC Categories: 850; 830; 780
    Subjects: Romanian & related literatures
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  15. Imaginería sacra y espacios pictóricos en las comedias de santos de Lope de Vega
    Author: Fernández Rodríguez, Natalia
    Published: 2014
    Publisher:  University of California

    Other ; Departing from the concepts of visualism and theatricality understood as the base of the world view of an epoch, a reflection about the presence of a pictorial-based expressiveness in the performance of Lope’s comedias de santos is suggested.... more

     

    Other ; Departing from the concepts of visualism and theatricality understood as the base of the world view of an epoch, a reflection about the presence of a pictorial-based expressiveness in the performance of Lope’s comedias de santos is suggested. Besides the analysis of the suitable contexts and staging procedures associated to the appearance of sacred images on stage, static performances, closer to painting than to drama, are also taken into account as a device which contribute to create that transcendent meaning which is essential to hagiographical comedias.

     
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  16. Rainer Werner Fassbinder’s "Garbage, The City, and Death". A Four Act Scandal in Post-war Germany
    Author: Schappach, Beate
    Published: 2014
    Publisher:  (:null)

    Other ; Rainer Werner Fassbinder’s Garbage, The City, and Death. A Four Act Scandal in Post-war Germany The paper explores the dramaturgy of the scandals around the play Garbage, The City and Death (Der Müll, die Stadt und der Tod) by German... more

     

    Other ; Rainer Werner Fassbinder’s Garbage, The City, and Death. A Four Act Scandal in Post-war Germany The paper explores the dramaturgy of the scandals around the play Garbage, The City and Death (Der Müll, die Stadt und der Tod) by German playwright, theatre and film maker Rainer Werner Fassbinder. Published in 1976, the play immediately caused a scandal in West Germany, because it was accused of reproducing anti-Semitic stereotypes. The presentation sheds light on the different phases of the scandal and their historical and cultural contexts in post-war Germany – starting as a literary scandal in 1976, being transformed into a theatre scandal in the 1980ies and finally being dissolved by the German premiere in 2009. The paper is structured as follows: Act One: The Literary Scandal. Destroying Fassbinder’s Garbage, Act Two: Preventing the Staging of the Play, Act Three: Blocking the Opening Night, Act Four: Performing the Play in Germany. By analysing the dramaturgical structure of this specific scandal, the paper discusses the following hypotheses: 1. Scandals arise through the circulation of decontextualised information in public. This is due to either a lack of information about the actual object or incident being scandalised or a lack of information about the context of the object or incident. This lack is caused by the logic of the scandal itself: Because the play or the performance is prohibited, it has been withdrawn from the public, making it impossible to form a well-founded opinion on the controversy. 2. The scandal is driven forward by an emotionalising rhetoric built around the decontextualised information. 3. Once the gap of information is filled, the scandalising rhetoric turns into a rhetoric of irrelevance: Reviews of the first performance of Garbage, The City and Death in Germany considered the play hardly a matter of public concern.

     
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    Language: English
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    DDC Categories: 800; 830; 900; 790; 300; 940
    Subjects: rhetoric & criticism; games & entertainment; sociology & anthropology
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  17. Performing AIDS. The Film-maker Rosa von Praunheim between HIV/AIDS-Communities in Germany and the USA
    Author: Schappach, Beate
    Published: 2014
    Publisher:  (:null)

    Other ; This paper explores the works of German film-maker Rosa von Praunheim during the AIDS crisis. In the 1980ies and 1990ies he produced several films portraying the gay communities in Germany and the USA in the face of AIDS. First, this paper... more

     

    Other ; This paper explores the works of German film-maker Rosa von Praunheim during the AIDS crisis. In the 1980ies and 1990ies he produced several films portraying the gay communities in Germany and the USA in the face of AIDS. First, this paper analyses the cinematic techniques von Praunheim uses to criticise the German gay community and present the American practices of performing community as a role model for AIDS-activism. In a second step, the focus is put on von Praunheim’s autobiography and the rhetoric strategies he uses to participate in New York’s HIV-community, while being HIV-negative himself.

     
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    Language: English
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    DDC Categories: 940; 790; 600; 800; 900; 300
    Subjects: games & entertainment; rhetoric & criticism; sociology & anthropology
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  18. Contact, Mobility and Authenticity: Language Ideologies in Koineisation and Creolisation - Poster for CSLS
    Author: Tresch, Laura Alessandra; Neuenschwander, Christoph
    Published: 2014
    Publisher:  (:null)

    Other ; How are new dialects and new languages represented and evaluated in public discourse? more

     

    Other ; How are new dialects and new languages represented and evaluated in public discourse?

     
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  19. Displacing Humans, Reconfiguring Darwin in Contemporary Culture and Theory
    Author: Richter, Virginia
    Published: 2014
    Publisher:  Ashgate

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  20. Ape Meets Primatologist. Post-Darwinian Interspecies Romances
    Author: Richter, Virginia
    Published: 2014
    Publisher:  University of Georgia Press

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  21. Review of A.S. Byatt by Mariadele Boccardi
    Author: Rippl, Gabriele
    Published: 2014
    Publisher:  De Gruyter

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  22. Gulliver's Travels. The Cambridge Edition of the Works of Jonathan Swift
    Author: Richter, Virginia
    Published: 2014
    Publisher:  De Gruyter

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  23. Rewriting Histories and Geographies: Cosmopolitan Moments in Contemporary Indian Writing in English
    Author: Cottier Bucher, Annie Madeleine
    Published: 2014
    Publisher:  (:null)

    Other ; In order to grasp the imaginative geographical and historical scope of contemporary Indian writing in English, this thesis claims that it is necessary to think about literature beyond the paradigms of national, postcolonial or even... more

     

    Other ; In order to grasp the imaginative geographical and historical scope of contemporary Indian writing in English, this thesis claims that it is necessary to think about literature beyond the paradigms of national, postcolonial or even transnational diasporic literatures. It is asserted that cosmopolitanism, which is here understood to be a concept that encompasses the negotiation of the ethics and practice of migration, community, responsibility, difference and sameness, offers the possibility of thinking critically about migration and globalization in the context of the literary texts at the centre of this thesis: Amitav Ghosh’s Sea of Poppies (2008) and River of Smoke (2011), Salman Rushdie’s The Enchantress of Florence (2007) and M.G. Vassanji’s The Assassin’s Song (2007). Literary criticism has acknowledged the relevance of cosmopolitan thought in contemporary literatures of a global, transnational literary imaginary. Yet the literature concerned with cosmopolitanism has, with a few exceptions, mainly used it as a descriptive rather than as an interpretative term, focusing on the politics of these fictional texts rather than on their aesthetics or in this case, to be more precise, their literary features. In this thesis, the interest is to examine the ethics, practice and aesthetics of cosmopolitan moments in which histories and geographies are rewritten and reimagined, i.e. the propensity of these four novels to remap, rethink and reimagine these narratives of time and space according to an understanding that moves away from postcolonial dichotomies towards a more global view of events that still takes into account existing power relations.

     
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  24. Rezension zu: Karl-Heinz Göttert: Die Ritter. Stuttgart 2011
    Author: Schöller, Robert
    Published: 2014
    Publisher:  Akademie Verlag

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    Language: German
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  25. Die Rolle des deutschen Luthertums für Schweden zwischen 1600 und 1648
    Author: Wedow, Christian
    Published: 2014
    Publisher:  Universität

    Abstract ; Ziel der Untersuchung ist es, die schwedische Theologie zu Beginn des 17. Jahrhunderts und deren Beziehung zum lutherischen Kernland zu beschreiben. Dies geschieht auf Basis des Buchmarktes. Mithilfe des archivimmanenten Strukturalismus... more

     

    Abstract ; Ziel der Untersuchung ist es, die schwedische Theologie zu Beginn des 17. Jahrhunderts und deren Beziehung zum lutherischen Kernland zu beschreiben. Dies geschieht auf Basis des Buchmarktes. Mithilfe des archivimmanenten Strukturalismus werden die in den Texten gebündelten Diskurse jener Zeit herausgearbeitet. Die jeweiligen Texte, so die Auffassung, bestehen nämlich aus einem Gewebe von Zitaten, die auf den theologischen Diskurs verweisen. Die Analyse geht damit den Begegnungen und Konkurrenzen, den wechselseitigen Attraktionen und Abstoßungen nach, die den theologischen Diskurs initiierten.

     
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    Language: German
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    DDC Categories: 800; 230