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Displaying results 151 to 175 of 185573.

  1. On the concepts of inwardness and subjectivity in Shakespeare's work
    Published: 2016

    Abstract: This essay aims at discussing the concepts of subjectivity and inwardness in Early Renaissance. The issue discussed in this research is to take into account that both concepts are interchangeable, since they represent distinct notions of... more

     

    Abstract: This essay aims at discussing the concepts of subjectivity and inwardness in Early Renaissance. The issue discussed in this research is to take into account that both concepts are interchangeable, since they represent distinct notions of the similar phenomenon: the inner space of sensations, emotions, feelings, and identity. The concept of identity was associated to the perception of an inner space of the subject in the 16th and 17th centuries. It was always compared and defined parting from the notion of physical and gestural appearances, whose discursive forms were always based on the perceptive movement from the outward to the inward space of the subject. On the other hand, subjectivity is a modern concept which emerges from the 19th onward whose discursive forms part form the inner space of the subject, without taking into consideration the physical and gestural appearances. This research is bibliographic and uses some examples from the dramaturg William Shakespeare. As it was

     

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    Language: English
    Media type: Undefined
    Format: Online
    DDC Categories: 820
    Subjects: Subjectivity; Inwardness; Shakespeare
  2. Hamartia and catharsis in Shakespeare's King Lear and Bahram Beyzaie's Death of Yazdgerd
    Published: 2016

    Abstract: King Lear (1606) is one of the political tragedies of Shakespeare in which the playwright censures Lear's hamartia wrecking havoc not only upon people's lives but bringing devastation on his own kindred. Shakespeare castigates Lear's wrath,... more

     

    Abstract: King Lear (1606) is one of the political tragedies of Shakespeare in which the playwright censures Lear's hamartia wrecking havoc not only upon people's lives but bringing devastation on his own kindred. Shakespeare castigates Lear's wrath, sense of superiority, and misjudgments which lead to catastrophic consequences. In Death of Yazdgerd (1979), an anti-authoritarian play, Bahram Beyzayie, the well-known Persiaian tragedian, also depicts the hamartia of King Yazdgerd III whose pride and unjust treatment of people end in devastation. By demonstrating such defective and reprehensible tragic heroes, both playwrights set at providing audience with an anti-heroic representation of the kings and also shattering the common god-like heroism attributed to hero kings. Bearing in mind the political instability of England after the succession of James I, Shakespeare avails himself of such anti-heroic representation to forewarn those monarchs incapable of maintaining a balance between their j

     

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    Language: English
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    DDC Categories: 820
    Subjects: Literatur; Heldentum; Gerechtigkeit; Autorität; Gesellschaft; Katharsis; Shakespeare; W.; Beyzaie; B.
  3. Negative romanticism: an exploration of a sense of isolation in Yushij's Afsaneh

    Abstract: From its beginning in the academic studies during the later nineteenth century, Romanticism has provoked ongoing debates over the nature of its definition. Nonetheless Morse Peckham has satisfactorily settled this matter by indicating that... more

     

    Abstract: From its beginning in the academic studies during the later nineteenth century, Romanticism has provoked ongoing debates over the nature of its definition. Nonetheless Morse Peckham has satisfactorily settled this matter by indicating that romanticism has dramatically altered the way of thinking therefore it should be distinctively met. For this purpose, he proposed that dealing with the concept of romanticism necessitate dividing it into two concepts of negative and positive romanticism in which a transition is occurred from negative romanticism to positive romanticism however in some cases this transition may not become completed and is lead to the obscure origin of the sense of isolation among various romantic poets. To clearly illustrate Peckham's notion of negative romanticism, it is tried to explore Nima Yushij's Afsaneh who is known to be the most romantic poet of Persian literature. Based upon Peckham's notion of negative romanticism, Nima's sense of despair and isolation i

     

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    Language: English
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    DDC Categories: 820
    Subjects: Literatur; Emotionalität; Romantik; soziale Isolation
  4. Transgressing power and identity re-formation in Martin Amis's money

    Abstract: Martin Amis's manipulation of the patriarchal concept of power is a notable indication of his transgressive attitudes that raise remarkable questions about the human identity. Transgressing power investigates the violation of the normal and... more

     

    Abstract: Martin Amis's manipulation of the patriarchal concept of power is a notable indication of his transgressive attitudes that raise remarkable questions about the human identity. Transgressing power investigates the violation of the normal and familiar trends of literature in order to circulate a new discourse by which a new identity is reframed. Hence, the study of power in Martin Amis's novels, as an important technique of identity re-definition, is not taken into consideration in the light of Foucault's theory of power. The objective of this study is to examine the role applied by transgression as a technique of subverting the common discourse of power in the field of identity re-formation. The study investigates the concept of power manipulated in Amis's Money to define the identity of the "New Man". Accordingly, the Foucauldian theory of power is taken as a framework of this study. The study reveals a conclusion in which the transgressive aspects of power are effectively utilized

     

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    DDC Categories: 820
    Subjects: Identität; Foucault; M.; Macht; Sprache; Linguistik; Geld; Amis; M.; Transgression
  5. A study of institutions in Dickens’s Bleak House as a representation of Foucault's disciplinary society

    Abstract: This study employs Foucault's views on the strategies of power to analyze that the institutional world of Bleak House makes a disciplinary structure. The intrusion of these institutions in all strata of society in the novel, from the... more

     

    Abstract: This study employs Foucault's views on the strategies of power to analyze that the institutional world of Bleak House makes a disciplinary structure. The intrusion of these institutions in all strata of society in the novel, from the aristocratic Dedlocks to the poor area of Tom-All-Alone shapes a panoptic structure in which everyone is visible through a permanent and omniscient gaze. Under the matrix of various institutions almost all the characters in the novel, directly or indirectly, are trapped and engaged. This study shows the modernity of Dickens views on power relations in society and gives readers new maps to read Bleak House and new perspectives from which to view it

     

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    Language: English
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    DDC Categories: 820
    Subjects: Literatur; Foucault; M.; Macht; Gesellschaft; Institution; Dickens; Ch.
  6. Impressions of anglo-indian society in R. Kipling's early creative art
    Published: 2016

    Abstract: This study concentrates on the analysis of early works by Rudyard Kipling who was born into the family of English colonists to India, thus becoming a representative of the newly formed Anglo-Indian society. The writer's sketch Anglo-Indian... more

     

    Abstract: This study concentrates on the analysis of early works by Rudyard Kipling who was born into the family of English colonists to India, thus becoming a representative of the newly formed Anglo-Indian society. The writer's sketch Anglo-Indian Society (1887) and his collection of short stories Plain Tales from the Hills (1888) depict the characteristic features of Anglo-Indians’ worldview and lifestyle, which are revealed and analyzed by the author of the article. Special attention is paid to biographical factors influencing the author’s choice of Anglo-Indian topic at the beginning of his writing career. The researcher concludes that Kipling presents in his works an outline of Anglo-Indian society which emerged from the writer's observations of Anglo-Indians' lives during his work as a reporter. Striving for credibility in consideration of advantages and shortcomings of Anglo-Indian worldview and lifestyle, the author tries to occupy the position of the unconcerned observer, being cap

     

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    Language: English
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    DDC Categories: 820
    Subjects: Literatur; Weltanschauung; Lebensstil; Kolonisation; Indien; Gesellschaft; Exotik; Kipling; R.; anglo-indische Gesellschaft
  7. Antoinette the outsider: the representation of hybridity and mimicry in Jean Rhys's Wide Sargasso Sea
    Published: 2016

    Abstract: This essay sets out to study the function of hybridity and mimicry in Jean Rhy's acclaimed novel Wide Sargasso Sea drawing on Homi K. Bhabha's theoretical framework in this regard. In this novel, Antoinette emerges as the "Other" who aims... more

     

    Abstract: This essay sets out to study the function of hybridity and mimicry in Jean Rhy's acclaimed novel Wide Sargasso Sea drawing on Homi K. Bhabha's theoretical framework in this regard. In this novel, Antoinette emerges as the "Other" who aims to prove herself to the "Centre". Undergoing extreme sufferings, the heroine wistfully ponders mimicry as an impulse to break out of her mare's nest and to establish herself within one culture. Indeed, unlike what Bhabha believes mimicry cannot upset the total authority of the "Centre". Meanwhile, Antoinette used it as a result of her longings for the position of the "Centre" which she is unable to attain because of her hybrid existence. Countering Homi K. Bhabha's central argument, this essay contends that Antoinette’s mimicry of Englishness fails to fend off the norms of the superior power, but partakes in celebrating the very ideals that Bhabah's theory is trying to keep at bay

     

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    DDC Categories: 820
    Subjects: Literatur; Hybridität; Mimik; Mimikry
  8. I speak tamazight, but in Arabic: contesting the cultural terrain in Morocco
    Published: 2016

    Abstract: The Moroccan novel, being part of the Arabic novel, is a very recent invention. However, in Morocco the novel has become an emblematic genre, which has known a momentous development. This article attempts a critical analysis of three... more

     

    Abstract: The Moroccan novel, being part of the Arabic novel, is a very recent invention. However, in Morocco the novel has become an emblematic genre, which has known a momentous development. This article attempts a critical analysis of three recently published Arabic novels (Morocco) from a cultural studies perspective by highlighting the translational dimensions inherent in their writing, as well as their tendency to redirect attention to more urgent issues related to Moroccan identity

     

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    Language: English
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    DDC Categories: 890
    Subjects: Marokko; Afrika; Literatur; Übersetzung; Identität; Kulturwissenschaft; Analyse; Kritik; Sprache; arabische Sprache
  9. An ecocritical reading of Melville's "Bartleby the Scrivener"
    Published: 2016

    Abstract: This research is an ecocritical reading of Melville's "Bartleby the Scrivener". Melville's treatment of the environment is described and analyzed with regard to Augé's theory of non-Places. The examples of non-place in Melville's Wall... more

     

    Abstract: This research is an ecocritical reading of Melville's "Bartleby the Scrivener". Melville's treatment of the environment is described and analyzed with regard to Augé's theory of non-Places. The examples of non-place in Melville's Wall Street story include the compartmentalized office, the urban labyrinth, artificial and natural greeneries and oriental landscapes. The motif of compartmentalization forms the binary of insider and outsider. A close attention to the binaries in this story reveal Melville's critical attitude towards urban culture that threatens the American identity and mocks the American predilection for mobility in open spaces. This story reveals the way social institutions of an urban culture can determine the tragic fate of an out of place individual. Melville, in this story, reveals the consequences of marginalizing nature and indicates his ecological concerns in mid-nineteenth century America. He mourns the fading out of biocentric view of nature and warns against

     

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    DDC Categories: 810
    Subjects: Literatur; Urbanität; Natur; Marginalität; Stadt; USA; Identität; Kritik; Ökologie; Kultur
  10. An ecocritical reading of Thomas Hardy's "Far from the madding crowd"
    Published: 2016

    Abstract: This article aims to analyze Thomas Hardy's novel, Far from the Madding Crowd, from the perspective of ecocriticism and study where Hardy's ecological consciousness originates from and how it is represented and interwoven in the characters,... more

     

    Abstract: This article aims to analyze Thomas Hardy's novel, Far from the Madding Crowd, from the perspective of ecocriticism and study where Hardy's ecological consciousness originates from and how it is represented and interwoven in the characters, setting and plot of the novel. It also focuses on such questions as how Gabriel Oak can be the voice of harmony in nature and what does the portrayal of this character tell us about today's ecological crises? Ecocriticism, a newly found theoretical framework, explores the ways in which how environment is illustrated in literature and, by so doing, examines and proposes possible solutions concerning our contemporary environmental situation. In an era where a long-established rustic order are giving way to the giants of technology and industrial capitalism, there remains no more appealing vision than that of England's pastoral and green land. In his Wessex, a part real and a part dream country which is the setting for most of his works, Hardy vivi

     

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    DDC Categories: 820
    Subjects: Literatur; Bewusstsein; Roman; Natur; Kritik; Umwelt; Ökologie; Industrie; Analyse; Kritizismus
  11. Kaltenbach, ›Die Hundsmücken‹: herausgegeben, eingeleitet und kommentiert von Nicolai Johann Schmitt
    Published: 2016

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    Language: German
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  12. Writing (Against) Postmodernism: The Urban Experience in Contemporary North American Fiction
    Published: 2016

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    Subjects: Postmoderne; Post-Postmoderne; Postmodernism; Post-Postmodernism
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  13. Negotiations of Race and Gender in Ralph Ellison's 'Invisible Man'
    Published: 2016

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    Subjects: Maskulinität; Ralph Ellison; Invisible Man; Lynching; Kastration; Identität; Alterität; Körper; miscegenation; rape; race; gender; Uncle Tom; Black Rapist
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  14. Das Deutschen- und Deutschlandbild in der türkischen Migrantenliteratur und eine sprachliche Untersuchung am Beispiel ausgewählter Texte von Aras Ören
    Published: 2016

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    Subjects: Türkische Gastarbeiterliteratur
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  15. "Mein minnecliche zarte rede hon ich mit dir geteilt"-Studien zu den "Offenbarungen" Christine Ebners
    Published: 2016

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  16. Erinnerungen an die Leningrader Blockade 1941-2016
    Published: 2016

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  17. Räume erzählen - erzählende Räume. Raumdarstellung als Poetik. Mit einer exemplarischen Analyse des Nibelungenliedes

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  18. A Strange Connectedness
  19. Juden nach den Regeln des Lichts: Modifikationen des Gewordenen in Textpassagen C. M. Wielands

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  20. Nebenwege in der Vormoderne
    Author: Gebert, Bent
    Published: 2016

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  21. Roman's Erzählungen: NATO-Alarm und andere Signale

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  22. Fachliche und sprachliche Inhalte mit dem Schreiben konzeptionell verbinden
    Published: 2016

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    Language: German
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    DDC Categories: 800
    Subjects: Lerntyp; MINT; Schreibberatung; Schreibdidaktik; Studierendenzentrierung
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  23. Guido M. Berndt / Roland Steinacher (Hrsg.), Arianism: Roman Heresy and Barbarian Creed. Farnham/Surrey, Ashgate Publishing 2014
    Published: 2016

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  24. Mario Klarer. A Short Literary History of the United States. New York: Routledge, 2014. Pb. xiii, 196 pp. 17 Fig. $ 25.95. ISBN 978-0415742177
    Published: 2016

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  25. Tom Maguire. Performing Story on the Contemporary Stage. Basingstoke: Palgrave Macmillan, 2015. vii +216pp., £55.00 (hardback), £55.00 (PDF ebook).
    Published: 2016

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