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  1. Dedalus
    revista portuguesa de literatura comparada
    Published: 1991-

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    6.1996
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    Source: Specialised Catalogue of Comparative Literature
    Language: Portuguese; English; French
    Media type: Journal
    Format: Print
    ISSN: 0871-9519
    DDC Categories: 800; 840; 850; 860
  2. Porträts iberoamerikanischer Autoren
    [Ausstellung: Consulado General de la República Argentinia, Institut für Romanische Sprachen und Literaturen, Stadt- und Universitätsbibliothek Frankfurt am Main] = [Portraits of Ibero-American writers]
    Contributor: Carrillo Zeiter, Katja
    Published: [1999]

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    https://hds.hebis.de/ubffm/Record/HEB094196974
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    Source: Specialised Catalogue of Comparative Literature
    Contributor: Carrillo Zeiter, Katja
    Language: English; Spanish; Portuguese
    Media type: Book
    Format: Print
    Subjects: Schriftsteller; Porträtfotografie
    Other subjects: Mordzinski, Daniel (1960-)
    Scope: 35 Seiten, Illustrationen
  3. Cadernos de pós-graduação em comunicação e letras
    Published: 2001-2001

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    Source: Specialised Catalogue of Comparative Literature
    Language: Portuguese
    Media type: Journal
    Format: Print
    ISSN: 1518-9058
    DDC Categories: 800
  4. La circulation des nouvelles au Moyen Âge
    actes de la journée d'études (Université de Zurich, 24 janvier 2002)
    Contributor: Rossi, Luciano
    Published: 2005
    Publisher:  Ed. dell'Orso, Alessandria

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    Source: Specialised Catalogue of Comparative Literature
    Contributor: Rossi, Luciano
    Language: French; Italian; Portuguese
    Media type: Book
    Format: Print
    ISBN: 887694754X
    Series: Revue critique de philologie romane. Collection "Textes et études" ; 2
    Subjects: Märe; Fablel; Novelle
    Scope: VI, 335 S.
    Notes:

    Beitr. teilw. franz., teilw. ital., teilw. portug.
  5. Poesie
    Portugiesisch, Deutsch
    Author: Andrade, Carlos Drummond de
    Published: 1962
    Publisher:  Suhrkamp, Frankfurt am Main

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    Source: Specialised Catalogue of Comparative Literature
    Language: Portuguese; German
    Media type: Book
    Format: Print
    RVK Categories: ED 3051
    Series: Texte in zwei Sprachen
    Scope: 133 S.
  6. Postcolonial cultures in contact: Brasil, Canada
    Contributor: Besner, Neil
    Published: 2001
    Publisher:  Univ. Federal de Santa Catarina, Florianópolis

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    Source: Specialised Catalogue of Comparative Literature
    Contributor: Besner, Neil
    Language: English; Portuguese
    Media type: Book
    Format: Print
    Series: Ilha do desterro ; 40
    Subjects: Literatur; Postkolonialismus
    Scope: 155 S.
  7. Surrealismo e anarquismo
    Joyeux, Ferrua, Péret, Doumayrou, Breton, Schuster, Kyrou, Legrand
    Contributor: Coêlho, Plínio Augusto (Hrsg.)
    Published: 2001
    Publisher:  Ed. Imaginário [u.a.], São Paulo

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    Source: Specialised Catalogue of Comparative Literature
    Contributor: Coêlho, Plínio Augusto (Hrsg.)
    Language: Portuguese
    Media type: Book
    Format: Print
    ISBN: 8585362693
    Series: Coleção escritos anarquistas ; 15
    Subjects: Literatur; Kunst; Surrealismus; Anarchismus
    Scope: 94 S.
  8. Literaturas africanas e formulações pós-coloniais
    Author: Leite, Ana Mafalda
    Published: 2003
    Publisher:  Ed. Colibri, Lisboa

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    Source: Specialised Catalogue of Comparative Literature
    Language: Portuguese
    Media type: Book
    Format: Print
    ISBN: 9727724027
    Subjects: Postkoloniale Literatur; Portugiesisch; Literatur
    Scope: 163 S.
  9. Cadernos de pós-graduação em letras
    Published: 2002-2002

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    Source: Specialised Catalogue of Comparative Literature
    Language: Portuguese
    Media type: Journal
    Format: Print
    ISSN: 1679-1541
    DDC Categories: 800; 400
  10. Ilha do desterro. 39
    Contributor: Corseuil, Anelise R. (Hrsg.)
    Published: 2000

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    https://hds.hebis.de/ubffm/Record/HEB124057691
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    Source: Specialised Catalogue of Comparative Literature
    Contributor: Corseuil, Anelise R. (Hrsg.)
    Language: English; Portuguese
    Media type: Book
    Format: Print
    Series: Ilha do desterro ; 39
    Subjects: Kino; Sprache
    Scope: 220 S.
  11. Gender studies and feminist perspectives
    Contributor: Almeida, Sandra Regina Goulart (Hrsg.)
    Published: 2002
    Publisher:  Univ. Federal de Santa Catarina, Florianópolis

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    Source: Specialised Catalogue of Comparative Literature
    Contributor: Almeida, Sandra Regina Goulart (Hrsg.)
    Language: English; Portuguese
    Media type: Book
    Format: Print
    Series: Ilha do desterro ; 42
    Subjects: Feminismus; Literatur
    Scope: 354 S.
  12. O género literário - norma e transgressão
    = The literary genre - norm and transgression
    Contributor: Greenfield, John (Hrsg.)
    Published: 2006
    Publisher:  Meidenbauer, München

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    Source: Specialised Catalogue of Comparative Literature
    Contributor: Greenfield, John (Hrsg.)
    Language: English; Portuguese
    Media type: Book
    Format: Print
    ISBN: 3899750799; 9783899750799
    Other identifier:
    9783899750799
    RVK Categories: EC 1820
    DDC Categories: 800
    Series: NEL studies in literature ; 1
    Subjects: Literaturgattung
    Scope: XII, 175 S., 21 cm
    Notes:

    Literaturangaben

    Beitr. teilw. engl., teilw. portug.
  13. Polissemia e indeterminação semântica
    Published: 2002
    Publisher:  EDUC, São Paulo

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    Source: Specialised Catalogue of Comparative Literature
    Language: Portuguese; English
    Media type: Book
    Format: Print
    Series: Revista de documentação de estudos em lingu͏̈ística teórica e aplicada ; Vol. 18, No. especial
    Subjects: Polysemie; Semantische Unbestimmtheit
    Scope: XVI, 146 S.
  14. Poesie
    portugiesisch - deutsch
    Author: Pessoa, Fernando
    Published: 1962
    Publisher:  Suhrkamp, Frankfurt a. M.

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    https://hds.hebis.de/ubffm/Record/HEB113209010
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    Source: Specialised Catalogue of Comparative Literature
    Contributor: Lind, Georg Rudolf (Übers.); Enzensberger, Hans Magnus (Hrsg.)
    Language: German; Portuguese
    Media type: Book
    Format: Print
    RVK Categories: ED 3051
    Scope: 142 S.
  15. A tradução de Samuel Putnam de "Os Sertões"
    "Rebellion in the Backlands" de Euclides da Cunha
    Author: Milton, John
    Published: 1997

    The present paper looks at certain aspects of Samuel Putnam's translation of Euclides da Cunha's "Os Sertões", "Rebellion in the Backlands". Of great importance is the fact that "Os Sertões", usually seen as a work of literature in Brazil, is seen... more

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    The present paper looks at certain aspects of Samuel Putnam's translation of Euclides da Cunha's "Os Sertões", "Rebellion in the Backlands". Of great importance is the fact that "Os Sertões", usually seen as a work of literature in Brazil, is seen more as a factual narrative in English, and placed by its publisher, the University of Chicago Press, in the Literature/History section. Putnam also adds a large number of footnotes to those of Euclides de Cunha. Also of interest is the fact that Putnam, translating just when the US was entering the Second World War, goes to great lengths in his preface to emphasize how close "Os Sertões" is to the American experience of division in both the Civil War and the entrance of the US into the Second World War. Der vorliegende Aufsatz untersucht Samuel Putnams Übersetzung des Romans "Os Sertões" von Euclides da Cunha ("Rebellion in the Backlands") unter verschiedenen Gesichtspunkten. Von großer Wichtigkeit ist die Tatsache, daß "Os Sertões" in Brasilien gewöhnlich als literarisches Werk betrachtet wird, während das Buch auf Englisch mehr als historischer Bericht gilt und vom Verlag, der University of Chicago Press, in der Sparte Literature/History geführt wird. Außerdem fügt Putnam eine große Zahl von Fußnoten zu denen von Euclides da Cunha hinzu. Von Interesse ist auch die Tatsache, daß Putnam, der seine Übersetzung gerade zu der Zeit anfertigte, als die USA in den Zweiten Weltkrieg eintraten. in seinem Vorwort ausführlich darauf eingeht, wie nah "Os Sertões" den Meinungsgegensätzen steht, die die amerikanische Erfahrung sowohl des Bürgerkrieges als auch des Eintritts in den Zweiten Weltkrieg kennzeichneten.

     
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    Source: Specialised Catalogue of Comparative Literature
    Language: Portuguese
    Media type: Article (journal)
    Format: Online
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    Parent title: In: Pandaemonium Germanicum; São Paulo : Humanitas Publicações, 1997-2006; Band 1, Heft 1 (1997), Seite 181-185; 22 cm

    DDC Categories: 800
    Notes:

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  16. A preservação dos aspectos expressivos na atividade tradutória: uma aplicação a "Os Sertões", de Euclides da Cunha
    Author: Mosca, Lineide do Lago Salvador
    Published: 1997

    This paper focusses On the discussion of the preservation of expressive aspects in translation., Considerations are grounded on the HJELMSLEVian concepts of the isomorphy between the planes of content and expression, which are both constituted... more

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    This paper focusses On the discussion of the preservation of expressive aspects in translation., Considerations are grounded on the HJELMSLEVian concepts of the isomorphy between the planes of content and expression, which are both constituted by-substance and form. The present study intends to show that the connotative equivalence of a text can only be achieved in the target language when attention is paid to both the formal-stylistic and the textual-normative dimensions. This involves the appropriation of the stylistic values of the linguistic expression in the source language and, mainly, the understanding of the tropes and the relationships between them. Thus, the present study draws on discourse analysis, comprehending "enunciation" theories and the rhetorical and pragmatic considerations on the level of expression. Considering that the literary text is privileged in providing stylistically marked choices, it is important to highlight the phonetic and semantic correspondences, that is, the close relationship between sound and meaning, which harbours one of the major difficulties in translation. The theory is applied to "Os Sertões" (English translation: "Rebellion on the Backlands") by Euclides da Cunha. Der vorliegende Aufsatz diskutiert das Problem der Erhaltung expressiver Texteigenschaften bei der Übersetzung. Den Ausgangspunkt der Überlegungen bildet die HJELMSLEVsche Konzeption der Isomorphie zwischen Inhalts- und Ausdrucksebene, die ihrerseits beide aus Substanz und Form zusammengesetzt sind. Das Ziel ist zu zeigen, daß die konnotative Textäquivalenz in der Zielsprache nur erreicht wird, wenn man formal-stilistische und textnormative Gesichtspunkte in Betracht zieht, was die Aneignung der Stilwerte sprachlicher Ausdrücke der Ausgangssprache und besonders das Verständnis der Stilfiguren und der zwischen ihnen bestehenden Beziehungen voraussetzt. Es ist mithin eine diskursanalytische Perspektive (Theorien der Äußerung und rhetorisch-pragmatische Überlegungen zur Ausdrucksebene eingeschlossen), von der sich die vorliegende Arbeit leiten läßt. Wenn man den literarischen Text als den Ort markierter stilistischer Auswahlen par excellence auffaßt, ist es wichtig die phonetischen und semantischen Korrespondenzen hervorzuheben, d.h. die enge Beziehung zwischen Klang und Bedeutung zu berücksichtigen, die der Übersetzung besonderen Widerstand bietet. Angewandt werden die theoretischen Überlegungen auf den Roman "Os Sertões" (dt.: "Krieg im Sertão") von Euclides DA CUNHA.

     
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    Source: Specialised Catalogue of Comparative Literature
    Language: Portuguese
    Media type: Article (journal)
    Format: Online
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    Parent title: In: Pandaemonium Germanicum; São Paulo : Humanitas Publicações, 1997-2006; Band 1, Heft 1 (1997), Seite 187-198; 22 cm

    DDC Categories: 800
    Notes:

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  17. O olhar estrangeiro
    Author: Dornbusch, Claudia
    Published: 1998

    This text tries to illustrate what we understand by strangeness, alterity and exotopy. From the point of view of a stranger, we, as Brazilians, see and read products of foreign cultures in an exotopic way, which is quite productive. The same occurs... more

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    This text tries to illustrate what we understand by strangeness, alterity and exotopy. From the point of view of a stranger, we, as Brazilians, see and read products of foreign cultures in an exotopic way, which is quite productive. The same occurs with Germans looking at US, which gives us another view of ourselves. As an illustration, the poem "calypso" from Ernst Jandl will be discussed in this context. Dieser Text versucht zu veranschaulichen, was man unter Fremdheit, Alterität und Exotopie versteht. Als Brasilianer sehen und lesen wir Produkte einer fremden Kultur von einem exotopischen Standpunkt aus, der besonders produktiv ist. Dieselbe Perspektive haben wiederum Deutsche, wenn sie ihren Blick auf uns richten, was uns selbst eine neue Perspektive unserer Identität ermöglicht. Als Veranschaulichung wird das Gedicht "calypso" von Ernst Jandl in diesem Kontext behandelt.

     
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    Source: Specialised Catalogue of Comparative Literature
    Language: Portuguese
    Media type: Article (journal)
    Format: Online
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    Parent title: In: Pandaemonium Germanicum; São Paulo : Humanitas Publicações, 1997-2006; Band 2, Heft 1 (1998), Seite 13-21; 22 cm

    DDC Categories: 830
    Subjects: Rezeption; Das Andere; Fremdheit <Motiv>; Imagologie
    Other subjects: Jandl, Ernst (1925-2000)
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  18. Heinrich Heine e Castro Alves
    diversidade na convergência
    Author: Heise, Eloá
    Published: 1998

    Heinrich Heine and Castro Alves wrote poems with the same title: "Das Sklavenschiff" and "O Navio Negreiro". However, this does not mean that Castro Alves plagiarized Heinrich Heine, the author of the first source. Although both of the poems deal... more

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    Heinrich Heine and Castro Alves wrote poems with the same title: "Das Sklavenschiff" and "O Navio Negreiro". However, this does not mean that Castro Alves plagiarized Heinrich Heine, the author of the first source. Although both of the poems deal with the same theme, an analysis will show and prove the evident divergency in the convergency. Heinrich Heine und Castro Alves haben Gedichte unter dem gleichen Titel geschrieben: "Das Sklavenschiff" und "O Navio Negreiro". Das bedeutet aber nicht, daß Castro Alves ein Plagiat des Gedichts Heines, des Verfassers der ersten Quelle, begangen hat. Trotz der gleichen Thematik in beiden Fällen kann man durch die Analyse der beiden Gedichte die deutliche Divergenz in der Konvergenz belegen.

     
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    Source: Specialised Catalogue of Comparative Literature
    Language: Portuguese
    Media type: Article (journal)
    Format: Online
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    Parent title: In: Pandaemonium Germanicum; São Paulo : Humanitas Publicações, 1997-2006; Band 2, Heft 1 (1998), Seite 23-33; 22 cm

    DDC Categories: 830
    Subjects: Abolitionismus
    Other subjects: Heine, Heinrich (1797-1856); Alves, Castro (1847-1871)
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  19. O Rio de Janeiro de 1925, sob o olhar de Victor Klemperer
    Author: Aron, Irene
    Published: 1998

    This article deals with the annotations made by Victor Klemperer, in the diary of his 1925 journey to Rio de Janeiro. His descriptions are shown to be pervaded by his constant attempt to analyse, to interpret objectively and to compare his... more

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    This article deals with the annotations made by Victor Klemperer, in the diary of his 1925 journey to Rio de Janeiro. His descriptions are shown to be pervaded by his constant attempt to analyse, to interpret objectively and to compare his observations with what he already knew, and not merely a protocol of his emotions and the impressions brought about by the newness and the exotism of his experiences during the journey. Der vorliegende Aufsatz handelt von den Aufzeichnungen Viktor Klemperers im Tagebuch seiner Reise nach Rio de Janeiro von 1925. Es wird herausgearbeitet, daß seine Beschreibungen nicht einfach seine Gefühle und Eindrücke angesichts der Neuheit und des Exotismus seiner Reiseerfahrungen wiedergeben, sondern durchdrungen sind von seinem beständigen Bemühen, zu analysieren, auf objektive Weise zu interpretieren und seine Beobachtungen mit schon Bekanntem zu vergleichen.

     
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    Source: Specialised Catalogue of Comparative Literature
    Language: Portuguese
    Media type: Article (journal)
    Format: Online
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    Parent title: In: Pandaemonium Germanicum; São Paulo : Humanitas Publicações, 1997-2006; Band 2, Heft 1 (1998), Seite 35-45; 22 cm

    DDC Categories: 830
    Subjects: Tagebuch; Rio de Janeiro <Motiv>
    Other subjects: Klemperer, Victor (1881-1960)
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  20. Estética do futebol: Brasil vs. Alemanha
    Contributor: Bolle, Willi; Gumbrecht, Hans Ulrich; Aguiar, Flávio; Medina, Antonio; Wisnik, José Miguel
    Published: 1998

    In September of 1997, a group of German and Brazilian literary critics met at the University of São Paulo, in order to comment on the aesthetics of two great soccer schools. As our "basic text" we chose the match Germany vs Brazil (final score: 3 :... more

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    In September of 1997, a group of German and Brazilian literary critics met at the University of São Paulo, in order to comment on the aesthetics of two great soccer schools. As our "basic text" we chose the match Germany vs Brazil (final score: 3 : 3; half-time score: 0 : 3), which took place in Washington, in June 1993, between the two tripte World Champions. Hans Ulrich Gumbrecht (Stanford University) proposed a philosophical reflection on football/Fußball, combined with a comparative analysis of soccer and American football. In both modalities he identified the magic phenomenon of "production of presence", which expresses itself through three functions: the ontological function (action vs nothing), the "epiphany of form" (the touch of genius) and the oscillation between finality and telos (linked to the mise-en-scène of intention and contingency). These three functions manifest themselves in both American football and soccer, but in different forms. Flávio Aguiar (University of Säo Paulo) pointed out the phenomenon of empty spaces and the occupation of space. Antonio Medina (University of São Paulo) contrasted the somewhat ontologic character of American football with the mimetic character of soccer, especially as played in Brazil, where the paradigm of masters and slaves is still present. José Miguel Wisnik (University of São Paulo) elaborated on the dialectics of production of presence (resistance against interpretation, "no-hermeneutics") and production of sense. In his reply, Gumbrecht explained that the concepts of empty and occupied space imply religious allusions (transcendental emptiness). Willi Bolle (University of São Paulo) raised the question of the extent to which the issue of aesthetics, seen from the perspective of American football and soccer, must be totally reconsidered. Im September 1997 trafen sich deutsche und brasilianische Literaturwissenschaftler in der Universität São Paulo, um den Stil zweier großer Fußball-Schulen zu kommentieren. Als "Textgrundlage" hatten wir das Spiel Deutschland : Brasilien ausgewählt (Endstand: 3 : 3; Halbzeitstand: 0: 3), das im Juni 1993 in Washington zwischen den seinerzeit dreifachen Weltmeistern ausgetragen worden war. Hans Ulrich Gumbrecht (Universität Stanford) schlug eine philosophische Reflexion über den Fußball vor, verbunden mit einer vergleichenden Analyse des Soccer und des American Football. In beiden Ballspielarten beobachtet er das magische Phänomen der "Produktion von Gegenwart". Sie tritt in drei Arten von Funktionen zu Tage – ontologische Funktion (die Aktion gegen das Nichts), die "Epiphanie der Form" (der geniale Spielzug) und Spannung zwischen Finalität und Telos (oder auch Inszenierung von Intentionalität und Kontingenz) –, die sich sowohl im Football wie im Fußball beobachten lassen, aber in ganz verschiedener Zusammensetzung. Flávio Aguiar (Universität São Paulo) hob in seinem Kommentar das Phänomen der leeren Spielräume und der Besetzung des Raums hervor. Antonio Medina (Universität São Paulo) setzte dem eher ontologischen Charakter des American Football den mimetischen Charakter des Fußballs entgegen, der (zumindest in Brasilien) von dem Verhältnis zwischen Herren und Sklaven affiziert wird. Jose Miguel Wisnik (Universität São Paulo) vertiefte die Dialektik zwischen der Herstellung von Gegenwart (Widerstand gegen Interpretation, negative Hermeneutik) und der Produktion von Sinn. In seiner Antwort erläuterte Gumbrecht, dass die Begriffe des leeren und des besetzten Raumes religiöse Tonalitäten mit sich bringen (die transzendentale Leere). Willi Bolle (Universität São Paulo) stellte die Frage, inwiefern eine aus der Perspektive des Massensports Fußball entworfene Ästhetik dazu führen kann, den Begriff der Ästhetik neu zu denken.

     
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    Source: Specialised Catalogue of Comparative Literature
    Contributor: Bolle, Willi; Gumbrecht, Hans Ulrich; Aguiar, Flávio; Medina, Antonio; Wisnik, José Miguel
    Language: Portuguese
    Media type: Article (journal)
    Format: Online
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    Parent title: In: Pandaemonium Germanicum; São Paulo : Humanitas Publicações, 1997-2006; Band 2, Heft 1 (1998), Seite 67-104; 22 cm

    DDC Categories: 800
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  21. A idéia da vanguarda no ensaio "O Surrealismo. O último instantâneo da inteligência européia" e sua repercussão na crítica alemã
    Author: Pressler, Günter K.
    Published: 1998

    This paper analyses the idea of the avant-garde in Benjamin and its reception in German literary criticism after World War II. It examines the works of Hans Magnus Enzensberger and Peter Bürger, who focus on the concept of avantgarde. This... more

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    This paper analyses the idea of the avant-garde in Benjamin and its reception in German literary criticism after World War II. It examines the works of Hans Magnus Enzensberger and Peter Bürger, who focus on the concept of avantgarde. This perspective allows us to broaden our reflection on German literary history since the end of World War II, and this contributes to the discussion on Postmodernism. The elaboration of the concept of allegory gives this discussion a clearer direction. Benjamin's key-notion of profane illumination was not received in a theoretical-philological way – but it materialized as experience in the students' revolt at the end of the 60s and the beginning of the 70s. Der Beitrag untersucht die Idee der Avantgarde bei Benjamin und ihre Rezeption in der deutschen Literaturkritik nach dem zweiten Weltkrieg. Dabei werden besonders die Arbeiten von Hans Magnus Enzensberger und Peter Bürger kritisch kommentiert, die vor allem den Begriff der Avantgarde betonen. Dieser Gesichtspunkt erlaubt eine Horizonterweiterung der Reflexion über die deutsche Literaturgeschichte seit dem Ende des Zweiten Weltkriegs und trägt zur literaturwissenschaftlichen Diskussion über die Post-Moderne bei. In der Vertiefung des Begriffs der Allegorie eröffnet sich dann ein definitiver Weg. Benjamins Schlüsselbegriff der profanen Erleuchtung wurde nicht theoretisch-philologisch rezipiert – verwirklichte sich aber als Erfahrung in der Revolte Ende der 60er und Anfang der 70er Jahre.

     
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    Source: Specialised Catalogue of Comparative Literature
    Language: Portuguese
    Media type: Article (journal)
    Format: Online
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    Parent title: In: Pandaemonium Germanicum; São Paulo : Humanitas Publicações, 1997-2006; Band 2, Heft 1 (1998), Seite 119-140; 22 cm

    DDC Categories: 800
    Subjects: Rezeption; Avantgarde; Allegorie; Surrealismus
    Other subjects: Benjamin, Walter (1892-1940); Bürger, Peter (1936-2017); Enzensberger, Hans Magnus (1929-2022)
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  22. O trabalho filológico na tradução: considerações gerais sobre as traduções do médio alto-alemão para o português
    Author: Viaro, Mário Eduardo
    Published: 1998

    This paper discusses the question of how Translation Theory and German Philology can be helpful to each other. It starts with some general observations on the history of the German Language with special emphasis on Middle High German. In the second... more

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    This paper discusses the question of how Translation Theory and German Philology can be helpful to each other. It starts with some general observations on the history of the German Language with special emphasis on Middle High German. In the second part, a Middle High German Poem is translated into Portuguese. Der vorliegende Aufsatz diskutiert die Frage, in welchen Punkten Übersetzungstheorie und deutsche Philologie sich gegenseitig unterstützen können. Er beginnt mit einigen generellen Beobachtungen zur Geschichte der deutschen Sprache mit besonderer Berücksichtigung des Mittelhochdeutschen. Im zweiten Teil wird ein mittelhochdeutsches Gedicht ins Portugiesische übersetzt.

     
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    Source: Specialised Catalogue of Comparative Literature
    Language: Portuguese
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    Parent title: In: Pandaemonium Germanicum; São Paulo : Humanitas Publicações, 1997-2006; Band 2, Heft 1 (1998), Seite 329-347; 22 cm

    DDC Categories: 830
    Subjects: Germanistik; Mittelhochdeutsch; Übersetzung; Portugiesisch
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  23. Etnopoesia
    observações sobre a obra de Hubert Fichte
    Author: Bolle, Willi
    Published: 1999

    In this Paper, the idea of "ethnopoetics" is seen not exclusively as the characteristic trait of Hubert Fichte's (1935-1986) work, but as one among several forms of New Ethnology, which appeared in the context of the crisis of traditional ethnology... more

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    In this Paper, the idea of "ethnopoetics" is seen not exclusively as the characteristic trait of Hubert Fichte's (1935-1986) work, but as one among several forms of New Ethnology, which appeared in the context of the crisis of traditional ethnology in the 20th century. The first part intends to conceptually clarify several issues introduced by Fichte, such as the transformation of the world into words, the connection between fieldwork and interpretation, the "participant observation", and the encounter between hegemonic and peripheral cultures, comparing them with the ethnographical essays of Lévi-Strauss, Malinowski, Evans-Pritchard and Ruth Benedict. The second part is devoted to Fichte's posthumous book "Explosion", published in 1993 – where he relates his experience of three journeys in Brazil, between 1969 and 1982, a text which may be considered as his working journal and guide to all his publications on Brazil. I discuss how far the author realized his proposals to write a "novel of ethnology" and to create a "new ethnology". Der Begriff der "Ethnopoesie" wird hier nicht ausschließlich als Merkmal des Werkes von Hubert Fichte (1935-1986) verstanden, sondern als eine unter verschiedenen Ausdrucksformen der "neuen Ethnologie", die im Zusammenhang mit der Krise der Ethnologie im 20. Jahrhundert entstand. Im ersten Teil dieses Beitrags geht es darum, von Fichte aufgeworfene Fragen wie die "Verwörterung der Welt", das Verhältnis von Feldforschung und Interpretation, die "teilnehmende Beobachtung" und die Begegnung von hegemonialen und peripheren Kulturen im Vergleich mit den ethnographischen Arbeiten von Lévi-Strauss, Malinowski, Evans-Pritchard und Ruth Benedict begrifflich zu erhellen. Im zweiten Teil wird die Frage erörtert, inwieweit Fichte in seinem posthum veröffentlichten Buch "Explosion" (1993), in dem die Erfahrungen seiner zwischen 1969 und 1982 unternommenen Brasilienreisen ihren Niederschlag fanden und das als Arbeitsjournal und Leitfaden für seine Publikationen über Brasilien gelten kann, seinen Anspruch eines "Romans der Ethnologie" bzw. einer "neuen Ethnologie" verwirklicht hat.

     
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    Source: Specialised Catalogue of Comparative Literature
    Language: Portuguese
    Media type: Article (journal)
    Format: Online
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    Parent title: In: Pandaemonium Germanicum; São Paulo : Humanitas Publicações, 1997-2006; Band 3, Heft 1 (1999), Seite 15-44; 22 cm

    DDC Categories: 830
    Subjects: Ethnologie; Anthropologie
    Other subjects: Fichte, Hubert (1935-1986); Fichte, Hubert (1935-1986): Explosion
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  24. Formação feminista e formação proletária: o "Bildungsroman" no Brasil
    Author: Marzari Dinardo Maas, Wilma Patricia
    Published: 1999

    This article shows how the genre Bildungsroman (self-development novel) has been assimilated to the Brazilian literary tradition. Through the examples of Cristina Ferreira Pinto's "O 'Bildungsroman' feminino" ("The female novel of development") and... more

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    This article shows how the genre Bildungsroman (self-development novel) has been assimilated to the Brazilian literary tradition. Through the examples of Cristina Ferreira Pinto's "O 'Bildungsroman' feminino" ("The female novel of development") and Eduardo de Assis Duarte's "Jorge Amado e o 'Bildungsroman' proletário" ("Jorge Amado and the proletarian novel of development"), this article focuses the dynamic process by means of which a typical European genre has been assimilated by a young South-American literary tradition. Der vorliegende Artikel zeigt, wie die Gattung Bildungsroman von der literarischen Tradition Brasiliens assimiliert wird. Anhand des Buches "O 'Bildungsroman' feminino" von Cristina Ferreira Pinto und des Aufsatzes "Jorge Amado e o 'Bildungsroman' proletário" von Eduardo de Assis Duarte wird der Prozeß nachvollzogen, durch den ein typisch europäisches Textgenre durch eine junge südamerikanische Literaturtradition aufgenommen wird.

     
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    Parent title: In: Pandaemonium Germanicum; São Paulo : Humanitas Publicações, 1997-2006; Band 3, Heft 1 (1999), Seite 65-83; 22 cm

    DDC Categories: 830
    Subjects: Bildungsroman; Rezeption; Arbeiterklasse; Feminismus
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  25. O teatro épico de Brecht
    Author: Costa, Iná Camargo
    Published: 2000

    This article is a reduced version of the chapter "Sinta o drama" from the book with the Same title. It traces Brecht's reasons for qualifying his theater as epic, based on important literary critics such as Peter Szondi, Adorno. Lukács and Anatol... more

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    This article is a reduced version of the chapter "Sinta o drama" from the book with the Same title. It traces Brecht's reasons for qualifying his theater as epic, based on important literary critics such as Peter Szondi, Adorno. Lukács and Anatol Rosenfeld, including Brecht himself. Dieser Artikel ist eine gekürzte Fassung des Kapitels "Sinta o drama" aus dem gleichnamigen Buch. Er untersucht Brechts Gründe, sein Theater als episch zu bezeichnen, ausgehend von wichtigen Literaturkritikern wie Peter Szondi, Adomo. Lukács und Anatol Rosenfeld sowie Brecht selbst.

     
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    Language: Portuguese
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    Parent title: In: Pandaemonium Germanicum; São Paulo : Humanitas Publicações, 1997-2006; Band 4, Heft 1 (2000), Seite 27-46; 22 cm

    DDC Categories: 830
    Subjects: Episches Theater
    Other subjects: Brecht, Bertolt (1898-1956)
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