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  1. Critical Rhythm : The Poetics of a Literary Life Form
    Contributor: Glaser, Ben (Publisher); Culler, Jonathan (Publisher)
    Published: 20190108
    Publisher:  Fordham University Press

    Explores both the theory and practice of rhythm in literature with a focus on nineteenth and twentieth-century poetry. Emphasis on rhythm’s role in contemporary literary criticism, including debates about poetic form and genre. This collection... more

     

    Explores both the theory and practice of rhythm in literature with a focus on nineteenth and twentieth-century poetry. Emphasis on rhythm’s role in contemporary literary criticism, including debates about poetic form and genre.

     

    This collection intervenes in recent debates over formalism, historicism, poetics, and lyric by focusing on one of literary criticism’s most important, most vested, and perhaps least well-defined or definable terms. Rhythm in these essays is at once a defamiliarizing aesthetic force and an unstable concept. It is a key term through which Romantic, Modern, and contemporary literary theory define form, either in conversation with or opposition to meter. It has rich but also problematic roots in still-lingering nineteenth-century notions of primitive, oral, communal, and sometimes racialized poetics. But there are reasons to understand and even embrace its seductions, including its resistance to lyrical voice if not identity as such.

     
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    Source: OAPEN
    Contributor: Glaser, Ben (Publisher); Culler, Jonathan (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Literary studies: poetry & poets
    Other subjects: Literature; Lyric; History of Criticism; Romantic Poetry; Scansion; Meter; Prosody; Victorian Poetry; Modernism
  2. Critical Rhythm
    The Poetics of a Literary Life Form
    Contributor: Culler, Jonathan (Publisher); Glaser, Ben (Publisher)
    Published: [2019]; © 2019
    Publisher:  Fordham University Press, New York, NY

    This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable concept. Distinct from the related terms to which it’s often assimilated—scansion, prosody, meter—rhythm makes legible a range of ways poetry affects us that cannot be parsed through the traditional resources of poetic theory.Rhythm has rich but also problematic roots in still-lingering nineteenth-century notions of primitive, oral, communal, and sometimes racialized poetics. But there are reasons to understand and even embrace its seductions, including its resistance to lyrical voice and even identity. Through exploration of rhythm’s genealogies and present critical debates, the essays consistently warn against taking rhythm to be a given form offering ready-made resources for interpretation. Pressing beyond poetry handbooks’ isolated descriptions of technique or inductive declarations of what rhythm "is," the essays ask what it means to think rhythm.Rhythm, the contributors show, happens relative to the body, on the one hand, and to language, on the other—two categories that are distinct from the literary, the mode through which poetics has tended to be analyzed. Beyond articulating what rhythm does to poetry, the contributors undertake a genealogical and theoretical analysis of how rhythm as a human experience has come to be articulated through poetry and poetics. The resulting work helps us better understand poetry both on its own terms and in its continuities with other experiences and other arts.Contributors: Derek Attridge, Tom Cable, Jonathan Culler, Natalie Gerber, Ben Glaser, Virginia Jackson, Simon Jarvis, Ewan Jones, Erin Kappeler, Meredith Martin, David Nowell Smith, Yopie Prins, Haun Saussy

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Culler, Jonathan (Publisher); Glaser, Ben (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823282067
    Other identifier:
    Series: Verbal Arts: Studies in Poetics
    Subjects: History of Criticism; Lyric; Meter; Modernism; Poetics; Prosody; Rhythm; Romantic Poetry; Scansion; Victorian Poetry; LITERARY CRITICISM / Poetry; Poetics; Poetics; Rhythm in literature
    Scope: 1 online resource (288 pages), 9
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  3. The linguistic foundation
    [introduction]
    Author: Culler, Jonathan

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: Literary theory : an anthology.(1998); 1998; S. 73-75
  4. Structuralist poetics
    structuralism, linguistics and the study of literature
    Author: Culler, Jonathan
    Published: 1975
    Publisher:  Routledge & Kegan Paul, London

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Book
    Subjects: Strukturalismus
    Scope: 301 S.
  5. Imagining the coherence of the english major
    Author: Culler, Jonathan

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: Literary engagements. Locating ourselves, locating others. MLA Committee documents.(2003); 2003; S. 85 - 93
  6. Jacques Derrida
    Author: Culler, Jonathan

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: Structuralism and since : from Lévi-Strauss to Derrida.(1979); 1979; S. 154 - 180
    Other subjects: Derrida, Jacques
  7. literary competence
    Author: Culler, Jonathan

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: Reader-response criticism : from formalism to post-structuralism.(1980); 1980; S. 101
  8. Interpretation and overinterpretation
    Author: Eco, Umberto
    Published: 1992
    Publisher:  Cambridge Univ. Press, Cambridge

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Collini, Stefan (Publisher); Rorty, Richard (Publisher); Culler, Jonathan (Publisher); Brooke-Rose, Christine (Publisher)
    Media type: Book
    ISBN: 0-521-42554-9 (pbk.); 0-521-40227-1
    Subjects: Hermeneutik
    Scope: IX, 151 S.
  9. The literary in theory
    Author: Culler, Jonathan

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: What's left of theory : new work on the politics of literary theory.(2000); 2000; S. 273 - 292
    Other subjects: Wilde, Oscar
  10. Dekonstruktion
    Derrida und die poststrukturalistische Literaturtheorie
    Author: Culler, Jonathan
    Published: 1988
    Publisher:  Rowohlt, Reinbek b. Hamburg

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Momberger, Manfred
    Language: German
    Media type: Book
    ISBN: 3-499-55474 -7
    Series: Rowohlts Enzyklopädie ; 474
    Subjects: Dekonstruktion; Literaturtheorie; Dekonstruktion; Literaturwissenschaft; Texttheorie
    Other subjects: Derrida, Jacques; DeMan, Paul
    Scope: 345 S.
  11. Zwischen Autor und Text
    Interpretation und Überinterpretation
    Author: Eco, Umberto
    Published: 1994
    Publisher:  Hanser, München ; Wien

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Rorty, Richard (Publisher); Culler, Jonathan (Publisher); Brooke-Rose, Christine (Publisher); Collini, Stefan (Publisher); Holl, Hans Günter
    Language: German
    Media type: Book
    ISBN: 3-446-17326-9
    Series: Edition Akzente
    Subjects: Interpretation; Literatur
    Scope: 163 S.
  12. Narrative discourse
    an essay in method
    Author: Genette, Gérard
    Published: 1990
    Publisher:  Cornell Univ. Press, Ithaca ; New York

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Lewin, Jane E.; Culler, Jonathan
    Media type: Book
    ISBN: 0-8014-9259-9
    Edition: 4. Aufl.
    Subjects: Literaturtheorie; Erzähltheorie; Diskurstheorie; Narration; Rhetorik
    Other subjects: Proust, Marcel: A la recherche du temps perdu
    Scope: 285 S.
  13. What Is Cultural Studies?
    Author: Culler, Jonathan

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: The Practice of cultural analysis : exposing interdisciplinary interpretation.(1999); 1999; S. 335 - 350
  14. Five propositions on the future of men in feminism
    Author: Culler, Jonathan

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: Men writing the feminine : literature, theory, and the question of genders.(1994); 1994; S. 187 - 188
  15. L'essentiel de l'arbitraire
    Author: Culler, Jonathan

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: Ferdinand de Saussure.(2003); 2003; S. 52 - 61
  16. Grounds of comparison: around the work of Benedict Anderson
    Contributor: Cheah, Pheng (Publisher); Culler, Jonathan (Publisher)
    Published: 1999
    Publisher:  Johns Hopkins Univ. Pr., Baltimore, MD

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Cheah, Pheng (Publisher); Culler, Jonathan (Publisher)
    Media type: Book
    Series: Diacritics ; 29(1999), 4
    Scope: 177 S.
  17. Meaning and art
    a series of books on poetics, theory of literature and related fields
    Contributor: Hrushovski, Benjamin (Publisher); Culler, Jonathan (Publisher)
    Published: [2001]
    Publisher:  North-Holland Publ. Comp., Amsterdam [u.a.]

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Hrushovski, Benjamin (Publisher); Culler, Jonathan (Publisher)
    Media type: Periodical
  18. Framing the sign
    criticism and its institutions
    Author: Culler, Jonathan
    Published: 1988
    Publisher:  Basil Blackwell, Oxford

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    Hochschule für Bildende Künste Braunschweig, Bibliothek
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    P 2.11 Cul 1
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0631158952; 0631158960
    Subjects: Literaturtheorie; Rhetorik; Sprache; Semiotik;
    Other subjects: Criticism
    Scope: XIII, 237 S, 26 cm
  19. Structuralist poetics
    structuralism, linguistics and the study of literature
    Author: Culler, Jonathan
    Published: 1975
    Publisher:  Routledge and Kegan Paul, London

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    Universitätsbibliothek Braunschweig
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0710079648; 0710079656
    Subjects: Structuralism (Literary analysis); Criticism; Strukturalismus; Poetik
    Scope: XI, 301 S., 23 cm
    Notes:

    Literaturverz. S. 273 - 293
  20. Barthes
    Author: Culler, Jonathan
    Published: 1990
    Publisher:  Fontana Pr., London

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    DFF - Deutsches Filminstitut & Filmmuseum, Bibliothek
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    Thomas Elsaesser 1295
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    Source: Union catalogues
    Media type: Book
    Format: Print
    ISBN: 0006862071
    Edition: Fontana Pr. ed., with amendments
    Series: Fontana modern masters
    Subjects: Barthes, Roland;
    Scope: 128 S
  21. The pursuit of signs
    semiotics, literature, deconstruction
    Author: Culler, Jonathan
    Published: 1981
    Publisher:  Cornell Univ. Pr., Ithaca, NY

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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    ang 953.3 cull 3 BO 0221
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    Source: Union catalogues
    Media type: Book
    Format: Print
    ISBN: 0801414172
    Edition: 2. print
    Scope: XII, 242 S
    Notes:

    Literaturverz. S. 227 - 238
  22. Critical Rhythm
    The Poetics of a Literary Life Form
    Contributor: Attridge, Derek; Cable, Tom; Culler, Jonathan D.; Culler, Jonathan; Gerber, Natalie; Glaser, Ben; Jackson, Virginia; Jarvis, Simon; Jones, Ewan; Kappeler, Erin; Martin, Meredith; Nowell Smith, David; Prins, Yopie; Saussy, Haun
    Published: [2019]
    Publisher:  Fordham University Press, New York, NY ; Walter de Gruyter GmbH, Berlin

    This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable... more

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    This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable concept. Distinct from the related terms to which it’s often assimilated—scansion, prosody, meter—rhythm makes legible a range of ways poetry affects us that cannot be parsed through the traditional resources of poetic theory.Rhythm has rich but also problematic roots in still-lingering nineteenth-century notions of primitive, oral, communal, and sometimes racialized poetics. But there are reasons to understand and even embrace its seductions, including its resistance to lyrical voice and even identity. Through exploration of rhythm’s genealogies and present critical debates, the essays consistently warn against taking rhythm to be a given form offering ready-made resources for interpretation. Pressing beyond poetry handbooks’ isolated descriptions of technique or inductive declarations of what rhythm “is,” the essays ask what it means to think rhythm.Rhythm, the contributors show, happens relative to the body, on the one hand, and to language, on the other—two categories that are distinct from the literary, the mode through which poetics has tended to be analyzed. Beyond articulating what rhythm does to poetry, the contributors undertake a genealogical and theoretical analysis of how rhythm as a human experience has come to be articulated through poetry and poetics. The resulting work helps us better understand poetry both on its own terms and in its continuities with other experiences and other arts.Contributors: Derek Attridge, Tom Cable, Jonathan Culler, Natalie Gerber, Ben Glaser, Virginia Jackson, Simon Jarvis, Ewan Jones, Erin Kappeler, Meredith Martin, David Nowell Smith, Yopie Prins, Haun Saussy...

     
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    Source: Union catalogues
    Contributor: Attridge, Derek; Cable, Tom; Culler, Jonathan D.; Culler, Jonathan; Gerber, Natalie; Glaser, Ben; Jackson, Virginia; Jarvis, Simon; Jones, Ewan; Kappeler, Erin; Martin, Meredith; Nowell Smith, David; Prins, Yopie; Saussy, Haun
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823282067
    Other identifier:
    Series: Verbal Arts: Studies in Poetics
    Scope: 1 Online-Ressource (288 p.), 9
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  23. Flaubert
    The Uses of Uncertainty
    Author: Culler, Jonathan
    Published: 2006; ©2006.
    Publisher:  The Davies Group, Publishers, Aurora

    Intro -- Contents -- Chronology -- Introduction -- Chapter 1: The Rites of Youth -- A. Precocious Boredom -- B. Narrative Strategies -- C. 'Beyond' Romanticism -- Chapter 2: The Perfect Crime: The Novel -- A. Opportunities -- B. Description and... more

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Intro -- Contents -- Chronology -- Introduction -- Chapter 1: The Rites of Youth -- A. Precocious Boredom -- B. Narrative Strategies -- C. 'Beyond' Romanticism -- Chapter 2: The Perfect Crime: The Novel -- A. Opportunities -- B. Description and Meaning -- C. The Elusive Narrator -- D. Weak Vessels -- E. Thematic Indeterminacy -- Chapter 3: Values -- A. Stupidity -- B. Irony -- Conclusion -- Afterword -- Notes -- Bibliography -- Texts -- Critical Works -- Index.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781935790150
    Subjects: Uncertainty in literature; Flaubert, Gustave ; 1821-1880 ; Criticism and interpretation; Uncertainty in literature; Electronic books
    Other subjects: Flaubert, Gustave (1821-1880)
    Scope: 1 online resource (283 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  24. Critical Rhythm
    The Poetics of a Literary Life Form
    Contributor: Culler, Jonathan (Publisher); Glaser, Ben (Publisher)
    Published: [2019]; © 2019
    Publisher:  Fordham University Press, New York, NY

    This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable concept. Distinct from the related terms to which it’s often assimilated—scansion, prosody, meter—rhythm makes legible a range of ways poetry affects us that cannot be parsed through the traditional resources of poetic theory.Rhythm has rich but also problematic roots in still-lingering nineteenth-century notions of primitive, oral, communal, and sometimes racialized poetics. But there are reasons to understand and even embrace its seductions, including its resistance to lyrical voice and even identity. Through exploration of rhythm’s genealogies and present critical debates, the essays consistently warn against taking rhythm to be a given form offering ready-made resources for interpretation. Pressing beyond poetry handbooks’ isolated descriptions of technique or inductive declarations of what rhythm "is," the essays ask what it means to think rhythm.Rhythm, the contributors show, happens relative to the body, on the one hand, and to language, on the other—two categories that are distinct from the literary, the mode through which poetics has tended to be analyzed. Beyond articulating what rhythm does to poetry, the contributors undertake a genealogical and theoretical analysis of how rhythm as a human experience has come to be articulated through poetry and poetics. The resulting work helps us better understand poetry both on its own terms and in its continuities with other experiences and other arts.Contributors: Derek Attridge, Tom Cable, Jonathan Culler, Natalie Gerber, Ben Glaser, Virginia Jackson, Simon Jarvis, Ewan Jones, Erin Kappeler, Meredith Martin, David Nowell Smith, Yopie Prins, Haun Saussy

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Culler, Jonathan (Publisher); Glaser, Ben (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823282067
    Other identifier:
    Series: Verbal Arts: Studies in Poetics
    Subjects: History of Criticism; Lyric; Meter; Modernism; Poetics; Prosody; Rhythm; Romantic Poetry; Scansion; Victorian Poetry; LITERARY CRITICISM / Poetry; Poetics; Poetics; Rhythm in literature
    Scope: 1 online resource (288 pages), 9
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  25. Critical Rhythm
    The Poetics of a Literary Life Form
    Contributor: Glaser, Ben (HerausgeberIn); Culler, Jonathan (HerausgeberIn)
    Published: [2019]
    Publisher:  Fordham University Press, New York, NY

    Frontmatter -- Contents -- Introduction -- Why Rhythm? -- What Is Called Rhythm? -- Sordello’s Pristine Pulpiness -- Th e Cadence of Consent: Francis Barton Gummere, Lyric Rhythm, and White Poetics -- Contagious Rhythm: Verse as a Technique of the... more

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    Frontmatter -- Contents -- Introduction -- Why Rhythm? -- What Is Called Rhythm? -- Sordello’s Pristine Pulpiness -- Th e Cadence of Consent: Francis Barton Gummere, Lyric Rhythm, and White Poetics -- Contagious Rhythm: Verse as a Technique of the Body -- Constructing Walt Whitman: Literary History and Histories of Rhythm -- Th e Rhythms of the English Dolnik -- How to Find Rhythm on a Piece of Paper -- Picturing Rhythm -- Beyond Meaning: Differing Fates of Some Modernist Poets’ Investments of Belief in Sounds -- Sapphic Stanzas: How Can We Read the Rhythm? -- Rhythm and Affect in “Christabel” -- Acknowledgments -- List of Contributors -- Index -- Verbal Arts: Studies in Poetics This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable concept. Distinct from the related terms to which it’s often assimilated—scansion, prosody, meter—rhythm makes legible a range of ways poetry affects us that cannot be parsed through the traditional resources of poetic theory.Rhythm has rich but also problematic roots in still-lingering nineteenth-century notions of primitive, oral, communal, and sometimes racialized poetics. But there are reasons to understand and even embrace its seductions, including its resistance to lyrical voice and even identity. Through exploration of rhythm’s genealogies and present critical debates, the essays consistently warn against taking rhythm to be a given form offering ready-made resources for interpretation. Pressing beyond poetry handbooks’ isolated descriptions of technique or inductive declarations of what rhythm “is,” the essays ask what it means to think rhythm.Rhythm, the contributors show, happens relative to the body, on the one hand, and to language, on the other—two categories that are distinct from the literary, the mode through which poetics has tended to be analyzed. Beyond articulating what rhythm does to poetry, the contributors undertake a genealogical and theoretical analysis of how rhythm as a human experience has come to be articulated through poetry and poetics. The resulting work helps us better understand poetry both on its own terms and in its continuities with other experiences and other arts.Contributors: Derek Attridge, Tom Cable, Jonathan Culler, Natalie Gerber, Ben Glaser, Virginia Jackson, Simon Jarvis, Ewan Jones, Erin Kappeler, Meredith Martin, David Nowell Smith, Yopie Prins, Haun Saussy

     
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    Content information
    Source: Union catalogues
    Contributor: Glaser, Ben (HerausgeberIn); Culler, Jonathan (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823282067
    Other identifier:
    Series: Verbal Arts: Studies in Poetics
    Subjects: Rhythm in literature; Poetics; Poetics; LITERARY CRITICISM / Poetry
    Scope: 1 Online-Ressource (288 p), 9