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  1. Editorial: Escrituras del cuerpo y saberes de género: la literatura mexicana del nuevo milenio
    Published: 2018
    Publisher:  iMex. México Interdisciplinario / Interdisciplinary Mexico

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    Source: BASE Selection for Comparative Literature
    Language: Spanish
    Media type: Article (journal)
    Format: Online
    DDC Categories: 860
    Subjects: literatura mexicana; Mexican Literature; gender; género; sexuality; sexualidad
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    Attribution-ShareAlike 4.0 International ; creativecommons.org/licenses/by-sa/4.0/

  2. Repensar la escritura: cuerpo, sexualidad y usos amorosos del siglo XXI en la poesía de Maricela Guerrero
    Published: 2018
    Publisher:  iMex. México Interdisciplinario / Interdisciplinary Mexico

    Abstract ; Mi propuesta es que la poesía de Maricela Guerrero (1977) permite visualizar cuáles son algunas de las estrategias discursivas que propone la lírica mexicana del presente, y en qué medida la autora mencionada sugiere un descentramiento ya... more

     

    Abstract ; Mi propuesta es que la poesía de Maricela Guerrero (1977) permite visualizar cuáles son algunas de las estrategias discursivas que propone la lírica mexicana del presente, y en qué medida la autora mencionada sugiere un descentramiento ya de los discursos heteropatriarcales o falogocéntricos, ya de los usos amorosos, estableciendo con ello lo que propongo llamar una nueva política de escritura y un nuevo horizonte de lectura en el contexto de la poesía mexicana actual. Esto es, en mi trabajo mostraré de qué manera Maricela Guerrero realiza una poesía de los límites y crea nuevas tesituras del lenguaje en tanto propone una reinvención y reimaginación del cuerpo, la sexualidad, los usos amorosos y la identidad, y sugiere una nueva manera de habitar la escritura.

     

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    Source: BASE Selection for Comparative Literature
    Language: Spanish
    Media type: Article (journal)
    Format: Online
    DDC Categories: 860
    Subjects: literatura mexicana; Mexican Literature; Maricela Guerrero; poesía mexicana; descentramiento; legalidad; legibilidad
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  3. "Todo lo perdido regresa travestido": los anexos de La sodomía en la Nueva España de Luis Felipe Fabre
    Published: 2018
    Publisher:  iMex. México Interdisciplinario / Interdisciplinary Mexico

    Abstract ; ¿How does one re-member the histories of those whose sex has been denied by History, or, in the words of Judith Butler, "the sex that cannot be thought, a linguistic absence and opacity" (Butler 1999: 13)? This essay explores this question... more

     

    Abstract ; ¿How does one re-member the histories of those whose sex has been denied by History, or, in the words of Judith Butler, "the sex that cannot be thought, a linguistic absence and opacity" (Butler 1999: 13)? This essay explores this question in the two poems annexed to “El retablo de sodomitas novohispanos” and incorporated into La sodomía en la Nueva España (2010) by the Mexican poet, Luis Felipe Fabre: 'Villancicos del Sto. Niño de las Quemaduras' and 'El monumento fúnebre a Gerónimo Calbo'. More specifically it demonstrates how, through a combination of intertextual parody and ekphrastic writing, the two texts activate an anti-heteronormative, transgressive, irreverent, and simultaneously poignant reflection focused on the burning at the stake of fourteen persons for the sin of sodomy in Mexico City on the 6th of November of 1658. Through this story of persecution from the era of Colonial Mexico, finally, the essay argues, the poems invite consideration of the persistence of the same repressive heteronormative powers in the present that determined the horrors of the past.

     

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    Source: BASE Selection for Comparative Literature
    Language: Spanish
    Media type: Article (journal)
    Format: Online
    DDC Categories: 860
    Subjects: literatura mexicana; Mexican Literature; villancico; poesía mexicana; Mexican Poetry; Luis Felipe Fabre; ekphrasis
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  4. Género(s) y sadomasoquismo: la novela Los esclavos de Alberto Chimal
    Published: 2018
    Publisher:  iMex. México Interdisciplinario / Interdisciplinary Mexico

    Abstract ; The present article offers an interpretation of Alberto Chimal’s first novel, The Slaves, published by this Mexican author in 2009, a novel proposing an analysis of sadomasochistic sexual relations. In the center of the narration, we... more

     

    Abstract ; The present article offers an interpretation of Alberto Chimal’s first novel, The Slaves, published by this Mexican author in 2009, a novel proposing an analysis of sadomasochistic sexual relations. In the center of the narration, we encounter two couples, both homosexual, acting out various sadomasochistic practices ‒ some of them of an extreme nature: On the one hand, two women, one of them already older (Marlene) and (supposedly) the director of pornographic movies, and the other, almost still a girl (Yuyis) live a relation of dominance and submission with the noteworthy complication that Marlene could even be the mother of her "slave girl". The second couple is formed by two men: Golo, a decadent millionaire, and his "slave" nicknamed "Mundo" ('World') who is frequently reduced to something like a dog or even an unanimated object. The whole novel consists of various sequences narrating what the two couples experience in their sex life until a final turning point is reached with the forced separation in both cases. Due to a narrative structure that makes as understand that we as readers depend completely on an unreliable narrator, even the most brutal atrocities tend to dissipate in the fog of probably fictitious games showing us the trompe-l'œil of a monstrous storyline of serial sex crimes. With this peculiar narrative structure in mind, I emphasize the 'ludic' character of sadomasochistic 'plays' narrated all through the novel, trying to understand what 'sadomasochism' means as a sexual practice or identity and what consequences could be drawn from these practices with regard to the construction of different genders (in the case of this novel: masculine and feminine).

     

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    Source: BASE Selection for Comparative Literature
    Language: Spanish
    Media type: Article (journal)
    Format: Online
    DDC Categories: 860
    Subjects: literatura mexicana; Mexican Literature; Alberto Chimal; sadomasochism; Gender Studies
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  5. Límites del deseo: incesto y familia en El lenguaje de las orquídeas de Adriana González Mateos
    Published: 2018
    Publisher:  iMex. México Interdisciplinario / Interdisciplinary Mexico

    Abstract ; This article employs Igor Primoratz’s ethics of sexuality to analyze the incestuous relationship between a thirteen year old girl and her uncle in the novel El lenguaje the las orquídeas (2007), by Adriana González Mateos. My critical... more

     

    Abstract ; This article employs Igor Primoratz’s ethics of sexuality to analyze the incestuous relationship between a thirteen year old girl and her uncle in the novel El lenguaje the las orquídeas (2007), by Adriana González Mateos. My critical inquiry starts with a basic question: What hides behind the multiple ways in which incest is represented here? The obvious answer would be: the disintegration of the family. By analogy, if the family falls apart, so does the whole country. The Mexican nation here, as Doris Summers would say, no longer needs incest to consolidate itself, perhaps because this concept is undergoing profound transformations. Due to continuous social and cultural shifts, as well as the profound mark feminist and gay liberation movements have left on the Mexican society, the novel discussed here posits a new vision of incest. One that leaves behind the pater familias in order to reveal the growing importance of women in society and their role in the formation (or disintegration for that matter) of the family nucleus.

     

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    Source: BASE Selection for Comparative Literature
    Language: Spanish
    Media type: Article (journal)
    Format: Online
    DDC Categories: 860
    Subjects: literatura mexicana; Mexican Literature; incest; sadomasochism; pedophilia; ethics; Adriana González Mateos
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  6. Discapacidad y construcciones de género en Después del invierno de Guadalupe Nettel
    Published: 2018
    Publisher:  iMex. México Interdisciplinario / Interdisciplinary Mexico

    Abstract ; In Guadalupe Nettel’s narratives, the representation of disability deconstructs various Latin American paradigms of 'normalcy', within a global context. Drawing primarily from her novel, Después del invierno (2014), this study focuses on... more

     

    Abstract ; In Guadalupe Nettel’s narratives, the representation of disability deconstructs various Latin American paradigms of 'normalcy', within a global context. Drawing primarily from her novel, Después del invierno (2014), this study focuses on the processes that confront the restrictive and oppressive notions of 'the feminine' and 'the masculine'. Following theoretical postulates that define disability as a social construction, as well as contemporary theories on gender and masculinities, this essay seeks to uncover the ways in which the normalization of otherness reveals the elastic and malleable identity of the protagonists. Consequently, the study also traces the reciprocal connection between gender and disability as portrayed in the novel, as well as the social perception of disability.

     

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    Source: BASE Selection for Comparative Literature
    Language: Spanish
    Media type: Article (journal)
    Format: Online
    DDC Categories: 860
    Subjects: literatura mexicana; Mexican Literature; gender; disability; body; masculinities; identity; Guadalupe Nettel
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  7. Cuerpo náufrago de Ana Clavel: en busca de una nueva masculinidad
    Published: 2018
    Publisher:  iMex. México Interdisciplinario / Interdisciplinary Mexico

    Abstract ; Ana Clavel’s second novel, Shipwrecked Body (2005), focuses on the identity crisis experienced by Antonia, who awakens one morning in a man’s body and asks herself if she continues to be the same or if her new body has made her into a... more

     

    Abstract ; Ana Clavel’s second novel, Shipwrecked Body (2005), focuses on the identity crisis experienced by Antonia, who awakens one morning in a man’s body and asks herself if she continues to be the same or if her new body has made her into a different person. In contrast to novels that chart identity through the exploration of the past, Antonia’s search for selfhood gravitates around her current physical, social and cultural circumstances. The present study analyzes the stages of Antonia’s masculine socialization as she attempts to resolve the discord between her female identity and her new biological sex. During the process of masculinization that she endures, Antonia imitates masculine normative behaviors and suppresses the characteristics that feminize her, which positions her new identity as a performative act. The objective of the present study, therefore, is to discuss the ways in which Clavel situates masculinity as a social construct through an examination of the protagonist’s conditioning and her active and voluntary cultivation of manhood for the sake of enjoying the privileges afforded to men in a patriarchal society.

     

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    Source: BASE Selection for Comparative Literature
    Language: Spanish
    Media type: Article (journal)
    Format: Online
    DDC Categories: 860
    Subjects: literatura mexicana; Mexican Literature; gender disordance; heterosexuality; masculinity; Ana Clavel
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  8. Editorial. La experiencia judía en México: apuntes introductorios
    Published: 2018
    Publisher:  iMex. México Interdisciplinario / Interdisciplinary Mexico

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    Source: BASE Selection for Comparative Literature
    Language: Spanish
    Media type: Article (journal)
    Format: Online
    DDC Categories: 860
    Subjects: literatura mexicana; Mexican Literature; Judaism; judaísmo
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  9. El proceso de la Inquisición de México contra Margarita Moreira (1646) por judaizante (Documentos)
    Published: 2018
    Publisher:  iMex. México Interdisciplinario / Interdisciplinary Mexico

    Abstract ; The trial of the Inquisition against Margarita Moreira allows us to see the fascinating world of the groups of Crypto-Jews in New Spain in the 17th century. As a consequence of political and historical developments, a large group of... more

     

    Abstract ; The trial of the Inquisition against Margarita Moreira allows us to see the fascinating world of the groups of Crypto-Jews in New Spain in the 17th century. As a consequence of political and historical developments, a large group of conversos from the Iberian Peninsula settled in Brazil, Peru or Mexico at the time and immerse themselves in several economic activities that brought prosperity to many of them. In the first half of the 17th century, the Inquisition in several parts of America made a concerted effort towards making them disappear through numerous inquisitional trials, of which Margarita Moreira´s case is a paramount example.

     

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    Source: BASE Selection for Comparative Literature
    Language: Spanish
    Media type: Article (journal)
    Format: Online
    DDC Categories: 860
    Subjects: literatura mexicana; Mexican Literature; Judaism; Crypto-Jews; Inquisition; New Spain; Margarita Moreira; conversos
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  10. Guillén de Lamport. Su relación y apoyo a los judaizantes en el siglo XVII en la Nueva España
    Published: 2018
    Publisher:  iMex. México Interdisciplinario / Interdisciplinary Mexico

    Abstract ; This article aims to give an overview of the life of an Irish accused by the Court of the Inquisition in Mexico, in the seventeenth century, considered a heretic and a rebel seeking independence from New Spain. His captivity for 17 years,... more

     

    Abstract ; This article aims to give an overview of the life of an Irish accused by the Court of the Inquisition in Mexico, in the seventeenth century, considered a heretic and a rebel seeking independence from New Spain. His captivity for 17 years, from 1642 until his death in 1659, made his prison known to the Viceroy and the King in Spain. In it he found the Judaizers who had arrived in that city from Portugal in search of economic improvements and freedom of worship. Coincided the years of 1642 to 1649 with these Crypto-Jews in jail and wrote a lawsuit against the Inquisitors for the bad treatment that was given to the prisoners and especially to them. Guillén de Lampart or Lamport as some called him was the defender of these Crypto-Jews, which came out in the four autos de fe of that 17th century, ending with the presence of the Judaizers in New Spain.

     

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    Source: BASE Selection for Comparative Literature
    Language: Spanish
    Media type: Article (journal)
    Format: Online
    DDC Categories: 860
    Subjects: literatura mexicana; Mexican Literature; Inquisition; Crypto-Jews; processes; heresies; Mexico; Guillén de Lampart
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  11. La memoria en la construcción de la identidad
    Published: 2018
    Publisher:  iMex. México Interdisciplinario / Interdisciplinary Mexico

    Abstract ; The construction of the memory of immigrants from the Middle East went through several stages. Lebanese Maronites and Jews from the region left their places of origin to "make America" without a national identity; the latter emerged in... more

     

    Abstract ; The construction of the memory of immigrants from the Middle East went through several stages. Lebanese Maronites and Jews from the region left their places of origin to "make America" without a national identity; the latter emerged in exile. It developed with the events that took place in the territories that expelled them.

     

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    Source: BASE Selection for Comparative Literature
    Language: Spanish
    Media type: Article (journal)
    Format: Online
    DDC Categories: 860
    Subjects: literatura mexicana; Mexican Literature; Memory; Exile; Middle East; National Identity
    Rights:

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  12. Procesos micro-económicos en el negocio de la intermediación financiera (1928-1956). Narrativas de integración al entorno nacional de un inmigrante judío sirio
    Published: 2018
    Publisher:  iMex. México Interdisciplinario / Interdisciplinary Mexico

    Abstract ; This article aims to build the biographical narrative of Aslan, a Jew from Aleppo origin, who immigrated to Mexico at the beginning of the 20th Century. In this story, personal, family, community, local and national aspects converge, whose... more

     

    Abstract ; This article aims to build the biographical narrative of Aslan, a Jew from Aleppo origin, who immigrated to Mexico at the beginning of the 20th Century. In this story, personal, family, community, local and national aspects converge, whose organizing axis is the economic itinerary in the context of the growth of the urban capitalism in Mexico City. It seeks to characterize the ethos of the life world of Aslán, that is, that cultural nucleus that is related to social identities, with systems of shared representations, with collective consciousness, with worldviews and other habits, through the description of the business of financial intermediation and the particularities of the economic interactions that took place in that context. Aslan's life story unfolds and unravels in family succession and business legacy. Finally, a reflective note is elaborated on the achievements and limitations of their experience from the diverse positions of those who were part of that history and from the interpretative perspective of the researcher. To remember, deconstruct and co-construct the experience of Aslán tries not only to present an individual biography, but to recreate an epoch, a world of life where one's experience makes sense in the ethos of the intersubjective context in which it is inserted.

     

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    Source: BASE Selection for Comparative Literature
    Language: Spanish
    Media type: Article (journal)
    Format: Online
    DDC Categories: 860
    Subjects: literatura mexicana; Mexican Literature; Aleppo Jewish immigrant; financial intermediation; intersubjective context; family; community
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    Attribution-ShareAlike 4.0 International ; creativecommons.org/licenses/by-sa/4.0/

  13. Margo Glantz: razón y corazón a un tiempo
    Published: 2018
    Publisher:  iMex. México Interdisciplinario / Interdisciplinary Mexico

    Abstract ; Journey through the work of the Mexican writer Margo Glantz in search of the influence of her family and cultural environment –as a child of Jewish immigrants in Mexico City at the end of the second decade of the last century– in her ample... more

     

    Abstract ; Journey through the work of the Mexican writer Margo Glantz in search of the influence of her family and cultural environment –as a child of Jewish immigrants in Mexico City at the end of the second decade of the last century– in her ample literary production, considered from the perspective of one of her distinctive features: her constant trips through the world and the narrative emanated from them.

     

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    Source: BASE Selection for Comparative Literature
    Language: Spanish
    Media type: Article (journal)
    Format: Online
    DDC Categories: 860
    Subjects: literatura mexicana; Mexican Literature; genealogy; culture; migration; identity; literature
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    Attribution-ShareAlike 4.0 International ; creativecommons.org/licenses/by-sa/4.0/

  14. Figuraciones y fulguraciones mexicanas en textos de Esther Seligson
    Published: 2018
    Publisher:  iMex. México Interdisciplinario / Interdisciplinary Mexico

    Abstract ; Figures and images of Colonia Condesa in Todo aquí es polvo (2010), posthumous book of memories by Esther Seligson, as well as in other fiction texts where she recovers moments of her urban family life during childhood and adolescence, but... more

     

    Abstract ; Figures and images of Colonia Condesa in Todo aquí es polvo (2010), posthumous book of memories by Esther Seligson, as well as in other fiction texts where she recovers moments of her urban family life during childhood and adolescence, but without the intention of writing ethnic neighborhood literature, nor to compose a city-text of Mexico City. In the second part, the Seligsonian strategy of revealing a deep and open Mexico in a syncretic semantic field where narrative and lexical voices of the Nahuatl legacy, Talmudic Judaism and Kabbalist, as well as the sacred culture of Tibet and Hinduism, are analyzed.

     

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    Source: BASE Selection for Comparative Literature
    Language: Spanish
    Media type: Article (journal)
    Format: Online
    DDC Categories: 860
    Subjects: literatura mexicana; Mexican Literature; Esther Seligson; memories; Todo aquí es polvo; Colonia Condesa; cultural syncretism
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  15. Prácticas literarias de pertenencia: identificación y diferenciación cultural en la loa del Divino Narciso de Juana Inés de la Cruz
    Published: 2019
    Publisher:  iMex. México Interdisciplinario / Interdisciplinary Mexico

    Abstract ; The article investigates the transcultural exchanges and the traces of a creole consciousness in the loa of the auto sacramental El Divino Narciso by Juana Inés de la Cruz. Our reading of this allegorical play takes the concept of... more

     

    Abstract ; The article investigates the transcultural exchanges and the traces of a creole consciousness in the loa of the auto sacramental El Divino Narciso by Juana Inés de la Cruz. Our reading of this allegorical play takes the concept of belonging as a tool for the analysis of the multifaceted dynamics of cultural identification and differentiation that are deployed in this literary text from the Mexican colonial baroque of the 17th century. We will focus on three dimensions on which the author introduces differentiations that structure the topic and the action of the play: the geocultural dimension, the ethic dimension and the geopolitical dimension. In doing so, we propose to consider Juana’s creole consciousness not so much as an identity that she possesses but rather as the totality of the complex and sometimes contradictory practices of belonging that are expressed in her texts.

     

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    Source: BASE Selection for Comparative Literature
    Language: Spanish
    Media type: Article (journal)
    Format: Online
    DDC Categories: 860
    Subjects: literatura mexicana; Mexican Literature; Juana Inés de la Cruz; belonging; creole identity; loa of Divino Narciso; New Spain
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  16. Construyendo el espacio teatral criollo: Los empeños de una casa de Sor Juana Inés de la Cruz
    Published: 2019
    Publisher:  iMex. México Interdisciplinario / Interdisciplinary Mexico

    Abstract ; The article analyzes the play and festejo Los empeños de una casa by the Mexican Golden Age playwright Sor Juana Inés de la Cruz and claims that the play is a transcultural creation. In the play, the different “rooms” of the house, meaning... more

     

    Abstract ; The article analyzes the play and festejo Los empeños de una casa by the Mexican Golden Age playwright Sor Juana Inés de la Cruz and claims that the play is a transcultural creation. In the play, the different “rooms” of the house, meaning the different parts of the festejo, allude to other cultural spaces, whether they be texts from the canon of Spanish Golden Age theater (for example by Calderón de la Barca) or Latin-American texts and spaces. The allusions to Latin-American spaces run throughout the festejo and frame it as a creole play by adapting the Spanish genre to the reality and the esthetic and epistemic context of Colonial Mexico. The article applies Gilles Deleuze’s concept of the baroque fold in order to understand the transcultural aspects of Sor Juana’s play in terms of the construction of semantic spaces. The interior and exterior spaces of Los empeños de una casa are interwoven: the house is a baroque labyrinth in which comic fortunes and misfortunes are expressed as an oscillating game between the visible and the invisible, the ephemeral and the stable. In a first step we will analyze the loa and its allegorical spaces. Secondly, we will focus on the comedia and its ironic and insightful way to challenge genre conventions. In a final step, we will read the Sainete Segundo as a commentary on creole theatre and its spaces.

     

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    Source: BASE Selection for Comparative Literature
    Language: Spanish
    Media type: Article (journal)
    Format: Online
    DDC Categories: 860
    Subjects: literatura mexicana; Mexican Literature; Sor Juana Inés de la Cruz; Los empeños de una casa; Golden Age theater; baroque theater; creole theater in colonial Mexico; the baroque fold
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  17. Ecuaciones de recurrencia estocásticas en el cálculo de la prima de reaseguro Finite Risk.
    Published: 2013
    Publisher:  ASEPUMA. Asociación Española de Profesores Universitarios de Matemáticas aplicadas a la Economía y a la Empresa

    The aim of this paper is to calculate the renewal premium of finite risk reinsurance under the assumption that the interest rate shows a stochastic evolution. The problem of the convolution of the random variables involved in the calculation of the... more

     

    The aim of this paper is to calculate the renewal premium of finite risk reinsurance under the assumption that the interest rate shows a stochastic evolution. The problem of the convolution of the random variables involved in the calculation of the premium has been solved by simulating claim paths using the Monte-Carlo method and applying three financial decision criteria: the expected value, the variance and the standard deviation. In the last two criteria we propose to use a stochastic recurrence equation to avoid the problem of dependence between stochastic capitalization factors. The application of the variance criterion and of the standard deviation criterion has allowed us to obtain the reinsurance premium depending on the level of risk aversion of the reinsurer and the volatility of the interest rate

     

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    Source: BASE Selection for Comparative Literature
    Language: English; Spanish
    Media type: Article (journal)
    Format: Online
    Parent title: Rect@, Vol 14, Iss 1, Pp 35-48 (2013)
    Subjects: Finite risk; stochastic environment; recurrence equation; Monte-Carlo simulation; renewal premium; Probabilities. Mathematical statistics; Social Sciences; H
  18. ATJ Matrices, tools for predicting the validity of a scientific result in Physical Culture/Matrices ATJ, herramientas para pronosticar la validez de un resultado científico en la Cultura Física
    Published: 2021
    Publisher:  Universidad de Pinar del Río "Hermanos Saíz Montes de Oca"

    The methods of prognosis are currently used to estimate the occurrence of an expected result, ie, offer the probability of presentation of a quality or process, however, its use is still insufficient in the context of physical culture, so provide a... more

     

    The methods of prognosis are currently used to estimate the occurrence of an expected result, ie, offer the probability of presentation of a quality or process, however, its use is still insufficient in the context of physical culture, so provide a new method and its application methodology, is important as a qualitative filtering process. The aim of this article is to present the ATJ matrices as tools for the prognosis of the validity of a scientific result in Physical Culture. To achieve it, methods such as: opinion poll, unstructured interview, analytical-synthetic, inductive-deductive, analysis of bibliographic sources, systemic-structural-functional, specialists' criteria and statistical-mathematical were used. As a preliminary result, it is possible to obtain a matrix arrangement called ATJ, where four matrices that respond to dimensions are declared; each one with its respective indicators and valuation scales that make it possible to obtain a final evaluation criterion. The procedure provided to the researcher for the application of the matrix arrangement is easy to understand and enables qualitative work to obtain the expected result.

     

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    Source: BASE Selection for Comparative Literature
    Language: Spanish
    Media type: Article (journal)
    Format: Online
    Parent title: Podium, Vol 16, Iss 1, Pp 17-30 (2021)
    Subjects: matrices atj; pronóstico de validez; Sports
  19. Sobre abismos, hospitalidades y estrategias de resistencia desde la re-presentación corporal: Cuerpo exiliado, torturado, desgarrado. Cuerpo en resistencia: A(r)mar cuerpos tullidos
    Published: 2022

    This paper is structured as a dialogue with a variety of texts. Through an interdisciplinary and intersectional approach, it will examine possible ways in which bodies are classified and framed -that is, constructed- as abnormal, deviant, and/or... more

     

    This paper is structured as a dialogue with a variety of texts. Through an interdisciplinary and intersectional approach, it will examine possible ways in which bodies are classified and framed -that is, constructed- as abnormal, deviant, and/or infirm, and their connection with categories such as exile, torture, and laceration. The intention is to rethink the meaning of the body and corporealities both as a space shaped by power and resistance. To think of these bodies, which appear to be defeated, as a space of firmness, obstinacy, rebellion, and resistance. The objective is to examine these constructions in order to generate new ways of thinking, looking, and feeling with and about the body in the reflective, creative, and meaning-making processes. As well as, on the basis of this research, to question the field of humanities and its methods of work. A genealogical methodology will be used to detect certain relevant points or events. Therefore, the aim here is not to draw a chronological line of events and reach a predefined objective, but to highlight (and reveal) moments, which are presented as an articulation of elements and which contain the capacity to provoke changes, reflections, and new researches. The authors to be discussed are: Cristina Peri Rosi: Cristina Peri Rosi, Txus García, Alejandra Pizarnik, Rita Segato, Juan Gelman and Jaques Derrida. ; El presente trabajo se articula partiendo de un diálogo con diversos textos. Mediante un enfoque interdisciplinario e interseccional se examinarán posibles formas en que los cuerpos son clasificados y definidos -es decir construidos- como anormales, desviados y/o enfermos y su vínculo con categorías como exilio, tortura y desgarramiento. La intención es repensar el sentido del cuerpo y las corporalidades no solo como un espacio normado por el poder sino también resistente. Pensar estos cuerpos, al parecer derrotados, como territorio de firmeza, obstinación, rebelión y resistencia. El objetivo es interrogar estas construcciones para generar nuevas ...

     

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    Source: BASE Selection for Comparative Literature
    Language: English; Spanish
    Media type: Article (journal)
    Format: Online
    DDC Categories: 800; 941; 993
    Subjects: literarystudies; postcolonial
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    L::The Stacks License ; thestacks.libaac.de/rights

  20. Un Continente “de color”: Langston Hughes y América Latina
    Author: Haas, Astrid
    Published: 2014

    The essay analyzes the political-poetic vision of Latin America formulated in the literary, autobiographical, and essayist works of the black U.S.-American writer Langston Hughes. Hughes was not only one of the most outstanding and prolific artists... more

     

    The essay analyzes the political-poetic vision of Latin America formulated in the literary, autobiographical, and essayist works of the black U.S.-American writer Langston Hughes. Hughes was not only one of the most outstanding and prolific artists of the Harlem Renaissance but also the one most interested Latin America and most closely engaging with Latin American artists, intellectuals, and “ordinary” people. He lived in Mexico for some time, paid several visits to Cuba, and wrote about these experiences in his two volumes of autobiography as well as in various poems and essays. Focusing in particular on his encounters with the black and indigenous populations of the two countries, these texts articulate a vision of an Afro-diasporic and leftist political consciousness. Latin America emerges here as a “continent of color,” a hemisphere especially shaped by the experiences of peoples of non-European descent. Hughes’s engagement with the black and indigenous cultures of Latin America further forms part of the writer’s larger vision of a global “world of color” that he sets against the hegemony of European and Euro-American thought.

     

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    Language: Spanish
    Media type: Article (journal)
    Format: Online
    DDC Categories: 800; 810; 941; 993
    Subjects: americanstudies; culturalstudies; literarystudies
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  21. Toward an Ecopoetics of Randomness and Design: An Introduction: Hacia una eco-poética de la aleatoriedad y el diseño: Una introducción
    Published: 2019

    What ecopoetics is and what it does, how it relates to but also exceeds ecopoetry, and the nature of its relationship to the more general poiesis (?making”) at work in the material universe remain open and thorny questions. Moreover, what are the... more

     

    What ecopoetics is and what it does, how it relates to but also exceeds ecopoetry, and the nature of its relationship to the more general poiesis (?making”) at work in the material universe remain open and thorny questions. Moreover, what are the insights from the more specialised field of experimental ecopoetry that we may bring to our understanding of ecopoetics in general, whatever the genre and material support on which environmentally-inflected poiesis deploys itself? As this Special Focus section shows, one may begin to answer such questions by taking into account notions of randomness and design, concepts that operate in experimental texts and the material universe at large, but which have not been sufficiently foregrounded in the ongoing theoretical debate on ecopoetics. Any sustained effort to understand how randomness and design permeate ecopoetics requires a vision of ecopoetics that goes beyond (eco)poetry. Providing some examples of what such a broader vision of ecopoetics might look like is also one of the goals of this Special Focus. Unfolding in three stages, this introductory essay will first map out the elements and orientations that inform the debates on ecopoetics, while also touching upon the adjacent territories of geopoetics, zoopoetics, écopoétique and Ökopoetik. A second part will meditate on the elusive concepts of randomness and design, and on how ecopoetics might be considered a form of adaptive mapping of their ever-fluid entanglement. The third part, finally, presents the contributions to this Special Focus section and surveys the different facets of the co-constitutive operations of randomness and design explored in each.

     

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    Language: English; Spanish
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    Format: Online
    DDC Categories: 800; 941; 993
    Subjects: americanstudies; environmentalstudies; literarystudies
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    L::CC BY-NC 3.0 ; creativecommons.org/licenses/by-nc/3.0/

  22. La literatura latinoamericana y la escritura de la transculturación
    Published: 2020

    La lengua escrita canónica no es suficiente para nombrar lo escuchado, percibido y sentido por quienes habitan en las comunidades ancestrales, ya sean mestizas, indígenas o africanas. Las poéticas de la transculturación alcanzan su mayor desarrollo... more

     

    La lengua escrita canónica no es suficiente para nombrar lo escuchado, percibido y sentido por quienes habitan en las comunidades ancestrales, ya sean mestizas, indígenas o africanas. Las poéticas de la transculturación alcanzan su mayor desarrollo en las novelas de las décadas de 1950 a 1970. La escritura, mediada por la oralidad y la tradición popular, es identificada por Ángel Rama como la propia de la transculturación cuyas obras emblemáticas son las de escritores como Rulfo, Arguedas, Guimaraes Rosa, Roa Bastos y García Márquez. El planteamiento de Ángel Rama es reivindicado por Carlos Pacheco y Francoise Perus. Identificar los rasgos de la transculturación para desentrañar las cosmovisiones sobre América Latina, subyacentes en los monodiálogos, es el horizonte de estas reflexiones; ello implica explicar la manera como la escritura literaria reconfigura la fuerza de la oralidad y las cosmovisiones de las comunidades periféricas: no sentimos que leemos sino que escuchamos, como se ilustrará aquí con la obra de Juan Rulfo. ; The canonic western written word is insufficient to name what and how ancestral communities (be them Mestizo, Indigenous or Africans) experience, hear, feel and sense the world they inhabit. In the case of Latin America, transculturated poetics come to their major growth in the novels written between 1950 and 1970. Angel Rama identifies as a key characteristic of transculturation the written texts mediated by oralities and popular cultures. For him, exemplary of this type of writing are authors such as Rulfo, Arguedas, Guimaraes Rosa, Roa Bastos and García Márquez. Rama’s proposition is supported by Carlos Pacheco and Francoise Perus. The goal of this paper is to identify the characteristics of transculturation and to unveil the cosmovisions on Latin America that underlie below the monodialogues. This entails explaining how literature might reconfigure and incorporate the force of orality and the cosmovisions of what is regarded by the West as “peripheric” communities: more than a process ...

     

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    Language: English; Spanish
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    DDC Categories: 800; 941; 993
    Subjects: culturalstudies; literarystudies; postcolonial
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  23. La "biblioteca jesuítico-española" de Hervás y su liderazgo sobre el resto de los ex jesuitas
    Published: 2004

    Philosophisch-Theologische Hochschule Sankt Georgen, Bibliothek
    Ci IV 173
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: Spanish
    Media type: Article (journal)
    Format: Print
    Parent title: In: Hispania sacra; Madrid [u.a.] : CSIC, 1948-; Band 56, Heft 113 (2004), Seite 171-268

    Subjects: Literaturproduktion; Kompilation
    Other subjects: Hervás y Panduro, Lorenzo (1735-1809)
  24. En el cambiante espejo de las aguas: literatura y viaje en "El Danubio", de Claudio Magris
    Publisher:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    "Danúbio" (1986), do germanista triestino Claudio Magris (1939-), é considerado uma das obras paradigmáticas das novas formas de escrita em que a liberdade expressiva se manifesta na ruptura das fronteiras entre ficção, testemunho e história,... more

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    "Danúbio" (1986), do germanista triestino Claudio Magris (1939-), é considerado uma das obras paradigmáticas das novas formas de escrita em que a liberdade expressiva se manifesta na ruptura das fronteiras entre ficção, testemunho e história, essencial ao ensaio. Ao mesmo tempo, é pioneira na recolha de obras que, com base na figura do rio, refletem sobre a história cultural. Escrito na primeira pessoa do singular (uma forma prototípica do gênero desde sua fundação com Michel de Montaigne em 1580), e com uma concepção de temporalidade inspirada em Fernand Braudel e seu "O Mediterrâneo e o Mundo Mediterrâneo no Tempo de Filipe II" (1949), este livro é uma viagem através do Danúbio, desde sua nascente na Floresta Negra até sua foz no Mar Negro. Através desta viagem, o escritor triestino navega não só na superfície, mas também nas águas profundas e antigas das culturas da Europa Central que o rio banha em sua viagem. Ali, ele se pergunta sobre a relação desses territórios com a Europa, os altos e baixos históricos das culturas germânicas e sua relação não apenas com o esplendor da modernidade (tanto capitalista quanto sua alternativa comunista) e seu constante refluxo e fluxo de civilização e barbárie, mas também com seu colapso - que pode ser visto no período histórico em que a obra é concebida: no vislumbre da queda do Muro de Berlim e do colapso da União Soviética. Nesta paisagem de renovação, o "eu" procurado nas águas turbulentas do Danúbio explora ao mesmo tempo os limites da escrita, tanto da história como da ficção. Desta forma, "Danúbio" renova a sempre vigorosa tradição germânica da literatura de viagens. "El Danubio" (1986), del germanista triestino Claudio Magris (n. 1939), está considerada una de las obras paradigmáticas de las nuevas formas de la escritura en que la libertad expresiva se manifiesta en la ruptura de las fronteras entre ficción, testimonio e historia, esenciales al ensayo. Al mismo tiempo, es pionera en la colección de obras que, a partir de la figura del río, reflexionan sobre historia cultural. Escrito en primera persona del singular (forma prototípica del género desde su fundación con Michel de Montaigne, en 1580), y con una concepción de la temporalidad inspirada en Fernand Braudel y su "El Mediterráneo y el mundo mediterráneo en la época de Felipe II" (1949), este libro es un recorrido por el Danubio, desde su nacimiento en la Selva Negra hasta su desembocadura en el Mar Negro. A través de este viaje, el escritor triestino navega no sólo por la superficie, sino también por las aguas profundas y antiguas de las culturas de la Europa Central que el río baña en su travesía. Ahí, se pregunta por la relación de esos territorios con Europa, los avatares históricos de las culturas germánicas, y su relación no sólo con el esplendor de la modernidad (tanto capitalista como su alternativa comunista) y sus constantes flujos y reflujos de civilización y barbarie, sino también con su colapso - lo que se constata en la época histórica en que la obra es pensada: en el vislumbre de la caída del Muro de Berlín y el ocaso de la Unión Soviética. En ese paisaje de renovación, el "yo" que se busca en las aguas turbulentas del Danubio explora al mismo tiempo los límites de la escritura, tanto de la Historia como de la ficción. De esta manera, "El Danubio" renueva la siempre vigorosa tradición germánica de la literatura de viajes.

     

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    Source: Union catalogues
    Language: Spanish
    Media type: Article (journal)
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    Parent title: Enthalten in: Contingentia; Porto Alegre : Universidade Federal do Rio Grande do Sul, Instituto de Letras, 2006-; Band 7, Heft 2 (2019), Seite 86-106; Online-Ressource

    DDC Categories: 830; 850
    Subjects: Donau <Motiv>; Reiseliteratur
    Other subjects: Magris, Claudio (1939-): Danubio
  25. Melancolía y maternidad en "Nachdenken über Christa T." de Christa Wolf
    Publisher:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    "Nachdenken über Christa T." [1968] es la segunda novela que Christa Wolf (1929-2011) publica luego después de "Der geteilte Himmel" [1963], obra que le garantizó éxito en la RDA. Esta novela trata de la reconstrucción por parte del narrador, de la... more

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    "Nachdenken über Christa T." [1968] es la segunda novela que Christa Wolf (1929-2011) publica luego después de "Der geteilte Himmel" [1963], obra que le garantizó éxito en la RDA. Esta novela trata de la reconstrucción por parte del narrador, de la vida de Christa T., una mujer que muere de leucemia a los treinta y cinco años de edad. El rol de narradora es asumido por una amiga de Christa T., que se propone realizar una búsqueda a partir de las huellas que su amiga dejó. La narradora asume el propósito de preguntarse por el sentido que le habría dado a la vida Christa T. La propuesta se detiene en analizar la presencia de la melancolía en "Nachdenken über Christa T." ligada a la capacidad de la protagonista para explorar la subjetividad desde su lugar de outsider. La obra muestra la determinación de distanciarse de la sociedad establecida: de los efectos uniformadores - y deformadores - de la personalidad que imponen las instituciones vigentes, encauzadas ante todo a producir hombres positivistas, gente sin imaginación y "Hopp-Hopp-Menschen" (EMMERICH, 1984, p. 151). Nos concentraremos en la crítica a las clases medias y a su afinidad con el pensamiento positivista que encarna el aspecto de la melancolía de Christa T. Asimismo, se analizará la manera en la que es abordada la maternidad en la obra, ya que a partir de esta experiencia se acentúan los interrogantes planteados desde el comienzo de la novela, sobre las críticas implícitas al patriarcado y las dificultades de autorrealización del género humano. Estos interrogantes incluyen una reflexión sobre la maternidad y la escritura, que resulta sugestiva y que plantea determinados problemas sobre la vida doméstica de las mujeres en la RDA. "Nachdenken über Christa T." [1968] é o segundo romance que Christa Wolf (1929-2011) publicado após "Der geteilte Himmel" [1963], texto este que lhe garantiu o sucesso na RDA. Este romance trata da reconstrução, por parte do narrador, da vida de Christa T, uma mulher que morre de leucemia aos trinta e cinco anos de idade. O papel de narrador é assumido por uma amiga de Christa T., que se propõe a realizar uma pesquisa com base nas pistas que sua amiga deixou. O narrador assume o propósito de se perguntar sobre o sentido que Christa T. havia dado à vida. A presente proposta tem por finalidade analisar a presença da melancolia em "Nachdenken über Christa T." ligada à capacidade da protagonista de explorar a subjetividade a partir de seu lugar de outsider. O romance mostra a determinação de distanciar-se da sociedade estabelecida: dos efeitos uniformizadores - e distorcidos - da personalidade imposta pelas instituições atuais, direcionados, acima de tudo, a produzir homens positivistas, pessoas sem imaginação e "Hopp-Hopp-Menschen" (EMMERICH, 1984, p. 151). Iremos nos concentrar nas críticas à classe média e sua afinidade com o pensamento positivista que encarna o aspecto melancólico de Christa T. Da mesma forma, será analisada a maneira como a maternidade é abordada no romance, uma vez que, a partir dessa experiência são acentuadas as questões levantadas desde o início do livro, sobre as críticas implícitas ao patriarcado e as dificuldades de autorrealização da raça humana. Essas perguntas incluem uma reflexão sobre a maternidade e a escrita, que é sugestiva e levanta alguns problemas sobre a vida doméstica das mulheres na RDA.

     

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    Language: Spanish
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    Parent title: Enthalten in: Contingentia; Porto Alegre : Universidade Federal do Rio Grande do Sul, Instituto de Letras, 2006-; Band 8, Heft 1 (2020), Seite 45-58; Online-Ressource

    DDC Categories: 830
    Subjects: Melancholie <Motiv>; Mutterschaft <Motiv>
    Other subjects: Wolf, Christa (1929-2011): Nachdenken über Christa T.