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Displaying results 1 to 25 of 29.

  1. O mal-estar da "Gerechtigkeit"
    Author: Krausz, Luis S.
    Published: 2008

    "Der Fall Maurizius" by Jakob Wassermann was first published in 1928. It is set partly in 1908 Germany and partly during the Weimar Republic. In this work, Wassermann criticizes German pragmatism by depicting the State bureaucracy as the absolute... more

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    "Der Fall Maurizius" by Jakob Wassermann was first published in 1928. It is set partly in 1908 Germany and partly during the Weimar Republic. In this work, Wassermann criticizes German pragmatism by depicting the State bureaucracy as the absolute power over citizens, even after the Imperial Era. Disgusted with the mismanagement of the justice system and with the perverse character of those in charge, the author renders German pragmatism as non-adherence to the moral values supposedly justifying the State apparatus – in particular, as a breach of the "Gerechtigkeit" principle. The harmless innocence of the adolescent Etzel von Andergast, the only child of a well-known prosecutor, highlights this violation of justice. At the same time, Waremme is a sinister character whose Jewish parents fled from Prussian-occupied Poland. He breaks with his ancestors' moral values and is eager to play a key role in the German Nationalistic movement. However, he feels frustrated with his project of cultural assimilation and is pushed towards the outskirts of a bewildered society. The crisis of values and transgression of justice become the emblems of Wassermann’s generation. Em "Der Fall Maurizius", romance de Jakob Wassermann de 1928, parcialmente ambientado em 1908, à época da República de Weimar, o autor critica o pragmatismo alemão, apoiado numa burocracia de estado que, mesmo depois do fim do Império, continua a exercer o poder de maneira absoluta. Wassermann revolta-se contra a má administração da justiça, e contra o caráter perverso daqueles que, tendo se apoderado do aparelho estatal, arrogam a si mesmos o papel de representantes dos melhores princípios do humanismo alemão. O pragmatismo, assim, apresenta-se como a falsificação daqueles valores que supostamente o legitimariam – notadamente, do princípio de Justiça, "Gerechtigkeit". A inocência de um adolescente, Etzel von Andergast, filho de um grande promotor, é o que traz à luz este estado de adulteração. Ao mesmo tempo, a figura de Waremme, descendente de judeus provenientes de regiões da Polônia ocupadas pela Prússia desde 1772, é uma figura sinistra, que rompeu com o legado ético de seus antepassados, pretendendo exercer um papel de destaque no movimento nacionalista alemão, para frustrar-se e ocupar posição marginal numa sociedade repleta de desencaminhados e perplexos. Desta forma o autor representa as aporias de uma geração que sente na pele esse exílio da justiça e a crise generalizada de valores.

     
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    Language: Portuguese
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    Parent title: In: Pandaemonium Germanicum; São Paulo : Departamento de Letras Modernas, Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, 1997-; Band 12 (2008), Seite 23-44; Online-Ressource

    DDC Categories: 830
    Subjects: Jüdische Literatur; Assimilation <Soziologie, Motiv>; Gerechtigkeit <Motiv>; Weimarer Republik <Motiv>; Wertkrise
    Other subjects: Wassermann, Jakob (1873-1934): Der Fall Maurizius
    Scope: Online-Ressource
  2. Fora dos muros: entre a "Bildung" e a Revelação
    Author: Krausz, Luis S.
    Published: 2009

    This article discusses the change of paradigms perceived in Germany's Jewish community in the first decades of the 19th. Century, as a result of the fall of the walls which until that time separated Jews from their Christian German neighbours. The... more

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    This article discusses the change of paradigms perceived in Germany's Jewish community in the first decades of the 19th. Century, as a result of the fall of the walls which until that time separated Jews from their Christian German neighbours. The triumph of the ideas of Illuminism and the rapid penetration of these ideas in a community which longed for social integration, and which had hitherto been discriminated because of its ethnic and religious background, stimulated the adoption of new world views and new concepts of nationality and spirituality among Jews who had recently left the walls of the Ghettoes behind. One of the central passages in this change process is described by Berthold Auerbach (1812-1882) as the transformation of the idea of 'Revelation' into 'Bildung' – a cardinal concept in the 19th Century German culture. This seems to explain German Jews' affinity with the humanistic culture of their time: it now appears to occupy the central role which had hitherto been reserved to religious studies. Este artigo trata da rápida substituição de paradigmas que se processa no seio da comunidade judaica alemã nas primeiras décadas do século 19, como resultado da derrubada dos muros que, até então, separavam os judeus dos alemães cristãos. O triunfo das idéias do Iluminismo bem como sua rápida penetração no âmbito de uma comunidade ansiosa por integração numa sociedade que prometia a igualdade entre todos os seus membros, independentemente de sua origem étnica ou religiosa, estimulou, entre os judeus egressos dos guetos, a adoção de novas visões de mundo e de novos conceitos de nacionalidade e espiritualidade. Uma das passagens centrais nesse processo de mudança é descrita pelo escritor Berthold Auerbach (1812-1882) como a transformação da idéia de 'Revelação', central à tradição judaica, em 'Bildung', fundamental na cultura alemã do século 19. Trata-se de uma mudança de paradigmas que explica, de certa forma, a grande afinidade dos judeus do mundo de língua alemã com a reflexão humanística de seu tempo, que parece ocupar o lugar privilegiado antes reservado aos estudos de caráter religioso.

     
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    Parent title: In: Pandaemonium Germanicum; São Paulo : Departamento de Letras Modernas, Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, 1997-; Band 13 (2009), Seite 74-91; Online-Ressource

    DDC Categories: 830
    Subjects: Deutsch; Literatur; Jüdische Literatur; Assimilation <Soziologie>
    Other subjects: Auerbach, Berthold (1812-1882)
    Scope: Online-Ressource
  3. Em casa com o antisemitismo: paisagens domésticas vienenses do fin-de-siècle
    Author: Krausz, Luis S.
    Published: 2006
    Publisher:  Humanitas Publicações, São Paulo

    Dieser Artikel behandelt den österreichischen Autor Adolf Dessauer (1849-1916), einen Chronisten der Wiener Sitten der Wende vom 19. zum 20. Jahrhundert. Von Beruf Bankier und Schriftsteller aus Liebhaberei, veröffentlichte Dessauer zwei Romane... more

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    Dieser Artikel behandelt den österreichischen Autor Adolf Dessauer (1849-1916), einen Chronisten der Wiener Sitten der Wende vom 19. zum 20. Jahrhundert. Von Beruf Bankier und Schriftsteller aus Liebhaberei, veröffentlichte Dessauer zwei Romane ("Götzendienst", 1896 und "Großstadtjuden", 1910), die zu Zeiten rasanter wirtschaftlicher und sozialer Wandlungen in der Habsburger Metropole spielen und die heute nahezu vergessen sind. Dessauer richtet seine Aufmerksamkeit auf die Klasse, die mit dem Siegeszug des Wirtschaftsliberalismus aufgestiegen und sich immer mehr mit der dekadenten Aristokratie der österreichischen Hauptstadt verbunden hatte, deren Geschmack und Umgangsformen sie nachahmte. Im Unterschied zu anderen europäischen Nationen schuf das Bürgertum des Habsburger Reiches kein eigenständiges kulturelles oder ästhetisches Repertoire, sondern versuchte, sich auf dem Wege der Imitation die kulturellen Werte des Adels anzueignen, was eine Klasse von Nachahmern hervorrief, auf die Dessauer seinen durchdringenden und ironischen Blick richtete. Gleichzeitig zeigt Dessauer, wie die Partei der antisemitischen Christdemokraten in Österreich unter der Schicht der Handwerker ihre Wähler rekrutierte, die im Zuge der neuen wirtschaftlichen Ordnung proletarisiert wurden: An diese verarmten Handwerker richtet sich die von Dr. Karl Lueger geführte Kampagne, der den Wirtschaftsliberalismus mit dem Judentum und den Juden identifizierte. In "Großstadtjuden" beschäftigt sich der Autor mit denselben Erscheinungen, jedoch aus einem streng jüdischen Blickwinkel, der ausgeht von einigen Familien und der Art, wie jede von ihnen auf den wachsenden Antisemitismus in der österreichischen Hauptstadt reagiert. Im Rückblick stellt sich die Geschichte der österreichischen Juden, zu jener Zeit die nach Warschau zweitgrößte Gemeinde in Europa, in diesem Roman als ein Vorspiel der Geschichte der Juden Europas im 20. Jahrhundert dar, was diesem literarischen Werk, das zum Vergessen verurteilt schien, ein unerwartetes Interesse verschafft. This article takes a new look at the novels of the Austrian Jewish writer Adolf Dessauer (1849-1916). Dessauer wrote an ironic chronicle of his contemporaries' world in turn-of-the-century Vienna. A banker by profession and an amateur novelist, he published two novels in his lifetime ("Götzendienst", in 1896, and "Großstadtjuden", in 1910), both taking place in the Habsburg capital, which was then undergoing a process of rapid economic and social change. Though his books are nowadays virtually forgotten, Dessauer was a very accurate chronicler of the customs of the social class which ascended with economic liberalism, and which became increasingly close to the empire's declining aristocracy, mimicking its tastes and habits. As opposed to what happened in other European nations, the bourgeoisie in the Habsburg Empire never attempted to construct its own aesthetic and cultural repertoire, but consistently imitated the aristocratic patterns of its time. Dessauer makes a biting and ironical portrait of this class and its attempt at aristocratic appearances. He also shows how Karl Lueger's Christian anti-Semitic party in Austria recruited its voters from the impoverished class of artisans, which had lost space as a consequence of the establishment of a new economic order. Lueger's political campaign was directed towards this growing class, and he identified the rise of liberal capitalism with Jews and Judaism. In "Großstadtjuden" Dessauer looks at the same phenomena, but does so from a strictly Jewish point of view. His second novel portrays the reactions of a number of Jewish families from Vienna to rising anti-Semitism. This historical aspect of the Viennese Jewish community, which was Europe's numerically largest after Warsaw's, is a striking prelude to the history of European Jewry in the 20th.century, thus giving Dessauer's work an unexpected afterlife.

     
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    Parent title: In: Pandaemonium Germanicum; São Paulo : Humanitas Publicações, 1997-2006; Band 10 (2006), Seite 183-196; 22 cm

    DDC Categories: 830
    Subjects: Wien <Motiv>; Antisemitismus <Motiv>; Assimilation <Soziologie, Motiv>; Bürgertum <Motiv>; Juden
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  4. A arte da infelicidade
    "A Pianista", de Elfriede Jelinek, entre tradição e mass-media
    Author: Krausz, Luis S.
    Published: 2011

    The purpose of this article is the contextualization of Elfriede Jelinek's "Die Klaverspielerin" within the tradition of social criticism in Austrian literature, to which several authors from the interbellum period belong. After 1945, Austria's... more

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    The purpose of this article is the contextualization of Elfriede Jelinek's "Die Klaverspielerin" within the tradition of social criticism in Austrian literature, to which several authors from the interbellum period belong. After 1945, Austria's literary establishment strove to create social peace by means of the diffusion of a harmonistic ideology. The aim of this ideology was to reestablish a system of values inherited from the Monarchy in the 2nd Republic and the emergence of a literature of protest and estrangement in Austria in the 1980's can be seen as a reaction against this project of restoration of an anachronistic ideology. ... Este artigo tem como propósito a contextualização do romance "A Pianista", de Elfriede Jelinek, no âmbito de uma tradição literária austríaca caracterizada pela visão crítica da sociedade e de seus conflitos, da qual fizeram parte grandes expoentes das letras deste país no período entre-guerras. Se no pós-guerra o establishment literário austríaco empenhou-se pelo estabelecimento de um consenso social por meio da difusão de uma ideologia harmonística, que visava reinstaurar elementos da sociedade habsburga na 2ª. República, o ressurgimento de uma literatura de rebeldia e estranhamento na Áustria da década de 1980 pode ser compreendido como uma reação a este projeto de restauração de um ideário anacrônico. ... Der Ziel dieses Artikels ist die Kontextualisierung von Elfriede Jelineks Roman "Die Klavierspielerin" innerhalb einer kritischen Tradition der österreichischen Literatur des 20. Jahrhunderts, zu welcher fast alle bedeutenden Autoren dieses Landes in den 20er- und 30er-Jahren irgendwie gehören. Nach 1945 gelang es dem österreichischen literarischen Establishment eine harmonistishce Ideologie durchzusetzen, die alle gesellschaftliche Gegensätze durch eine eskapistische Tendenz und eine Rückkehr zu Elemente der habsburgische Ideologie ersetzten. Die Protest-Literatur der 1980er kann als Reaktion gegen diese sogenannte 'Österreich Ideologie' verstanden werden. ...

     
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    Parent title: In: Pandaemonium Germanicum; São Paulo : Departamento de Letras Modernas, Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, 1997-; Band 17 (2011), Seite 87-102; Online-Ressource

    DDC Categories: 830
    Subjects: Deutsch; Literatur; Massenmedien
    Other subjects: Jelinek, Elfriede (1946-): Die Klavierspielerin; Kafka, Franz (1883-1924)
    Scope: Online-Ressource
  5. Leopold Kompert
    conciliador de facções judaicas na Mitteleuropa
    Author: Krausz, Luis S.
    Published: 2009

    This article deals with two short stories by Leopold Kompert (1822-1886), a Jewish author from the Austro-Hungarian Empire and one of the major names in a genre which became known as Ghettoliteratur. As all other authors in his genre, Kompert dealt... more

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    This article deals with two short stories by Leopold Kompert (1822-1886), a Jewish author from the Austro-Hungarian Empire and one of the major names in a genre which became known as Ghettoliteratur. As all other authors in his genre, Kompert dealt mainly with the conflicts involved in the passage from the world of traditional Jewry towards 19th into modernity. But he did this in a typical Habsburg way. Rather then emphasizing the incompatibility between these two worlds, Kompert tries, on the one hand, to preserve the memory of the vanishing world of the Jewish Shtetl, and on the other hand to create a synthesis between this world and the multi-lingual and multi-cultural Austro-Hungarian Empire.

     
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    Parent title: In: Contingentia; Porto Alegre : Universidade Federal do Rio Grande do Sul, Instituto de Letras, 2006-; Band 4, Heft 1 (2009), Seite 80-92; Online-Ressource

    DDC Categories: 830
    Subjects: Juden <Motiv>
    Other subjects: Kompert, Leopold (1822-1886)
    Scope: Online-Ressource
  6. Fritz Kalmar
    memórias reconstruídas e identidade da Áustria imperial nos Andes bolivianos
    Author: Krausz, Luis S.
    Publisher:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    Este artigo propõe-se a analisar a trajetória do escritor austríaco Fritz Kalmar e seu conto "Der Austrospinner" ("O austro-louco"), incluído na antologia "Das Herz europaschwer", de 1997, à luz das identidades surgidas no contexto da emancipação e... more

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    Este artigo propõe-se a analisar a trajetória do escritor austríaco Fritz Kalmar e seu conto "Der Austrospinner" ("O austro-louco"), incluído na antologia "Das Herz europaschwer", de 1997, à luz das identidades surgidas no contexto da emancipação e da assimilação judaicas na Áustria. Georg von Winternitz, protagonista desta narrativa, encarna, em seu exílio boliviano, os fundamentos de uma identidade austríaca cultivada na velha Monarquia Habsburga, legatária do Sacro Império Romano Germânico, e organiza sua existência no novo país de acordo com valores éticos e com princípios católicos, humanistas e universalistas, cultivados, sobretudo, por literatos austríacos do fim do século XIX e do início do século XX, que se dedicaram à construção da identidade imperial austríaca. Esse sistema de valores, particularmente caro aos judeus austríacos da época do Kaiser Franz Josef, revela uma surpreendente sobrevida nos Andes bolivianos depois de 1938. Ao adotar um menino indígena que está em vias de tornar-se um ladrão, esse personagem não só pretende educá-lo como, sobretudo, pretende fazer dele "um austríaco", o que significa, para o personagem, nele instilar um sistema de valores vinculado à extinta Áustria imperial. A discussão sobre esse conceito, "o austríaco", presente na literatura austríaca do século XIX e do início do século XX, é trazida à tona para tentar compreender o que se encontra por trás deste projeto. Para além dessa questão surge, ao longo da narrativa, uma alusão ao fato de que tanto o narrador quanto o protagonista da narrativa são descendentes de judeus que também "se tornaram" austríacos. "Tornar-se austríaco", assim, e com isto o conceito de 'gelernter Österreicher', temas inextricavelmente ligados ao processo de emancipação e assimilação judaica na Áustria do século XIX, são questões que ressurgem, de forma distópica e anacrônica, na Bolívia dos anos 1950, na trajetória de Kalmar tanto quanto na de seu personagem. This article analyzes Fritz Kalmar's biography and his short story "Der Austrospinner" in the light of the identities created during the decades of Jewish emancipation in Austria. In his Bolivian exile, Georg von Winternitz, the narrative's protagonist, embodies the fundamental values of an Austrian identity that was conceived during the final years of the Habsburg Monarchy, heir of the Holy Roman Empire, and that was particularly dear to Austrian Jews since the times of Kaiser Franz Josef. After his exile, von Winternitz organizes his existence in the new country according to this Empire's system of values. When he adopts an indigenous boy who is about to become a thief, he not only intends to educate him but also intends to turn him into "an Austrian", which, for him, means instilling in him a system of values belonging to the defunct Austro-Hungarian Empire. The discussion about the meaning of "Austrian" is brought to light, in an attempt to understand von Winternitz's ideals and projects. Both the narrative's protagonist and the narrator descend from Jews who also "became" Austrian, and "becoming Austrian" is a fundamental concept both in Kalmar's personal history and in his books.

     
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    Parent title: Enthalten in: Pandaemonium Germanicum; São Paulo : Departamento de Letras Modernas, Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, 1997-; Band 23, Heft 41 (2020), Seite 51-73; Online-Ressource

    DDC Categories: 830
    Subjects: Österreich-Ungarn <Motiv>; Identität <Motiv>; Juden <Motiv>
    Other subjects: Kalmar, Fritz (1911-2008)
  7. Capítulos de uma história de amor não correspondido: a memória da monarquia Austro-húngara e seus escritores judeus
    Author: Krausz, Luis S.
    Publisher:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    Este artigo propõe-se a mapear, por meio de seus registros literários, alguns momentos da longa e ambivalente história do processo de integração e assimilação dos judeus à cultura austro-alemã - uma história que se inicia já nos últimos anos do... more

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    Este artigo propõe-se a mapear, por meio de seus registros literários, alguns momentos da longa e ambivalente história do processo de integração e assimilação dos judeus à cultura austro-alemã - uma história que se inicia já nos últimos anos do século XVIII, e cujos reflexos literários reverberam século XXI adentro. A contraposição entre uma visão essencialista de cultura e outra fundamentada no conceito alemão de 'Bildung' é o princípio fundamental que opera nos diferentes desdobramentos desta história aqui analisados, e gera dúvidas e perplexidades ainda hoje significativas para o estudo da literatura austro-judaica. This article aims at tracing the contours of the long and ambivalent history of the integration and assimilation of Jews to Austro-German Culture, by means of some literary renderings of this phenomenon. The beginnings of this process are to be found in the late 18th century, but its literary reflections shine well into the 21st century. The contraposition between an essentialist understanding of culture and a different one, based on the German idea of 'Bildung', are at the core of the different developments of this process analyzed here, generating doubts and perplexities which are still significant for the study of Austro-Jewish literature.

     
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    Parent title: Enthalten in: Pandaemonium Germanicum; São Paulo : Departamento de Letras Modernas, Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, 1997-; Band 24, Heft 44 (2021), Seite 30-50; Online-Ressource

    DDC Categories: 830
    Subjects: Literatur; Jüdische Literatur; Juden <Motiv>; Assimilation <Soziologie, Motiv>; Antisemitismus; Bildung
  8. Desterro
    memórias em ruínas
    Author: Krausz, Luis S.
    Published: 2011
    Publisher:  Tordesilhas, São Paulo

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    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Source: Union catalogues
    Language: Portuguese
    Media type: Book
    Format: Print
    ISBN: 856440608X; 9788564406087
    Edition: 1. ed.
    Subjects: Jewish families; Jews
    Scope: 162 S., 18 cm
  9. Passagens
    literatura judaico-alemã entre gueto e metrópole
    Author: Krausz, Luis S.
    Published: 2012
    Publisher:  EDUSP, São Paulo

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Language: Portuguese
    Media type: Book
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    ISBN: 9788531413483; 8531413486
    Subjects: Ostjuden; Literatur; Jüdische Literatur; Assimilation <Soziologie>
    Scope: 459 S.
    Notes:

    Literaturverz. S. 453 - 459
  10. Jakob Wassermann e Kaspar Hauser : 100 anos depois
    Author: Krausz, Luis S.

    This article draws a parallel between Jakob Wassermann's interest in the history of Kaspar Hauser, which led him to write a novel still considered as the most eloquent literary rendering of this episode, and his own situation as an outsider in German... more

     

    This article draws a parallel between Jakob Wassermann's interest in the history of Kaspar Hauser, which led him to write a novel still considered as the most eloquent literary rendering of this episode, and his own situation as an outsider in German culture. Wassermann's feeling of alienation towards his own country is expressed in his autobiography, titled “Mein Weg als Deutscher und Jude” and his “Kaspar Hauser” is seen here a kind of "estrangement novel", a term which is a counterpoint to the traditional German concept of Bildungsroman. In this respect, it displays some striking analogies with works by later authors, who have drawn this specifically Jewish-German genre to a kind of paroxysm, such as Franz Kafka and Elias Canetti. A novel by an author usually seen as a conservative thus reveals an unexpected avant-garde aspect, which in certain ways foresees the future development of Jewish-German literature. On the other hand, Wassermann's critique to the Bismarckian mentality, which dominated Germany in the first half of the19th. Century, appears to detect some tendencies crucial to the development of German political life in the early 20th, century.

     
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    DDC Categories: 830
    Subjects: Wassermann, Jakob / Caspar Hauser oder die Trägheit des Herzens
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  11. Leopold Kompert : conciliador de facções judaicas na Mitteleuropa
    Author: Krausz, Luis S.

    This article deals with two short stories by Leopold Kompert (1822-1886), a Jewish author from the Austro-Hungarian Empire and one of the major names in a genre which became known as Ghettoliteratur. As all other authors in his genre, Kompert dealt... more

     

    This article deals with two short stories by Leopold Kompert (1822-1886), a Jewish author from the Austro-Hungarian Empire and one of the major names in a genre which became known as Ghettoliteratur. As all other authors in his genre, Kompert dealt mainly with the conflicts involved in the passage from the world of traditional Jewry towards 19th into modernity. But he did this in a typical Habsburg way. Rather then emphasizing the incompatibility between these two worlds, Kompert tries, on the one hand, to preserve the memory of the vanishing world of the Jewish Shtetl, and on the other hand to create a synthesis between this world and the multi-lingual and multi-cultural Austro-Hungarian Empire.

     
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    DDC Categories: 830
    Subjects: Juden; Österreich; Assimilation <Soziologie>; Kompert, Leopold
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  12. Em casa com o antisemitismo: paisagens domésticas vienenses do fin-de-siècle
    Author: Krausz, Luis S.

    This article takes a new look at the novels of the Austrian Jewish writer Adolf Dessauer (1849-1916). Dessauer wrote an ironic chronicle of his contemporaries' world in turn-of-the-century Vienna. A banker by profession and an amateur novelist, he... more

     

    This article takes a new look at the novels of the Austrian Jewish writer Adolf Dessauer (1849-1916). Dessauer wrote an ironic chronicle of his contemporaries' world in turn-of-the-century Vienna. A banker by profession and an amateur novelist, he published two novels in his lifetime ("Götzendienst", in 1896, and "Großstadtjuden", in 1910), both taking place in the Habsburg capital, which was then undergoing a process of rapid economic and social change. Though his books are nowadays virtually forgotten, Dessauer was a very accurate chronicler of the customs of the social class which ascended with economic liberalism, and which became increasingly close to the empire's declining aristocracy, mimicking its tastes and habits.

    As opposed to what happened in other European nations, the bourgeoisie in the Habsburg Empire never attempted to construct its own aesthetic and cultural repertoire, but consistently imitated the aristocratic patterns of its time. Dessauer makes a biting and ironical portrait of this class and its attempt at aristocratic appearances.

    He also shows how Karl Lueger's Christian anti-Semitic party in Austria recruited its voters from the impoverished class of artisans, which had lost space as a consequence of the establishment of a new economic order. Lueger's political campaign was directed towards this growing class, and he identified the rise of liberal capitalism with Jews and Judaism.

    In "Großstadtjuden" Dessauer looks at the same phenomena, but does so from a strictly Jewish point of view. His second novel portrays the reactions of a number of Jewish families from Vienna to rising anti-Semitism. This historical aspect of the Viennese Jewish community, which was Europe's numerically largest after Warsaw's, is a striking prelude to the history of European Jewry in the 20th.century, thus giving Dessauer's work an unexpected afterlife. Dieser Artikel behandelt den österreichischen Autor Adolf Dessauer (1849-1916), einen Chronisten der Wiener Sitten der Wende vom 19. zum 20. Jahrhundert. Von Beruf Bankier und Schriftsteller aus Liebhaberei, veröffentlichte Dessauer zwei Romane ("Götzendienst", 1896 und "Großstadtjuden", 1910), die zu Zeiten rasanter wirtschaftlicher und sozialer Wandlungen in der Habsburger Metropole spielen und die heute nahezu vergessen sind. Dessauer richtet seine Aufmerksamkeit auf die Klasse, die mit dem Siegeszug des Wirtschaftsliberalismus aufgestiegen und sich immer mehr mit der dekadenten Aristokratie der österreichischen Hauptstadt verbunden hatte, deren Geschmack und Umgangsformen sie nachahmte. Im Unterschied zu anderen europäischen Nationen schuf das Bürgertum des Habsburger Reiches kein eigenständiges kulturelles oder ästhetisches Repertoire, sondern versuchte, sich auf dem Wege der Imitation die kulturellen Werte des Adels anzueignen, was eine Klasse von Nachahmern hervorrief, auf die Dessauer seinen durchdringenden und ironischen Blick richtete.

    Gleichzeitig zeigt Dessauer, wie die Partei der antisemitischen Christdemokraten in Österreich unter der Schicht der Handwerker ihre Wähler rekrutierte, die im Zuge der neuen wirtschaftlichen Ordnung proletarisiert wurden: An diese verarmten Handwerker richtet sich die von Dr. Karl Lueger geführte Kampagne, der den Wirtschaftsliberalismus mit dem Judentum und den Juden identifizierte.

    In "Großstadtjuden" beschäftigt sich der Autor mit denselben Erscheinungen, jedoch aus einem streng jüdischen Blickwinkel, der ausgeht von einigen Familien und der Art, wie jede von ihnen auf den wachsenden Antisemitismus in der österreichischen Hauptstadt reagiert. Im Rückblick stellt sich die Geschichte der österreichischen Juden, zu jener Zeit die nach Warschau zweitgrößte Gemeinde in Europa, in diesem Roman als ein Vorspiel der Geschichte der Juden Europas im 20. Jahrhundert dar, was diesem literarischen Werk, das zum Vergessen verurteilt schien, ein unerwartetes Interesse verschafft.

     
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    DDC Categories: 830
    Subjects: Juden; Assimilation <Soziologie, Motiv>; Antisemitismus <Motiv>; Österreich-Ungarn; Wien <Motiv>; Bürgertum <Motiv>
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    creativecommons.org/licenses/by-nc/3.0/de/deed.de

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  13. O mal-estar da "Gerechtigkeit"
    Author: Krausz, Luis S.

    "Der Fall Maurizius" by Jakob Wassermann was first published in 1928. It is set partly in 1908 Germany and partly during the Weimar Republic. In this work, Wassermann criticizes German pragmatism by depicting the State bureaucracy as the absolute... more

     

    "Der Fall Maurizius" by Jakob Wassermann was first published in 1928. It is set partly in 1908 Germany and partly during the Weimar Republic. In this work, Wassermann criticizes German pragmatism by depicting the State bureaucracy as the absolute power over citizens, even after the Imperial Era. Disgusted with the mismanagement of the justice system and with the perverse character of those in charge, the author renders German pragmatism as non-adherence to the moral values supposedly justifying the State apparatus – in particular, as a breach of the "Gerechtigkeit" principle. The harmless innocence of the adolescent Etzel von Andergast, the only child of a well-known prosecutor, highlights this violation of justice. At the same time, Waremme is a sinister character whose Jewish parents fled from Prussian-occupied Poland. He breaks with his ancestors' moral values and is eager to play a key role in the German Nationalistic movement. However, he feels frustrated with his project of cultural assimilation and is pushed towards the outskirts of a bewildered society. The crisis of values and transgression of justice become the emblems of Wassermann’s generation. Em "Der Fall Maurizius", romance de Jakob Wassermann de 1928, parcialmente ambientado em 1908, à época da República de Weimar, o autor critica o pragmatismo alemão, apoiado numa burocracia de estado que, mesmo depois do fim do Império, continua a exercer o poder de maneira absoluta. Wassermann revolta-se contra a má administração da justiça, e contra o caráter perverso daqueles que, tendo se apoderado do aparelho estatal, arrogam a si mesmos o papel de representantes dos melhores princípios do humanismo alemão. O pragmatismo, assim, apresenta-se como a falsificação daqueles valores que supostamente o legitimariam – notadamente, do princípio de Justiça, "Gerechtigkeit". A inocência de um adolescente, Etzel von Andergast, filho de um grande promotor, é o que traz à luz este estado de adulteração. Ao mesmo tempo, a figura de Waremme, descendente de judeus provenientes de regiões da Polônia ocupadas pela Prússia desde 1772, é uma figura sinistra, que rompeu com o legado ético de seus antepassados, pretendendo exercer um papel de destaque no movimento nacionalista alemão, para frustrar-se e ocupar posição marginal numa sociedade repleta de desencaminhados e perplexos. Desta forma o autor representa as aporias de uma geração que sente na pele esse exílio da justiça e a crise generalizada de valores.

     
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    DDC Categories: 830
    Subjects: Wassermann, Jakob / Der Fall Maurizius; Jüdische Literatur; Weimarer Republik <Motiv>; Wertkrise; Assimilation <Soziologie, Motiv>; Gerechtigkeit <Motiv>
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  14. Fora dos muros: entre a "Bildung" e a Revelação
    Author: Krausz, Luis S.

    This article discusses the change of paradigms perceived in Germany's Jewish community in the first decades of the 19th. Century, as a result of the fall of the walls which until that time separated Jews from their Christian German neighbours. The... more

     

    This article discusses the change of paradigms perceived in Germany's Jewish community in the first decades of the 19th. Century, as a result of the fall of the walls which until that time separated Jews from their Christian German neighbours. The triumph of the ideas of Illuminism and the rapid penetration of these ideas in a community which longed for social integration, and which had hitherto been discriminated because of its ethnic and religious background, stimulated the adoption of new world views and new concepts of nationality and spirituality among Jews who had recently left the walls of the Ghettoes behind. One of the central passages in this change process is described by Berthold Auerbach (1812-1882) as the transformation of the idea of 'Revelation' into 'Bildung' – a cardinal concept in the 19th Century German culture. This seems to explain German Jews' affinity with the humanistic culture of their time: it now appears to occupy the central role which had hitherto been reserved to religious studies. Este artigo trata da rápida substituição de paradigmas que se processa no seio da comunidade judaica alemã nas primeiras décadas do século 19, como resultado da derrubada dos muros que, até então, separavam os judeus dos alemães cristãos. O triunfo das idéias do Iluminismo bem como sua rápida penetração no âmbito de uma comunidade ansiosa por integração numa sociedade que prometia a igualdade entre todos os seus membros, independentemente de sua origem étnica ou religiosa, estimulou, entre os judeus egressos dos guetos, a adoção de novas visões de mundo e de novos conceitos de nacionalidade e espiritualidade. Uma das passagens centrais nesse processo de mudança é descrita pelo escritor Berthold Auerbach (1812-1882) como a transformação da idéia de 'Revelação', central à tradição judaica, em 'Bildung', fundamental na cultura alemã do século 19. Trata-se de uma mudança de paradigmas que explica, de certa forma, a grande afinidade dos judeus do mundo de língua alemã com a reflexão humanística de seu tempo, que parece ocupar o lugar privilegiado antes reservado aos estudos de caráter religioso.

     
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    DDC Categories: 830
    Subjects: Deutsche Literatur; Assimilation <Soziologie>; Jüdische Literatur; Auerbach, Berthold
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    creativecommons.org/licenses/by-nc/3.0/de/deed.de

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  15. A arte da infelicidade : "A Pianista", de Elfriede Jelinek, entre tradição e mass-media
    Author: Krausz, Luis S.

    The purpose of this article is the contextualization of Elfriede Jelinek's "Die Klaverspielerin" within the tradition of social criticism in Austrian literature, to which several authors from the interbellum period belong. After 1945, Austria's... more

     

    The purpose of this article is the contextualization of Elfriede Jelinek's "Die Klaverspielerin" within the tradition of social criticism in Austrian literature, to which several authors from the interbellum period belong. After 1945, Austria's literary establishment strove to create social peace by means of the diffusion of a harmonistic ideology. The aim of this ideology was to reestablish a system of values inherited from the Monarchy in the 2nd Republic and the emergence of a literature of protest and estrangement in Austria in the 1980's can be seen as a reaction against this project of restoration of an anachronistic ideology. The central conflict structuring Jelinek's narrative – a conflict between Erika Kohut, her mother and Walter Klemmer – is here seen as a kind of metaphorical representation of conflicts characteristic of a society divided between its attachment to the glories of a vanished cultural tradition and the unremitting assault of global mass media, structured over parameters that are diametrically opposed to this tradition. At the same time, I attempt to situate specific ways of behavior and 'Weltanschauungen' portrayed in this novel within the cultural atmosphere where they emerge, particularly that of the so-called 'Österreich Ideologie', pointing to principles of social conviviality that seem to derive from Habsburg ideology and which remain as partly unconscious and illusory undercurrents in Austrian culture in the 1980's and 1990's. Este artigo tem como propósito a contextualização do romance "A Pianista", de Elfriede Jelinek, no âmbito de uma tradição literária austríaca caracterizada pela visão crítica da sociedade e de seus conflitos, da qual fizeram parte grandes expoentes das letras deste país no período entre-guerras. Se no pós-guerra o establishment literário austríaco empenhou-se pelo estabelecimento de um consenso social por meio da difusão de uma ideologia harmonística, que visava reinstaurar elementos da sociedade habsburga na 2ª. República, o ressurgimento de uma literatura de rebeldia e estranhamento na Áustria da década de 1980 pode ser compreendido como uma reação a este projeto de restauração de um ideário anacrônico. Neste sentido, a confrontação, em "A Pianista", entre Erika Kohut, sua mãe e Walter Klemmer pode ser uma representação metafórica de conflitos próprios de uma sociedade dividida entre o apego às glórias de uma tradição cultural que se deseja preservar e o assédio permanente de uma massmedia globalizada e estruturada sobre parâmetros que estão em oposição diametral a esta tradição. Ao mesmo tempo, busca-se contextualizar as visões de mundo e formas de comportamento representadas no romance no âmbito da chamada 'Österreich Ideologie', onde surgem como princípios de convívio social herdados da ideologia habsburga, e que permanecem como substratos parcialmente anacrônicos e parcialmente ilusórios na cultura austríaca dos anos 1980. Der Ziel dieses Artikels ist die Kontextualisierung von Elfriede Jelineks Roman "Die Klavierspielerin" innerhalb einer kritischen Tradition der österreichischen Literatur des 20. Jahrhunderts, zu welcher fast alle bedeutenden Autoren dieses Landes in den 20er. und 30er. Jahren irgendwie gehören. Nach 1945 gelang es dem österreichischen literarischen Establishment eine harmonistishce Ideologie durchzusetzen, die alle gesellschaftliche Gegensätze durch eine eskapistische Tendenz und eine Rückkehr zu Elemente der habsburgische Ideologie ersetzten. Die Protest-Literatur der 1980er. kann als Reaktion gegen diese sogenannte 'Österreich Ideologie' verstanden werden. "Die Klavierspielerin" scheint auf einem Konflikt strukturiert zu sein und dieser Konflikt zeichnet sich als Opposition zwischen einer festen Beziehung zur österreichischen Vergangenheit, ins besondere zur vergangenen Musiktradition einerseits, und dem ständigen Einfluss der globalisierten Mass-media andererseits. Erika Kohut, ihre Mutter und Walter Klemmer, die Protagonisten des Romans, können daher als Sinnbilder verschiedener Weltanschauungen gedeutet werden, die zwischen den Trümmern der Ideologie der verschollenen Doppelmonarchie und der Integration in der globalisierten Welt schwanken. Dadurch können sie auch als bedeutende Symbole der österreichischen Gesellschaft unserer Zeit verstanden werden.

     
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    DDC Categories: 830
    Subjects: Jelinek, Elfriede / Die Klavierspielerin; Österreichische Literatur; Kafka, Franz; Österreich-Ungarn
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  16. Capítulos de uma história de amor não correspondido: a memória da monarquia Austro-húngara e seus escritores judeus
    Author: Krausz, Luis S.

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    Enthalten in: Pandaemonium Germanicum; São Paulo : Departamento de Letras Modernas, Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, 1997-; 24.2021, Nr. 44, S. 30-50; Online-Ressource
    Subjects: Juden; Österreich; Österreich-Ungarn; Literatur; Assimilation <Soziologie>; Bildung; Antisemitismus
    Other subjects: Austrian literature; Jewish literature; Antisemitism; Assimilação; Literatura austríaca; Literatura judaica; Antissemitismo
    Scope: Online-Ressource
  17. Jakob Wassermann e Kaspar Hauser : 100 anos depois
    Author: Krausz, Luis S.

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    Source: Union catalogues
    Language: Portuguese
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title:
    In:: Contingentia; Porto Alegre : Universidade Federal do Rio Grande do Sul, Instituto de Letras, 2006-; Vol. 2.2007, No. 2, S. 10-17; Online-Ressource
    Subjects: Wassermann, Jakob / Caspar Hauser oder die Trägheit des Herzens
    Other subjects: Wassermann, Jakob / Mein Weg als Deutscher und Jude
    Scope: Online-Ressource
  18. Leopold Kompert : conciliador de facções judaicas na Mitteleuropa
    Author: Krausz, Luis S.

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    Source: Union catalogues
    Language: Portuguese
    Media type: Article (journal)
    Format: Online
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    Parent title:
    In:: Contingentia; Porto Alegre : Universidade Federal do Rio Grande do Sul, Instituto de Letras, 2006-; Vol. 4.2009, No. 1, S. 80-92; Online-Ressource
    Subjects: Juden; Österreich; Assimilation <Soziologie>; Kompert, Leopold
    Scope: Online-Ressource
  19. Em casa com o antisemitismo: paisagens domésticas vienenses do fin-de-siècle
    Author: Krausz, Luis S.

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    Source: Union catalogues
    Language: Portuguese
    Media type: Article (journal)
    Format: Online
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    Parent title:
    In:: Pandaemonium Germanicum; São Paulo : Departamento de Letras Modernas, Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, 1997-; 10.2006, S. 183-196; Online-Ressource
    Subjects: Juden; Assimilation <Soziologie, Motiv>; Antisemitismus <Motiv>; Österreich-Ungarn; Wien <Motiv>; Bürgertum <Motiv>
    Scope: Online-Ressource
  20. O mal-estar da "Gerechtigkeit"
    Author: Krausz, Luis S.

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    Source: Union catalogues
    Language: Portuguese
    Media type: Article (journal)
    Format: Online
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    Parent title:
    In:: Pandaemonium Germanicum; São Paulo : Departamento de Letras Modernas, Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, 1997-; 12.2008, S. 23-44; Online-Ressource
    Subjects: Wassermann, Jakob / Der Fall Maurizius; Jüdische Literatur; Weimarer Republik <Motiv>; Wertkrise; Assimilation <Soziologie, Motiv>; Gerechtigkeit <Motiv>
    Scope: Online-Ressource
  21. Fora dos muros: entre a "Bildung" e a Revelação
    Author: Krausz, Luis S.

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    Source: Union catalogues
    Language: Portuguese
    Media type: Article (journal)
    Format: Online
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    Parent title:
    In:: Pandaemonium Germanicum; São Paulo : Departamento de Letras Modernas, Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, 1997-; 13.2009, S. 74-91; Online-Ressource
    Subjects: Deutsche Literatur; Assimilation <Soziologie>; Jüdische Literatur; Auerbach, Berthold
    Scope: Online-Ressource
  22. A arte da infelicidade : "A Pianista", de Elfriede Jelinek, entre tradição e mass-media
    Author: Krausz, Luis S.

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    Source: Union catalogues
    Language: Portuguese
    Media type: Article (journal)
    Format: Online
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    Parent title:
    In:: Pandaemonium Germanicum; São Paulo : Departamento de Letras Modernas, Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, 1997-; 17.2011, S. 87-102; Online-Ressource
    Subjects: Jelinek, Elfriede / Die Klavierspielerin; Österreichische Literatur; Kafka, Franz; Österreich-Ungarn
    Scope: Online-Ressource
  23. Desterro
    memórias em ruínas
    Author: Krausz, Luis S.
    Published: 2011
    Publisher:  Tordesilhas, São Paulo

    Location:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    Signature:
    A 12 / 7407
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    Po.Bra.T.k 70
    Inter-library loan:
    No inter-library loan
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    Content information
    Source: Union catalogues
    Language: Portuguese
    Media type: Book
    Format: Print
    ISBN: 856440608X; 9788564406087
    Edition: 1. ed.
    Subjects: Jewish families; Jews
    Scope: 162 S., 18 cm
  24. Em casa com o antisemitismo: paisagens domésticas vienenses do fin-de-siècle
    Author: Krausz, Luis S.
    Published: 2006

    This article takes a new look at the novels of the Austrian Jewish writer Adolf Dessauer (1849-1916). Dessauer wrote an ironic chronicle of his contemporaries' world in turn-of-the-century Vienna. A banker by profession and an amateur novelist, he... more

     

    This article takes a new look at the novels of the Austrian Jewish writer Adolf Dessauer (1849-1916). Dessauer wrote an ironic chronicle of his contemporaries' world in turn-of-the-century Vienna. A banker by profession and an amateur novelist, he published two novels in his lifetime ("Götzendienst", in 1896, and "Großstadtjuden", in 1910), both taking place in the Habsburg capital, which was then undergoing a process of rapid economic and social change. Though his books are nowadays virtually forgotten, Dessauer was a very accurate chronicler of the customs of the social class which ascended with economic liberalism, and which became increasingly close to the empire's declining aristocracy, mimicking its tastes and habits. As opposed to what happened in other European nations, the bourgeoisie in the Habsburg Empire never attempted to construct its own aesthetic and cultural repertoire, but consistently imitated the aristocratic patterns of its time. Dessauer makes a biting and ironical portrait of this class and its attempt at aristocratic appearances. He also shows how Karl Lueger's Christian anti-Semitic party in Austria recruited its voters from the impoverished class of artisans, which had lost space as a consequence of the establishment of a new economic order. Lueger's political campaign was directed towards this growing class, and he identified the rise of liberal capitalism with Jews and Judaism. In "Großstadtjuden" Dessauer looks at the same phenomena, but does so from a strictly Jewish point of view. His second novel portrays the reactions of a number of Jewish families from Vienna to rising anti-Semitism. This historical aspect of the Viennese Jewish community, which was Europe's numerically largest after Warsaw's, is a striking prelude to the history of European Jewry in the 20th.century, thus giving Dessauer's work an unexpected afterlife. ; Dieser Artikel behandelt den österreichischen Autor Adolf Dessauer (1849-1916), einen Chronisten der Wiener Sitten der Wende vom 19. zum 20. Jahrhundert. Von ...

     
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    Source: BASE Selection for Comparative Literature
    Language: Portuguese
    Media type: Article (journal)
    Format: Online
    DDC Categories: 830
    Subjects: Juden; Assimilation <Soziologie; Motiv>; Antisemitismus; Österreich-Ungarn; Wien; Bürgertum
    Rights:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de ; info:eu-repo/semantics/openAccess
  25. O mal-estar da "Gerechtigkeit"
    Author: Krausz, Luis S.
    Published: 2008

    "Der Fall Maurizius" by Jakob Wassermann was first published in 1928. It is set partly in 1908 Germany and partly during the Weimar Republic. In this work, Wassermann criticizes German pragmatism by depicting the State bureaucracy as the absolute... more

     

    "Der Fall Maurizius" by Jakob Wassermann was first published in 1928. It is set partly in 1908 Germany and partly during the Weimar Republic. In this work, Wassermann criticizes German pragmatism by depicting the State bureaucracy as the absolute power over citizens, even after the Imperial Era. Disgusted with the mismanagement of the justice system and with the perverse character of those in charge, the author renders German pragmatism as non-adherence to the moral values supposedly justifying the State apparatus – in particular, as a breach of the "Gerechtigkeit" principle. The harmless innocence of the adolescent Etzel von Andergast, the only child of a well-known prosecutor, highlights this violation of justice. At the same time, Waremme is a sinister character whose Jewish parents fled from Prussian-occupied Poland. He breaks with his ancestors' moral values and is eager to play a key role in the German Nationalistic movement. However, he feels frustrated with his project of cultural assimilation and is pushed towards the outskirts of a bewildered society. The crisis of values and transgression of justice become the emblems of Wassermann’s generation. ; Em "Der Fall Maurizius", romance de Jakob Wassermann de 1928, parcialmente ambientado em 1908, à época da República de Weimar, o autor critica o pragmatismo alemão, apoiado numa burocracia de estado que, mesmo depois do fim do Império, continua a exercer o poder de maneira absoluta. Wassermann revolta-se contra a má administração da justiça, e contra o caráter perverso daqueles que, tendo se apoderado do aparelho estatal, arrogam a si mesmos o papel de representantes dos melhores princípios do humanismo alemão. O pragmatismo, assim, apresenta-se como a falsificação daqueles valores que supostamente o legitimariam – notadamente, do princípio de Justiça, "Gerechtigkeit". A inocência de um adolescente, Etzel von Andergast, filho de um grande promotor, é o que traz à luz este estado de adulteração. Ao mesmo tempo, a figura de Waremme, descendente de judeus ...

     
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    Source: BASE Selection for Comparative Literature
    Language: Portuguese
    Media type: Article (journal)
    Format: Online
    DDC Categories: 830
    Subjects: Wassermann; Jakob / Der Fall Maurizius; Jüdische Literatur; Weimarer Republik; Wertkrise; Assimilation <Soziologie; Motiv>; Gerechtigkeit
    Rights:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de ; info:eu-repo/semantics/openAccess