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  1. "Counterfeiting" Shakespeare
    evidence, authorship, and John Ford's Funerall Elegye
    Published: 2002
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Universität Bonn, Institut für Anglistik, Amerikanistik und Keltologie, Bibliothek
    HI 3315 V637 C8
    No inter-library loan
    Universitäts- und Landesbibliothek Düsseldorf
    ango86640.v637
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    Universitäts- und Landesbibliothek Münster
    3H 87570
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0521772435
    Other identifier:
    2001-52632
    Subjects: Poetry; Autorschaft
    Other subjects: Shakespeare 1564-1616; Ford; Shakespeare, William (1564-1616); Ford, John (1586-1639)
    Scope: XXVII, 568 S.
  2. In defence of rhetoric
    Published: 2002
    Publisher:  Clarendon Press, Oxford

    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    15/EC 4150 V637
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0198117914
    RVK Categories: EC 4100 ; EC 4150
    Edition: Reprint
    Series: Clarendon paperbacks
    Subjects: Literatur; Rhetorik; Englisch
    Scope: XI, 508 S., Ill.
    Notes:

    Literaturverz. S. [481] - 490

  3. Counterfeiting Shakespeare
    evidence, authorship, and John Ford's Funerall elegye
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge

    'Counterfeiting' Shakespeare addresses the fundamental issue of what Shakespeare actually wrote, and how this is determined. In recent years his authorship has been claimed for two poems, the lyric 'Shall I die?' and A Funerall Elegye. These... more

    Universität Frankfurt, Elektronische Ressourcen
    /
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    Universitätsbibliothek Gießen
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    'Counterfeiting' Shakespeare addresses the fundamental issue of what Shakespeare actually wrote, and how this is determined. In recent years his authorship has been claimed for two poems, the lyric 'Shall I die?' and A Funerall Elegye. These attributions have been accepted into certain major editions of Shakespeare's works but Brian Vickers argues that both attributions rest on superficial verbal parallels; both use too small a sample, ignore negative evidence, and violate basic principles in authorship studies. Through a fresh examination of the evidence, Professor Vickers shows that neither poem has the stylistic and imaginative qualities we associate with Shakespeare. In other words, they are 'counterfeits', in the sense of anonymously authored works wrongly presented as Shakespeare's. He argues that the poet and dramatist John Ford wrote the Elegye: its poetical language (vocabulary, syntax, prosody) is indistinguishable from Ford's, and it contains several hundred close parallels with his work. By combining linguistic and statistical analysis this book makes an important contribution to authorship studies.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484049
    RVK Categories: HI 2235 ; HI 3327 ; HI 3315
    Subjects: Autorschaft
    Other subjects: Shakespeare, William (1564-1616); Ford, John (1586-1639)
    Scope: 1 Online-Ressource (xxvii, 568 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  4. Counterfeiting Shakespeare
    evidence, authorship, and John Ford's Funerall elegye
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge, UK [u.a.] ; [ProQuest], [Ann Arbor, Michigan]

    Universität Frankfurt, Elektronische Ressourcen
    /
    No inter-library loan
    Universitätsbibliothek Gießen
    No inter-library loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Scope: xxvii, 568 p.
    Notes:

    Includes bibliographical references (p. 554-562) and index

  5. Shakespeare, co-author
    a historical study of five collaborative plays
    Published: 2002
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

    "No issue in Shakespeare studies is more important than determining what he wrote. For over two centuries scholars have discussed the evidence that Shakespeare worked with co-authors on several plays, and have used a variety of methods to... more

    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Würzburg
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    "No issue in Shakespeare studies is more important than determining what he wrote. For over two centuries scholars have discussed the evidence that Shakespeare worked with co-authors on several plays, and have used a variety of methods to differentiate their shares from his. In this wide-ranging study, Brian Vickers takes up and extends these discussions, presenting compelling evidence that Shakespeare wrote Titus Andronicus together with George Peele, Timon of Athens with Thomas Middleton, Pericles with George Wilkins, and Henry VIII and The Two Noble Kinsmen with John Fletcher."--BOOK JACKET.

     

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  6. In defence of rhetoric
    Published: 2002
    Publisher:  Clarendon Press, Oxford

    Universitätsbibliothek Würzburg
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0198117914
    RVK Categories: EC 4100 ; HG 260
    Edition: Reprinted
    Series: Clarendon paperbacks
    Subjects: Englisch; Geschichte; Rhetorik; Literatur
    Scope: xi, 508 Seiten, Illustrationen
  7. Counterfeiting Shakespeare
    evidence, authorship, and John Ford's Funerall elegye
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge, UK

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0521772435
    Subjects: Poetry; Autorschaft
    Other subjects: W. S. (fl. 1612): Funerall elegye in memory of the late virtuous master William Peeter of Whipton neere Exetour; Shakespeare, William (1564-1616); Ford, John (1586-ca. 1640); Ford, John (1586-1639); Shakespeare, William (1564-1616)
    Scope: xxvii, 568 p
    Notes:

    Includes bibliographical references (p. 554-562) and index

  8. Counterfeiting Shakespeare
    evidence, authorship, and John Ford's Funerall elegye
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge, UK

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511066716; 0511068840; 0511118430; 9780511066719; 9780511068843; 9780511118432
    RVK Categories: HI 3327
    Subjects: LITERARY CRITICISM / Shakespeare; DRAMA / Shakespeare; Funerall elegye in memory of the late virtuous master William Peeter of Whipton neere Exetour (W. S.); Authorship; Poetry / Authorship; Poetry; Autorschaft
    Other subjects: Ford, John / approximately 1586- / Authorship; Ford, John / 1586-approximately 1640; Shakespeare, William / 1564-1616; W. S.: Funerall elegye in memory of the late virtuous master William Peeter of Whipton neere Exetour; Shakespeare, William (1564-1616); Ford, John (1586-approximately 1640); Ford, John (1586-1639); Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xxvii, 568 pages)
    Notes:

    Includes bibliographical references (pages 554-562) and index

    Cover; Half-title; Title; Copyright; Dedication; Contents; Preface; Tables; Abbreviations and note on references; 1. JOURNALS AND BOOKS; 2. WORKS BY WILLIAM SHAKESPEARE; 3. WORKS BY JOHN FORD; PROLOGUE Gary Taylor finds a poem; READING THE POEM; VERBAL PARALLELS; LITERARY HISTORY; SHAKESPEARE'S WORDS: SHAKESPEARE'S MEANINGS?; ATTRIBUTING AND EMENDING; RESPONDING TO CRITICISM; CHAPTER 1 'W. S.' and 'Elegye' for William Peter; CHAPTER 2 Parallels? Plagiarisms?; CHAPTER 3 Vocabulary and diction; CHAPTER 4 Grammar: 'the Shakespearean "who" '; CHAPTER 5 Prosody, punctuation, pause patterns

    Brian Vickers examines the issue of what Shakespeare actually wrote, and how this is determined. Shakespeare's authorship has been claimed for two poems, 'Shall I die?' and A Funerall Elegye. Vickers shows that neither has the requisite stylistic and imaginative qualities. In other words, they are 'counterfeits', in the sense of anonymously authored works wrongly presented as Shakespeare's. He identifies John Ford as author of the Elegye

  9. "Counterfeiting" Shakespeare
    evidence, authorship, and John Ford's Funerall Elegye
    Published: 2002
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Universitäts- und Landesbibliothek Bonn
    Unlimited inter-library loan, copies and loan
    Universitäts- und Landesbibliothek Düsseldorf
    Unlimited inter-library loan, copies and loan
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521772435
    Subjects: Poetry
    Other subjects: Shakespeare 1564-1616; Ford
    Scope: XXVII, 568 S.
  10. Shakespeare, co-author
    a historical study of five collaborative plays
    Published: 2002
    Publisher:  Oxford Univ. Press, Oxford

    Universitätsbibliothek der RWTH Aachen
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    Universitäts- und Landesbibliothek Bonn
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    Universitäts- und Landesbibliothek Düsseldorf
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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  11. Shakespeare, co-author
    a historical study of five collaborative plays
    Published: 2002
    Publisher:  Oxford Univ. Press, Oxford

    Universitätsbibliothek der RWTH Aachen
    NM5367
    Unlimited inter-library loan, copies and loan
    Universitäts- und Landesbibliothek Bonn
    2002/7232
    Loan of volumes, no copies
    Universität Bonn, Institut für Anglistik, Amerikanistik und Keltologie, Bibliothek
    HI 3315 V637
    No inter-library loan
    Universitäts- und Landesbibliothek Düsseldorf
    ango86640.v637
    Unlimited inter-library loan, copies and loan
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    30A288
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    Universitäts- und Landesbibliothek Münster
    3H 81955
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  12. Shakespeare, co-author
    a historical study of five collaborative plays
    Published: 2002
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

    "No issue in Shakespeare studies is more important than determining what he wrote. For over two centuries scholars have discussed the evidence that Shakespeare worked with co-authors on several plays, and have used a variety of methods to... more

    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Europa-Universität Viadrina, Universitätsbibliothek
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    "No issue in Shakespeare studies is more important than determining what he wrote. For over two centuries scholars have discussed the evidence that Shakespeare worked with co-authors on several plays, and have used a variety of methods to differentiate their shares from his. In this wide-ranging study, Brian Vickers takes up and extends these discussions, presenting compelling evidence that Shakespeare wrote Titus Andronicus together with George Peele, Timon of Athens with Thomas Middleton, Pericles with George Wilkins, and Henry VIII and The Two Noble Kinsmen with John Fletcher."--BOOK JACKET.

     

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  13. Shakespeare, co-author
    a historical study of five collaborative plays
    Published: 2002
    Publisher:  Oxford University Press, Oxford [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 487368
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    Universitätsbibliothek Freiburg
    GE 2002/9648
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2003 A 7949
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    A 2003/6468
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    Universitätsbibliothek Heidelberg
    2003 A 1557
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    Anglistisches Seminar der Universität, Bibliothek
    SHA BG 1651
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    Universitätsbibliothek Kiel, Zentralbibliothek
    Ba 3385
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    eng 879:s527:qf/v42a
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    Universitätsbibliothek Leipzig
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    ang 478.9 CL 5082
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    Universität Stuttgart, Bibliothek der Institute für Linguistik und Literaturwissenschaft
    VEN3--SHA5--VIC2
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    Württembergische Landesbibliothek
    53/15919
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    Brechtbau-Bibliothek
    NO 752.269
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Sh 894
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    Herzog August Bibliothek Wolfenbüttel
    53.815
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0199256535
    Other identifier:
    9780199256532
    12002-31262
    RVK Categories: HI 3315 ; HI 3390 ; HI 3378
    Edition: 1. publ.
    Subjects: Playwriting; Playwriting; Shakespeare, William; Playwriting
    Other subjects: Shakespeare, William; Shakespeare, William; Shakespeare, William; Shakespeare, William; Shakespeare, William; Shakespeare, William; Shakespeare, William *1564-1616*; Shakespeare, William *1564-1616*; Shakespeare, William *1564-1616*; Shakespeare, William *1564-1616*; Shakespeare, William *1564-1616*; Shakespeare, William *1564-1616*; Shakespeare, William *1564-1616*
    Scope: XVII, 558 S, Ill
    Notes:

    Includes bibliographical references (S. 542 - 551) and index

    Literaturverz. S. [542] - 551

  14. In defense of rhetoric
    Published: 2002
    Publisher:  Clarendon Press [u.a.], Oxford

    Universitätsbibliothek Greifswald
    310/EC 4100 V637
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0198117914
    Edition: Reprinted
    Series: Clarendon paperbacks
    Subjects: Rhetorik;
    Scope: XI, 508 S, Ill
    Notes:

    Literaturverz. S. [481] - 490

  15. Shakespeare, co-author
    a historical study of five collaborative plays
    Published: 2002
    Publisher:  Oxford University Press, Oxford [u.a.]

    Landesbibliothekszentrum Rheinland-Pfalz / Pfälzische Landesbibliothek
    18.5554
    Loan of volumes, no copies
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  16. Counterfeiting Shakespeare
    evidence, authorship, and John Ford's Funerall elegye
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge

    'Counterfeiting' Shakespeare addresses the fundamental issue of what Shakespeare actually wrote, and how this is determined. In recent years his authorship has been claimed for two poems, the lyric 'Shall I die?' and A Funerall Elegye. These... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    'Counterfeiting' Shakespeare addresses the fundamental issue of what Shakespeare actually wrote, and how this is determined. In recent years his authorship has been claimed for two poems, the lyric 'Shall I die?' and A Funerall Elegye. These attributions have been accepted into certain major editions of Shakespeare's works but Brian Vickers argues that both attributions rest on superficial verbal parallels; both use too small a sample, ignore negative evidence, and violate basic principles in authorship studies. Through a fresh examination of the evidence, Professor Vickers shows that neither poem has the stylistic and imaginative qualities we associate with Shakespeare. In other words, they are 'counterfeits', in the sense of anonymously authored works wrongly presented as Shakespeare's. He argues that the poet and dramatist John Ford wrote the Elegye: its poetical language (vocabulary, syntax, prosody) is indistinguishable from Ford's, and it contains several hundred close parallels with his work. By combining linguistic and statistical analysis this book makes an important contribution to authorship studies

     

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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484049
    Other identifier:
    Subjects: Poetry; W. S ; Funerall elegye in memory of the late virtuous master William Peeter of Whipton neere Exetour; Shakespeare, William ; 1564-1616 ; Authorship; Ford, John ; 1586-approximately 1640 ; Authorship; Poetry ; Authorship
    Other subjects: Ford, John (1586-approximately 1640); Shakespeare, William (1564-1616); W. S: Funerall elegye in memory of the late virtuous master William Peeter of Whipton neere Exetour
    Scope: 1 Online-Ressource (xxvii, 568 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Prologue: Gary Taylor finds a poem -- pt. I. Donald Foster's 'Shakespearean' Construct. 1. 'W. S.' and the Elegye for William Peter. 2. Parallels? Plagiarisms? 3. Vocabulary and diction. 4. Grammar: 'the Shakespearean "who"'. 5. Prosody, punctuation, pause patterns. 6. Rhetoric: 'the Shakespearean "hendiadys"'. 7. Statistics and inference. 8. A poem 'indistinguishable from Shakespeare'? -- pt. II. John Ford's 'Funerall Elegye'. 9. Ford's writing career: poet, moralist, playwright. 10. Ford and the Elegye's 'Shakespearean diction'. 11. The Funerall Elegye in its Fordian context. Epilogue: The politics of attribution -- App. I. The text of A Funerall Elegye -- App. II. Verbal parallels between A Funerall Elegye and Ford's poems.

  17. "Counterfeiting" Shakespeare
    evidence, authorship, and John Ford's Funerall elegye
    Published: 2002
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521772435
    Other identifier:
    9780521772433
    RVK Categories: HI 2235 ; HI 3315
    Edition: 1. publ.
    Subjects: Poetry
    Other subjects: Array; Array; Array; Array
    Scope: XXVII, 568 S
    Notes:

    Includes bibliographical references (p. ) and index

  18. Counterfeiting Shakespeare
    evidence, authorship, and John Ford's Funerall elegye
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge, UK [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    Brian Vickers examines the issue of what Shakespeare actually wrote, and how this is determined. Shakespeare's authorship has been claimed for two poems, 'Shall I die?' and A Funerall Elegye. Vickers shows that neither has the requisite stylistic and... more

    Bibliothek der Hochschule Mainz, Untergeschoss
    No inter-library loan

     

    Brian Vickers examines the issue of what Shakespeare actually wrote, and how this is determined. Shakespeare's authorship has been claimed for two poems, 'Shall I die?' and A Funerall Elegye. Vickers shows that neither has the requisite stylistic and imaginative qualities. In other words, they are 'counterfeits', in the sense of anonymously authored works wrongly presented as Shakespeare's. He identifies John Ford as author of the Elegye.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511066716; 9780511066719; 0511068840; 9780511068843; 0511118430; 9780511118432; 9780521772433; 0521772435; 9780511484049; 0511484046; 1280160195; 9781280160196
    RVK Categories: HI 2235 ; HI 3327 ; HI 3315
    Subjects: Autorschaft
    Other subjects: Shakespeare, William (1564-1616); Ford, John (1586-1639)
    Scope: 1 Online-Ressource (xxvii, 568 pages)
    Notes:

    Includes bibliographical references (pages 554-562) and index

  19. Counterfeiting Shakespeare
    evidence, authorship, and John Ford's Funerall elegye
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge

    'Counterfeiting' Shakespeare addresses the fundamental issue of what Shakespeare actually wrote, and how this is determined. In recent years his authorship has been claimed for two poems, the lyric 'Shall I die?' and A Funerall Elegye. These... more

    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    'Counterfeiting' Shakespeare addresses the fundamental issue of what Shakespeare actually wrote, and how this is determined. In recent years his authorship has been claimed for two poems, the lyric 'Shall I die?' and A Funerall Elegye. These attributions have been accepted into certain major editions of Shakespeare's works but Brian Vickers argues that both attributions rest on superficial verbal parallels; both use too small a sample, ignore negative evidence, and violate basic principles in authorship studies. Through a fresh examination of the evidence, Professor Vickers shows that neither poem has the stylistic and imaginative qualities we associate with Shakespeare. In other words, they are 'counterfeits', in the sense of anonymously authored works wrongly presented as Shakespeare's. He argues that the poet and dramatist John Ford wrote the Elegye: its poetical language (vocabulary, syntax, prosody) is indistinguishable from Ford's, and it contains several hundred close parallels with his work. By combining linguistic and statistical analysis this book makes an important contribution to authorship studies

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484049
    Other identifier:
    RVK Categories: HI 3327
    Subjects: Poetry / Authorship; Autorschaft
    Other subjects: W. S. / Funerall elegye in memory of the late virtuous master William Peeter of Whipton neere Exetour; Shakespeare, William / 1564-1616 / Authorship; Ford, John / 1586-approximately 1640 / Authorship; Ford, John (1586-1639); Shakespeare, William (1564-1616)
    Scope: 1 online resource (xxvii, 568 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  20. Shakespeare, co-author
    a historical study of five collaborative plays
    Published: 2002
    Publisher:  Oxford University Press, Oxford [u.a.]

    Landesbibliothekszentrum Rheinland-Pfalz / Pfälzische Landesbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0199256535
    Other identifier:
    9780199256532
    Edition: 1. publ.
    Subjects: Shakespeare, William; Autorschaft; Mitverfasser; Shakespeare, William; Peele, George; Mitverfasser; Shakespeare, William; Middleton, Thomas; Mitverfasser; Shakespeare, William; Wilkins, George; Mitverfasser; Shakespeare, William; Fletcher, John; Mitverfasser; Fletcher, John
    Scope: XVII, 558 S. : Ill., graph. Darst.
    Notes:

    Includes bibliographical references (S. 542 - 551) and index

  21. Essays, or, counsels, civil and moral
    Published: 2002
    Publisher:  Oxford University Press, Oxford

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    Source: Union catalogues
    Contributor: Vickers, Brian (Publisher)
    Language: English
    Media type: Book
    Format: Print
    Edition: [New ed.]
    Subjects: English essays
    Scope: xxv, 258 p., 24 cm.
    Notes:

    Includes bibliographical references. - Previous ed.: 1999

  22. Shakespeare, co-author
    a historical study of the five collaborative plays
    Published: 2002
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0199256535
    RVK Categories: HI 3315 ; HI 3390
    Edition: 1. publ.
    Subjects: Shakespeare, William; Mitverfasser;
    Scope: XVII, 558 S., Ill., graph. Darst.
    Notes:

    Literaturverz. S. [542] - 551

  23. "Counterfeiting" Shakespeare
    evidence, authorship, and John Ford's "Funerall elegye"
    Published: 2002
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521772435
    RVK Categories: HI 3327
    Edition: 1. publ.
    Subjects: Funerall elegye in memory of the late virtuous master William Peeter of Whipton neere Exetour; Array; Array; Authorship; Poetry
    Scope: XXVII, 568 S.
    Notes:

    Literaturverz. S. 554 - 562

  24. Counterfeiting Shakespeare
    evidence, authorship, and John Ford's Funerall elegye
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge, UK

    Brian Vickers examines the issue of what Shakespeare actually wrote, and how this is determined. Shakespeare's authorship has been claimed for two poems, 'Shall I die?' and A Funerall Elegye. Vickers shows that neither has the requisite stylistic and... more

    Hochschulbibliothek Friedensau
    Online-Ressource
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    Brian Vickers examines the issue of what Shakespeare actually wrote, and how this is determined. Shakespeare's authorship has been claimed for two poems, 'Shall I die?' and A Funerall Elegye. Vickers shows that neither has the requisite stylistic and imaginative qualities. In other words, they are 'counterfeits', in the sense of anonymously authored works wrongly presented as Shakespeare's. He identifies John Ford as author of the Elegye

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0521772435
    Subjects: Poetry
    Other subjects: Ford, John (1586-ca. 1640); Shakespeare, William (1564-1616); W. S: Funerall elegye in memory of the late virtuous master William Peeter of Whipton neere Exetour
    Scope: Online-Ressource (xxvii, 568 p), 24 cm
    Notes:

    Includes bibliographical references (p. 554-562) and index

    Electronic reproduction; Available via World Wide Web

    Cover; Half-title; Title; Copyright; Dedication; Contents; Preface; Tables; Abbreviations and note on references; 1. JOURNALS AND BOOKS; 2. WORKS BY WILLIAM SHAKESPEARE; 3. WORKS BY JOHN FORD; PROLOGUE Gary Taylor finds a poem; READING THE POEM; VERBAL PARALLELS; LITERARY HISTORY; SHAKESPEARE'S WORDS: SHAKESPEARE'S MEANINGS?; ATTRIBUTING AND EMENDING; RESPONDING TO CRITICISM; Shall I sue, and not rue my proceeding?; PART I Donald Foster's 'Shakespearean' construct; CHAPTER 1 'W. S.' and 'Elegye' for William Peter; CHAPTER 2 Parallels? Plagiarisms?; CHAPTER 3 Vocabulary and diction

    CHAPTER 4 Grammar: 'the Shakespearean "who" 'CHAPTER 5 Prosody, punctuation, pause patterns; CHAPTER 6 Rhetoric: 'the Shakespearean "hendiadys" '; CHAPTER 7 Statistics and inference; CHAPTER 8 A poem 'indistinguishable from Shakespeare'?; GENRE AND ARGUMENT; DICTION; SYNTAX; PART II John Ford's 'Funerall Elegye'; CHAPTER 9 Ford's writing career: poet, moralist, playwright; CHAPTER 10 Ford and the 'Elegye' 's 'Shakespearean diction'; LATINISMS AND WORD-FORMATION; VERBAL PREFERENCES; SYNTAX; PROSODY; RHETORIC; CHAPTER 11 The 'Funerall Elegye' in its Fordian context

    EPILOGUE The Politics of AttributionUSING THE MEDIA; DEALING WITH CRITICS; AUTHORSHIP STUDIES AND A 'CONTRITE FALLIBILISM'; Appendices; APPENDIX I The text of 'A Funerall Elegye'; A FUNERALL ELEGYE; APPENDIX II Verbal parallels between 'A Funerall Elegye' and Ford's poems; VERSE LINES BEGINNING WITH A PRESENT PARTICIPLE; 'Fames Memoriall'; 'A Funerall Elegye'; 'Christes Bloodie Sweat'; 'Fames Memoriall'; 'Funerall Elegye'; 'Christes Bloodie Sweat'; 'Fames Memoriall'; 'Funerall Elegye'; 'Christes Bloodie Sweat'; 'Fames Memoriall'; 'Funerall Elegye'; 'Christes Bloodie Sweat'; 'Fames Memoriall'

    'Funerall Elegye''Christes Bloodie Sweat'; 'Funerall Elegye'; 'Christes Bloodie Sweat'; 'Funerall Elegye'; 'Christes Bloodie Sweat'; 'Fames Memoriall'; 'Funerall Elegye'; 'Christes Bloodie Sweat'; APPENDIX III Establishing Ford's canon; THE PLAYS IN QUESTION; ATTRIBUTION CRITERIA: VERBAL PARALLELS; VOCABULARY, LINGUISTIC PREFERENCES; Notes; PROLOGUE. GARY TAYLOR FINDS A POEM; 1 'W. S.' AND THE 'ELEGYE' FOR WILLIAM PETER; 2 PARALLELS? PLAGIARISM?; 3 VOCABULARY AND DICTION; 4 GRAMMAR: 'THE SHAKESPEAREAN ""WHO"" '; 5 PROSODY, PUNCTUATION, PAUSE-PATTERNS

    6 RHETORIC: 'THE SHAKESPEAREAN ""HENDIADYS"" ' 7 STATISTICS AND INFERENCE; 8 A POEM 'INDISTINGUISHABLE FROM SHAKESPEARE'?; 9 FORD'S WRITING CAREER: POET, MORALIST, PLAYWRIGHT; 10 FORD AND THE 'ELEGYE' 'S SHAKESPEAREAN DICTION'; 11 THE 'FUNERALL ELEGYE' IN ITS FORDIAN CONTEXT; EPILOGUE, THE POLITICS OF ATTRIBUTION; APPENDIX 111: ESTABLISHING FORD'S CANON; Bibliography; Index

  25. William Shakespeare
    The Critical Heritage Volume 3 1733-1752
    Published: 2002
    Publisher:  Taylor and Francis, Hoboken

    <I>The Critical Heritage</I> gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material themselves more

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    No inter-library loan
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    No inter-library loan
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    No inter-library loan
    Universitätsbibliothek Kiel, Zentralbibliothek
    No inter-library loan
    Hochschulbibliothek Friedensau
    Online-Ressource
    No inter-library loan

     

    The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material themselves

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780415134064
    Series: The Critical Heritage Series
    Scope: Online-Ressource (500 p)
    Notes:

    Description based upon print version of record

    Book Cover; Title; Contents; PREFACE; INTRODUCTION; NOTE ON THE TEXT; DAVID MALLET, textual criticism attacked, 1733; WILLIAM POPPLE on Polonius, May 1735; AARON HILL on King Lear and Hamlet, October 1735; GEORGE STUBBES on Hamlet, 1736; ALEXANDER POPE, conversations, 1736; Unsigned essays, Shakespeare and the actors, December 1736; February, March 1737; THOMAS BIRCH and WILLIAM WARBURTON on Shakespeare's life and works, 1739; WILLIAM SMITH, Shakespeare and the Sublime, 1739; COLLEY CIBBER, Shakespeare in the theatre, 1740; THOMAS GRAY, Shakespeare's language, April 1742

    THOMAS COOKE, a panegyric to Shakespeare, 1743WILLIAM COLLINS, a panegyric to Shakespeare, 1743; SIR THOMAS HANMER, preface to Shakespeare, 1744; JOSEPH WARTON, Shakespeare: Nature's child, 1744; CORBYN MORRIS, Falstaff's humour, 1744; DAVID GARRICK, How not to act Macbeth, 1744; DAVID GARRICK, from his presentation of Macbeth, 1744; DAVID GARRICK, from his presentation of Othello, 1745; COLLEY CIBBER, adaptation of King John, 1745; Unsigned essay against Cibber's King John, 1745; ELIZAH HAYWOOD on the adaptations of Romeo and Juliet, 1745; SAMUEL JOHNSON on Macbeth, 1745

    MARK AKENSIDE, Shakespeare weighed and measured, December 1746WILLIAM GUTHRIE on Shakespearian tragedy, 1747; Unsigned essay on jealousy in Othello, August 1747; SAMUEL FOOTE, Shakespeare and the actors, 1747; SAMUEL FOOTE on the Unities, 1747; WILLIAM WARBURTON, edition of Shakespeare, 1747; Unsigned essay, Shakespeare the dramatist, 1747; PETER WHALLEY on Shakespeare's learning, 1748; JOHN UPTON on Shakespeare, 1748; SAMUEL RICHARDSON on poetic justice, 1748; Unsigned essay on Shakespeare's morality compared with Otway's, November, December 1748

    DAVID GARRICK, adaptation of Romeo and Juliet, 1748JOHN HOLT, Remarks on 'The Tempest', 1749; MARK AKENSIDE, Shakespeare attacks Francophilia, 1749; RICHARD HURD on Shakespeare and ordinary life, 1749; DAVID GARRICK on Shakespeare's temple, September 1750; Unsigned essay, Shakespeare and the rules, 1750; 'SIR' JOHN HILL, Shakespeare and the actors, 1750; ARTHUR MURPHY on Romeo and Juliet, October 1750; Unsigned poem, 'Shakespeare's Ghost', June 1750; THOMAS SEWARD on Shakespeare, 1750; THOMAS EDWARDS, Warburton exposed, 1750; RICHARD HURD on Shakespeare, 1751

    SAMUEL JOHNSON on Shakespeare, November 1750 September, October 1751; Unsigned essay on jealousy in Othello, November 1751; WILLIAM MASON, a proposal to revive the Chorus, 1751; THOMAS GRAY, the Chorus rejected, c. December 1751; ARTHUR MURPHY, the Chorus rejected, September 1752; Unsigned essay on Hamlet, 1752; BONNELL THORNTON on Shakespeare, February, March 1752; WILLIAM DODD on Shakespeare, 1752; A SELECT BIBLIOGRAPHY; INDEX