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  1. Den russiske togmyten : En kulturfilologisk tilnærming til russiskspråklig jernbanefiksjon
    Published: 2018
    Publisher:  Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing), Oslo

    "How are languages and cultures affected not only by the landscapes we live in, but also by the ways in which we make our way through them? Can railway fiction contribute to illuminating questions related to a nation’s history and identity? And what... more

     

    "How are languages and cultures affected not only by the landscapes we live in, but also by the ways in which we make our way through them? Can railway fiction contribute to illuminating questions related to a nation’s history and identity? And what makes the stories about Russian, Soviet and post-Soviet trains different from railway literature with origins in other railway nations?

     

    Outside the country’s borders Russian and Soviet trains are likely to be associated with exotic journeys, particularly by the Trans-Siberian railway. This book explores other aspects of this vast empire’s railways. Through philological and cultural analyses, primarily of literary fiction, but also of popular cultural and documentary texts, the author demonstrates how and why the railway gradually became part of the Russian and Soviet peoples’ culture and national consciousness. She describes how metaphors and aphorisms related to trains were applied in propaganda, and subsequently became subject to linguistic play and literary deconstruction. And last, but not least this monograph shows how the railway forms a dark backdrop for literary representations of deportations, forced labour and prison camps.

     

    The book addresses specialists and students of Russian, as well as readers with a general interest in Russia, languages, literature and cultural theory." "Hvordan påvirkes språk og kulturer, ikke bare av de landskapene vi lever i, men også av måtene vi beveger oss gjennom dem på? Kan jernbanefiksjon bidra til å belyse spørsmål knyttet til en nasjons historie og identitet? Og hva er det som gjør fortellinger om russiske, sovjetiske og postsovjetiske tog til noe annet enn toglitteratur med opphav i andre jernbanenasjoner?

     

    Utenfor landets grenser assosieres russiske og sovjetiske tog gjerne med eksotiske reiser, spesielt med Den transsibirske jernbanen. Denne boken undersøker andre aspekter av dette vidstrakte imperiets jernbane. Gjennom filologiske og kulturfaglige analyser, primært av skjønnlitterære kilder, men også av populærkulturelle og dokumentariske tekster, drøfter forfatteren hvordan og hvorfor jernbanen gradvis ble en del av den russiske og sovjetiske befolkningens kultur og nasjonale bevissthet. Hun beskriver hvordan metaforer og aforismer relatert til tog ble anvendt i propaganda, og følgelig gjort til gjenstand for språklek og litterær dekonstruksjon. Og sist, men ikke minst viser denne monografien hvordan jernbanen danner et mørkt bakteppe for litterære representasjoner av deportasjoner, tvangsarbeid og fangeleirer.

     

    Boken henvender seg både til spesialister, russiskstudenter og lesere med allmenn interesse for Russland, språk, litteratur og kulturteori."

     

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    Source: OAPEN
    Language: Norwegian
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Literary studies: c 1800 to c 1900; Literary studies: from c 1900 -; Literary studies: fiction, novelists & prose writers
    Other subjects: russian litterature; trains; myths; Soviet; Russia; tog; russisk litteratur; myter; Sovjet; russisk kultur
    Scope: 1 electronic resource (411 p.)
  2. Fritid, frihet og fellesskap : Kunnskap og løsninger i lokalt kulturarbeid blant barn og unge
    Published: 2019
    Publisher:  Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing), Oslo

    This book is about possibilities for, challenges for and knowledge about local cultural work among young people. It describes cultural work at a municipal level but shows also how this work is aiming to reach goals that it has in common with national... more

     

    This book is about possibilities for, challenges for and knowledge about local cultural work among young people. It describes cultural work at a municipal level but shows also how this work is aiming to reach goals that it has in common with national cultural policy: quality, participation, inclusion, diversity and democracy. Using the municipality and town of Drammen as a vantage point, the book investigates how different parameters effect local cultural work, and how cultural policy at a municipal level is, by necessity, pragmatic, practical and sometimes prosaic. This topic is dealt with through a combination of qualitative and quantitative analysis. The empirical data presented and discussed in the book is a combination of qualitative case studies and quantitative survey data. The survey data shows variations and patterns in the cultural consumption of an age cohort in the municipality, and the case studies show different ways of effectuating and organizing cultural work at this level. Finally, the book discusses the complex interplay between means and ends when a municipality is working to make culture matter for young people. Denne boken handler om muligheter, utfordringer og kunnskap i lokalt kulturarbeid blant barn og unge. Den beskriver kulturarbeid på kommunalt nivå, men viser også hvordan dette arbeidet tar sikte på å nå nasjonale kulturpolitiske mål som kvalitet, deltakelse, inkludering, mangfold og demokrati. Med Drammen som et utsiktspunkt, undersøker boken hvordan ulike faktorer påvirker lokalt kulturarbeid, og hvordan kulturpolitikken på kommunalt nivå nødvendigvis er både pragmatisk og prinsipiell, praktisk og prosaisk. De empiriske dataene som presenteres og diskuteres i boken er en kombinasjon av kvalitative casestudier og kvantitative surveydata. Surveydataene viser variasjoner og mønstre i det kulturelle forbruket blant en hel aldersgruppe, og case-studiene viser ulike måter å gjennomføre og organisere kulturarbeid på dette området. Boken drøfter også det komplekse samspillet mellom midler og mål som er involvert når en kommune arbeider for å gjøre kultur betydningsfullt for unge mennesker.

     

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    Source: OAPEN
    Language: Norwegian
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Cultural studies
    Other subjects: cultural work; Drammen; cultural policy; youth; barn og unge; kulturarbeid; Drammen
    Scope: 1 electronic resource (189 p.)
  3. Norge etter 22. juli : Forhandlinger om verdier, identiteter og et motstandsdyktig samfunn

    "At the time of this book’s publication, almost seven years have passed since the dramatic and brutal terror attacks at Norway’s Government Headquarters in Oslo and the island of Utøya on 22 July 2011. How have we coped during this time? Which values... more

     

    "At the time of this book’s publication, almost seven years have passed since the dramatic and brutal terror attacks at Norway’s Government Headquarters in Oslo and the island of Utøya on 22 July 2011. How have we coped during this time? Which values have been important? Have we managed to protect the ideals of democracy, openness and humanity? And not least: Who is this ""we"" that we are referring to?

     

    This scholarly anthology includes articles from researchers associated with the project NECORE (Negotiating Values: Collective Identities and Resilience after 22 July) and other researchers whose work is closely associated with the project. They give us insights, opinions and sharp perspectives on not just 22 July, but also about Norway today, about values, identities and resilience in Norwegian society in the wake of the terror attacks. An important backdrop for the book and the project is the assertion that, as the events themselves recede into the past, it is even more important to focus on what the terror events have led to and how we can learn from them. In a world where terrorism has become an all too common part of political reality, it is crucial that we understand how we ought to think about terror, and how we as a society encounter it."

     

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  4. Mot bedre vitende i norsk matsektor
    Contributor: Steen, Frode (Publisher); Pettersen, Ivar (Publisher)
    Published: 2020
    Publisher:  Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing), Oslo

    "The Norwegian food market engenders strong opinions and substantial media attention, with questions regarding agricultural regulations, competition between retail food chains, and the relationship between chains and their suppliers fueling debate.... more

     

    "The Norwegian food market engenders strong opinions and substantial media attention, with questions regarding agricultural regulations, competition between retail food chains, and the relationship between chains and their suppliers fueling debate. Meanwhile the country’s politicians call for greater intervention.

     

    Much of the debate can seem to be happening “against our better judgment”. Vague assumptions about the state of the food sector, paired with a strong political will to apply initiatives, is reason enough to look closer at the situation.

     

    This anthology provides an up-to-date factual assessment of the entire value chain in the food market. Central topics include development of productivity in the various segments of the food chain, price differences between different countries, and effects of Norway’s tariff system. The book presents new contributions concerning the structure of the market, access to food stores and the significance of brand names, and especially to the kind of bargaining tactics employed between food chains and suppliers, with an overview of how their negotiations are carried out and possibilities for regulatory measures afforded under existing laws.

     

    Against Better Judgment in the Norwegian Food Sector confirms existing knowledge and presents new findings that deserve attention from the sector itself, the media and public authorities. The book will be of interest to everyone seeking to understand the Norwegian food sector and take part in its further development.

     

    The book’s chapters have been written by seven researchers with lengthy experience in the field, and edited by Frode Steen, a professor in the Department of Economics at the Norwegian School of Economics, and Ivar Pettersen, a senior advisor at the Norwegian Institute of Bioeconomy Research." "Det norske matmarkedet er preget av sterke meninger og stor medieoppmerksomhet. Spørsmål som reguleringer i jordbruket, konkurranse mellom dagligvarekjeder og forholdet mellom kjeder og leverandører skaper debatt. Samtidig etterlyser landets politikere en mer intensiv bruk av virkemidler.

     

    Mye av debatten kan synes å skje «mot bedre vitende». Uklare oppfatninger om tilstanden i matsektoren, koblet med en sterk politisk vilje til å gjøre tiltak, gir grunn til å se nærmere på situasjonsbeskrivelsen.

     

    Denne boken gir et oppdatert faktagrunnlag om hele verdikjeden i matmarkedet. Sentrale tema er produktivitetsutvikling i de ulike leddene i matkjeden, prisforskjeller mellom ulike land og effekter av det norske tollvernet. Boken presenterer nye bidrag rundt markedsstruktur, butikktilgjengelighet og merkevarens betydning. Forhandlingsspillet mellom kjeder og leverandører vies stor plass, med innføring i hvordan forhandlingene foregår samt hvilke muligheter eksisterende lovverk gir for regulerende tiltak.

     

    Mot bedre vitende i norsk matsektor bekrefter eksisterende kunnskap og frembringer nye funn som fortjener oppmerksomhet fra bransje, medier og myndigheter. Boken vil være nyttig for alle som ønsker å forstå norsk matsektor og delta i den videre utformingen av denne.

     

    Boken inneholder bidrag fra syv forskere med lang fartstid på feltet. Den er redigert av Frode Steen, professor ved Institutt for samfunnsøkonomi ved Norges Handelshøyskole, og Ivar Pettersen, seniorrådgiver ved Norsk institutt for bioøkonomi."

     

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    Source: OAPEN
    Contributor: Steen, Frode (Publisher); Pettersen, Ivar (Publisher)
    Language: Norwegian
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Food & society; Economics
    Other subjects: Norwegian food market; food chain; market structure; Norwegian food sector; Det norske matmarkedet; verdikjede; dagligvarehandel; matkjeden; norsk matsektor
    Scope: 1 electronic resource (268 p.)
  5. Reflexive dramaturgy : Études for the (performing)arts in a time of change
    Published: 2018
    Publisher:  Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing), Oslo

    The fact that you are reading these words means you have already stepped over the threshold of a collection of what the author calls reflexive études. Here, the author is expanding on the word étude as it is used in music’s most ‘classical’... more

     

    The fact that you are reading these words means you have already stepped over the threshold of a collection of what the author calls reflexive études. Here, the author is expanding on the word étude as it is used in music’s most ‘classical’ department, where it denotes a practice piece designed to address an isolated problem of musical technique, and transforms it to serve as a practical thought exercise for the (theatre) field as a whole. The reflexive étude therefore serves as a practical-theoretical exercise in trying to think one’s way to freedom from the (often) unconscious or semi-conscious assumptions and obstacles that the art actor constantly has to contend with. Implicit here is the notion that thinking through also constitutes an exercise and that the art of thinking is inextricably associated with art in general. Like musical exercises, the reflexive études are characteristically specific: each focuses on practice relevant to something particular – perhaps one performance, an issue of acting technique, an acute theatre -sociological situation, or the question of what a theatre script can and should look like. The ambition is to develop what I have called a reflexive dramaturgy. This conception of dramaturgy does not limit itself to analyses of the theatrical text, or to the theatre’s arsenal of calculated stage effects, but is capable of expanding its reach to identify other kinds of action that exert a powerful influence, despite their being seemingly inconspicuous. In this sense, reflexive dramaturgy becomes a kind of theoretical practice that seeks to identify and articulate those actions which (reflexively) set the limits for aesthetic experience, but which are often insufficiently covered by the ways that art and theatrical art view themselves. Den som leser disse ordene, befinner seg nå allerede over terskelen til en samling av det forfatteren har kalt refleksive etyder. Ordet etyde utvides her fra musikkens mest ‘klassiske’ avdeling, hvor det betegner et øvelsesstykke innrettet mot å løse et isolert teknisk-musikalsk problem og transformeres til praktiske tankeøvelser for (scenekunst) feltet som helhet. Den refleksive etyden er derfor valgt som en praktisk teoretisk øvelse i å tenke seg løs fra de (ofte) ubevisste eller halv-bevisste forutsetningene og hindringene som en kunstaktør hele tiden arbeider i, og med. I dette ligger en forståelse av at det å tenke over også er en øvelse, og at kunsten å tenke uløselig henger sammen med kunst overhodet. Ambisjonen er å utvikle det forfatteren har kalt for en refleksiv dramaturgi. I dette ligger en dramaturgi som ikke begrenser seg til analyser av sceneteksten, eller av teaterrommets kalkulerte kunstneriske virkemidler, men som i tillegg evner å utvide sitt søk etter andre, og mindre iøynefallende, men ikke desto mindre virksomme, handlinger. Refleksiv dramaturgi blir slik en type teoretisk praksis som forsøker å lokalisere og artikulere de handlingene som (refleksivt) setter grenser for det estetiske, men som ofte selv ikke er tilstrekkelig del av kunstens og scenekunstnerens selvforståelse.

     

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    Source: OAPEN
    Language: Norwegian
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Theory of art; Theatre studies; Theatre: individual actors & directors
    Other subjects: reflexive; theatre; performing arts; dramaturgy
    Scope: 1 electronic resource (377 p.)
  6. Teaterproduksjon : ti produksjonsestetiske innganger
    Contributor: Aune, Vigdis (Publisher); Haagensen, Cecilie (Publisher)
    Published: 2018
    Publisher:  Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing), Oslo

    This anthology presents research in theatre studies developed by a group of colleagues at the Department of Arts and Media Studies at the Norwegian University of Science and Technology. The research is conducted through arts-based research and... more

     

    This anthology presents research in theatre studies developed by a group of colleagues at the Department of Arts and Media Studies at the Norwegian University of Science and Technology. The research is conducted through arts-based research and practical-theoretical teaching at the department. Theatre production is a central arts-and knowledge-creating field of work for students and teachers in theatre studies. The work is characterized by a dynamic relationship between body, text, visuality and sound, media methods and techniques and the relationship between professionals and students. Theatre production is a complex learning arena; it is both multimodal and developed in dynamic movements between experience, dissemination, response and reflection. There is a need for a rich range of strategies, methods and techniques. The anthology presents ten different inputs to theatre production. Laboratory with experimental methods is the framework for articles on scenography, sound, the body and text of the actor. Production processes setting the creative and reflective student in the centre is the frame for articles on dramaturgy, text processing, production phases and target group- oriented work. The role and function of the university teacher in supervision and assessment is themed in two closing articles. In discussing the different aesthetical inputs to theatre production the authors use examples, images and audio material. Denne antologien presenterer teatervitenskapelig kunnskap utviklet ved Institutt for kunst- og medievitenskap ved Norges teknisk-naturvitenskapelige universitet. Artiklene er basert på kunstbasert forskning og praktisk-teoretisk undervisning ved instituttet. Teaterproduksjon er et sentralt kunst- og kunnskapsdannende arbeidsfelt for studenter og lærere i drama og teater. Arbeidet preges av et dynamisk forhold mellom kropp, tekst, visualitet og lyd, medienes metoder og teknikker og av relasjonen mellom fagforvaltere og studenter. Teaterproduksjon er en kompleks læringsarena; den er multimodal og den krysser mellom opplevelse, formidling, respons og refleksjon. Det er behov for et rikt utvalg strategier, metoder og teknikker. Antologien presenterer ti ulike innganger til teaterproduksjon. Laboratoriet med eksperimentelle metoder er ramme for artikler om scenografi, lyd, aktørens kropp og tekst. Produksjonsprosessen med den skapende og reflekterende studenten i sentrum er ramme for artikler om dramaturgi, tekstbehandling, produksjonsfaser og målgruppearbeid. Fagforvalterens rolle og funksjon i veiledning og vurdering tematiseres i to avsluttende artikler. De ti produksjonsestetiske inngangene drøftes med eksempler og bilde- og lydmateriale.

     

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    Source: OAPEN
    Contributor: Aune, Vigdis (Publisher); Haagensen, Cecilie (Publisher)
    Language: Norwegian
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Theory of art; Theatre studies; Theatre: individual actors & directors
    Other subjects: theatre; education; scenography; production processes; theatre production; teater; teaterutdanning; teaterproduksjon
    Scope: 1 electronic resource (267 p.)
  7. Fra plate til plattform : Norsk musikk ut i verden
    Published: 2021
    Publisher:  Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing), Oslo

    Within the last two decades streaming services and digital platforms have come to dominate the distribution of recorded music. What has this transformation meant for the music industry in Norway? From Spinning to Streaming: Norwegian Music Reaching... more

     

    Within the last two decades streaming services and digital platforms have come to dominate the distribution of recorded music. What has this transformation meant for the music industry in Norway? From Spinning to Streaming: Norwegian Music Reaching the World presents research on how artists, musicians, composers and other intermediaries within Norway’s music industry are meeting this digital reality.Digitalization has led to new possibilities for producing and distributing music, as well as for exporting music and succeeding on an international level. Yet the route out into the world via the internet can be both steep and unpredictable. By investigating ways of working, types of expertise required, as well as economic and copyright circumstances, the authors demonstrate how digital media are both important tools for creating musical works and a key engine of development in the music industry itself.The authors rely on various theoretical concepts and analytical perspectives to explore the interplay between technological, professional, social and cultural conditions in the music industry’s development. A central finding in the book is the need among several actors in the Norwegian music industry for increased specialized competence and understanding regarding rights issues. In addition, the “platformization” of the industry calls for a greater degree of professionalization and specialized expertise than the Norwegian music industry is equipped with today.From Spinning to Streaming: Norwegian Music Reaching the World will be of interest to researchers, students, politicians, decision-makers and other actors within the music industry.The book’s authors are Anja Nylund Hagen, University of Oslo; Mari Torvik Heian, Telemark Research Institute; Roy Aulie Jacobsen, Telemark Research Institute; and Bård Kleppe, Telemark Research Institute.; De siste ti årene har strømmetjenester og digitale plattformer nærmest overtatt distribusjonen av innspilt musikk. Hva har det gjort med norsk musikkbransje? I boka Fra plate til plattform: Norsk musikk ut i verden presenteres forskning på hvordan artister, musikere, komponister og ulike mellomledd i norsk musikkbransje håndterer den digitale hverdagen.Digitaliseringen har gitt nye muligheter til å produsere og distribuere musikk, drive med musikkeksport og til å lykkes internasjonalt. Samtidig kan veien ut i verden via internett være både uforutsigbar og bratt. Ved å undersøke arbeidsmåter, kompetansebehov og forhold knyttet til økonomi og opphavsrett, viser forfatterne hvordan digitale medier både er viktige verktøy i arbeidet og sentrale drivkrefter for bransjeutviklingen.Forfatterne bruker ulike teoretiske begreper og analytiske perspektiver for å undersøke samspillet mellom teknologiske, profesjonelle, sosiale og kulturelle forhold i musikkbransjens utvikling. Et sentralt funn i boka er at musikkbransjen har behov for økt bransjekunnskap og rettighetsforståelse. Plattformsentreringen inviterer også til større grad av profesjonalisering og spesialisert kompetanse enn det den norske musikkbransjen er rigget for i dag.Boka er relevant for forskere, studenter, politikere, beslutningstakere og aktører i musikkbransjen.Fra plate til plattform: Norsk musikk ut i verden er skrevet av Anja Nylund Hagen, Universitetet i Oslo, Mari Torvik Heian, Telemarksforsking, Roy Aulie Jacobsen, Telemarskforsking og Bård Kleppe, Telemarksforsking.

     

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  8. Harpe og sverd : Litteraturhistoriske essay om den norske balladen
    Published: 2020
    Publisher:  Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing), Oslo

    " This is a collection of essays about the Norwegian ballade, but it also includes ballads from the other Nordic countries. Many perceive the Norwegian ballad as something very close to what is considered the Norwegian soul, however the genre of the... more

     

    " This is a collection of essays about the Norwegian ballade, but it also includes ballads from the other Nordic countries. Many perceive the Norwegian ballad as something very close to what is considered the Norwegian soul, however the genre of the ballad dates back to the 1100 century in Europe. In the first essay the author will shed light on the duality of the origin of the ballad. In the second essay, the author writes about the Norwegian ballade, where they arose, how they lived on and looks into what kind of tradition they represent. Trolls and ballads are topics of the third essay, and in the fourth essay the author takes a closer look at two Danish song- and ballad books, namely Hundreviserboka by Anders Sørensen Vedel and the sequel, Tohundreviserboka, by Peder Syvs.

    The fifth essay is about ballads and identity. A central question being asked here, is how both poets and tradition help establish the identity of the actors in the ballade. Furthermore, sixth essay focuses on mythical nature in ballads. The so-called jester ballads (Skjemteballadar), have long been invalidated by researchers. In the seventh essay, however, the author presents these ballades in relation to theories of comedy and laughter. Finally, the eighth essay the author presents some central European ballads." "Denne boka er ei essaysamling om den norske balladen, men handlar også om balladar (folkeviser) frå andre nordiske land. Mange oppfattar den norske balladen som noko av det norskaste som finst, nærmast eit uttrykk for folkesjela. Men balladesjangeren har europeiske røter, dei går attende til 1200-talet. Denne problemstillinga drøfter forfattaren særleg i det første essayet.

     

    I det andre essayet skriv forfattaren om dei norske balladesongarane, kvar dei kom frå, korleis dei levde, kva for tradisjon dei representerte. Det tredje essayet handlar om troll og balladar, og i det fjerde essayet ser forfattaren nærmare på to danske vise-og balladebøker, den såkalla Hundreviseboka, utgjeven av Anders Sørensen Vedel (1591) og Peder Syvs oppfølgjar Tohundreviseboka (1695).

     

    Det femte essayet handlar om identitet og balladedikting. Eit sentralt spørsmål her er korleis balladediktarane og tradisjonen byggjer opp identiteten til aktørane i balladen. Vidare i det sjette essayet skriv forfattaren om naturmytiske balladar. Det sjuande essayet handlar om ei gruppe viser som lenge vart underkjende av forskinga, skjemteballadane. Her trekker forfattaren fram nokre representative skjemteballadar og skjemteeventyr, desse tekstane blir drøfta på bakgrunn av teoriar om komikk og latter. I siste del av 1700-talet vart dei gamle folkevisene gjenoppdaga av eit nytt litterært publikum, og det vart i mange land dikta kunstballadar som bygde på den gamle tradisjonsdiktinga. I det åttande essayet drøfter forfattaren nokre sentrale kunstballadar frå fleire europeiske land, blant dei viser som ettertida har forvist til skillingsvisekategorien."

     

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    Source: OAPEN
    Language: Norwegian
    Media type: Ebook
    Format: Online
    ISBN: 9788202705930; 9788202705909; 9788202705916; 9788202705923
    Other identifier:
    Subjects: Literature & literary studies
    Other subjects: Ballads; Norway; Nordic countries
    Scope: 1 electronic resource (347 p.)
  9. Ung medvirkning : Kreativitet og konflikt i planlegging
    Contributor: Hagen, Aina Landsverk (Publisher); Andersen, Bengt (Publisher)
    Published: 2021
    Publisher:  Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing), Oslo

    How should we go about collaborating with children and adolescents? Young Participation: Creativity and Conflict in Planning explores how youth participation work in practical terms, in the context of urban development processes at the municipal... more

     

    How should we go about collaborating with children and adolescents? Young Participation: Creativity and Conflict in Planning explores how youth participation work in practical terms, in the context of urban development processes at the municipal level in Norway.

     

    From their unique perspectives, several social scientists, artists, an architect, and a young contributor discuss experiences and dilemmas of including children, teens, and young adults as contributing stakeholders on various projects. The reader will find concrete examples of participation processes and tools developed in cooperation with young people, architects, and public employees.

     

    The chapters reveal how good intentions regarding inclusion can obscure power hierarchies, friction, and conflicts of interest. Yet they also demonstrate that the potential for creativity and innovation are great when young people are invited to contribute their input in planning and developing everything from youth community centers and school grounds to parks and other outdoor spaces in local neighborhoods.

     

    This anthology will provide inspiration to researchers, students, municipal employees, urban planners, and others working collaboratively in urban and community development. Among the topics covered are participation as co-research, social entrepreneurship and participation as part of school curricula and in socio-cultural place analyses, the power of the hand in creative practices, co-location as a trend, digital and hybrid participation processes, and power plays in planning. By introducing a new model for ‘thick participation’, the anthology attempts to ensure that young citizens are not just seen and heard but are also given the opportunity to become lasting resources within their local communities.

     

    The book’s editors, senior researcher Aina Landsverk Hagen and research professor Bengt Andersen, are both based at the Work Research Institute (AFI), Oslo Metropolitan University. Hvordan gjør vi medvirkning med barn og unge? Ung medvirkning: Kreativitet og konflikt i planlegging tar for seg hvordan medvirkning med barn og unge utspiller seg i praksis, i steds- og byutviklingsprosesser i norske kommuner.

     

    Fra sine ulike ståsteder diskuterer samfunnsforskere, kunstnere, en arkitekt og en ung medvirker erfaringer og dilemmaer med å inkludere barn, ungdom og unge voksne som medvirkere. Leseren får konkrete eksempler fra medvirkningsprosesser og presentasjon av verktøy som er utviklet i samarbeid med ungdom, arkitekter og offentlig ansatte.

     

    Bidragene viser hvordan gode intensjoner om inkludering kan skjule makthierarkier, konflikter og interessemotsetninger. Samtidig peker boken på hvordan muligheten for kreativitet og nytenking er stor når unge inviteres inn til å medvirke i planleggingen av alt fra ungdomshus og skolegårder til parker og uteområder i nabolaget.

     

    Antologien gir inspirasjon til forskere, studenter, kommunalt ansatte, planleggere og andre praktikere som jobber med medvirkning i by- og stedsutvikling. Blant temaene som tas opp er medvirkning som medforsking, sosialt entreprenørskap og medvirkning i skolefag og i sosiokulturelle stedsanalyser, håndens kraft i kreative praksiser, samlokalisering som trend, digital og hybrid medvirkning og medvirkningens maktspill. Ved å introdusere en ny modell for «tykk medvirkning», søker antologien å sikre at unge innbyggere ikke bare blir hørt og sett, men også får mulighet til å være vedvarende ressurser i sine nærmiljøer.

     

    Bokens redaktører, Aina Landsverk Hagen og Bengt Andersen, er begge seniorforskere ved Arbeidsforskningsinstituttet, OsloMet – storbyuniversitetet.

     

    Forfatterne av antologien har også utviklet en digital ressurs for alle som er interessert i ungdomsmedvirkning: unghus.oslomet.no

     

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  10. Samisk kunst og norsk kunsthistorie : Delvise forbindelser
    Author: Monica Grini
    Published: 2021
    Publisher:  Stockholm University Press, Stockholm

    Sápmi, the Sámi area, is transnational; it transcends four nation states, Norway, Sweden, Finland, and Russia. Art and art history has been considered natural parts of a nation state’s inventory at least since the 19th century and has contributed to... more

     

    Sápmi, the Sámi area, is transnational; it transcends four nation states, Norway, Sweden, Finland, and Russia. Art and art history has been considered natural parts of a nation state’s inventory at least since the 19th century and has contributed to the production and maintenance of national identities and narratives. What is the role of the nation state in art history, and how has the national paradigm affected the presentation of Sámi art, historically and today? Focusing on the discipline of art history in Norway, the volume exposes the prevailing representation of Sámi art, duodji, and dáidda as ethnographic material and relates it to the politics of nation building in the nineteenth and early twentieth century. The book examines the representation of Sámi art, artefacts, practices, materialites, actors, concepts, and themes in Norwegian Art History, to uncover some of the established disciplinary mechanisms and narratives. The central method is historiography in combination with fieldwork in archives and museums, aimed at doing art historiography in the expanded field – to move beyond the traditional textual focus and question naturalized institutional and disciplinary boundaries. This is one of very few historiographical studies of the art historical discipline in Norway, and the only one that does this by centring on Sámi traditions, items, actors, and conceptualizations.

     

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  11. Det usikre sangerlivet : En livshistoriestudie på langs og på tvers i klassiske sangeres sosiale praksis
    Published: 2021
    Publisher:  Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing), Oslo

    Uncertainty at many levels in classical singers’ career trajectories and professional practice is a fulcrum in this book. Produced through life history interviews with 14 professional Scandinavian singers, born between 1945 and 1978, the study... more

     

    Uncertainty at many levels in classical singers’ career trajectories and professional practice is a fulcrum in this book. Produced through life history interviews with 14 professional Scandinavian singers, born between 1945 and 1978, the study follows the participants’ experiences of possibilities and limitations of action through their life course. It obtains some of the prerequisites that underpin the practical knowledge of the singer considering the cultural traditions of classical singing and the hierarchical field of music the singers aim for and act within. The overarching theoretical framework is founded in Pierre Bourdieu’s theory of practice, but the study has an interdisciplinary approach. Here, the pluralistic life course perspective forms the basis for understanding processes and changes over time. The study shows how singers’ choices and strategies, reflections, opinions and preferences, can be understood in relation to their backgrounds, and their social positions in the classical music field where music is the interconnecting element. A comprehensive feature of the research material is how uncertainties are expressed as assessments as an answer to the uncertainty that characterizes singers as well as singing education, singing performance and the singing profession. This dominant practice of assessment is interpreted as a circular phenomenon, where the assessment culture becomes a consequence of uncertainty, while increasing uncertainty. "Hvordan konstitueres klassiske sangeres løpebaner og sosiale praksis? Med utgangspunkt i livshistorieintervju med 14 profesjonelle skandinaviske sangere født mellom 1945 og 1978, søker denne studien en mer nyansert og helhetlig forståelse av denne kunstnergruppens mulighetsbetingelser. I boka ser forfatteren nærmere på sangernes oppvekstår, studietid og yrkesliv, samt overgangen mellom disse. I denne sammenheng gjøres usikkerhet til et omdreiningspunkt. Gjennom den komplekse relasjonen mellom det individuelle og kollektive, analyseres sangeres erfaringer i lys av historiske, sosiale og kulturelle mønstre som former løpebanene og strukturerer praksisen på bestemte måter. Her legger den klassiske sangens tradisjon sterke føringer. Den overordnede teoretiske rammen er fundert i Pierre Bourdieus praksisteori. Det pluralistiske livsløpsperspektivet utgjør grunnlaget for forståelsen av prosesser og endring over tid.

     

    Det konkurransepregede og uforutsigbare arbeidsmarkedet som omgir sangerne medfører høy grad av risiko og usikkerhet. Boka belyser hvordan sangere legitimerer eget yrke og hvordan handlinger, valg, strategier, refleksjoner, meninger og preferanser kan forstås i relasjon til deres bakgrunn og til posisjoner i det klassiske musikkfeltet der musikken er det bindende element. Et gjennomgående trekk i forskningsmaterialet er hvordan usikkerhet kommer til uttrykk som vurderinger. Slik oppstår et sirkulært fenomen, hvor vurderingskulturen blir en konsekvens av usikkerhet, samtidig som den forsterker usikkerheten som preger sangerne så vel som sangopplæringen, sangutøvelsen og sangeryrket."

     

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  12. Musikkfilosofiske tekster : Tanker om musikk – og språk, tolkning, erfaring, tid, klang, stillhet m.m.
    Contributor: Varkøy, Øivind (Publisher); Holm, Henrik (Publisher)
    Published: 2020
    Publisher:  Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing), Oslo

    "To pursue the philosophy of music is to contemplate music’s nature, essence, purpose, value, and function in our lives. While the aesthetics of music looks at music’s content, quality, meaning and importance, music philosophy often goes one step... more

     

    "To pursue the philosophy of music is to contemplate music’s nature, essence, purpose, value, and function in our lives. While the aesthetics of music looks at music’s content, quality, meaning and importance, music philosophy often goes one step further. Ideas about something one perhaps believes is ‘purely aesthetical’ will of course always require consideration in relation to ideas about humanity, the world, politics and religion. In this sense, music aesthetics and music philosophy are two sides of the same coin.

     

    This is reflected in the texts presented in this collection, which provides a broad view of the current state of ideas about music in Norway. The authors, from PhD fellows to emeriti, represent different higher educational music institutions in Norway as well as different fields within music and philosophy. Their texts are on topics ranging from musical experience, music and language, meaning and interpretation of music, music and view of life, and others.

     

    The anthology’s editors Øivind Varkøy and Henrik Holm are, respectively, professor of music education and director of the PhD program at the Norwegian Academy of Music and adjunct professor of music at Oslo Metropolitan University, and professor of philosophy and head of research at Rudolf Steiner University College in Oslo." "Å bedrive musikkfilosofi er å tenke omkring musikkens natur, vesen, hensikt, verdi, og funksjon i menneskelivet. Mens musikkestetikken arbeider med spørsmål om musikkens innhold, kvalitet, mening og betydning, går musikkfilosofien ofte ett skritt lenger. Tenkning om noe man muligens innbiller seg er «rent estetisk», vil nemlig alltid måtte vurderes i relasjon til forestillinger om mennesket, verden, politikk og religion. Slik sett blir musikkestetikk og musikkfilosofi to sider av samme sak.

     

    Dette avspeiles i denne samlingen av tekster – som gir et bredt bilde av norsk musikktenkning anno 2020. Forfatterne er tilknyttet forskjellige høyere musikkutdanningsinstitusjoner i Norge som alt fra ph.d.-stipendiater til fast ansatte og emeriti, og de representerer ulike musikalske og filosofiske fagfelt. Her finnes tekster om musikalsk erfaring, musikk og språk, musikalsk mening og tolkning, musikk og livsanskuelse m.m.

     

    Redaktørene Øivind Varkøy og Henrik Holm er henholdsvis professor i musikkpedagogikk og leder av ph.d.-programmet ved Norges musikkhøgskole, samt professor II i musikk ved OsloMet - Storbyuniversitetet, og professor i filosofi og forskningsleder ved Steinerhøyskolen i Oslo."

     

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  13. A New Reading of the Animal Apocalypse of 1 Enoch
    "All Nations Shall be Blessed"
    Published: 2014
    Publisher:  BRILL, Leiden ; ProQuest, Ann Arbor, Michigan

    A New Reading of the Animal Apocalypse of 1 Enoch offers a full theological analysis of this second-century BCE allegory and uses this as the basis for a new commentary on the text, presented in a fresh translation. more

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    A New Reading of the Animal Apocalypse of 1 Enoch offers a full theological analysis of this second-century BCE allegory and uses this as the basis for a new commentary on the text, presented in a fresh translation.

     

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    Source: Union catalogues
    Language: Norwegian
    Media type: Ebook
    Format: Online
    ISBN: 9789004247789
    Edition: 1st ed.
    Series: Studia in Veteris Testamenti Pseudepigrapha ; v.24
    Subjects: Frühjudentum; Tiere <Motiv>; Apokalyptik
    Scope: 1 Online-Ressource (308 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  14. Historiens største felttog
    Published: 2021
    Publisher:  SAGA Egmont, Copenhagen

  15. Tobias
    tidsskrift for arkiv og oslohistorie
    Published: 1998-

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    Source: Staatsbibliothek zu Berlin
    Language: Norwegian
    Media type: E-Journal
    Format: Online
    ISSN: 0804-2454
    Scope: Online-Ressource
  16. Brücken für Europa
    wie Wissenschaft und Kulturdiplomatie die Integration Ungarns in Europa födern : Festschrift für András Masát
    Contributor: Hansen, Hendrik (Publisher); Mádl, Péter (Publisher); Méhes, Márton (Publisher); Masát, András
    Published: 2017
    Publisher:  Nomos, Baden-Baden

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    Content information
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    Source: Union catalogues
    Contributor: Hansen, Hendrik (Publisher); Mádl, Péter (Publisher); Méhes, Márton (Publisher); Masát, András
    Language: German; Norwegian
    Media type: Ebook
    Format: Online
    ISBN: 9783845281452
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    RVK Categories: MK 5230 ; QM 430
    Edition: 1. Auflage
    Series: Andrássy Studien zur Europaforschung ; Band 19
    Subjects: Skandinavistik; Kulturpolitik
    Other subjects: Masát, András (1947-)
    Scope: 1 Online-Ressource (259 Seiten), Illustrationen
  17. Skriftkulturstudiar i ei brytingstid
    Contributor: Helset, Stig Jarle (Publisher); Brustad, Endre (Publisher)
    Published: [2019]; © 2019
    Publisher:  Cappelen Damm Akademisk/NOASP, [Oslo]

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    Language: Norwegian
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    ISBN: 9788202616601; 9788202632663; 9788202646325; 9788202646332
    RVK Categories: AP 14700
    Series: Skriftkultur ; 1/2019
    Subjects: Schriftlichkeit
    Scope: 1 Online-Ressource
  18. Litteratur i en digital tid
    Published: [2016]
    Publisher:  Scandinavian Academic Press, Oslo

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    ISBN: 9788230401880
    Edition: 2. opplag
    Subjects: Digitalisierung; Literatur
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  19. Den russiske togmyten
    en kulturfilologisk tilnærming til russiskspråklig jernbanefiksjon
    Published: [2018]
    Publisher:  Cappelen Damm Akademisk/NOASP, [Oslo]

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  20. Litteratur som erfaring
    modernisme og modernitet fra Obstfelder til Kjærstad
    Author: Brumo, John
    Published: 2020
    Publisher:  Universitetsforlaget, Oslo

    I denne boken tegner John Brumo et nytt bilde av den norske litterære modernismen. Brumo viser hvordan den norske modernismen vokste fram i en tid der det norske samfunnet gikk gjennom store endringer, og hvordan forfatterne beskrev en ny, moderne... more

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    I denne boken tegner John Brumo et nytt bilde av den norske litterære modernismen. Brumo viser hvordan den norske modernismen vokste fram i en tid der det norske samfunnet gikk gjennom store endringer, og hvordan forfatterne beskrev en ny, moderne virkelighet dominert av nye fenomener som fotografi, radio, bil, tv og datateknologi. Der tidligere framstillinger har sett den norske modernismen som en importert stilart, viser Brumo gjennom nærlesninger av de største norske modernistene hvordan de formet, og ble formet av, sentrale brytninger i det raskt endrede samfunnet de levde og virket i.Boken er bygget opp som en artikkelsamling som veksler mellom dypdykk i enkeltverk og kartlegging av de bredere historiske rammene som har lagt føringer for framveksten av den norske modernismen. Samlingen tar for seg arbeidene til sentrale forfattere som Sigbjørn Obstfelder, Rolf Jacobsen og Kjartan Fløgstad, men løfter også fram mindre kjente og til dels forsømte navn som Paal Brekke, Sverre Udnæs og Marie Takvam.

     

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    Source: Union catalogues
    Language: Norwegian
    Media type: Ebook
    Format: Online
    ISBN: 9788215037349
    Other identifier:
    Subjects: Norwegisch; Moderne; Literatur
    Other subjects: Jacobsen, Rolf (1907-1994); Obstfelder, Sigbjørn (1866-1900); Brekke, Paal (1923-1993); Fløgstad, Kjartan (1944-); Language and Literature
    Scope: 1 Online-Ressource (228 Seiten)
  21. Res, artes et religio
    essays in honour of Rudolf Simek
    Contributor: Walther, Sabine Heidi (Publisher); Jucknies, Regina (Publisher); Meurer-Bongardt, Judith (Publisher); Schnall, Jens Eike (Publisher); Jaroschek, Brigitta (Publisher); Onkels, Sarah (Publisher); Simek, Rudolf
    Published: 2021
    Publisher:  kısmet press, Leeds

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Source: Union catalogues
    Contributor: Walther, Sabine Heidi (Publisher); Jucknies, Regina (Publisher); Meurer-Bongardt, Judith (Publisher); Schnall, Jens Eike (Publisher); Jaroschek, Brigitta (Publisher); Onkels, Sarah (Publisher); Simek, Rudolf
    Language: English; German; Norwegian; Swedish
    Media type: Ebook
    Format: Online
    ISBN: 9781912801107
    RVK Categories: GW 1005 ; GW 1012
    Series: Literature and culture ; 1
    Subjects: Ancient religions & mythologies; European history; Historical & comparative linguistics; History of religion; HISTORY / Europe / General; LANGUAGE ARTS & DISCIPLINES / Linguistics / Historical & Comparative; RELIGION / History; Literatur; Mythologie; Mittelalter; Festschrift; Nordgermanen; Altnordisch
    Other subjects: Simek, Rudolf (1954-)
    Scope: 1 Online-Ressource
  22. The Norwegian language in the digital age
    bokmålsversjon = Norsk i den digitale tidsalderen
    Published: 2012
    Publisher:  Springer, Berlin [u.a.]

    Universitätsbibliothek Augsburg
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    Language: English; Norwegian
    Media type: Ebook
    Format: Online
    ISBN: 9783642313882; 9783642313899
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    9783642313899
    DDC Categories: 510
    Series: White paper series
    Subjects: Sprachverarbeitung; Maschinelle Übersetzung; Norwegisch; Computerunterstützte Kommunikation
    Scope: 1 Online-Ressource
    Notes:

    Text engl. und norweg.

  23. The Norwegian language in the digital age
    nynorskversjon = Norsk i den digitale tidsalderen
    Published: 2012
    Publisher:  Springer, Berlin [u.a.]

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    Language: English; Norwegian
    Media type: Ebook
    Format: Online
    ISBN: 9783642314322; 9783642314339
    Other identifier:
    9783642314339
    DDC Categories: 004; 439; 370
    Series: White paper series
    Subjects: Sprachverarbeitung; Norwegisch; Maschinelle Übersetzung; Computerunterstützte Kommunikation
    Scope: 1 Online-Ressource
    Notes:

    Text engl. und norweg.

  24. Norwegian and Nordic index to periodical articles
    NORART
    Published: 2007-
    Publisher:  National Library of Norway, Collections and Bibliographic Services, Oslo

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    Source: Union catalogues
    Language: English; Norwegian
    Media type: Book
    Format: Online
    Scope: Online-Ressource
    Notes:

    Gesehen am 31.07.07

  25. Matematikk og statistikk som metodefag ved NHH
    de første femti år
    Published: May 2018

    ZBW - Leibniz-Informationszentrum Wirtschaft, Standort Kiel
    VS 49 (2018,7)
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    Source: Union catalogues
    Language: Norwegian
    Media type: Book
    Format: Online
    Other identifier:
    hdl: 11250/2498217
    Series: Discussion paper / Norwegian School of Economics and Business Administration, Department of Business and Management Science ; 2018, 07
    Subjects: Statistische Methodenlehre; Mathematik; Wirtschaftsstudium; Norwegen
    Scope: 1 Online-Ressource (circa 28 Seiten), Illustrationen