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  1. Writing in Limbo
    Modernism and Caribbean Literature
    Author: Gikandi, Simon
    Published: [2018]; © 1992
    Publisher:  Cornell University Press, Ithaca, NY

    In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by... more

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    In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501722936
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    RVK Categories: HQ 7023 ; IJ 50045
    Subjects: Englisch; Literatur
    Other subjects: Carpentier, Alejo (1904-1980): El siglo de las luces
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Jun 2018)
  2. Writing in limbo
    modernism and Caribbean literature
    Author: Gikandi, Simon
    Published: 1992
    Publisher:  Cornell Univ. Pr., Ithaca ; London

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Book
    Subjects: Karibik; Literatur
    Scope: X, 260 S.
  3. Writing in limbo
    modernism and Caribbean literature
    Author: Gikandi, Simon
    Published: 1992
    Publisher:  Cornell Univ. Press, Ithaca [u.a.]

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    Language: English
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    ISBN: 0801425751
    RVK Categories: HQ 7023
    Subjects: Englisch; Literatur
    Scope: X, 260 S.
  4. Writing in limbo
    modernism and Caribbean literature
    Author: Gikandi, Simon
    Published: 1992
    Publisher:  Cornell Univ. Press, Ithaca, N.Y. [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0801425751
    RVK Categories: HQ 7023 ; IJ 50045
    Subjects: West Indian fiction (English); Modernism (Literature); Modernism (Literature); Caribbean fiction (English)
    Other subjects: Carpentier, Alejo (1904-1980): Siglo de las luces
    Scope: X, 260 S, 24 cm
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    Includes bibliographical references and index
  5. Writing in Limbo
    Modernism and Caribbean Literature
    Author: Gikandi, Simon
    Published: 2018; ©1992
    Publisher:  Cornell University Press, Ithaca, NY

    In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by... more

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    In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501722936
    Other identifier:
    Subjects: LITERARY CRITICISM / Caribbean & Latin American
    Scope: 1 Online-Ressource
    Notes:

    Frontmatter -- -- Contents -- -- Acknowledgments -- -- Introduction. Modernism and the Origins of Caribbean Literature -- -- 1. Caribbean Modernist Discourse : Writing, Exile, and Tradition -- -- 2. From Exile to Nationalism: The Early Novels of George Lamming -- -- 3. Beyond the Kala-Pani: The Trinidad Novels of Samuel Selvon -- -- 4. The Deformation Of Modernism: The Allegory of History in Carpentier's El siglo de las luces -- -- 5. Modernism and the Masks of History: The Novels of Paule Marshall -- -- 6. Writing after Colonialism: Crick Crack, Monkey and Beka Lamb -- -- 7. Narration at the Postcolonial Moment: History and Representation in Abeng -- -- Conclusion -- -- Index
  6. Writing in Limbo
    modernism and Caribbean literature
    Author: Gikandi, Simon
    Published: 1992
    Publisher:  Cornell University Press, Ithaca ; London

    "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history... more

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    "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. On the one hand, Gikandi says, the Caribbean was central to Europe's conceptions of its own modernity, and Caribbean writers, in turn, borrowed European' modernist techniques to define their own decolonized identity. On the other hand, even though many texts from the Caribbean use narrative techniques and discursive practices that seem modern or postmodern, the ideology underlying their use is strongly revisionist. According to Gikandi, Caribbean literature simultaneously appropriates and subverts European notions of modernism and modernity." "Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism. Gikandi also calls into question the universal claims of European modernism and modernity by examining the unique sets of problems these concepts generate once they have been transferred to the "margins" of the modern world. Because modernity, Gikandi asserts, is a colonial legacy, the concept of modernism in the Caribbean is invariably linked to the cultures and ideologies of colonialism and nationalism." "Writing in Limbo reveals how postcolonial literature and theory compel us to revise the protocols that govern the reading of modern literature. It will be welcomed by scholars in the fields of literary theory, postcolonial literature, cultural studies, and Caribbean studies."--BOOK JACKET.

     
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  7. Writing in Limbo
    Modernism and Caribbean Literature
    Author: Gikandi, Simon
    Published: [2018]; © 1992
    Publisher:  Cornell University Press, Ithaca, NY

    In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by... more

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    In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism

     
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    Language: English
    Media type: Ebook
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    ISBN: 9781501722936
    Other identifier:
    Subjects: Englisch; Literatur
    Other subjects: Carpentier, Alejo (1904-1980): El siglo de las luces
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Jun 2018)
  8. Writing in limbo
    modernism and Caribbean literature
    Author: Gikandi, Simon
    Published: 1992
    Publisher:  Cornell University Press, Ithaca, N.Y

    "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history... more

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    "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. On the one hand, Gikandi says, the Caribbean was central to Europe's conceptions of its own modernity, and Caribbean writers, in turn, borrowed European' modernist techniques to define their own decolonized identity. On the other hand, even though many texts from the Caribbean use narrative techniques and discursive practices that seem modern or postmodern, the ideology underlying their use is strongly revisionist. According to Gikandi, Caribbean literature simultaneously appropriates and subverts European notions of modernism and modernity." "Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C.L.R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism. Gikandi also calls into question the universal claims of European modernism and modernity by examining the unique sets of problems these concepts generate once they have been transferred to the "margins" of the modern world. Because modernity, Gikandi asserts, is a colonial legacy, the concept of modernism in the Caribbean is invariably linked to the cultures and ideologies of colonialism and nationalism." "Writing in Limbo reveals how postcolonial literature and theory compel us to revise the protocols that govern the reading of modern literature. It will be welcomed by scholars in the fields of literary theory, postcolonial literature, cultural studies, and Caribbean studies."--Jacket

     
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  9. Writing in Limbo
    modernism and Caribbean literature
    Author: Gikandi, Simon
    Published: 1992
    Publisher:  Cornell Univ. Press, Ithaca [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0801425751
    RVK Categories: HQ 7023 ; II 50045
    Subjects: Carpentier, Alejo; Karibik; Literatur; Englisch; Geschichte <1945-1990>; England; Literatur; Karibik; Geschichte <1945-1990>; Westindien; Literatur; Geschichte <1945-1990>
    Scope: X, 260 S.
  10. Writing in limbo
    modernism and Caribbean literature
    Author: Gikandi, Simon
    Published: 1992
    Publisher:  Cornell University Press, Ithaca, N.Y

    Caribbean modernist discourse : writing, exile, and tradition -- From exile to nationalism : the early novels of George Lamming -- Beyond the Kala-pani : the Trinidad novels of Samuel Selvon -- Deformation of modernism : the allegory of history in... more

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    Caribbean modernist discourse : writing, exile, and tradition -- From exile to nationalism : the early novels of George Lamming -- Beyond the Kala-pani : the Trinidad novels of Samuel Selvon -- Deformation of modernism : the allegory of history in Carpentier's El siglo de las luces -- Modernism and the masks of history : the novels of Paule Marshall -- Writing after colonialism : Crick crack, Monkey and Beka lamb -- Narration at the postcolonial moment : history and representation in Abeng "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. On the one hand, Gikandi says, the Caribbean was central to Europe's conceptions of its own modernity, and Caribbean writers, in turn, borrowed European' modernist techniques to define their own decolonized identity. On the other hand, even though many texts from the Caribbean use narrative techniques and discursive practices that seem modern or postmodern, the ideology underlying their use is strongly revisionist. According to Gikandi, Caribbean literature simultaneously appropriates and subverts European notions of modernism and modernity." "Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C.L.R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism. Gikandi also calls into question the universal claims of European modernism and modernity by examining the unique sets of problems these concepts generate once they have been transferred to the "margins" of the modern world. Because modernity, Gikandi asserts, is a colonial legacy, the concept of modernism in the Caribbean is invariably linked to the cultures and ideologies of colonialism and nationalism." "Writing in Limbo reveals how postcolonial literature and theory compel us to revise the protocols that govern the reading of modern literature. It will be welcomed by scholars in the fields of literary theory, postcolonial literature, cultural studies, and Caribbean studies."--Jacket

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801425752; 150172293X
    Other identifier:
    Subjects: Caribbean fiction (English); West Indian fiction (English); Modernism (Literature)
    Other subjects: Carpentier, Alejo
    Scope: 1 Online-Ressource (x, 260 pages)
    Notes:

    Includes bibliographical references and index. - Use copy Restrictions unspecified star MiAaHDL
  11. Writing in Limbo
    Author: Gikandi, Simon
    Published: 1992
    Publisher:  Cornell University Press, Ithaca ; OAPEN FOUNDATION, The Hague

    In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by... more

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    In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism. ; In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501722936; 9780801425752; 9781501722943; 9781501719905
    RVK Categories: HQ 7023
    Subjects: Englisch; Literatur; Literary studies: post-colonial literature; Literary studies: from c 1900 -
    Other subjects: Literature: history and criticism; Literary studies: c 1900 to c 2000
    Scope: 1 Online-Ressource (276 p.)
  12. Writing in limbo
    modernism and Caribbean literature
    Author: Gikandi, Simon
    Published: 1992
    Publisher:  Cornell University Press, Ithaca, N.Y.

    "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history... more

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    "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. On the one hand, Gikandi says, the Caribbean was central to Europe's conceptions of its own modernity, and Caribbean writers, in turn, borrowed European' modernist techniques to define their own decolonized identity. On the other hand, even though many texts from the Caribbean use narrative techniques and discursive practices that seem modern or postmodern, the ideology underlying their use is strongly revisionist. According to Gikandi, Caribbean literature simultaneously appropriates and subverts European notions of modernism and modernity." "Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C.L.R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism. Gikandi also calls into question the universal claims of European modernism and modernity by examining the unique sets of problems these concepts generate once they have been transferred to the "margins" of the modern world. Because modernity, Gikandi asserts, is a colonial legacy, the concept of modernism in the Caribbean is invariably linked to the cultures and ideologies of colonialism and nationalism." "Writing in Limbo reveals how postcolonial literature and theory compel us to revise the protocols that govern the reading of modern literature. It will be welcomed by scholars in the fields of literary theory, postcolonial literature, cultural studies, and Caribbean studies."--Jacket.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501722936; 150172293X; 1501719904; 9781501719905
    RVK Categories: HQ 7023
    Subjects: Englisch; Literatur; Caribbean fiction (English); West Indian fiction (English); Modernism (Literature); Modernism (Literature); Caribbean fiction (English); Modernism (Literature); West Indian fiction (English); Englisch; Literatur
    Scope: 1 Online-Ressource (x, 260 Seiten)
    Notes:

    Includes bibliographical references and index
  13. Writing in Limbo
    modernism and Caribbean literature
    Author: Gikandi, Simon
    Published: 1992
    Publisher:  Cornell Univ. Press, Ithaca [u.a.]

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    Source: Union catalogues
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    Media type: Book
    ISBN: 0801425751
    RVK Categories: II 50045 ; HQ 7023
    Subjects: Literatur; Englisch
    Other subjects: Carpentier, Alejo (1904-1980): El siglo de las luces
    Scope: X, 260 S.
  14. Ngugi's conversion
    Writing and the politics of language
    Author: Gikandi, Simon
    Published: 1992

    Ngugi wa Thiong'o's decision to write in his native Gikuyu was explained by him in a talk 'Return to the roots; national languages as the basis of a Kenyan national literature and culture' (1979) and, more elaborately, in his book 'Decolonising the... more

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    Ngugi wa Thiong'o's decision to write in his native Gikuyu was explained by him in a talk 'Return to the roots; national languages as the basis of a Kenyan national literature and culture' (1979) and, more elaborately, in his book 'Decolonising the mind' (1986). This essay argues that the most important issues raised in Ngugi's discourse on language do not lie in the manifest rhetoric that it promotes so persuasively. On the contrary, they reside in the splits, the ellipses, and the gaps that it opens up. They reside as well in the contradictory interpretations that result when Ngugi attempts to transcend his own diachronic distinction between a genuine African literature in African languages and an Afro-European literary practice imprisoned in its colonial language. In regard to the institution of literature in Africa, the value of this discourse does not depend upon the language Ngugi has chosen to use, but upon the philosophical and ideological claims he makes for the nativist enterprise as a liberating praxis. (Documentatieblad/ASC Leiden)

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Print
    Parent title: In: Research in African literatures; Bloomington, Ind. : Indiana Univ. Press, 1970; 23(1992), 1, Seite 131-144

    Subjects: Autor; Literatur; Sprache; Kulturelle Identität; Kenia
  15. Writing in Limbo
    Modernism and Caribbean Literature
    Author: Gikandi, Simon
    Published: 1992
    Publisher:  Cornell University Press, Ithaca, N.Y.

    "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history... more

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    "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. On the one hand, Gikandi says, the Caribbean was central to Europe's conceptions of its own modernity, and Caribbean writers, in turn, borrowed European' modernist techniques to define their own decolonized identity. On the other hand, even though many texts from the Caribbean use narrative techniques and discursive practices that seem modern or postmodern, the ideology underlying their use is strongly revisionist. According to Gikandi, Caribbean literature simultaneously appropriates and subverts European notions of modernism and modernity." "Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C.L.R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism. Gikandi also calls into question the universal claims of European modernism and modernity by examining the unique sets of problems these concepts generate once they have been transferred to the "margins" of the modern world. Because modernity, Gikandi asserts, is a colonial legacy, the concept of modernism in the Caribbean is invariably linked to the cultures and ideologies of colonialism and nationalism." "Writing in Limbo reveals how postcolonial literature and theory compel us to revise the protocols that govern the reading of modern literature. It will be welcomed by scholars in the fields of literary theory, postcolonial literature, cultural studies, and Caribbean studies."--Jacket

     
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  16. Writing in limbo
    modernism and Caribbean literature
    Author: Gikandi, Simon
    Published: 1992
    Publisher:  Cornell University Press, Ithaca, N.Y

    Caribbean modernist discourse : writing, exile, and tradition -- From exile to nationalism : the early novels of George Lamming -- Beyond the Kala-pani : the Trinidad novels of Samuel Selvon -- Deformation of modernism : the allegory of history in... more

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    Hochschulbibliothek der Fachhochschule Aachen
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    Caribbean modernist discourse : writing, exile, and tradition -- From exile to nationalism : the early novels of George Lamming -- Beyond the Kala-pani : the Trinidad novels of Samuel Selvon -- Deformation of modernism : the allegory of history in Carpentier's El siglo de las luces -- Modernism and the masks of history : the novels of Paule Marshall -- Writing after colonialism : Crick crack, Monkey and Beka lamb -- Narration at the postcolonial moment : history and representation in Abeng "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. On the one hand, Gikandi says, the Caribbean was central to Europe's conceptions of its own modernity, and Caribbean writers, in turn, borrowed European' modernist techniques to define their own decolonized identity. On the other hand, even though many texts from the Caribbean use narrative techniques and discursive practices that seem modern or postmodern, the ideology underlying their use is strongly revisionist. According to Gikandi, Caribbean literature simultaneously appropriates and subverts European notions of modernism and modernity." "Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C.L.R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism. Gikandi also calls into question the universal claims of European modernism and modernity by examining the unique sets of problems these concepts generate once they have been transferred to the "margins" of the modern world. Because modernity, Gikandi asserts, is a colonial legacy, the concept of modernism in the Caribbean is invariably linked to the cultures and ideologies of colonialism and nationalism." "Writing in Limbo reveals how postcolonial literature and theory compel us to revise the protocols that govern the reading of modern literature. It will be welcomed by scholars in the fields of literary theory, postcolonial literature, cultural studies, and Caribbean studies."--Jacket

     
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  17. Writing in Limbo
    modernism and Caribbean literature
    Author: Gikandi, Simon
    Published: 2018; © 1992
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  18. Writing in Limbo
    Modernism and Caribbean Literature
    Author: Gikandi, Simon
    Published: 1992
    Publisher:  Cornell University Press, Ithaca

    In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by... more

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    In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism. ; In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism

     
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  19. Writing in Limbo
    modernism and Caribbean literature
    Author: Gikandi, Simon
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  20. Writing in limbo
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  21. Writing in Limbo
    Modernism and Caribbean Literature
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  22. Writing in Limbo
    modernism and Caribbean literature
    Author: Gikandi, Simon
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    Scope: 1 Online-Ressource (x, 260 Seiten)
  23. Writing in limbo
    modernism and Caribbean literature
    Author: Gikandi, Simon
    Published: 1992
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    "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. On the one hand, Gikandi says, the Caribbean was central to Europe's conceptions of its own modernity, and Caribbean writers, in turn, borrowed European' modernist techniques to define their own decolonized identity. On the other hand, even though many texts from the Caribbean use narrative techniques and discursive practices that seem modern or postmodern, the ideology underlying their use is strongly revisionist. According to Gikandi, Caribbean literature simultaneously appropriates and subverts European notions of modernism and modernity." "Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C.L.R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism. Gikandi also calls into question the universal claims of European modernism and modernity by examining the unique sets of problems these concepts generate once they have been transferred to the "margins" of the modern world. Because modernity, Gikandi asserts, is a colonial legacy, the concept of modernism in the Caribbean is invariably linked to the cultures and ideologies of colonialism and nationalism." "Writing in Limbo reveals how postcolonial literature and theory compel us to revise the protocols that govern the reading of modern literature. It will be welcomed by scholars in the fields of literary theory, postcolonial literature, cultural studies, and Caribbean studies."--Jacket

     
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  24. Writing in Limbo
    modernism and Caribbean literature
    Author: Gikandi, Simon
    Published: 1992
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  25. Writing in Limbo
    modernism and Caribbean literature
    Author: Gikandi, Simon
    Published: 1992
    Publisher:  Cornell University Press, Ithaca ; London

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    "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. On the one hand, Gikandi says, the Caribbean was central to Europe's conceptions of its own modernity, and Caribbean writers, in turn, borrowed European' modernist techniques to define their own decolonized identity. On the other hand, even though many texts from the Caribbean use narrative techniques and discursive practices that seem modern or postmodern, the ideology underlying their use is strongly revisionist. According to Gikandi, Caribbean literature simultaneously appropriates and subverts European notions of modernism and modernity." "Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism. Gikandi also calls into question the universal claims of European modernism and modernity by examining the unique sets of problems these concepts generate once they have been transferred to the "margins" of the modern world. Because modernity, Gikandi asserts, is a colonial legacy, the concept of modernism in the Caribbean is invariably linked to the cultures and ideologies of colonialism and nationalism." "Writing in Limbo reveals how postcolonial literature and theory compel us to revise the protocols that govern the reading of modern literature. It will be welcomed by scholars in the fields of literary theory, postcolonial literature, cultural studies, and Caribbean studies."--BOOK JACKET.

     
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