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  1. Les Éditions dominicaines du Cerf
    1918-1965
    Author: Fouilloux, Étienne
    Published: 2018
    Publisher:  Presses universitaires de Rennes, Rennes

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    Source: Union catalogues
    Language: French
    Media type: Ebook
    Format: Online
    ISBN: 9782753558991
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    Series: Histoire
    Subjects: 20th century history: c 1900 to c 2000
    Other subjects: Religion et société; Histoire religieuse; Histoire contemporaine; éditeur; édition
    Scope: 1 electronic resource (294 pages)
  2. Les barbares de Baudelaire : peinture, poésie et cosmopolitisme
    Author: Zanetta, Julien
    Published: 30.08.2018

    For Baudelaire, the barbarian is a figure of predilection. At first, it is a literary character that he got acquainted with through the works of Chateaubriand and E. A. Poe. The barbarian is linked to poetry as well; he brings to mind the condition... more

     

    For Baudelaire, the barbarian is a figure of predilection. At first, it is a literary character that he got acquainted with through the works of Chateaubriand and E. A. Poe. The barbarian is linked to poetry as well; he brings to mind the condition of the exiled, the solitary figure far away from his homeland (such as in Delacroix's Ovid among the Scythians). But, most of all, the barbarian gives the opportunity to Baudelaire to refine his idea of Beauty: at the 1855 Universal Exhibition, he confronts himself for the first time to Chinese art – labelled "barbarian art" back then. Far from agreeing with this description, Baudelaire refutes it and forces himself to shift his critical perspective: his challenge will be to adapt himself, accommodate his taste and become "as barbarian" as the works he beholds in order to appreciate one of these "specimen of universal beauty". This reflexion shall continue in his essay, 'The Painter of Modern Life' (1863), in which he describes Constantin Guys' way of drawing as being moved by an "inevitable barbarousness". In this article, our aim will be to trace the evolution of Baudelaire's conception and different uses of the term "barbarian" through his aesthetical, poetical and literary writings.

     
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    Source: CompaRe
    Language: French
    Media type: Part of a book; Part of a book
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    ISBN: 978-3-8498-1119-8
    DDC Categories: 800; 840
    Collection: Aisthesis Verlag
    Subjects: Baudelaire, Charles; Barbar <Motiv>; Le Peintre de la vie moderne; Schönheit
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  3. Barbares/sauvages : Les non-civilisés dans 'Les Barbares' de Maxime Gorki
    Author: Podoroga, Ioulia
    Published: 30.08.2018

    When Gorki wrote his play "The Barbarians" (1906), he probably did not intend to raise such an intricate problem as the relationship between the barbarian, the savage and the civilized. Neither did he envisage talking about this triadic relation in... more

     

    When Gorki wrote his play "The Barbarians" (1906), he probably did not intend to raise such an intricate problem as the relationship between the barbarian, the savage and the civilized. Neither did he envisage talking about this triadic relation in reference to its political, historical and philosophical meaning. He proceeded as a writer and managed to construct a peculiar literary figure of the "barbarian" in its multiple aspects, and as related to other figures, such as the savage, in the first place. In this paper I argue that Gorki's intrinsically literary venture consisted in trying to make collide two categories that never normally enter in a dual relationship, but are always mediated by the category of the "civilized". The objective of this paper is to examine the consequences of this forced dualism, which without imposing any idea of civilization, however, ends up by setting it as a problem for further meditation and, without giving any solution, invites the reader to pursue his reflection.

     
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    Language: French
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    ISBN: 978-3-8498-1119-8
    DDC Categories: 800; 890; 891
    Collection: Aisthesis Verlag
    Subjects: Gorʹkij, Maksim; Barbar <Motiv>; Varvary
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  4. Entre abjection et noblesse : Trois visions du barbare chez Jünger, Borgès et Frank Herbert
    Author: Viegnes, Michel
    Published: 30.08.2018

    The barbarian is a construct of the Other which can be distinguished from the "savage" through a certain degree of social organization and from the monstrous through its more realistic-historic outlook. Still, these categories are fuzzy and fantastic... more

     

    The barbarian is a construct of the Other which can be distinguished from the "savage" through a certain degree of social organization and from the monstrous through its more realistic-historic outlook. Still, these categories are fuzzy and fantastic fiction – understood in a broad sense – makes new use of the barbarian people motif in a manner which makes the ideological undertones more visible despite an increased freedom from historical references. The " mob" (das Gesindel) getting out of the forests to devastate the civilized order, in 'Auf den Marmorklippen', embodies abjection in its clearest form, a violent return of the dark violent repressed. On the contrary, in the cycle of 'Dune, the Fremens' are 'barbarian' only in the eyes of the corrupt totalitarian elite of the Imperium. Despite their rough way of life, they represent a cultural order much closer to ecological harmony, which constitutes a major theme in Frank Herbert's saga. Borges' perspective, in 'The Story of the Warrior and the Female Prisoner', is not so much ethical/political as it is philosophical : the mutual fascination between the 'civilized' and the 'barbarians' is tantamount to magnetic opposites, border-crossing and meaningful otherness. These three visions of the 'barbarian' can be distinguished not only through their ideological underpinnings, but also through their narrative techniques.

     
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    Language: French
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    ISBN: 978-3-8498-1119-8
    DDC Categories: 800; 830
    Collection: Aisthesis Verlag
    Subjects: Jünger, Ernst; Barbar <Motiv>; Auf den Marmorklippen; Borges, Jorge Luis; Herbert, Frank; Dune; Nationalsozialismus <Motiv>
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  5. Anciens malentendus et nouvelles erreurs productives dans la première expérience du théâtre arabe moderne
    Author: Langone, Angela Daiana
    Published: 04.09.2018

    The erroneous translation of Aristotle's Poetics by the famous Andalusi philosopher Averroes seems to be one the fundamental reasons why an autochthon Arab theater appeared quite late, namely after the Napoleonic campaign of 1798 in Egypt which... more

     

    The erroneous translation of Aristotle's Poetics by the famous Andalusi philosopher Averroes seems to be one the fundamental reasons why an autochthon Arab theater appeared quite late, namely after the Napoleonic campaign of 1798 in Egypt which started an extensive process of acculturation between the Arab countries and the West. Our contribution will explore the first theatrical experience in the Arab world, that of the Lebanese Mārūn Naqqāš (1817-1855): as every initial experiment, his attempt is inevitably voted to errors and misunderstandings. The analysis of errors will allow us to reflect on the new readings and interpretations of Western theatrical heritage made by the first Arabic drama.

     
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    Language: French
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    ISBN: 978-3-8498-1249-2
    DDC Categories: 800
    Collection: Aisthesis Verlag
    Subjects: Naqqāš, Mārūn; Arabische Literatur; Europabild; Missverständnis; Theater; Arabische Staaten
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  6. Le contresens – moteur de la création et angle mort du savoir
    Author: Jaussi, Sophie
    Published: 04.09.2018

    Seit 20 Jahren schreibt Philippe Forest, Literaturprofessor und Schriftsteller, an einem Werk, das die Grenzen zwischen Autofiktion, Essay und literaturwissenschaftlichen Texten verwischt. Innerhalb dieser Produktion versucht er am Beispiel von... more

     

    Seit 20 Jahren schreibt Philippe Forest, Literaturprofessor und Schriftsteller, an einem Werk, das die Grenzen zwischen Autofiktion, Essay und literaturwissenschaftlichen Texten verwischt. Innerhalb dieser Produktion versucht er am Beispiel von Marcel Proust und in der japanischen Tradition eine Poetik der Fehldeutung zu grunden. Dabei verweist er einerseits auf die Aussage vom Autor der Recherche, man konne von schonen Buchern nur schone Fehlinterpretationen machen, andererseits auf ein Missverstandnis im Kulturtransfer zwischen Europa und Japan, das ihm ruckwirkend erlaubt, die Autofiktion als Genre fur sich und sein Werk neu zu definieren. Als Autorenpoetik funktioniert diese Asthetik der Fehldeutung, die ausserdem eine Analogie zwischen Traumarbeit und Literaturkritik fundiert, ohne grossere Probleme. Als wissenschaftliches Instrument eines Literaturprofessors ruttelt sie jedoch an den etablierten Regeln der Universitat und der Literaturwissenschaft.

     
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    Language: French
    Media type: Part of a book; Part of a book
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    ISBN: 978-3-8498-1249-2
    DDC Categories: 800
    Collection: Aisthesis Verlag
    Subjects: Forest, Philippe; L'enfant éternel; Proust, Marcel; Autobiografische Literatur; Fehler; Vergleichende Literaturwissenschaft
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  7. "Lost in Translation" : les problèmes linguistiques et conceptuels aux séances du Studio franco-russe à Paris (1929-1931)
    Author: Tokarev, Dimitri
    Published: 06.09.2018

    This article analyzes some cases of lack of understanding as well as of misunderstandings and errors, voluntary or otherwise, which punctuate the sessions of French- Russian Studio, an important place of intellectual and cultural exchanges between... more

     

    This article analyzes some cases of lack of understanding as well as of misunderstandings and errors, voluntary or otherwise, which punctuate the sessions of French- Russian Studio, an important place of intellectual and cultural exchanges between Russian émigrés and French intellectuals between the Wars. These errors and misunderstandings turn out to be rather productive ones, leading sometimes to lively discussions. Two notions, humanism and intellectualism, become a real stumbling block to debates: being regularly referred to at the sessions devoted to Gide, Valéry, Proust and Descartes, they are differently interpreted by Russian and French debators. This reflects not only the explicit difficulties in translation of philosophical and cultural notions but also some implicit discrepancies in production of meaning.

     
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    Language: French
    Media type: Part of a book; Part of a book
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    ISBN: 978-3-8498-1249-2
    DDC Categories: 800
    Collection: Aisthesis Verlag
    Subjects: Literarischer Salon; Paris; Russland; Politischer Flüchtling; Missverständnis; Debatte; Kulturkontakt; Frankreich
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  8. De la productivité de l'erreur en contexte pédagogique 'kairos', abduction et poétique du cours
    Author: Vercruysse, Thomas
    Published: 06.09.2018

    In this paper we shall examine how error can constitute an occasion of improving the context of learning. Taking error into account, trying to understand and follow the way that led the student to make it, the Professor betters his empathy. Hence,... more

     

    In this paper we shall examine how error can constitute an occasion of improving the context of learning. Taking error into account, trying to understand and follow the way that led the student to make it, the Professor betters his empathy. Hence, thanks to this mimicry, the Professor enters into the student's process of thinking and the poetics of the course becomes more inclusive. Turning error into "kairos", the course truly becomes a moment of collective individuation.

     
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    ISBN: 978-3-8498-1249-2
    DDC Categories: 370; 800
    Collection: Aisthesis Verlag
    Subjects: Lernen; Fehler; Lernpsychologie
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  9. 'Transgression' : Introduction à la 7ème édition du programme doctoral CRUS en littérature générale et comparée
    Author: Jaussi, Sophie
    Published: 06.09.2018

    Depuis 2012, le programme doctoral CUS/CRUS (désormais Swissuniversities) de littérature générale et comparée s'efforce d'offrir un lieu et un réseau d'échanges et de pensée aux jeunes chercheurs de la littérature comparée et des différentes langues... more

     

    Depuis 2012, le programme doctoral CUS/CRUS (désormais Swissuniversities) de littérature générale et comparée s'efforce d'offrir un lieu et un réseau d'échanges et de pensée aux jeunes chercheurs de la littérature comparée et des différentes langues et littératures étudiées dans les universités suisses. L'orientation de ce programme le place doublement en position de transgression. D'une part, la littérature comparée est par essence une science du dépassement; la comparaison, la mise en réseau et l'éclairage croisé des langues et des littératures vont de pair avec l' "au-delà" d'un sujet préalablement circonscrit; comparer suppose la mesure d'un espace, l'expérience de ses limites et leur franchissement. D'autre part, l'invention d'un cadre réunissant à la fois des doctorants, des chercheurs plus confirmés et des professeurs, où puissent se discuter aussi bien des questions théoriques que les problèmes concrets auxquels la recherche expose les uns et les autres, invitait à ne pas se priver d'un questionnement croisant plusieurs approches. Nous avons donc imaginé un programme ouvert autant aux questions esthétiques et littéraires (les représentations des frontières et de leur transgression, la forme que ces représentations pouvaient adopter) qu'aux sujets engageant une métaréflexion sur les limites de nos outils de recherche et les conditions réelles d'une transdisciplinarité qui serait plus que programmatique (une théorie et une pratique de la transgression des limites).

     
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    ISBN: 978-3-8498-1249-2
    DDC Categories: 800
    Collection: Aisthesis Verlag
    Subjects: Schweizerische Hochschulrektoren-Konferenz; Vergleichende Literaturwissenschaft; Schweizerische Universitätskonferenz
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  10. Le miroir intermédial : "Sneewittchen" des Grimm et "Blancanieves" de Pablo Berger en comparaison
    Author: Légeret, Joëlle
    Published: 06.09.2018

    Contemporary studies about film adaptations of literary texts face many obstacles when it comes to compare two different media. They either tend to establish how faithful the film adaptation is to its textual source or they consider the literary text... more

     

    Contemporary studies about film adaptations of literary texts face many obstacles when it comes to compare two different media. They either tend to establish how faithful the film adaptation is to its textual source or they consider the literary text as canonical, which as such cannot be transposed to any other form. This contribution aims to cross the borders of 'adaptation studies' and offers an intermedial comparison between the Grimms' tale 'Sneewittchen', first published in 1812, and 'Blancanieves', a black and white silent movie directed by Pablo Berger and released in 2012. Regarding 'Blancanieves' not only as an adaptation of the Grimms' text(s), but also and above all as a reconfiguration of numerous media forms (film, photography, opera, among others), reveals how the Spanish director differentiates himself from the German tale and creates a new story with renewed meanings which echo the current social, economical and political situation of Spain.

     
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    ISBN: 978-3-8498-1249-2
    DDC Categories: 800
    Collection: Aisthesis Verlag
    Subjects: Schneewittchen <Literarische Gestalt>; Kinder- und Hausmärchen; Grimm, Jacob; Grimm, Wilhelm; Adaption <Literatur>; Berger, Pablo; Verfilmung; Stummfilm; Schwarz-Weiß-Film; Intermedialität
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  11. [Rezension zu:] Anatoly Livry. La Physiologie du Surhomme. St-Pétersbourg : Aletheia, 2015. 312 p.
    Author: Pakhsarian, Nathalia
    Published: 20.09.2018

    La 'Physiologie du Surhomme' est un ouvrage qui unit démarche philosophique, critique littéraire et réflexion sur la morale, en s'attachant à des questions éternelles et néanmoins actuelles. Il s'agit aussi de la thèse de doctorat en littérature... more

     

    La 'Physiologie du Surhomme' est un ouvrage qui unit démarche philosophique, critique littéraire et réflexion sur la morale, en s'attachant à des questions éternelles et néanmoins actuelles. Il s'agit aussi de la thèse de doctorat en littérature générale et comparée rédigée par Anatoly Livry en français pour être soutenue à l'Université de Nice-Sophia Antipolis en 2011, puis réécrite en russe en vue de sa publication de St-Pétersbourg. Dès les premières pages, Anatoly Livry exige de son lecteur une attitude particulière, nécessaire à l'absorption de l'ouvrage. Se penchant sur le cas de l "humain" et de son éventuelle fin – une idée que je puis qualifier de post-moderne –, il décortique les notions de "vertu", de "justice", d' "égalité" ou de "fraternité" usées dans nos sociétés. Cet "anti-progressisme" post-moderne d'Anatoly Livry semble logique si l'on connaît ses passions auparavant exprimées dans ses articles scientifiques, ouvrages et interviewes. En revanche, dans la présente monographie, ces opinions, unies dans un courant de réflexion, acquièrent les particularités d'un vrai système philosophique.

     
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    Source: CompaRe
    Language: French
    Media type: Review
    Format: Online
    ISBN: 978-3-8498-1217-1
    DDC Categories: 800
    Collection: Aisthesis Verlag
    Subjects: Übermensch; Livri, Anatolij; Rezension
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  12. Mythes et identités antillaises : l'auto-exotisme dans l'écriture martiniquaise et guadeloupéenne
    Author: Schon, Nathalie
    Published: 08.01.2018

    Ouvrages représentatifs de deux types d'écriture de l'exotisme, l'un né en Guadeloupe, l'autre en Martinique, 'La colonie du nouveau monde' (1993) de Maryse Condé et 'Texaco' (1992) de Patrick Chamoiseau illustrent un rapport divergent à la fois à... more

     

    Ouvrages représentatifs de deux types d'écriture de l'exotisme, l'un né en Guadeloupe, l'autre en Martinique, 'La colonie du nouveau monde' (1993) de Maryse Condé et 'Texaco' (1992) de Patrick Chamoiseau illustrent un rapport divergent à la fois à l'Autre (la métropole) et à soi-même (la culture antillaise). Ainsi, l'interrogation de la notion d'identité caractéristique de l'écriture torturée de bon nombre d'écrivains guadeloupéens tels Maryse Condé, Gisèle Pineau et Daniel Maximin fait pendant à la certitude affichée des défenseurs d'une identité créole martiniquaise dont Patrick Chamoiseau, Raphaël Confiant et Edouard Glissant. Afin de comprendre l'ambiguïté culturelle des départements d'outre-mer antillais, ceux-là introduisent le thème de la folie dans le développement de leurs personnages-individus, tandis que ceux-ci affirment des archétypes à travers la recreation du mythe fondateur.

     
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    Language: French
    Media type: Article
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    DDC Categories: 800; 840
    Collection: Synchron. Wissenschaftsverlag der Autoren
    Subjects: Antillen; Exotismus; Frankophone Antillen; Französisch; Literatur
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  13. La Mémoire des villes
    Author: Grivel, Ian
    Published: 10.01.2018

    Rapport de la conférence sur le Colloque International du Centre d'Etudes Comparatistes de l'Université Jean Monnet 2-4 mai 2002 à Saint-Etienne Du 2 au 4 mai 2002, un colloque international s'est déroulé en France, à Saint-Etienne, organisé par le... more

     

    Rapport de la conférence sur le Colloque International du Centre d'Etudes Comparatistes de l'Université Jean Monnet 2-4 mai 2002 à Saint-Etienne

     

    Du 2 au 4 mai 2002, un colloque international s'est déroulé en France, à Saint-Etienne, organisé par le Centre d'Etudes Comparatistes de l'Université Jean Monnet. Au cours de ce colloque dont le thème central était 'La mémoire des villes', les divers intervenants ont tenté de cerner les problèmes liés a l'inscription de l'histoire dans respace urbain, et ce du romantisme à nos jours.

     
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    Language: French
    Media type: Article
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    DDC Categories: 800
    Collection: Synchron. Wissenschaftsverlag der Autoren
    Subjects: Kongress; Stadt <Motiv>; Literatur
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