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  1. Die Rezeption der deutschsprachigen Literatur der Moderne in Italien in der Zeit von 1918 bis 1938 ; The Reception of Contemporary German Literature in Italy from 1918 to 1938
    Author: Giusti, Lucia
    Published: 2009
    Publisher:  Technische Universität Berlin

    Abstract ; Die vorliegende Arbeit widmet sich dem Thema der Rezeption deutschsprachiger Literatur der Moderne in Italien von 1918 bis 1938. Inhaltlich bezieht sich die Arbeit sowohl auf veröffentlichte als auch auf unveröffentlichte Quellen und... more

     

    Abstract ; Die vorliegende Arbeit widmet sich dem Thema der Rezeption deutschsprachiger Literatur der Moderne in Italien von 1918 bis 1938. Inhaltlich bezieht sich die Arbeit sowohl auf veröffentlichte als auch auf unveröffentlichte Quellen und berücksichtigt insbesondere die Vielzahl an Beiträgen, die in den wichtigsten italienischen Kultur- und Literaturzeitschriften jener Zeit erschienen sind. So verschafft das erste Kapitel einen Überblick über die Beiträge zur zeitgenössischen deutschen Literatur in führenden Publikationen, von La Voce bis Solaria, über u. a. Il Baretti und La Ronda. In den weiteren Ausführungen der folgenden Kapitel wird das Bemühen einzelner Literaten dargestellt. Hierbei wird das Hauptaugenmerk auf Alberto Spaini, Enrico Rocca, Roberto Bazlen und Lavinia Mazzucchetti gerichtet, durch die in den zwanziger und dreißiger Jahren eine intensive, weitgefächerte Übersetzungsarbeit eingeleitet wurde. Die Recherche zeigt, dass dank der Initiative dieser Literaten Autoren wie Alfred Döblin, Franz Kafka, Thomas Mann, Heinrich Mann, Franz Werfel, Stefan Zweig noch bis Ende der dreißiger Jahre in italienischer Übersetzung veröffentlicht werden konnten, d. h. zu einer Zeit, als deren Werke im zeitgenössischen Deutschland nicht mehr erscheinen durften. Aus der Analyse umfangreicher Quellen geht schließlich hervor, dass durch eine Generation italienischer Intellektueller, die Literaturkritiker, Übersetzer und Verlagsberater waren, ein Austausch der Kulturen auf der Ebene der Literatur angestrebt und verwirklicht wurde. Zugleich lässt die Arbeit insgesamt deutlich werden, dass sich die anfängliche Intensität der Rezeption deutschsprachiger Literatur der Moderne in ihrem weiteren Verlauf, bedingt durch die historischen Entwicklungen, unmittelbar vor dem Zweiten Weltkrieg erschöpfte. ; Abstract ; This thesis focuses on the reception of contemporary German literature in Italy between 1918 and 1938. It draws on both published and unpublished sources and makes particular reference to the large number of articles appearing in the most important Italian cultural and literary journals of the time. The first chapter thus provides an overview of writings on contemporary German literature published in leading publications such as La Voce, Solaria, Il Baretti and La Ronda. The chapters which follow discuss the work of individual Italian writers engaging with German literature of the time. In this context, particular attention is given to Alberto Spaini, Enrico Rocca, Roberto Bazlen and Lavinia Mazzucchetti, who were responsible for initiating the translation of a diverse range of German works during the 1920s and 1930s. The research undertaken for this dissertation shows that it was due to the efforts of these writers that authors such as Alfred Döblin, Franz Kafka, Thomas Mann, Heinrich Mann, Franz Werfel and Stefan Zweig were still being published in Italian translations up until the late 1930s, at a time when the publication of their works was no longer permitted in Germany. The analysis of a wide range of sources ultimately reveals that a generation of Italian intellectuals working as literary critics, translators and publishing consultants established and maintained a process of cultural exchange at a literary level. At the same time this study demonstrates that historical developments subsequently undermined the initial strength of the Italian reception of the German literature of modernity, which faded away in the period immediately prior to the Second World War.

     
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    Language: German
    Media type: Undefined
    Format: Online
    DDC Categories: 800
    Subjects: Alberto Spaini; Enrico Rocca; Lavinia Mazzucchetti; Rezeptionsgeschichte; Roberto Bazlen; History of Reception
    Rights:

    Terms of German Copyright Law
  2. Das perspektiverzeugende Medium in der "Confessional Poetry" am Beispiel von Sylvia Plath, Anne Sexton, Robert Lowell und John Berryman ; The Perspective Generating Medium in the "Confessional Poetry" as exemplified in the Poetry of Sylvia Plath, Anne Sexton, Robert Lowell and John Berryman
    Author: Steffen, Jorge
    Published: 2009
    Publisher:  Technische Universität Berlin

    Abstract ; Diese Untersuchung ergründet die Beschaffenheit der Instanz, die in der Confessional Poetry den Stoff an den Leser vermittelt. Zu diesem Zweck wurde der Begriff perspektiverzeugendes Medium geprägt. Er wurde in Anlehnung an den... more

     

    Abstract ; Diese Untersuchung ergründet die Beschaffenheit der Instanz, die in der Confessional Poetry den Stoff an den Leser vermittelt. Zu diesem Zweck wurde der Begriff perspektiverzeugendes Medium geprägt. Er wurde in Anlehnung an den theoretischen und praktischen Apparat der Erzählforschung modelliert. Konzipiert als Oberbegriff aller erdenklichen Erscheinungsformen in der Lyrik - diesen Anspruch erhebt die Studie - bietet er die Möglichkeit, mittels eines modifizierenden Zusatzes die spezifische Gestalt, die sich in dem zu behandelnden Gedicht manifestiert, zu benennen und sie kenntlich zu machen. Aufgabe des perspektiverzeugenden Mediums ist es, sowohl eine der unzähligen Formen der Perspektive bzw. des Perspektivengeflechtes, als auch eine der unzähligen Versionen von Wirklichkeit bzw. ein vielgliedriges Gebilde von gleichzeitig existierenden Wirklichkeiten exklusiv für jedes Gedicht literarisch zu erzeugen. So wird es im Text zur Instanz der Vermittlung. Der seit langem in der Literaturwissenschaft herrschende Konsens über die Trennung von Gedicht-Ich und empirischem Autor bildet eine der unumgänglichen Prämissen dieser Studie. Eine Voraussetzung, die sich in der praktischen Umsetzung des hier vorgelegten Modells bewährt. Denn die Analyse der behandelten Gedichte kommt, im Gegensatz zu vielen der vorliegenden Interpretationen, ohne die Heranziehung der Biographie ihrer Autoren aus. Bedeutung und Funktion des perspektiverzeugenden Mediums werden mittels eines Transponierungsverfahrens (F. K. Stanzel) nachgewiesen. Denn anhand der Substitution der vom Autor ursprünglich konzipierten Instanz durch eine andere wird nicht nur eine der Absichten des Lyrikers bei der Gestaltung dieser spezifischen Textebene offengelegt, sondern auch die Relevanz dieser Kategorie in ihrer ganzen Tragweite verständlich gemacht. Mit Hilfe der Erkennung und Einordnung der diversen Ausformungen des perspektiverzeugenden Mediums, welche die vier hier behandelten Lyriker des konfessionalistischen Modus in ihren Werken jeweils bieten, wird überwiegend, aber nicht nur, werkimmanent argumentiert, warum der Begriff des lyrischen Ichs nur eine dieser Darbietungsformen in der Lyrik darstellt und insofern nur eine der vielen Subklassen - nämlich einen Sondertyp des romantischen Gedichts - verkörpert. Eine detailreiche Analyse von Sylvia Plaths Gedicht "The Moon and the Yew Tree" demonstriert Schritt für Schritt, wie das zunächst theoretisch entwickelte Modell sich ertragbringend in die Praxis umsetzen lässt. Sie dient gleichermaßen für den Literaturwissenschaftler wie auch für den Lyrikliebhaber als Orientierungsmuster mit Vorzeigefunktion. Diese lotet die Spielräume der Möglichkeiten der Perspektivierung poetischer Texte der Moderne aus und trägt zur Differenzierung der historischen Spezifik der Confessional Poets bei. ; Abstract ; This study investigates the specific constitution of the entity that presents the words in the poem as exemplified in the Confessional Poetry. For this purpose, the term perspective generating medium has been framed. A technical concept modeled in analogy to the theoretical and practical apparatus of narratological studies. It has been created as an all-inclusive concept capable of embracing all thinkable forms possible in a given poem. The addition of a modifying qualification prevents the emergence of a pleonasm. The perspective generating medium creates, exclusively for each poem, one of the countless forms of perspective or/and an array of perspectives as well as one of the countless versions of reality or/and a polydimensional shape of simultaneously existing realities in the characteristic idiom of the poem, by menas of which the words of the poem are transmitted. The generally accepted consensus about the unmistakable distinction between empirical author and the I of the poem constitutes one of the fundamental premises of this investigation. A prerequisite whose validity is demonstrated by its empirical application at the end of the study. Because, in contrast to many of the existing interpretations, the critical examination of these selected poems succeeds without relying upon the author's biography. Meaning and function of the perspective generating medium become clear by replacing one medium for another one (Transponierungsverfahren, Stanzel). Since substituting the entity initially designed by its author in a specific poem for another one contributes to throw light not only on one of the author's purposes for shaping this textual level in this specific way, but also on the importance of this category as a whole. Thanks to the identification and classification of the different shapes that the perspective generating medium yields, shapes that appear in the poetical works of the four poets here selected, it was possible to argue persuasively why the German term "lyric I" (lyrisches Ich) stands for only one of the many subclasses the poem can embody, that is to say, a special type of romantic poem. A detailed analysis of Sylvia Plath's poem "The Moon and the Yew Tree" demonstrates step by step how this model, presented in the first part of this study in theoretical form, is finally put into practice. It serves as a guiding example for the lyric expert as well as for the lover of poetry. It explores the different ways of shaping perspectives in modern poetry and develops significant views which concern the historical background of the Confessional Poets.

     
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    Language: German
    Media type: Undefined
    Format: Online
    DDC Categories: 810
    Subjects: Berryman; Lowell; Lyrik; Plath; Sexton; Poetry
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  3. Contact, Mobility and Authenticity: Language Ideologies in Koineisation
    Author: Tresch, Laura Alessandra
    Published: 2014
    Publisher:  (:null)

    Other ; New Zealand English first emerged at the beginning of the 19th century as a result of the dialect contact of British (51%), Scottish (27.3%) and Irish (22%) migrants (Hay and Gordon 2008:6). This variety has subsequently developed into an... more

     

    Other ; New Zealand English first emerged at the beginning of the 19th century as a result of the dialect contact of British (51%), Scottish (27.3%) and Irish (22%) migrants (Hay and Gordon 2008:6). This variety has subsequently developed into an autonomous and legitimised national variety and enjoys a distinct socio-political status, recognition and codification. In fact, a number of dictionaries of New Zealand English have been published1 and the variety is routinely used as the official medium on TV, radio and other media. This however, has not always been the case, as for long only British standard norms were deemed suitable for media broadcasting. While there is some work already on lay commentary about New Zealand English (see for example Gordon 1983, 1994; Hundt 1998), there is much more to be done especially concerning more recent periods of the history of this variety and the ideologies underlying its development and legitimisation. Consequently, the current project aims at investigating the metalinguistic discourses during the period of transition from a British norm to a New Zealand norm in the media context, this will be done by focusing on debates about language in light of the advent of radio and television. The main purpose of this investigation is thus to examine the (language) ideologies that have shaped and underlain these discourses (e.g. discussions about the appropriateness of New Zealand English vis à vis external, British models of language) and their related practices in these media (e.g. broadcasting norms). The sociolinguistic and pragmatic effects of these ideologies will also be taken into account. Furthermore, a comparison will be carried out, at a later stage in the project, between New Zealand English and a more problematic and less legitimised variety: Estuary English. Despite plenty of evidence of media and other public discourses on Estuary English, in fact, there has been very little metalinguistic analysis of this evidence, nor examinations of the underlying ideologies in these discourses. The comparison will seek to discover whether similar themes emerge in the ideologies played out in publish discourses about these varieties, themes which serve to legitimise one variety, whilst denying such legitimacy to the other.

     
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    Language: English
    Media type: Undefined
    Format: Online
    DDC Categories: 820; 420
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    info:eu-repo/semantics/openAccess
  4. Handschriftenfunde zur Literatur des Mittelalters. 220. Beitrag: Leipziger Handschriftenfunde I. Ein neu aufgefundenes Fragment von Wolframs 'Parziva' aus Naumburg
    Author: Eifler, Matthias; Stolz, Michael; Mackert, Christoph
    Published: 2014
    Publisher:  Hirzel

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    Language: German
    Media type: Undefined
    Format: Online
    DDC Categories: 830; 430
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    info:eu-repo/semantics/openAccess
  5. Language ideologies: the formation and legitimisation of New Zealand English
    Author: Tresch, Laura Alessandra; Neuenschwander, Christoph
    Published: 2014
    Publisher:  (:null)

    Other ; New Zealand English first emerged at the beginning of the 19th century as a result of the dialect contact of British (51%), Scottish (27.3%) and Irish (22%) migrants (Hay and Gordon 2008:6). This variety has subsequently developed into an... more

     

    Other ; New Zealand English first emerged at the beginning of the 19th century as a result of the dialect contact of British (51%), Scottish (27.3%) and Irish (22%) migrants (Hay and Gordon 2008:6). This variety has subsequently developed into an autonomous and legitimised national variety and enjoys a distinct socio-political status, recognition and codification. In fact, a number of dictionaries of New Zealand English have been published1 and the variety is routinely used as the official medium on TV, radio and other media. This however, has not always been the case, as for long only British standard norms were deemed suitable for media broadcasting. While there is some work already on lay commentary about New Zealand English (see for example Gordon 1983, 1994; Hundt 1998), there is much more to be done especially concerning more recent periods of the history of this variety and the ideologies underlying its development and legitimisation. Consequently, the current project aims at investigating the metalinguistic discourses during the period of transition from a British norm to a New Zealand norm in the media context, this will be done by focusing on debates about language in light of the advent of radio and television. The main purpose of this investigation is thus to examine the (language) ideologies that have shaped and underlain these discourses (e.g. discussions about the appropriateness of New Zealand English vis à vis external, British models of language) and their related practices in these media (e.g. broadcasting norms). The sociolinguistic and pragmatic effects of these ideologies will also be taken into account. Furthermore, a comparison will be carried out, at a later stage in the project, between New Zealand English and a more problematic and less legitimised variety: Estuary English. Despite plenty of evidence of media and other public discourses on Estuary English, in fact, there has been very little metalinguistic analysis of this evidence, nor examinations of the underlying ideologies in these discourses. The comparison will seek to discover whether similar themes emerge in the ideologies played out in publish discourses about these varieties, themes which serve to legitimise one variety, whilst denying such legitimacy to the other.

     
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    Language: English
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    DDC Categories: 820; 420
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  6. Digital multitext editions from scratch to electronic performance. Transcription and collation routines transformed in a flexible database system
    Author: Stolz, Michael
    Published: 2014
    Publisher:  (:null)

    Other ; The poster demonstrates the preparatory steps of a digital multi-text edition that are abstracted from the experiences made in the Parzival Project, based at the University of Bern, the Berlin-Brandenburg Academy of Sciences and the... more

     

    Other ; The poster demonstrates the preparatory steps of a digital multi-text edition that are abstracted from the experiences made in the Parzival Project, based at the University of Bern, the Berlin-Brandenburg Academy of Sciences and the University of Erlangen. This edition of Wolfram von Eschenbach’s German Grail novel, written shortly after 1200 and transmitted during several centuries in ca. hundred witnesses, has now been completed by more than a half of the textual corpus. As the text is transmitted in medieval manuscripts the witnesses have to be transcribed according to specific encoding rules. The transcriptions then are collated following certain ideas and concepts of how the transmission process could have developed. The transcriptions and collations finally have to be transferred to a digital edition that allows the users to explore the characteristics of single witnesses as well as the history of a text, which is delivered in variants and in different versions. A dynamically organized database offering various components and adapted to the needs of diverse user-profiles is nowadays the right tool for this purpose.

     
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    Language: English
    Media type: Undefined
    Format: Online
    DDC Categories: 830; 430
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  7. Introduction: Melodrama: Staging Emotions in the Anglophone World
    Author: Straub, Julia; Rippl, Gabriele
    Published: 2014
    Publisher:  De Gruyter

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    Language: English
    Media type: Undefined
    Format: Online
    DDC Categories: 820; 810
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    info:eu-repo/semantics/openAccess
  8. Workshop "Körper - Leib"
    Author: Klankert, Tanja; Reisigl, Martin; Alloa, Emmanuel
    Published: 2014
    Publisher:  (:null)

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    Language: English
    Media type: Undefined
    Format: Online
    DDC Categories: 300; 430; 790; 830; 000
    Subjects: sociology & anthropology; games & entertainment; knowledge & systems
    Rights:

    info:eu-repo/semantics/openAccess
  9. Melodrama and Narrative Fiction: Towards a Typology
    Author: Straub, Julia
    Published: 2014
    Publisher:  De Gruyter

    Other ; Recent research on melodrama has stressed its versatility and ubiquity by approaching it as a mode of expression rather than a theatrical genre. A variety of contexts in which melodrama is at work have been explored, but only little scholarly... more

     

    Other ; Recent research on melodrama has stressed its versatility and ubiquity by approaching it as a mode of expression rather than a theatrical genre. A variety of contexts in which melodrama is at work have been explored, but only little scholarly attention has been paid to the relationship between melodrama and novels, short stories and novellas. This article proposes a typology of melodrama in narrative prose fiction, examining four different categories: Melodrama and Sentimentalism, Depiction of Melodramatic Performances in Narrative Prose Fiction, Theatrical Antics and Aesthetics in Narrative Prose Fiction and Meta-Melodrama. Its aim is to clarify the ways in which melodrama, ever since its early days on the stages of late eighteenth-century Europe, has interacted with fictional prose narratives, thereby shaping the literary imagination in the Anglophone world.

     
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    Language: English
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    Format: Online
    DDC Categories: 820; 420; 810
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  10. The Best Story of the World: Theology, Geology and Philip Henry Gosse's Omphalos
    Author: Richter, Virginia
    Published: 2014
    Publisher:  Amsterdam University Press

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    Language: English
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    DDC Categories: 820; 420
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  11. Tim Lanzendörfer. The Professionalization of the American Magazine
    Author: Straub, Julia
    Published: 2014
    Publisher:  De Gruyter

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    Language: English
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    DDC Categories: 810
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  12. Poetik des Unbehagens. Unlust als 'point de départ' in Romanen Marie NDiayes
    Author: Torra-Mattenklott, Caroline
    Published: 2014
    Publisher:  Böhlau

    Other ; Die Romane der französischen Autorin Marie NDiaye (geb. 1967) sind durchzogen von Zuständen des Unwohlseins: NDiayes Protagonistinnen werden auf diffuse Weise sozial ausgegrenzt oder massiv bedrängt, verlieren die Kontrolle über ihren Körper... more

     

    Other ; Die Romane der französischen Autorin Marie NDiaye (geb. 1967) sind durchzogen von Zuständen des Unwohlseins: NDiayes Protagonistinnen werden auf diffuse Weise sozial ausgegrenzt oder massiv bedrängt, verlieren die Kontrolle über ihren Körper oder geraten in schwindelerregende Zweifel über den Realitätsgehalt ihrer Sinneswahrnehmungen und Erinnerungen. Anhand der Romane "En famille" (1990), "Autoportrait en vert" (2005) und "Mon cœur à l’étroit" (2007) zeigt der Aufsatz, dass diese Momente des Unbehagens nicht nur die Suchbewegungen und Erkenntnisprozesse der Romanfiguren auslösen, sondern auch die kreative Spannung bilden, die den Vorgang der literarischen inventio in Gang setzt. Theoretische Modelle einer Psychologie, in der Unlust als Antrieb fungiert, finden sich bei Leibniz, Locke und Freud; Elemente einer Narratologie der Unlust, mit der sich die quête-Struktur von NDiayes Romanen beschreiben lässt, bietet die strukturalistische Märchentheorie Wladimir Propps und seiner Nachfolger.

     
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    Language: German
    Media type: Undefined
    Format: Online
    DDC Categories: 840; 800
    Subjects: rhetoric & criticism
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    info:eu-repo/semantics/openAccess
  13. "¿Critique génétique y/o filologia d’autore? Según los casos… ”Historia” —¿o fin?— “de una utopía real”
    Author: Vauthier, Bénédicte
    Published: 2014
    Publisher:  Departamento de Literatura Española. Facultad de Filosofía y Letras

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    Language: English
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    DDC Categories: 860; 460
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  14. El valor estructural de la magia en el universo pastoril de Lope de Vega
    Author: Fernández Rodríguez, Natalia
    Published: 2014
    Publisher:  University of California

    Other ; The different aspects of magic became an essential ingredient of bucolic universe since the origin of pastoral genre. Within an idealized and utopic frame, magic built a bridge towards transcendence, and balanced the disharmony created by... more

     

    Other ; The different aspects of magic became an essential ingredient of bucolic universe since the origin of pastoral genre. Within an idealized and utopic frame, magic built a bridge towards transcendence, and balanced the disharmony created by human love emotions within Arcadian microcosm. This concept of magic became infused to Sixteenth century pastoral novel through Neoplatonism and Hermetic tradition. From a narratological point of view, magic episodes became indispensable to complete the philosophical meaning of the works. Lope de Vega, in La Arcadia, published in 1598, fully participated from this tradition, though he will approach the convention from a particular dramatic-like perspective. And it was precisely in pastoral comedias where the Fénix ends up deconstructing bucolic code to remodel it as a mere vestige of the tradition and treat magic as a humorous ingredient.

     
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    Language: Spanish
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    DDC Categories: 860; 460
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  15. Ancora su Hölderlin e gli scrittori di lingua italiana (da Giosue Carducci a Fabio Pusterla)
    Author: Cordibella, Giovanna
    Published: 2014
    Publisher:  Università degli Studi di Milano

    Other ; A discussion of the long-term “Hölderlinism” of Italian poets, starting from Vigolo’s essay on Hölderlin and the music (1966), moving back to Carducci’s translations, with a critical edition of his version of Hölderlin’s Achill (1874, see the... more

     

    Other ; A discussion of the long-term “Hölderlinism” of Italian poets, starting from Vigolo’s essay on Hölderlin and the music (1966), moving back to Carducci’s translations, with a critical edition of his version of Hölderlin’s Achill (1874, see the leaf reproduced in the appendix), and concluding with a look at later Italian poets up to Pusterla (2004).

     
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    Language: Italian
    Media type: Undefined
    Format: Online
    DDC Categories: 850; 830
    Subjects: Romanian & related literatures
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    info:eu-repo/semantics/openAccess
  16. Giorgio Vigolo – Quali musiche suonò Hölderlin? (28 aprile 1966)
    Author: Cordibella, Giovanna
    Published: 2014
    Publisher:  Università degli Studi di Milano

    Other ; Giorgio Vigolo’s lecture Quali musiche suonò Hölderlin? (Which Pieces of Music Did Hölderlin Play?), which the Italian poet held in Rome on April 28th 1966, here edited for the first time, with notes, by Giovanna Cordibella. more

     

    Other ; Giorgio Vigolo’s lecture Quali musiche suonò Hölderlin? (Which Pieces of Music Did Hölderlin Play?), which the Italian poet held in Rome on April 28th 1966, here edited for the first time, with notes, by Giovanna Cordibella.

     
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    Language: Italian
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    DDC Categories: 850; 830; 780
    Subjects: Romanian & related literatures
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    info:eu-repo/semantics/openAccess
  17. Imaginería sacra y espacios pictóricos en las comedias de santos de Lope de Vega
    Author: Fernández Rodríguez, Natalia
    Published: 2014
    Publisher:  University of California

    Other ; Departing from the concepts of visualism and theatricality understood as the base of the world view of an epoch, a reflection about the presence of a pictorial-based expressiveness in the performance of Lope’s comedias de santos is suggested.... more

     

    Other ; Departing from the concepts of visualism and theatricality understood as the base of the world view of an epoch, a reflection about the presence of a pictorial-based expressiveness in the performance of Lope’s comedias de santos is suggested. Besides the analysis of the suitable contexts and staging procedures associated to the appearance of sacred images on stage, static performances, closer to painting than to drama, are also taken into account as a device which contribute to create that transcendent meaning which is essential to hagiographical comedias.

     
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    Language: Spanish
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    DDC Categories: 860; 460
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  18. Rainer Werner Fassbinder’s "Garbage, The City, and Death". A Four Act Scandal in Post-war Germany
    Author: Schappach, Beate
    Published: 2014
    Publisher:  (:null)

    Other ; Rainer Werner Fassbinder’s Garbage, The City, and Death. A Four Act Scandal in Post-war Germany The paper explores the dramaturgy of the scandals around the play Garbage, The City and Death (Der Müll, die Stadt und der Tod) by German... more

     

    Other ; Rainer Werner Fassbinder’s Garbage, The City, and Death. A Four Act Scandal in Post-war Germany The paper explores the dramaturgy of the scandals around the play Garbage, The City and Death (Der Müll, die Stadt und der Tod) by German playwright, theatre and film maker Rainer Werner Fassbinder. Published in 1976, the play immediately caused a scandal in West Germany, because it was accused of reproducing anti-Semitic stereotypes. The presentation sheds light on the different phases of the scandal and their historical and cultural contexts in post-war Germany – starting as a literary scandal in 1976, being transformed into a theatre scandal in the 1980ies and finally being dissolved by the German premiere in 2009. The paper is structured as follows: Act One: The Literary Scandal. Destroying Fassbinder’s Garbage, Act Two: Preventing the Staging of the Play, Act Three: Blocking the Opening Night, Act Four: Performing the Play in Germany. By analysing the dramaturgical structure of this specific scandal, the paper discusses the following hypotheses: 1. Scandals arise through the circulation of decontextualised information in public. This is due to either a lack of information about the actual object or incident being scandalised or a lack of information about the context of the object or incident. This lack is caused by the logic of the scandal itself: Because the play or the performance is prohibited, it has been withdrawn from the public, making it impossible to form a well-founded opinion on the controversy. 2. The scandal is driven forward by an emotionalising rhetoric built around the decontextualised information. 3. Once the gap of information is filled, the scandalising rhetoric turns into a rhetoric of irrelevance: Reviews of the first performance of Garbage, The City and Death in Germany considered the play hardly a matter of public concern.

     
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    Format: Online
    DDC Categories: 800; 830; 900; 790; 300; 940
    Subjects: rhetoric & criticism; games & entertainment; sociology & anthropology
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  19. Performing AIDS. The Film-maker Rosa von Praunheim between HIV/AIDS-Communities in Germany and the USA
    Author: Schappach, Beate
    Published: 2014
    Publisher:  (:null)

    Other ; This paper explores the works of German film-maker Rosa von Praunheim during the AIDS crisis. In the 1980ies and 1990ies he produced several films portraying the gay communities in Germany and the USA in the face of AIDS. First, this paper... more

     

    Other ; This paper explores the works of German film-maker Rosa von Praunheim during the AIDS crisis. In the 1980ies and 1990ies he produced several films portraying the gay communities in Germany and the USA in the face of AIDS. First, this paper analyses the cinematic techniques von Praunheim uses to criticise the German gay community and present the American practices of performing community as a role model for AIDS-activism. In a second step, the focus is put on von Praunheim’s autobiography and the rhetoric strategies he uses to participate in New York’s HIV-community, while being HIV-negative himself.

     
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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Undefined
    Format: Online
    DDC Categories: 940; 790; 600; 800; 900; 300
    Subjects: games & entertainment; rhetoric & criticism; sociology & anthropology
    Rights:

    info:eu-repo/semantics/openAccess
  20. Contact, Mobility and Authenticity: Language Ideologies in Koineisation and Creolisation - Poster for CSLS
    Author: Tresch, Laura Alessandra; Neuenschwander, Christoph
    Published: 2014
    Publisher:  (:null)

    Other ; How are new dialects and new languages represented and evaluated in public discourse? more

     

    Other ; How are new dialects and new languages represented and evaluated in public discourse?

     
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    Language: English
    Media type: Undefined
    Format: Online
    DDC Categories: 420; 400; 820; 410
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    info:eu-repo/semantics/openAccess
  21. Matto regiert – Eine Figur emanzipiert sich vom literarischen Text
    Author: Pellin, Elio
    Published: 2009
    Publisher:  Wallstein

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    Language: German
    Media type: Undefined
    Format: Online
    DDC Categories: 430; 830
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    info:eu-repo/semantics/openAccess
  22. Streiche mit der Narrenklatsche. Ausrufezeichen in C.A. Looslis Satiren
    Author: Pellin, Elio
    Published: 2009
    Publisher:  Slatkine

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    Language: German
    Media type: Undefined
    Format: Online
    DDC Categories: 430; 830
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    info:eu-repo/semantics/openAccess
  23. Displacing Humans, Reconfiguring Darwin in Contemporary Culture and Theory
    Author: Richter, Virginia
    Published: 2014
    Publisher:  Ashgate

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    Language: English
    Media type: Undefined
    Format: Online
    DDC Categories: 820
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    info:eu-repo/semantics/openAccess
  24. Ape Meets Primatologist. Post-Darwinian Interspecies Romances
    Author: Richter, Virginia
    Published: 2014
    Publisher:  University of Georgia Press

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    Language: English
    Media type: Undefined
    Format: Online
    DDC Categories: 820; 420
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  25. Review of A.S. Byatt by Mariadele Boccardi
    Author: Rippl, Gabriele
    Published: 2014
    Publisher:  De Gruyter

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    Language: English
    Media type: Undefined
    Format: Online
    DDC Categories: 820; 420
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    info:eu-repo/semantics/openAccess