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  1. Das Marionettenmotiv in Goethes Roman "Wilhelm Meisters Lehrjahre" in Kleists Aufsatz "Über das Marionettentheater" und in seinen Dramen ; The motiv oft the marionette in Goethe's novel "Wilhelm Meisters Lehrjahre" is combined with Kleist's essay "Über das Marionettentheater" and his dramas
    Published: 2013
    Publisher:  Technische Universität Berlin

    Abstract ; Diese Dissertation soll einen Beitrag zur Diskussion um die Fragestellung leisten, inwiefern das Marionettenmotiv Goethes Roman "Wilhelm Meisters Lehrjahre", Kleists Aufsatz "Über das Marionettentheater" und seine Dramen verbindet. Die... more

     

    Abstract ; Diese Dissertation soll einen Beitrag zur Diskussion um die Fragestellung leisten, inwiefern das Marionettenmotiv Goethes Roman "Wilhelm Meisters Lehrjahre", Kleists Aufsatz "Über das Marionettentheater" und seine Dramen verbindet. Die Verbindung zwischen Goethes Roman und Kleists Aufsatz besteht im Motiv der Marionette. Ausgehend von dem ästhetischen Ansatz, dem Konzept der Grazie bei Schiller, Goethe und Kleist, erfolgt eine Auseinandersetzung mit den kunsttheoretischen Aufsätzen von Goethe, Schiller und Winckelmann. Des Weiteren wird in dieser Dissertation untersucht, ob Goethes Roman "Wilhelm Meisters Lehrjahre" grundlegend für das theoretische Modell aus Kleists Aufsatz "Über das Marionettentheater" und für seine Dramen ist. Das Motiv der Marionette ist sowohl in "Wilhelm Meisters Lehrjahre" als auch in Kleists Aufsatz "Über das Marionettentheater" vorhanden. Es wird analysiert, inwiefern dieses Motiv die beiden Werke verbindet und ob in literaturwissenschaftlicher Hinsicht eine Entwicklung von Goethes Roman zu Kleists Aufsatz "Über das Marionettentheater" und zu seinen Dramen stattfindet. Die Auseinandersetzung Goethes mit Shakespeare innerhalb des Romans spiegelt die Figur "Wilhelm" wider. An dieser Stelle der Dissertation erfolgt eine Gegenüberstellung der Figuren "Hamlet" und "Wilhelm"/"Hamlet" und "Prinz Friedrich von Homburg", um herauszuarbeiten, dass diese Figuren sowohl in einer realen Welt als auch in einer Traumwelt leben. Thema und Fragestellung sind ein neuer Beitrag in der Diskussion um die dichterischen Werke von Goethe und Kleist, da in dieser Arbeit nachgewiesen werden konnte, dass Kleist das Motiv der Marionette aus dem Roman "Wilhelm Meisters Lehrjahre" in seinem Aufsatz und seinen Dramen verarbeitet hat, um zu einem neuen, mechanischen Modell zu gelangen. Es entstand somit auch eine Weiterentwicklung in der Literatur, von der Beschreibung des inneren Empfindens zum äußeren Ausdruck und zum Verhalten der Figuren. Ein Vergleich der beiden Werke, Goethes Roman und Kleists Aufsatz, wurde in der Forschungsliteratur noch nie in Erwägung gezogen. ; Abstract ; This doctoral thesis make a contribution to the discussion about the question, to what extent the motiv oft the marionette in Goethe's novel "Wilhelm Meisters Lehrjahre", is combined with Kleist's essay "Über das Marionettentheater" and his dramas. The connection between Goethe's novel and Kleist's essay exists in the motive of the marionette. To emanate from the aesthetic projection, the concept of the grace in Schiller, Goethe and Kleist, is under discussion with the art-theoretical essays of Goethe, Schiller and Winckelmann. Furthermore will be investigated, whether Goethe's novel "Wilhelm Meisters Lehrjahre" is based on the theoretical model of Kleist's essay "Über das Marionettentheater" and his dramas. The motive of the marionette exists during "Wilhelm Meisters Lehrjahre" as well as in Kleist's essay "Über das Marionettentheater". It is analyzed, to what extent this motive connects both works and whether in literature-scientific regard a development of Goethe's novel to Kleist's essay "Über das Marionettentheater" and his dramas takes place. The discussion between Goethe and Shakespeare within the novel reflects to the character "Wilhelm". At this point of the doctoral thesis a confrontation of the characters "Hamlet" and "Wilhelm" / "Hamlet" and "Prinz Friedrich von Homburg" is provided, in order to prove that these figures live in a real world as well as in a fictional world. Subject and question are a new contribution in the discussion about the poetic works of Goethe and Kleist. It was proven that in this work Kleist has processed the motive of the marionette from the novel "Wilhelm Meisters Lehrjahre" in his article and his dramas to reach a new mechanical model. A comparison of both works, Goethe's novel and Kleist's essay, was never taken into consideration in the research literature.

     

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    Language: German
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    DDC Categories: 800
    Subjects: Goethe; Grazie; Kleist; Marionettenmotiv; Grace; Marionette
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    Terms of German Copyright Law

  2. Japanizität aus dem Geist der europäischen Romantik. Der interkulturelle Vermittler Mori Ogai und die Reorganisierung des japanischen ‚Selbstbildes‘ in der Weltgesellschaft um 1900
    Published: 2013
    Publisher:  transcript Verlag

    Other ; After the opening of the country in the middle of the 19th century, Japan quickly moved towards becoming an industrialized world power. But the romanticist syndrome, imported from Europe by Mori Ogai since the 1890s, especially enchanted... more

     

    Other ; After the opening of the country in the middle of the 19th century, Japan quickly moved towards becoming an industrialized world power. But the romanticist syndrome, imported from Europe by Mori Ogai since the 1890s, especially enchanted young intellectuals and drove their search of a Japanese cultural identity. The goal was, internally, to integrate the entire population, and externally, to make the country distinguishable from the »West« ─ paradoxically, in a spirit of European Romanticism. Takemitsu Morikawa investigates these remarkable developments and retraces the rise and canonization of the alleged self-image of modern Japan. ; Other ; Seit der Öffnung des Landes in der Mitte des 19. Jahrhunderts bewegte sich Japan rasant auf dem Weg zur industrialisierten Weltmacht. Das dort seit den 1890er Jahren durch Mori Ogai aus Europa ›eingeführte‹ romantische Syndrom jedoch verzauberte insbesondere die jungen Intellektuellen und trieb sie zur Suche nach der japanischen kulturellen Identität an. Ziel war es, nach innen die gesamte Bevölkerung zu integrieren und nach außen das Land vom »Westen« unterscheidbar zu machen – und zwar paradoxerweise im Geist der europäischen Romantik. Takemitsu Morikawa geht diesen bemerkenswerten Entwicklungen auf den Grund und zeichnet die Entstehung und die Kanonisierung des vermeintlichen Selbstbildes des modernen Japan nach.

     

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    Language: German
    Media type: Undefined
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    DDC Categories: 890; 300
    Subjects: sociology & anthropology
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    info:eu-repo/semantics/openAccess

  3. Continuity in Comic Books and Comic Book Continuity: Serialized US-American Comic Books of the 1980s
    Published: 2013
    Publisher:  (:null)

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    Language: English
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    DDC Categories: 820; 420
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  4. Annotating discourse connectives by looking at their translation: The translation-spotting technique
    Published: 2013
    Publisher:  Dialogue and Discourse

    Other ; The various meanings of discourse connectives like while and however are difficult to identify and annotate, even for trained human annotators. This problem is all the more important that connectives are salient textual markers of cohesion... more

     

    Other ; The various meanings of discourse connectives like while and however are difficult to identify and annotate, even for trained human annotators. This problem is all the more important that connectives are salient textual markers of cohesion and need to be correctly interpreted for many NLP applications. In this paper, we suggest an alternative route to reach a reliable annotation of connectives, by making use of the information provided by their translation in large parallel corpora. This method thus replaces the difficult explicit reasoning involved in traditional sense annotation by an empirical clustering of the senses emerging from the translations. We argue that this method has the advantage of providing more reliable reference data than traditional sense annotation. In addition, its simplicity allows for the rapid constitution of large annotated datasets.

     

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    Language: English
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    DDC Categories: 840; 440
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  5. Per salutare Giorgio Orelli
    Published: 2013
    Publisher:  Sellerio

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    Language: Italian
    Media type: Undefined
    Format: Online
    DDC Categories: 850; 450
    Subjects: Romanian & related literatures; Romanian & related languages
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    info:eu-repo/semantics/openAccess

  6. Hunde, Tiermenschen, Molche. Die Kategorie 'Menschlichkeit' im literarischen Tierexperiment bei Wilkie Collins, H.G. Wells und Karel Čapek
    Published: 2013
    Publisher:  Königshausen & Neumann

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    DDC Categories: 420; 820
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  7. Introduction: Towards a New Monumentalism
    Published: 2013
    Publisher:  De Gruyter

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  8. Das Skriptorium des Sangallensis 857
    Published: 2013
    Publisher:  de Gruyter

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    DDC Categories: 830; 430
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  9. Caregiver Responses to the Language Mixing of a Young Trilingual
    Published: 2013
    Publisher:  De Gruyter Mouton

    Other ; The situation once described by Hoffmann (1985), in which children grow up exposed to three languages from an early age, is a reality for an increasing number of families. In Europe – as elsewhere – greater mobility is leading to greater... more

     

    Other ; The situation once described by Hoffmann (1985), in which children grow up exposed to three languages from an early age, is a reality for an increasing number of families. In Europe – as elsewhere – greater mobility is leading to greater numbers of mixed-language couples (Piller 2002), and, by extension, multilingual families. For such families, questions concerning the acquisition and maintenance of three or more languages in a natural environment are of direct relevance. Researchers in bilingualism have already pointed out the importance of social context for the acquisition of two languages in childhood, focusing in particular on the quantity and quality of exposure to the languages (De Houwer 1990; Döpke 1992; Okita 2002; Lanza 2004) or the prestige of the languages (Lambert 1977). In this paper, I will make use of the insights gained by such researchers and test them in a trilingual setting. The paper will focus mainly on one aspect, namely the conversational style of parents and caretakers. The data come from research being carried out in Switzerland and consist of 33 interviews with multilingual families, as well as case studies of two trilingual children. The findings attest to the importance of conversational style, but at the same time indicate that a number of further factors are also of great significance.

     

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  10. Von εἴπερ zu понѥже. Zur Wiedergabe polyphoner Rede im Kirchen­slavischen des 14. Jahrhunderts
    Published: 2013
    Publisher:  AKADEMIE VERLAG

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    DDC Categories: 490; 890
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  11. Religious alterity and violence in contemporary anglophone novels by Indian and Pakistani writers
    Published: 2013
    Publisher:  (:null)

    Other ; Processes of hostile Othering on the basis of religious alterity and escalations of communal violence are represented in many contemporary novels by Indian and Pakistani writers. This thesis analyses the ways in which four selected Anglophone... more

     

    Other ; Processes of hostile Othering on the basis of religious alterity and escalations of communal violence are represented in many contemporary novels by Indian and Pakistani writers. This thesis analyses the ways in which four selected Anglophone contemporary novels by Indian and Pakistani writers refer to, represent and discuss historical and contemporary events that have repeatedly been categorized as examples of ‘religious violence,’ i.e. violent conflicts where the religious identities of both perpetrators and victims were the major reason or pretense for their involvement in those conflicts. The four novels analyzed in this thesis and the events they refer to are Bapsi Sidhwa’s Cracking India (1991) about Partition 1947, Shashi Tharoor’s Riot (2001) about the riots accompanying the Ram Janmabhumi campaign in the early 1990s, Raj Kamal Jha’s Fireproof (2006) about the anti-Muslim pogrom in Gujarat 2002, and Salman Rushdie’s Shalimar the Clown (2005) about the Kashmir conflict. Embedded as they are in the ‘real,’ empirical world, these novels engage with and respond to what they are surrounded by — a world abounding with violence and violent conflicts which seem to be directly related to religion in one way or another. Drawing on the debates about the question of religion’s relation to violence in different fields and conscientiously factoring in the specific historical contexts that the novels refer to and were written in, this study aims at identifying the ways in which the four selected examples of literary fiction represent, respond to and discuss historical instances of religious violence and how they negotiate the relation between religion and the violence they describe. This thesis’ overarching question is how these novels, representing those violent events on a fictional level, position themselves regarding the relation between religion, religious alterity, hostile Othering and violence. The approach to answering my principal question importantly involves looking at the ways in which these fictional texts refer to and include contemporary public discourses on the topic of religion’s relation to violence in India. In this respect, I am especially interested in literary representations and negotiations of the complex dynamics of marginalization, repression or silencing of memories of traumatizing events in dominant discourses in the public domain. My central hypothesis is that by way of narrating specific instances of religiously connoted violence, the novels scrutinize and highlight processes of hostile Othering on the basis of religious alterity and thereby bring to the fore its consequences both for the individuals directly involved and society as a whole. I contend that these novels deplore the status of religious alterity as singular category of perceiving the socio-cultural ‘Other’ and, by virtue of providing a multifaceted, complex image of India’s and Pakistan’s inhabitants, argue for a conceptual pluralization of identities and illustrate the advantages of perceiving others not as same but instead as diversely different.

     

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  12. Von „dicken, blonden Flechten“ und „hängendem Haar“ ; Frauenhaar als pars pro toto für kulturelle Ordnungen und Brüche am Beispiel literarischer ‚Heimat‘-Bilder
    Published: 2013
    Publisher:  Humboldt-Universität zu Berlin

    Abstract ; Das zutiefst feminisierte Konstrukt ‚Heimat‘ ist – sowohl als historischer Gegenstand als auch als literarisches Motiv – kontinuierlich bestimmten kulturellen, politischen und ideologischen Transformationsakten, Dynamisierungen und... more

     

    Abstract ; Das zutiefst feminisierte Konstrukt ‚Heimat‘ ist – sowohl als historischer Gegenstand als auch als literarisches Motiv – kontinuierlich bestimmten kulturellen, politischen und ideologischen Transformationsakten, Dynamisierungen und Recycling-Prozessen unterworfen, die insbesondere in der Literatur sichtbar werden. Derart sedimentiert tritt ‚Heimat‘ in Erzähltexten der Gegenwartsliteratur in Erscheinung, wird dort als historischer Gegenstand kritisch reflektiert, als Motiv zerrbildartig tradiert, hierin zugleich transformiert und dabei in auffallender Häufigkeit zu einer Kategorie der Zurichtung umgestaltet, die vor allem in der Synthese von ‚Körper‘ und ‚Geschlecht‘ ihren Ausdruck findet: Imaginationen vom ‚schwachen Geschlecht‘ werden in Bildern körperlicher Gewalt und Auslieferung erprobt und sind besonders häufig als Griffe ins Frauenhaar bzw. als Eingriffe in die weibliche ‚Haarbiografie‘ markiert. ‚Heimat‘ arriviert hierin zu einer Folie, auf der Figurationen (und Zirkulationen) von Macht in geschlechtlich codierten Körperbildern gespiegelt und verhandelt werden.

     

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    Language: German
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    DDC Categories: 800
    Subjects: Geschichte; Gewalt; Wandel; Heimat; Literatur; Literaturgeschichte; Motivtransformation; Haar
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    creativecommons.org/licenses/by-nd/4.0/legalcode.de

  13. Weibliche und männliche Autorschaft ; Zum »Florentin« von Dorothea Schlegel und zur »Lucinde« von Friedrich Schlegel
    Published: 1991
    Publisher:  Böhlau

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    DDC Categories: 830
    Subjects: Literatur; Geschichte; Beziehung
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    creativecommons.org/licenses/by/4.0/legalcode.de

  14. Rezension: Vom Dräckloch i Himel. Namenbuch des Kantons Schwyz by Viktor Weibel; Schwyzer Namenbuch. Die Orts- und Flurnamen des Kantons Schwyz by Viktor Weibel, Albert Hug
    Published: 2013
    Publisher:  Franz Steiner

    Other ; Rezension des Schwyzer Namenbuches von Viktor Weibel (und Albert Hug) mit Schwerpunkt auf der Diskussion der Präsentation der Namendaten more

     

    Other ; Rezension des Schwyzer Namenbuches von Viktor Weibel (und Albert Hug) mit Schwerpunkt auf der Diskussion der Präsentation der Namendaten

     

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    Language: German
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    DDC Categories: 830; 430
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  15. Sind die Schweizer tüchtige Hausfrauen? Möglichkeiten des geschlechtergerechten Sprachgebrauch
    Published: 2013
    Publisher:  Universität Bern

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    DDC Categories: 430; 830
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  16. ‘Cooking lunch, that’s Swiss’: Constructing hybrid identities based on socio-cultural practices
    Published: 2013
    Publisher:  Walter de Gruyter

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    Language: English
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    DDC Categories: 420; 820
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  17. Die Bedeutung digitaler Editionen für die Geisteswissenschaften
    Published: 2013
    Publisher:  Schweizerische Akademie der Geistes- und Sozialwissenschaften SAGW

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    Language: German
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  18. Vivus est sermo tuus. Religion und Wissen in der Prager Hofkultur des 14. Jahrhunderts
    Published: 2013
    Publisher:  Akademie Verlag

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    Language: German
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  19. Spirituelle Artes-Auslegung. Das Beispiel der ›Predigt vom heiligen Geist‹ (15. Jh.). Mit einem Textabdruck
    Published: 2013
    Publisher:  De Gruyter

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    DDC Categories: 830; 430
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  20. Balance zwischen Spezialwissen und transversalen Kompetenzen
    Published: 2013
    Publisher:  Schweizerische Akademie der Geistes- und Sozialwissenschaften SAGW

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    Language: German
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    DDC Categories: 430; 830
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  21. The Third Way: Philology and Critical Edition in the Digital Age
    Published: 2013
    Publisher:  Rodopi

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    Language: English
    Media type: Undefined
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    DDC Categories: 180; 800; 400
    Subjects: medieval & eastern philosophy; rhetoric & criticism
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  22. Gwald geschrign! Thomas Meyers Erfolgsroman „Wolkenbruchs wunderliche Reise in die Arme einer Schickse“
    Published: 2013
    Publisher:  Institut für Neuere Deutsche Literatur und Medien der Philipps-Universität

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    Language: German
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  23. Beyond the tree of texts: Building an empirical model of scribal variation through graph analysis of texts and stemmata
    Published: 2013
    Publisher:  Oxford University Press

    Other ; Stemmatology, or the reconstruction of the transmission history of texts, is a field that stands particularly to gain from digital methods. Many scholars already take stemmatic approaches that rely heavily on computational analysis of the... more

     

    Other ; Stemmatology, or the reconstruction of the transmission history of texts, is a field that stands particularly to gain from digital methods. Many scholars already take stemmatic approaches that rely heavily on computational analysis of the collated text (e.g. Robinson and O’Hara 1996; Salemans 2000; Heikkilä 2005; Windram et al. 2008 among many others). Although there is great value in computationally assisted stemmatology, providing as it does a reproducible result and allowing access to the relevant methodological process in related fields such as evolutionary biology, computational stemmatics is not without its critics. The current state-of-the-art effectively forces scholars to choose between a preconceived judgment of the significance of textual differences (the Lachmannian or neo-Lachmannian approach, and the weighted phylogenetic approach) or to make no judgment at all (the unweighted phylogenetic approach). Some basis for judgment of the significance of variation is sorely needed for medieval text criticism in particular. By this, we mean that there is a need for a statistical empirical profile of the text-genealogical significance of the different sorts of variation in different sorts of medieval texts. The rules that apply to copies of Greek and Latin classics may not apply to copies of medieval Dutch story collections; the practices of copying authoritative texts such as the Bible will most likely have been different from the practices of copying the Lives of local saints and other commonly adapted texts. It is nevertheless imperative that we have a consistent, flexible, and analytically tractable model for capturing these phenomena of transmission. In this article, we present a computational model that captures most of the phenomena of text variation, and a method for analysis of one or more stemma hypotheses against the variation model. We apply this method to three ‘artificial traditions’ (i.e. texts copied under laboratory conditions by scholars to study the properties of text variation) and four genuine medieval traditions whose transmission history is known or deduced in varying degrees. Although our findings are necessarily limited by the small number of texts at our disposal, we demonstrate here some of the wide variety of calculations that can be made using our model. Certain of our results call sharply into question the utility of excluding ‘trivial’ variation such as orthographic and spelling changes from stemmatic analysis.

     

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    DDC Categories: 180; 400; 800
    Subjects: medieval & eastern philosophy; rhetoric & criticism
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  24. L'oeuvre de Sade et le conte. Le retour refoulé de Barbe-Bleue
    Published: 2013
    Publisher:  De Gruyter

    Other ; Cet article s’intéresse aux différentes fonctions que l’on peut attribuer aux éléments fabuleux dans les œuvres du marquis de Sade. Il s’agit en particulier d’éclaircir les liens intertextuels entre Barbe-Bleue et un conte allégorique que le... more

     

    Other ; Cet article s’intéresse aux différentes fonctions que l’on peut attribuer aux éléments fabuleux dans les œuvres du marquis de Sade. Il s’agit en particulier d’éclaircir les liens intertextuels entre Barbe-Bleue et un conte allégorique que le marquis publie, en 1800, dans la série de ses Crimes de l’amour, sous le titre de Rodrigue ou la tour enchantée. Dans ce texte, la chambre interdite renvoie aussi à un passé criminel, mais elle ne réveille pas la mauvaise conscience et ne suscite aucun remords. Sade semble vouloir faire du conte de Barbe-Bleue le paradigme d’un refoulement manqué, la figure d’une rechute malencontreuse dans un passé archaïque et indigne d’être examiné moralement. Or, les œuvres de Sade ne peuvent plus admettre l’univers surnaturel des contes de fées, considéré comme tout aussi révolu que cette conscience morale qui s’exprime par le remords.

     

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    Language: French
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    DDC Categories: 440; 840
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  25. Revisitando a Severo Sarduy. Lectura recobrada a 20 años de su muerte
    Published: 2013
    Publisher:  (:null)

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    Language: Spanish
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    DDC Categories: 860; 460
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