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  1. Making sense of recordings
    how cognitive processing of recorded sound works
    Author: Walther-Hansen, Mads
    Published: [2020]
    Publisher:  Oxford University Press, New York

    Location:
    Universität Mainz, Zentralbibliothek
    Signature:
    300.228
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780197533918; 9780197533901
    RVK Categories: LR 57470 ; ZN 6820
    Subjects: Tonträgerproduktion; Schallaufzeichnung; Klang; Ästhetik
    Scope: viii, 144 Seiten, Illustrationen
  2. Making sense of recordings
    how cognitive processing of recorded sound works
    Author: Walther-Hansen, Mads
    Published: 2020
    Publisher:  Oxford University Press, New York, NY

    The literature dealing with the auditory impact of studio-based practices and technologies on the listening experience is scattered and mainly comprises specialised articles inaccessible to most audio professionals and students. 'Making Sense of... more

    Location:
    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    The literature dealing with the auditory impact of studio-based practices and technologies on the listening experience is scattered and mainly comprises specialised articles inaccessible to most audio professionals and students. 'Making Sense of Recordings' addresses this problem by offering a comprehensive account of sound quality in recorded music. The text presents analytical tools to evaluate recorded sound and describes how the listening experience is reflected, often metaphorically, in language

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780197533949
    Other identifier:
    Series: Oxford scholarship online
    Subjects: Sound recordings / Production and direction; Ästhetik; Tonträgerproduktion; Schallaufzeichnung; Klang
    Scope: 1 Online-Ressource, Illustrationen
    Notes:

    Also issued in print: 2020. - Includes bibliographical references and index
  3. Making sense of recordings
    how cognitive processing of recorded sound works
    Author: Walther-Hansen, Mads
    Published: [2020]; ©
    Publisher:  Oxford University Press, New York, NY

    "The sonic qualities that emerge from aesthetic and technological decisions in the recording studio have a major impact on how music sounds, yet our ability to describe this impact on the listening experience is limited. Listeners often use very... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "The sonic qualities that emerge from aesthetic and technological decisions in the recording studio have a major impact on how music sounds, yet our ability to describe this impact on the listening experience is limited. Listeners often use very elaborate metaphors when describing sound quality, such as timbral and spatial characteristics. There is, however, a prevalent belief that metaphors are vague and highly subjective, and therefore unsuitable for academic and more exacting discussions of sound. Making Sense of Recordings challenges this assumption by showing how these metaphors are closely connected to our sonic experience and that they make sense within a larger historical context of technological developments and changing discourses of recorded sound. Part 1 of the book starts by tracing written discourses of recorded sound, discussing how everyday listeners and audio professionals describe their experiences of sound in recorded music. The concept of the listener, as it is theorized here, relates both to the production and reception side of recorded music and assumes some sort of conscious evaluative process where people give meaning to their experiences. Listening is approached from a quality-oriented mode of listening concerned with embodied cognition and is conditioned by the specific listening situation and the specific purpose of listening. Building on cognitive sciences, ideas of embodied cognition, and recent studies in discourse analysis, the book then provides new theoretical and methodological approaches to sound perception and conceptualization with particular relevance to recorded music. The aim is not only to expand on existing histories of studio music technologies, from production to reproduction to reception, but also to provide analytical and practical tools to aid in the understanding and communication of sound discourse in the studio and beyond"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780197533918; 9780197533901
    Subjects: Ästhetik; Schallaufzeichnung; Tonträgerproduktion; Klang
    Other subjects: Sound recordings / Aesthetics; Sound recordings / Production and direction; Sound recordings / Production and direction
    Scope: viii, 144 Seiten, Illustrationen
    Notes:

    Foundations and Theory. Discourses of Recorded Sound : Technologies, Production, Listening, and Conceptualization ; The Ontology of Recorded Sound ; Sound Quality : Reasoning, Action, and Language -- Encyclopedia. Conceptualizing Sound Quality : An Encyclopedia of Selected Sound Terminology
  4. Making sense of recordings
    how cognitive processing of recorded sound works
    Author: Walther-Hansen, Mads
    Published: [2020]
    Publisher:  Oxford University Press, New York, NY

    "The sonic qualities that emerge from aesthetic and technological decisions in the recording studio have a major impact on how music sounds, yet our ability to describe this impact on the listening experience is limited. Listeners often use very... more

     

    "The sonic qualities that emerge from aesthetic and technological decisions in the recording studio have a major impact on how music sounds, yet our ability to describe this impact on the listening experience is limited. Listeners often use very elaborate metaphors when describing sound quality, such as timbral and spatial characteristics. There is, however, a prevalent belief that metaphors are vague and highly subjective, and therefore unsuitable for academic and more exacting discussions of sound. Making Sense of Recordings challenges this assumption by showing how these metaphors are closely connected to our sonic experience and that they make sense within a larger historical context of technological developments and changing discourses of recorded sound. Part 1 of the book starts by tracing written discourses of recorded sound, discussing how everyday listeners and audio professionals describe their experiences of sound in recorded music. The concept of the listener, as it is theorized here, relates both to the production and reception side of recorded music and assumes some sort of conscious evaluative process where people give meaning to their experiences. Listening is approached from a quality-oriented mode of listening concerned with embodied cognition and is conditioned by the specific listening situation and the specific purpose of listening. Building on cognitive sciences, ideas of embodied cognition, and recent studies in discourse analysis, the book then provides new theoretical and methodological approaches to sound perception and conceptualization with particular relevance to recorded music. The aim is not only to expand on existing histories of studio music technologies, from production to reproduction to reception, but also to provide analytical and practical tools to aid in the understanding and communication of sound discourse in the studio and beyond"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780197533918; 9780197533901
    Subjects: Klang; Musikwahrnehmung; Musikaufnahme
    Other subjects: Sound recordings / Aesthetics; Sound recordings / Production and direction; Sound recordings / Production and direction
    Scope: viii, 144 Seiten, Illustrationen
    Notes:

    Foundations and Theory. Discourses of Recorded Sound : Technologies, Production, Listening, and Conceptualization ; The Ontology of Recorded Sound ; Sound Quality : Reasoning, Action, and Language -- Encyclopedia. Conceptualizing Sound Quality : An Encyclopedia of Selected Sound Terminology
  5. Making sense of recordings
    how cognitive processing of recorded sound works
    Author: Walther-Hansen, Mads
    Published: [2020]; © 2020
    Publisher:  Oxford University Press, New York

    Foundations and Theory. Discourses of Recorded Sound : Technologies, Production, Listening, and Conceptualization ; The Ontology of Recorded Sound ; Sound Quality : Reasoning, Action, and Language -- Encyclopedia. Conceptualizing Sound Quality : An... more

    Location:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

     

    Foundations and Theory. Discourses of Recorded Sound : Technologies, Production, Listening, and Conceptualization ; The Ontology of Recorded Sound ; Sound Quality : Reasoning, Action, and Language -- Encyclopedia. Conceptualizing Sound Quality : An Encyclopedia of Selected Sound Terminology. "The sonic qualities that emerge from aesthetic and technological decisions in the recording studio have a major impact on how music sounds, yet our ability to describe this impact on the listening experience is limited. Listeners often use very elaborate metaphors when describing sound quality, such as timbral and spatial characteristics. There is, however, a prevalent belief that metaphors are vague and highly subjective, and therefore unsuitable for academic and more exacting discussions of sound. Making Sense of Recordings challenges this assumption by showing how these metaphors are closely connected to our sonic experience and that they make sense within a larger historical context of technological developments and changing discourses of recorded sound. Part 1 of the book starts by tracing written discourses of recorded sound, discussing how everyday listeners and audio professionals describe their experiences of sound in recorded music. The concept of the listener, as it is theorized here, relates both to the production and reception side of recorded music and assumes some sort of conscious evaluative process where people give meaning to their experiences. Listening is approached from a quality-oriented mode of listening concerned with embodied cognition and is conditioned by the specific listening situation and the specific purpose of listening. Building on cognitive sciences, ideas of embodied cognition, and recent studies in discourse analysis, the book then provides new theoretical and methodological approaches to sound perception and conceptualization with particular relevance to recorded music. The aim is not only to expand on existing histories of studio music technologies, from production to reproduction to reception, but also to provide analytical and practical tools to aid in the understanding and communication of sound discourse in the studio and beyond"--

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780197533932
    Subjects: Sound recordings; Sound recordings
    Scope: 1 Online-Ressource (viii, 144 Seiten), Illustrationen, Diagramme
    Notes:

    Includes bibliographical references and index
  6. Making sense of recordings
    how cognitive processing of recorded sound works
    Author: Walther-Hansen, Mads
    Published: [2020]; © 2020
    Publisher:  Oxford University Press, New York

    Foundations and Theory. Discourses of Recorded Sound : Technologies, Production, Listening, and Conceptualization ; The Ontology of Recorded Sound ; Sound Quality : Reasoning, Action, and Language -- Encyclopedia. Conceptualizing Sound Quality : An... more

    Location:
    Staatliches Institut für Musikforschung - Preußischer Kulturbesitz, Bibliothek
    Signature:
    K 61/172
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signature:
    SF Tech 2020/6
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    Location:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Foundations and Theory. Discourses of Recorded Sound : Technologies, Production, Listening, and Conceptualization ; The Ontology of Recorded Sound ; Sound Quality : Reasoning, Action, and Language -- Encyclopedia. Conceptualizing Sound Quality : An Encyclopedia of Selected Sound Terminology. "The sonic qualities that emerge from aesthetic and technological decisions in the recording studio have a major impact on how music sounds, yet our ability to describe this impact on the listening experience is limited. Listeners often use very elaborate metaphors when describing sound quality, such as timbral and spatial characteristics. There is, however, a prevalent belief that metaphors are vague and highly subjective, and therefore unsuitable for academic and more exacting discussions of sound. Making Sense of Recordings challenges this assumption by showing how these metaphors are closely connected to our sonic experience and that they make sense within a larger historical context of technological developments and changing discourses of recorded sound. Part 1 of the book starts by tracing written discourses of recorded sound, discussing how everyday listeners and audio professionals describe their experiences of sound in recorded music. The concept of the listener, as it is theorized here, relates both to the production and reception side of recorded music and assumes some sort of conscious evaluative process where people give meaning to their experiences. Listening is approached from a quality-oriented mode of listening concerned with embodied cognition and is conditioned by the specific listening situation and the specific purpose of listening. Building on cognitive sciences, ideas of embodied cognition, and recent studies in discourse analysis, the book then provides new theoretical and methodological approaches to sound perception and conceptualization with particular relevance to recorded music. The aim is not only to expand on existing histories of studio music technologies, from production to reproduction to reception, but also to provide analytical and practical tools to aid in the understanding and communication of sound discourse in the studio and beyond"--

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780197533901; 9780197533918
    Subjects: Sound recordings; Sound recordings
    Scope: viii, 144 Seiten, Illustrationen, Diagramme
    Notes:

    Includes bibliographical references and index
  7. Making sense of recordings
    how cognitive processing of recorded sound works
    Author: Walther-Hansen, Mads
    Published: 2020
    Publisher:  Oxford University Press, New York, NY

    The literature dealing with the auditory impact of studio-based practices and technologies on the listening experience is scattered and mainly comprises specialised articles inaccessible to most audio professionals and students. 'Making Sense of... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The literature dealing with the auditory impact of studio-based practices and technologies on the listening experience is scattered and mainly comprises specialised articles inaccessible to most audio professionals and students. 'Making Sense of Recordings' addresses this problem by offering a comprehensive account of sound quality in recorded music. The text presents analytical tools to evaluate recorded sound and describes how the listening experience is reflected, often metaphorically, in language.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780197533949; 9780197533932
    Other identifier:
    Series: Oxford scholarship online
    Subjects: Sound recordings; Sound recordings; Sound recordings ; Production and direction
    Scope: 1 online resource, illustrations (black and white, and colour).
    Notes:

    Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on September 16, 2020)
  8. Making sense of recordings
    how cognitive processing of recorded sound works
    Author: Walther-Hansen, Mads
    Published: [2020]; © 2020
    Publisher:  Oxford University Press, New York

    Foundations and Theory. Discourses of Recorded Sound : Technologies, Production, Listening, and Conceptualization ; The Ontology of Recorded Sound ; Sound Quality : Reasoning, Action, and Language -- Encyclopedia. Conceptualizing Sound Quality : An... more

    Location:
    Staatliches Institut für Musikforschung - Preußischer Kulturbesitz, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Foundations and Theory. Discourses of Recorded Sound : Technologies, Production, Listening, and Conceptualization ; The Ontology of Recorded Sound ; Sound Quality : Reasoning, Action, and Language -- Encyclopedia. Conceptualizing Sound Quality : An Encyclopedia of Selected Sound Terminology. "The sonic qualities that emerge from aesthetic and technological decisions in the recording studio have a major impact on how music sounds, yet our ability to describe this impact on the listening experience is limited. Listeners often use very elaborate metaphors when describing sound quality, such as timbral and spatial characteristics. There is, however, a prevalent belief that metaphors are vague and highly subjective, and therefore unsuitable for academic and more exacting discussions of sound. Making Sense of Recordings challenges this assumption by showing how these metaphors are closely connected to our sonic experience and that they make sense within a larger historical context of technological developments and changing discourses of recorded sound. Part 1 of the book starts by tracing written discourses of recorded sound, discussing how everyday listeners and audio professionals describe their experiences of sound in recorded music. The concept of the listener, as it is theorized here, relates both to the production and reception side of recorded music and assumes some sort of conscious evaluative process where people give meaning to their experiences. Listening is approached from a quality-oriented mode of listening concerned with embodied cognition and is conditioned by the specific listening situation and the specific purpose of listening. Building on cognitive sciences, ideas of embodied cognition, and recent studies in discourse analysis, the book then provides new theoretical and methodological approaches to sound perception and conceptualization with particular relevance to recorded music. The aim is not only to expand on existing histories of studio music technologies, from production to reproduction to reception, but also to provide analytical and practical tools to aid in the understanding and communication of sound discourse in the studio and beyond"--

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780197533901; 9780197533918
    Subjects: Sound recordings; Sound recordings
    Scope: viii, 144 Seiten, Illustrationen, Diagramme
    Notes:

    Includes bibliographical references and index
  9. Making sense of recordings
    how cognitive processing of recorded sound works
    Author: Walther-Hansen, Mads
    Published: 2020
    Publisher:  Oxford University Press, New York, NY

    The literature dealing with the auditory impact of studio-based practices and technologies on the listening experience is scattered and mainly comprises specialised articles inaccessible to most audio professionals and students. 'Making Sense of... more

    Access:
    Resolving-System (lizenzpflichtig)

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Hochschule für Musik 'Carl Maria von Weber', Hochschulbibliothek
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    Hochschule für Technik und Wirtschaft Dresden, Bibliothek
    Signature:
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    The literature dealing with the auditory impact of studio-based practices and technologies on the listening experience is scattered and mainly comprises specialised articles inaccessible to most audio professionals and students. 'Making Sense of Recordings' addresses this problem by offering a comprehensive account of sound quality in recorded music. The text presents analytical tools to evaluate recorded sound and describes how the listening experience is reflected, often metaphorically, in language.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780197533949; 9780197533932
    Other identifier:
    Series: Oxford scholarship online
    Subjects: Sound recordings; Sound recordings; Sound recordings ; Production and direction
    Scope: 1 online resource, illustrations (black and white, and colour).
    Notes:

    Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on September 16, 2020)
  10. Making sense of recordings
    how cognitive processing of recorded sound works
    Author: Walther-Hansen, Mads
    Published: [2020]; ©
    Publisher:  Oxford University Press, New York, NY

    "The sonic qualities that emerge from aesthetic and technological decisions in the recording studio have a major impact on how music sounds, yet our ability to describe this impact on the listening experience is limited. Listeners often use very... more

    Location:
    Zentrale Hochschulbibliothek Flensburg
    Signature:
    ZN 6820 W237
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "The sonic qualities that emerge from aesthetic and technological decisions in the recording studio have a major impact on how music sounds, yet our ability to describe this impact on the listening experience is limited. Listeners often use very elaborate metaphors when describing sound quality, such as timbral and spatial characteristics. There is, however, a prevalent belief that metaphors are vague and highly subjective, and therefore unsuitable for academic and more exacting discussions of sound. Making Sense of Recordings challenges this assumption by showing how these metaphors are closely connected to our sonic experience and that they make sense within a larger historical context of technological developments and changing discourses of recorded sound. Part 1 of the book starts by tracing written discourses of recorded sound, discussing how everyday listeners and audio professionals describe their experiences of sound in recorded music. The concept of the listener, as it is theorized here, relates both to the production and reception side of recorded music and assumes some sort of conscious evaluative process where people give meaning to their experiences. Listening is approached from a quality-oriented mode of listening concerned with embodied cognition and is conditioned by the specific listening situation and the specific purpose of listening. Building on cognitive sciences, ideas of embodied cognition, and recent studies in discourse analysis, the book then provides new theoretical and methodological approaches to sound perception and conceptualization with particular relevance to recorded music. The aim is not only to expand on existing histories of studio music technologies, from production to reproduction to reception, but also to provide analytical and practical tools to aid in the understanding and communication of sound discourse in the studio and beyond"--

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780197533918; 9780197533901
    Subjects: Tonträgerproduktion; Schallaufzeichnung; Klang; Ästhetik; Geschichte 1960-2000;
    Scope: viii, 144 Seiten, Illustrationen
    Notes:

    Foundations and Theory. Discourses of Recorded Sound : Technologies, Production, Listening, and Conceptualization ; The Ontology of Recorded Sound ; Sound Quality : Reasoning, Action, and Language -- Encyclopedia. Conceptualizing Sound Quality : An Encyclopedia of Selected Sound Terminology