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Displaying results 1 to 25 of 118.

  1. <<The>> making of barbarians
    Chinese literature and multilingual Asia
    Author: Saussy, Haun
    Published: [2022]
    Publisher:  Princeton University Press, Princeton

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    Source: Union catalogues
    Language: English; Chinese
    Media type: Book
    Format: Print
    ISBN: 0691231974; 9780691231976
    Series: Translation transnation
    Subjects: China; Literatur; Kanon; Übersetzung; Chinesisch; Kulturelle Identität; Kulturelle Aneignung; Fremdbild; Geschichte Anfänge-1850;
    Scope: vii, 181 Seiten, Illustrationen
    Notes:

    Enthält Literaturhinweise: Seite 143-171
  2. Are We Comparing Yet? : On Standards, Justice, and Incomparability
    Author: Saussy, Haun
    Published: 2019

    Debates about the possibility of an open culture – or indeed about the possibility of an open debate about the openness of culture – often turn on questions of standards. But since no benchmark can be absolute, judgement is a proliferation of... more

     

    Debates about the possibility of an open culture – or indeed about the possibility of an open debate about the openness of culture – often turn on questions of standards. But since no benchmark can be absolute, judgement is a proliferation of comparisons. Through a series of case studies in everyday and academic comparison (literature, history, politics, philosophy), Haun Saussy calls out the typical vices of comparison and proposes ways to unseat them. For however much it is abused, distorted, and manipulated, comparison retains an essential link to the idea of justice.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839449776; 9783837649772
    Other identifier:
    Subjects: Literary studies: general
    Other subjects: Comparison; Ethics; History; Eurocentrism; Critique; Literature; Culture; General Literature Studies; Cultural Theory; Cultural History; Cultural Studies; Bielefeld University Press
    Scope: 1 electronic resource (112 p.)
  3. The Chinese Written Character as a Medium for Poetry
    A Critical Edition
    Author: Fenollosa, Ernest; Klein, Lucas; Pound, Ezra
    Published: [2009]; © 2009
    Publisher:  Fordham University Press, New York, NY

    First published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often "ed statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that... more

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    First published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often "ed statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound’s understanding—it is fair to say, his appropriation—of the text. Fenollosa’s manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North Americaand East Asia.Pound’s editing of the essay obscured two important features, here restored to view: Fenollosa’s encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry.This book is the definitive critical edition of Fenollosa’s important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound’s deletions, insertions, and alterations to Fenollosa’s sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa’s ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition.This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry

     
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    Source: Union catalogues
    Contributor: Saussy, Haun (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823238347
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    Subjects: LITERARY COLLECTIONS / Essays; Chinese language; Chinese poetry; Grammar, Comparative and general
    Scope: 1 online resource (240 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  4. The Ethnography of Rhythm
    Orality and Its Technologies
    Author: Saussy, Haun
    Published: [2016]; © 2016
    Publisher:  Fordham University Press, New York, NY

    Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary StudiesWho speaks? The author as producer, the contingency of the text, intertextuality, the "device"—core ideas of modern literary theory—were all... more

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    Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary StudiesWho speaks? The author as producer, the contingency of the text, intertextuality, the "device"—core ideas of modern literary theory—were all pioneered in the shadow of oral literature. Authorless, loosely dated, and variable, oral texts have always posed a challenge to critical interpretation. When it began to be thought that culturally significant texts—starting with Homer and the Bible—had emerged from an oral tradition, assumptions on how to read these texts were greatly perturbed. Through readings that range from ancient Greece, Rome, and China to the Cold War imaginary, The Ethnography of Rhythm situates the study of oral traditions in the contentious space of nineteenth- and twentieth-century thinking about language, mind, and culture. It also demonstrates the role of technologies in framing this category of poetic creation. By making possible a new understanding of Maussian "techniques of the body" as belonging to the domain of Derridean "arche-writing," Haun Saussy shows how oral tradition is a means of inscription in its own right, rather than an antecedent made obsolete by the written word or other media and data-storage devices

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823270491
    Other identifier:
    Series: Verbal Arts: Studies in Poetics
    Subjects: Derrida; Homer; Jacques; MacLuhan; Marshall; Milman; Parry; embodiment; literacy; media; memory; oral tradition; theory of literature; Technology & Engineering / Social Aspects; Folk literature; Oral tradition; Orality in literature; Poetics; Storytelling
    Scope: 1 online resource (274 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  5. Comparative literature
    the next ten years
    Author: Saussy, Haun

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: Futures of Comparative Literature : Acla State of the Discipline Report.(2017); 2017; S. 24 - 30
  6. By land or sea
    models of world literature
    Author: Saussy, Haun

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: Contextualizing World Literature.(2015); 2015; S. 61 - 70
  7. Language and literature
    a pedagogical continuum?
    Author: Saussy, Haun

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: The future of the humanities. Responses to the 2004 publishing and tenure crises forum. The humanities in a changed world. Openings and endings of scholarly books.(2005); 2005; S. 113 - 121
  8. The problem of a Chinese Aesthetic
    Author: Saussy, Haun
    Published: 1993
    Publisher:  Stanford Univ. Press, Stanford

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Language: Chinese
    Media type: Book
    ISBN: 0-8047-2074-6
    Series: Meridian
    Subjects: Chinesisch; Literatur; Geschichte; Literatur; Ästhetik; Vergleichende Literaturwissenschaft; Allegorie; Chinesisch
    Scope: XVI, 296 S.
  9. In the workshop of equivalences
    translation, institutions, and the media in the Jesuit re-formation of China
    Author: Saussy, Haun

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: Religion and media.(2006); 2006; S. 163 - 181
  10. A book to burn and a book to keep (hidden)
    selected writings of Li Zhi
    Author: Li, Zhi
    Published: [2016]; ©2016
    Publisher:  Columbia University Press, New York

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    Max-Planck-Institut für Wissenschaftsgeschichte, Bibliothek
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    895 L69353b
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    Source: Union catalogues
    Contributor: Handler-Spitz, Rivi (HerausgeberIn, ÜbersetzerIn); Lee, Pauline C. (HerausgeberIn, ÜbersetzerIn); Saussy, Haun (HerausgeberIn, ÜbersetzerIn); Li, Zhi
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780231166126; 9780231166133
    RVK Categories: CI 9326
    Series: Translations from the Asian classics
    Subjects: Li, Zhi; Literatur; ; Chinesisch;
    Scope: XXXVI, 366 Seiten, 1 Karte
    Notes:

    Includes bibliographical references and index
  11. Introducing comparative literature
    new trends and applications
    Author: Cristaldo Domínguez, César; Saussy, Haun; Villanueva, Darío
    Published: 2015
    Publisher:  Routledge, London [u.a.]

    "Introducing Comparative Literature is a comprehensive guide to the field offering clear, concise information alongside useful analysis and examples. It frames the introduction within recent theoretical debates and shifts in the discipline whilst... more

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    "Introducing Comparative Literature is a comprehensive guide to the field offering clear, concise information alongside useful analysis and examples. It frames the introduction within recent theoretical debates and shifts in the discipline whilst also addressing the history of the field and its practical application. Looking at Comparative Literature within the context of globalization, cosmopolitanism and post or transnationalism, the book also offers engagement and comparison with other visual media such as cinema and e-literature. The first four chapters address the broad theoretical issues within the field such as 'interliterary theory', decoloniality, and world literature, while the next four are more applied, looking at themes, translation, literary history and comparison with other arts. This engaging guide also contains a glossary of terms and concepts as well as a detailed guide to further reading"..

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780415702676; 9780415702683
    Subjects: LITERARY CRITICISM / General; Vergleichende Literaturwissenschaft
    Scope: XVIII, 169 S., Ill.
    Notes:

    Includes bibliographical references and index
  12. Are We Comparing Yet?
    Author: Saussy, Haun
    Published: 2019-09-24
    Publisher:  Bielefeld University Press

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839449776
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    Edition: 1
    Series: Literaturwissenschaft 2020
    Subjects: Biographie, Literatur und Literaturwissenschaft
    Scope: 1 Online-Ressource
  13. Comparative literature in an age of globalization
    Contributor: Saussy, Haun
    Published: 2006
    Publisher:  Johns Hopkins Univ. Press, Baltimore

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    Source: Union catalogues
    Contributor: Saussy, Haun
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0801883806; 9780801883804; 0801883792
    RVK Categories: EC 1660
    Subjects: Vergleichende Literaturwissenschaft; Weltliteratur; Globalisierung
    Scope: XIII, 261 S.
  14. Are We Comparing Yet?
    On Standards, Justice, and Incomparability
    Author: Saussy, Haun
    Published: [2019]
    Publisher:  Bielefeld University Press, Bielefeld ; Walter de Gruyter GmbH, Berlin

    Debates about the possibility of an open culture - or indeed about the possibility of an open debate about the openness of culture - often turn on questions of standards. But since no benchmark can be absolute, judgement is a proliferation of... more

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    Debates about the possibility of an open culture - or indeed about the possibility of an open debate about the openness of culture - often turn on questions of standards. But since no benchmark can be absolute, judgement is a proliferation of comparisons.Through a series of case studies in everyday and academic comparison (literature, history, politics, philosophy), Haun Saussy calls out the typical vices of comparison and proposes ways to unseat them. For however much it is abused, distorted, and manipulated, comparison retains an essential link to the idea of justice.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839449776
    Other identifier:
    DDC Categories: 000; 100; 300
    Subjects: Kulturvergleich; Ethnozentrismus; Gerechtigkeit; Vergleichende Literaturwissenschaft; Bielefeld University Press; Critique; Cultural History; Cultural Studies; Cultural Theory; Culture; Ethics; Eurocentrism; General Literature Studies; History; Literature; LITERARY CRITICISM / General
    Scope: 1 Online-Ressource (112 Seiten)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  15. Are We Comparing Yet?
    On Standards, Justice, and Incomparability
    Author: Saussy, Haun
    Published: 2019
    Publisher:  Bielefeld University Press, Bielefeld ; UTB GmbH, Stuttgart

    Debates about the possibility of an open culture - or indeed about the possibility of an open debate about the openness of culture - often turn on questions of standards. But since no benchmark can be absolute, judgement is a proliferation of... more

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    Debates about the possibility of an open culture - or indeed about the possibility of an open debate about the openness of culture - often turn on questions of standards. But since no benchmark can be absolute, judgement is a proliferation of comparisons. Through a series of case studies in everyday and academic comparison (literature, history, politics, philosophy), Haun Saussy calls out the typical vices of comparison and proposes ways to unseat them. For however much it is abused, distorted, and manipulated, comparison retains an essential link to the idea of justice.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839449776
    DDC Categories: 000; 100; 300
    Edition: 1st ed.
    Subjects: Kulturvergleich; Vergleichende Literaturwissenschaft; Ethnozentrismus; Gerechtigkeit
    Scope: 1 Online-Ressource (112 p.)
  16. The Chinese Written Character as a Medium for Poetry
    A Critical Edition
    Author: Fenollosa, Ernest
    Published: [2009]
    Publisher:  Fordham University Press, New York, NY ; Walter de Gruyter GmbH, Berlin

    First published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often "ed statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that... more

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    First published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often "ed statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound’s understanding—it is fair to say, his appropriation—of the text. Fenollosa’s manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North Americaand East Asia.Pound’s editing of the essay obscured two important features, here restored to view: Fenollosa’s encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry.This book is the definitive critical edition of Fenollosa’s important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound’s deletions, insertions, and alterations to Fenollosa’s sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa’s ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition.This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry.

     
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    Source: Union catalogues
    Contributor: Klein, Lucas; Pound, Ezra; Saussy, Haun
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823238347
    Other identifier:
    Scope: 1 Online-Ressource (240 p.)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  17. The Ethnography of Rhythm
    Orality and Its Technologies
    Author: Saussy, Haun
    Published: [2016]
    Publisher:  Fordham University Press, New York, NY ; Walter de Gruyter GmbH, Berlin

    Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary StudiesWho speaks? The author as producer, the contingency of the text, intertextuality, the “device”—core ideas of modern literary theory—were all... more

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    Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary StudiesWho speaks? The author as producer, the contingency of the text, intertextuality, the “device”—core ideas of modern literary theory—were all pioneered in the shadow of oral literature. Authorless, loosely dated, and variable, oral texts have always posed a challenge to critical interpretation. When it began to be thought that culturally significant texts—starting with Homer and the Bible—had emerged from an oral tradition, assumptions on how to read these texts were greatly perturbed. Through readings that range from ancient Greece, Rome, and China to the Cold War imaginary, The Ethnography of Rhythm situates the study of oral traditions in the contentious space of nineteenth- and twentieth-century thinking about language, mind, and culture. It also demonstrates the role of technologies in framing this category of poetic creation. By making possible a new understanding of Maussian “techniques of the body” as belonging to the domain of Derridean “arche-writing,” Haun Saussy shows how oral tradition is a means of inscription in its own right, rather than an antecedent made obsolete by the written word or other media and data-storage devices.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823270491
    Other identifier:
    Series: Verbal Arts: Studies in Poetics
    Scope: 1 Online-Ressource (274 p.)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  18. Cathay
    A Critical Edition
    Author: Pound, Ezra
    Published: [2018]
    Publisher:  Fordham University Press, New York, NY ; Walter de Gruyter GmbH, Berlin

    Finalist, Pegasus Award for Poetry CriticismEzra Pound’s Cathay (1915) is a masterpiece both of modernism and of world literature. The muscular precision of images that mark Pound’s translations helped establish a modern style for American... more

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    Finalist, Pegasus Award for Poetry CriticismEzra Pound’s Cathay (1915) is a masterpiece both of modernism and of world literature. The muscular precision of images that mark Pound’s translations helped establish a modern style for American literature, at the same time creating a thirst for classical Chinese poetry in English. Pound’s dynamic free-verse translations in a modern idiom formed the basis for T.S. Eliot’s famous claim that Pound was the “inventor of Chinese poetry for our time.” Yet Pound achieved this feat without knowing any Chinese, relying instead on word-for-word “cribs” left by the Orientalist Ernest Fenollosa, whose notebooks reveal a remarkable story of sustained cultural exchange.This fully annotated critical edition focuses on Pound’s astonishing translations without forgetting that the original Chinese poems are masterpieces in their own right. On the one hand, the presentation of all that went into the final Cathay makes it possible for the first time to appreciate the magnitude and the nuances of Pound’s poetic art. At the same time, by bringing the final text together with the Chinese and Old English poems it claims to translate, as well as the manuscript traces of Pound's Japanese and American interlocutors, the volume also recovers practices of poetic circulation, resituating a Modernist classic as a work of world literature.The Pound text and its intertexts are presented with care, clarity, and visual elegance. By providing the first accurate and unabridged transcriptions of Fenollosa’s notebooks, along with carefully edited Chinese texts, the volume makes it possible to trace the movements of poetic ideas and poetic expression as they veer toward and away from Pound’s creations. In supplying the full Fenollosa texts, the volume overturns decades of scholarship that has mystified Pound’s translation process as a kind of “clairvoyance,” displaying instead the impressive amount of sinological learning preserved in Fenollosa’s hard-to-read notebooks and by detailing every deviation from the probable sense of the originals. The edition also supplies exhaustive historical, critical, and textual notes, clarifying points that have sometimes lent obscurity to Pound’s poems and making the process of translation visible even for readers with no knowledge of Chinese. Cathay: A Critical Edition includes the original fourteen Chinese translations as well as Pound’s unique version of “The Seafarer,” which is fully annotated alongside its Anglo-Saxon source. Also included are Pound’s fifteen additional Chinese translations from Lustra and other contemporary publications, his essay “Chinese Poetry” (1919), a substantial textual Introduction, and original essays by Christopher Bush and Haun Saussy on international modernism, the mediation of Japan, and translation.The meticulous treatment and analysis of the texts for this landmark edition will forever change how readers view Pound’s “Chinese” poems. In addition to discoveries that permanently alter the scholarly record and force us to revise a number of critical commonplaces, the critical apparatus allows readers to make fresh discoveries by making available the specific networks through which poetic expression moved among hands, languages, and media. Ultimately, this edition not only enables us more fully to appreciate a canonical work of Modernism but also resituates the art of Pound’s translations by recovering the historical circulations that went into the making of a multiply authored and intrinsically hybrid masterpiece.

     
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    Source: Union catalogues
    Contributor: Billings, Timothy; Bush, Christopher; Saussy, Haun
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823281398
    Other identifier:
    Scope: 1 Online-Ressource (364 p.)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  19. Critical Rhythm
    The Poetics of a Literary Life Form
    Contributor: Attridge, Derek; Cable, Tom; Culler, Jonathan D.; Culler, Jonathan; Gerber, Natalie; Glaser, Ben; Jackson, Virginia; Jarvis, Simon; Jones, Ewan; Kappeler, Erin; Martin, Meredith; Nowell Smith, David; Prins, Yopie; Saussy, Haun
    Published: [2019]
    Publisher:  Fordham University Press, New York, NY ; Walter de Gruyter GmbH, Berlin

    This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable... more

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    This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable concept. Distinct from the related terms to which it’s often assimilated—scansion, prosody, meter—rhythm makes legible a range of ways poetry affects us that cannot be parsed through the traditional resources of poetic theory.Rhythm has rich but also problematic roots in still-lingering nineteenth-century notions of primitive, oral, communal, and sometimes racialized poetics. But there are reasons to understand and even embrace its seductions, including its resistance to lyrical voice and even identity. Through exploration of rhythm’s genealogies and present critical debates, the essays consistently warn against taking rhythm to be a given form offering ready-made resources for interpretation. Pressing beyond poetry handbooks’ isolated descriptions of technique or inductive declarations of what rhythm “is,” the essays ask what it means to think rhythm.Rhythm, the contributors show, happens relative to the body, on the one hand, and to language, on the other—two categories that are distinct from the literary, the mode through which poetics has tended to be analyzed. Beyond articulating what rhythm does to poetry, the contributors undertake a genealogical and theoretical analysis of how rhythm as a human experience has come to be articulated through poetry and poetics. The resulting work helps us better understand poetry both on its own terms and in its continuities with other experiences and other arts.Contributors: Derek Attridge, Tom Cable, Jonathan Culler, Natalie Gerber, Ben Glaser, Virginia Jackson, Simon Jarvis, Ewan Jones, Erin Kappeler, Meredith Martin, David Nowell Smith, Yopie Prins, Haun Saussy...

     
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    Contributor: Attridge, Derek; Cable, Tom; Culler, Jonathan D.; Culler, Jonathan; Gerber, Natalie; Glaser, Ben; Jackson, Virginia; Jarvis, Simon; Jones, Ewan; Kappeler, Erin; Martin, Meredith; Nowell Smith, David; Prins, Yopie; Saussy, Haun
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823282067
    Other identifier:
    Series: Verbal Arts: Studies in Poetics
    Scope: 1 Online-Ressource (288 p.), 9
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  20. Introducing comparative literature
    new trends and applications
    Author: Domínguez, César
    Published: 2015
    Publisher:  Routledge, London [u.a.]

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    Source: Union catalogues
    Contributor: Saussy, Haun; Villanueva, Darío
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780415702683; 9780415702676
    RVK Categories: EC 1650
    Subjects: Vergleichende Literaturwissenschaft
    Scope: XVIII, 169 S.
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    Literaturverz. S. [151] - 166
  21. The making of Barbarians
    Chinese literature and multilingual Asia
    Author: Saussy, Haun
    Published: 2023
    Publisher:  Princeton University Press, Princeton ; Oxford University Press, Oxford

    A groundbreaking account of translation and identity in the Chinese literary tradition before 1850 - with important ramifications for today. more

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    A groundbreaking account of translation and identity in the Chinese literary tradition before 1850 - with important ramifications for today.

     
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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691231969
    Other identifier:
    Series: Translation/transnation
    Princeton scholarship online
    Subjects: Chinese literature; Chinese literature; Chinese literature; European literature; Literature; Literature: history & criticism
    Scope: 1 Online-Ressource (vii, 181 pages), Illustrations (black and white).
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    Previously issued in print: 2022

    Includes bibliographical references and index
  22. Sinographies
    Writing China
    Author: Hayot, Eric
    Published: 2007
    Publisher:  University of Minnesota Press, Minneapolis ; ProQuest, Ann Arbor, Michigan

    The essays in this thought-provoking volume investigate ideas of China and Chineseness by means of a broad range of texts, languages, and contexts that surround what the editors call the Òvarious written ChinasÓ through history. Analyzing discourse... more

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    The essays in this thought-provoking volume investigate ideas of China and Chineseness by means of a broad range of texts, languages, and contexts that surround what the editors call the Òvarious written ChinasÓ through history. Analyzing discourse of civilization, geography, ethics, ethnicity, writing, and differences about China, this work disrupts the boundaries that have previously defined this country as an object of study.Sinographies respects the power of texts to shape realities both backward and forward, to create or foreclose possibilities not only of interpretation but of experience. The essays examine topics like colonialism, literary modernism, translation, anime, and Tibet. As a whole, the volume imagines sinography as a new methodological approach to the study of China, one that clears unexpected ground for new kinds of comparative work.Contributors: Timothy Billings, Christopher Bush, Rey Chow, Danielle Glassmeyer, Timothy Kendall, Walter S. H. Lim, Lucien Miller, David Porter, Carlos Rojas, Steven J. Venturino, Henk Vynckier.

     
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    Source: Union catalogues
    Contributor: Saussy, Haun; Yao, Steven G.
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780816653799
    Subjects: Chinesisch; Literatur; Nationalbewusstsein <Motiv>; China <Motiv>; Orientalisierende Literatur
    Scope: 1 Online-Ressource (404 pages)
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    Description based on publisher supplied metadata and other sources
  23. The ethnography of rhythm
    orality and its technologies
    Author: Saussy, Haun
    Published: 2016
    Publisher:  Fordham University Press, New York

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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823270491
    Edition: First edition
    Series: Verbal Arts: Studies in Poetics
    Subjects: Oral tradition; Poetics; Orality in literature; Storytelling; Folk literature
    Scope: 1 Online-Ressource (274 pages), illustrations, photographs
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  24. Great walls of discourse and other adventures in cultural China
    Author: Saussy, Haun
    Published: 2001
    Publisher:  Harvard Univ. Press, Cambridge [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 067400860X
    RVK Categories: EG 9440
    Series: Harvard East Asian monographs ; 212
    Subjects: Cultuur; Geschiedschrijving; Geschichtsschreibung; Kultur; Postmoderne; Literatur; Kultur; Chinesisch
    Scope: XI, 289 S.
  25. The problem of a Chinese aesthetic
    Author: Saussy, Haun
    Published: 1995
    Publisher:  Stanford Univ. Press, Stanford, Calif.

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0804725934
    Series: Meridian crossing aesthetics
    Subjects: Literatur; Chinesisch; Poetik
    Scope: XVI, 296 S.